The Project Gutenberg eBook of Olympic Victor Monuments, by Walter Woodburn Hyde.

614 In the present discussion we shall confine ourselves to the assimilation of mortal types to those of athletic gods and heroes, omitting the larger question of assimilation to divine types in general. A good example of the latter is afforded by P. VIII, 9.7–8. Here, in noting that the Mantineans worshipped Antinoos as a god by the erection of a temple and the celebration of mysteries and games, he says that images and paintings of the hero were in the Gymnasion there, the latter Διονύσῳ μάλιστα εἰκασμέναι.

615 Kabbadias, no. 218; Rev. Arch., III (1er Sér.), 1846, Pl. 53, fig. 2; Ph. Le Bas, Voyage archéologique (ed. Reinach), Pl. CXVIII, p. 107; B. B., 18; von Mach, 191; F. W., 1220; Reinach., Rép., II, i, 149, 10.

616 Marbres et Bronzes, p. 49.

617 Kabbadias, no. 219.

618 Formerly known as the Antinous: M. W., II, Pl. 28, 307; Clarac, IV, Pl. 665, 1514; Reinach, Rép., I, 367,2 (with restored arms); von Mach, no. 192; Amelung, Vat., II, no. 53 (pp. 132 f.) and Pl. 12; F. W., no. 1218; Baum., I, pp. 675 f. and fig. 737.

619 B. M. Sculpt., III, no. 1599 and Pl. IV; Clarac, IV, Pl. 664, 1539; Reinach, Rép., II, i, 149, 1; Springer-Michaelis, p. 317, fig. 567. A corresponding replica from Melos is described by F. W., 1219; for a replica of the head (on a torso which does not belong to it) in the Braccio Nuovo of the Vatican, see Amelung, Vat., I, no. 132 (p. 155) and Pl. 21; for others, see Koerte, A. M., III, 1878, pp. 98 f. The height is given in B. M. Sculpt. as 6 ft. 7–1/2 in. (without the plinth).

620 Amelung, Vat., II, p. 656 and Pl. 61; Furtw., Mw., p. 361, fig. 48. It is a marble copy of an original bronze of Myronian origin. Its height is 1.98 meters (Amelung).

621 Duetschke, IV, no. 416; M. W., II, Pl. 30, 329.

622 Ibid., no. 416; Koerte, A. M., III, 1878, p. 350, no. 72.

623 Duetschke, IV, no. 876; Clarac, 958, 2473; Conze, in A. A., 1867, pp. 105–6. Here Conze gives a list of which three reliefs and one statue represent dead men as Hermes.

624 Duetschke, IV, no. 46; Conze, l. c., p. 106 (mentioned in preceding note).

625 E. g., the well-known bust of the emperor Commodus with the attributes of Hercules in the Palazzo dei Conservatori, Rome: Helbig, Fuehrer, I, 930; Baum., I, p. 398, fig. 432; Arndt-Bruckmann, Griech. u. roem. Portraets, 230; Hekler, Greek and Roman Portraits, 1912, Pl. 270 a; Reinach, Rép., II, 2, 583, 7.

626 Not. Scav., 1885, p. 42; Ant. Denkm., I, I, 1886, Pl. V; Bulle, 75 and fig. 27, p. 141; B. B., 246; Helbig, Fuehrer, II., 1347, and references; Arndt-Bruckmann, Griech. u. roem. Portraets, Pls. 358–360; Hekler, Greek and Roman Portraits, Pls. 82–4; Collignon, II, p. 493, fig. 257; Murray, Hbk. Gr. Archæol., 1892, pp. 305 f., fig. 100; Lanciani, Ruins and Excavations of Anc. Rome, 1897, Pl. on p. 303; Reinach, Rép., II, 2, 548, 7; cf. Furtw., Mp., p. 364, n. 2, and Mw., p. 597, n. 3. The height of the statue is 2.08 meters, or 2.37 meters to the hand (Bulle).

627 E. g., Philip V, Perseus, Alexander Balas (who usurped the Seleucid throne in 149 B. C.), Demetrios I (Soter), of Syria (who reigned 162–150 B. C.), and Antiochos II, (Theos, who reigned 261–246 B. C.), have been suggested.

628 See Imhoof-Blumer, Portraetkoepfe auf ant. Muenzen hellenischer und hellenisierter Voelker, 1885, Pls. I, 6; III, 24; V, 21; VI, 29 and 31.

629 A small replica of this famous statue may probably be seen in the bronze statuette in the Nelidoff collection: Wulff, Alexander mit der Lanze, 1898, Pls. I, II; Helbig, Fuehrer, II, p. 134, fig. 35. On supposed replicas, see Bernouilli, Das Bildniss Alex. d. Gr., p. 107; and Th. Schreiber, Studien ueber das Bildniss Alex. d. Gr., Abh. d. philolog.-histor. Cl. d. k. saechs. Gesellsch. d. Wissensch., XXI, 1903, no. III, pp. 100 f.

630 Kabbadias, 235; Collignon, in B. C. H., XIII, 1889, p. 498 and Pl. III; Bulle, 74.

631 Cf. the Farnese Herakles, Bulle, 72; etc.

632 Collignon, I, p. 253, fig. 122; see below, p. 119 and note 5.

633 E. g., in the Payne Knight bronze of the British Museum (B. M. Bronz., no. 209 and Pl. 1) and the Sciarra bronze (Collignon, I, p. 321, fig. 161; R. M., II, 1887, Pls. IV, IVa, V), which will be discussed in Ch. III, pp. 108, 119.

634 He won Ol. (?) 80 ( = 460 B. C.): P., VI, 4.11; Hyde, 45; Foerster, 255; Inschr. v. Ol. 149. Cf. Furtw., Mp., pp. 249 f.; Mw., pp. 452 f.

635 Mp., p. 255; an almost exact copy of the Eleusis statue is in the Museo Torlonia, no. 37.

636 Froehner, Les medaillons de l’Empire romain, 1878, p. 123; Furtw., Mp., l. c.

637 Mp., pp. 229 f., especially pp. 233 f.; Mw., pp. 422 f., especially pp. 426 f.

638 On an Argive funerary relief: see A. M., III, 1878, pp. 287 f. and Pl. XIII: this free adaptation of the Doryphoros dates from the middle of the fourth century B. C.; it will be treated later on in our discussion of the Doryphoros.

639 Cf. Ph., 16, (the palæstra of Hermes, the first known); Babr., 48,5 (παλαιστρίτης θεός). A trainer of professional athletes was called a γυμνάστης (a term sometimes applied to athletic gods): Xen., Mem., II, 1.20; Plato, de Leg., 720 E; etc.

640 E. g., Suppl., 189, 333; Agam., 513.

641 As in Iliad, XV, 428; XVI, 500; XXIV, 1. Eustathius in a scholion on the latter passage wrongly says that Aischylos called the ἀγοραῖοι θεοί “ἀγώνιοι θεοί.”

642 As in Hesychios, who says ἀγώνιοι θεοὶ = οἱ τῶν ἀγώνων προεστῶτες.

643 509, ὕπατος χώρας, “lord of Nemea.”

644 Ibid., ὁ Πύθιος ἄναξ.

646 E. g. Plato, de Leg., 783 A; Pindar, Isthm., I, 60, Ol., VI, 79, and Pyth., II, 10 (of Hermes); Soph., Trach., 26 (of Zeus, the decider of contests); C. I. G., II, 1421 (of Hermes); cf. also Simonides, quoted by Athenæus, XI, 90 (p. 490); Aischyl., fragm. 384 (of Hermes); Aristoph., Plut., 1161 (of Hermes); C. I. G., I, 251; etc.

647 See Preller-Robert, Griech. Mythol.⁴, 1894, p. 415, n. 3.

648 Cf. Krause, pp. 169 f.; Preller-Robert, op. cit., pp. 415 f.; Urlichs, Skopas, p. 42; Nissen, Pompej. Stud., p. 168; Roscher, Lex., I, 2, p. 2369; S. Eitrem, in Pauly-Wissowa, VIII, pp. 786–7.

649 Pindar, Nem., X, 52–3; Oxy. Pap., VII, 1015, 8.

650 E. g., at Messene, P., IV, 32.1 (along with that of Theseus).

651 B. M. Sculpt., III, 2156; C. I. G., I, 250, and Neubauer, Hermes, XI, 1876, p. 146, no. 12; for the dedication of a torch to Hermes, see A. G., VI, 100.

652 C. I. A., II, 3, 1225–6; IV, 2, 1225b; 1226, b, c, d.

653 Inschr. Gr. Insul., III (Thera), 390; cf. Cougny, Epigr. Anth. Pal., III, 1890 (Appendix nova), p. 26, no. 168.

654 Schol. on Pindar, Ol., VI, 134, Boeckh, p. 148. He is represented as a wrestler in a bronze group from Antioch, with wings in his hair: R. Foerster, Jb., XIII, 1898, pp. 177 f., and Pl. XI (to be discussed infra., p. 233 and note 2).

655 Servius on Virgil’s Aen., VIII, 138.

657 V, 14.9 (Ἑρμοῦ ... Ἐναγωνίου).

658 VIII, 14.10. An inscription (Inschr. v. Ol., 184) records that a certain Akestorides of Alexandria Troas (whose name is left out of the text of Pausanias, VI, 13.7) won a victory at Pheneus, and this was probably at these games; on this victor, see Hyde, 119, and pp. 49–50.

660 Helbig, Fuehrer, I, no. 324; Guide, 331; B. B., 131; Bulle, 54; von Mach, 126 b; Baum., I, p. 458, fig. 503; Reinach, Rép., I, 526,8; Collignon, II. p. 124, fig. 60; Overbeck, I, pp. 380 f. and fig. 102; F. W., no. 465; A. Z., XXIV, 1866, Pl. CCIX, 1–2, pp. 169 f. (Kekulé) and Pl. 209, 1, 2; Annali, LI, 1879, pp. 207 f. (Brunn); Jb., XIII, 1898, pp. 57 f. and fig. 1 (Habich); J. H. S., XXVIII, 1907, p. 25, fig. 13; A. J. A., VII, 1903, pp. 445 f. (von Mach); Springer-Michaelis, p. 268, fig. 482; replicas in the Louvre (photo Giraudon, no. 1209), London (B. M. Sculpt. III, no. 1753), Duncombe Park, England (Michaelis, p. 295, no. 2), and elsewhere; for series, see J. Six, Gaz. arch., 1888, pp. 291 and Pl. 29, fig. 10 A.

661 Mw., p. 122; also Smith, B. M. Sculpt., III, no. 1753.

662 First by Visconti, Mus. Pio Clem., III, p. 130; lately by G. Habich, l. c., and others.

663 H. N., XXXIV, 72; S. Q., 826. It was the only bronze work which the sculptor is known to have made, all his other works being in marble.

664 Kekulé (l. c.), Furtwaengler (l. c.), and others make the identification.

665 Long ago Turnebus (Advers., 1580, p. 486) explained the word in the sense of ἔγκρισις ἀθλητῶν, as used by Lucian, pro Imag., 11; cf., Cicero’s probatio, in his de Off., I, 144. Most modern commentators, however, refer the word to the statue, translating it “classical” or “chosen”: thus Urlichs, Chrest. Pl., 1857, p. 325; O. Jahn, Ueber die Kunsturteile des Plinius (Ber. saechs. Ges. d. Wiss., 1850), p. 125; H. L. von Urlichs, Blaetter f. d. bayr. Gymnasialsch., 1894, pp. 609 f., translates it “klassisch” or “mustergueltig,” i. e., serving as a pattern or standard. But the term was too well known as an athletic one for it ever to have been applied to a statue. The present participle, instead of the usual aorist (ἐγκριθείς), shows that Alkamenes’ statue represented an athlete in the act of undergoing selection. The old emendation into ἐγχριόμενος has been recently defended by Klein, Praxiteles, p. 50, who identifies Pliny’s statue with the Glyptothek Oil-pourer (Pl. 11); it is discredited by the occurrence of the epithet Encrinomenos as a Roman proper name, C. I. L., V, 1, 4429, which shows how familiar it was. See Jex-Blake, on the passage of Pliny.

666 Cf. Gardner, Hbk., p. 345; Helbig, l. c.

667 It seems to be a Hadrianic copy of an original which stood on the Athenian Akropolis.

668 Now in the Antiquarium, Rome: Helbig, Fuehrer, I, no. 1030; noted in B. Com. Rom., XXXVIII, 1910, p. 249, and fully discussed, ibid., XXXIX, 1911, pp. 97 f. (L. Mariani), and Pls. VI, VII (three views), and VIII (head, two views).

669 H. N., XXXIV, 80: Naucydes Mercurio et discobolo et immolante arietem censetur, etc.

670 Ueber den Diskoswurf bei den Griechen, 1892, p. 55. However, von Mach discusses a r.-f. deinos in the Museum of Fine Arts, Boston, which resembles the pose of the statue: A. J. A., VII, 1903, p. 447, fig. 1.

671 As in a vase by Douris: A. Z., 1883, Pl. II; Furtw., Berliner Vasen, no. 2283 A; also on a Hellenistic gem in Berlin: Furtw., Gemmen Katalog, no. 6911. Philostr., Imag., I, 24, says that the left foot was advanced.

672 Coin of Amastris: Schlosser, Numism. Zeitschr. (Vienna), XXIII, 1891, p. 19, Pl. 2, no. 35; a better reproduction by Imhoof-Blumer, in Sallet’s Zeitschr. f. Numism., XX, 1897, p. 269, Pl. 10, n. 2 (= Habich, p. 58, fig. 2); another in B. M. Coins (Pontus), Pl. XX, 7, pp. 87 and 21. On this and the Thracian coin, see also Habich, Hermes Diskobolos auf Muenzen, in Journ. internat. d’arch, num., II, 1898, pp. 137 f. Habich gives a gem showing the god with a kerykeion in the left hand, and a diskos in the right and with the right foot advanced: p. 61, fig. 3.

673 E. g., Michaelis, Jb., XIII, 1898, pp. 175–6. He looks upon the statue simply as that of a diskobolos.

674 In the National Museum, Athens, no. 13399: Staïs, Marb. et Bronz., pp. 353–354 and fig.; Arch. Eph., 1902, Pl. 17; Svoronos, Textbd., I, pp. 42–3; Tafelbd., I, Pl. VIII, no. 1; J. H. S., XXI, 1901, p. 351 (Bosanquet). This statuette is 0.25 meter in height and the base 0.09 meter (Svoronos).

675 Svoronos, p. 43, reproduces the coins of Amastris and Philippopolis.

676 Stuart Jones, Cat. Mus. Capitol., p. 288, no. 21 and Pl. 71; Helbig, Fuehrer, I, no. 858; Guide, 509; B. B., 387; Furtw., Mp., p. 303 and n. 7; Mw., p. 525 and n. 1; Clarac, II, 859, 2170; Reinach, Rép., I, 525, 1; Lange, Motiv des aufgestuetzten Fusses, 1879, pp. 13 f. Helbig speaks of a replica in Paris, but confounds it with the type of the so-called Sandal-binder of the Louvre (Fig. 8). The Capitoline statue is 1.845 meters in height (Stuart Jones).

677 The motive of the “aufgestuetztes Bein” is more likely Lysippan than Skopaic, as Furtwaengler wrongly assumed.

678 Svoronos, Textbd., I, pp. 18 f. (with bibliography of all the objects down to 1903, on p. 15, n. 1.); Tafelbd., I, Pls. I and II (front and back); Staïs, Marbres et Bronzes, pp. 302–304 and fig.; Bulle, 61; von Mach, 290; J. H. S., XXIII, 1903, Pls. VIII (head), IX (body, three views); H. B. Walters, Art of the Greeks, Pl. XVI; Gardner, Sculpt., Pl. LXXVIII; for bibliographical notice and discussion, see A. J. A., V, 1901, p. 465, and VII, 1903, pp. 464–5; Springer-Michaelis, p. 297, fig. 531; the best account of the statue in English is by Dr. A. S. Cooley, in Record of the Past, II, 1903, pp. 207–13 (with two illustrations). It is 1.94 meters in height, i. e., slightly over life-size (Svoronos).

679 J. H. S., XXI, 1901, pp. 205 f; he also briefly described all the bronzes found in A. A., 1901, pp. 17–19, (4 figs.), in Rev. des Ét. gr., XIV, 1901, pp. 122–6 (5 figs.), and in C. R. Acad. Inscr., 1901, pp. 58–63 (3 figs.) and 158–9 (3 Pls.). All the bronzes were published after cleansing in Arch. Eph., 1902, pp. 145 f., with Pls. 7–17 and figs. 1–18 in the text; see also Staïs, Les trouvailles dans la mer de Cythère, 1905; the last publication of all the pieces is by Svoronos, Textbd., I, pp. 1–86; Tafelbd., I, Pls. I-XX.

680 In his popular discussion of the bronzes in Monthly Review, June, 1901, pp. 110–127 (with 5 Pls., and 5 figs.). Similar praise is that of W. Klein, II, p. 403; he calls it die wundervollste aller uns erhaltenen Bronzestatuen des Altertums.

681 London Illustrated News, June 6, 1903 (with double-page plate).

682 Gaz. d. B.-A., XXV, Pér. III, 1901, pp. 295–301 (with 3 figures).

683 In a monograph entitled Ὁ Ἔφηβος τῶν Ἀντικυθήρων (pp. 1–42, and 6 figs.), Athens, 1903.

684 It was restored by the French sculptor André, who covered it with putty to conceal the jointures and the rivets which were used in welding the fragments together. He also colored it to resemble bronze. The method used in the restoration is certainly open to objection, but not to the extent asserted by certain scholars, e. g., by von Mach, who asserts that no Greek statue has received such unworthy treatment, and that the restoration makes it possible to refer the statue to almost any age or admixture of influences: Greek Sculpture, Its Spirit and Principles, p. 326. Much of the beauty of the statue, to be sure, is gone, but the style is not obscured. It has been restored too full, which gives it a sensuous appearance. For the statue, before restoration, see Svoronos, Textbd., p. 18, fig. 2; Staïs, Marbres et Bronzes, fig. on p. 304.

685 J. H. S., XXIII, 1903, pp. 152 f.; cf. Sculpt., pp. 244 f.; Hbk., pp. 532 f. In Chap. VI of the present work we shall follow the view which ascribes the Herakles to Lysippos: infra, pp. 298, 311. The Praxitelean and Lysippan influences in the bronze under discussion are noted by Richardson, p. 276.

686 Ibid., pp. 217 f.

687 For the former, see Amelung, Fuehrer, 249; von Mach, 327; Reinach, I, 452, 2. On the hem of the cloak is an Etruscan dedicatory inscription to one Metilius by his wife, containing the name of Tenine Tuthines as the bronze-caster: see Corssen, Sprache d. Etrusker, I, pp. 712 f. (quoted by von Mach). For the latter, see Helbig, Fuehrer, I, no. 5; Guide, 5; Mon. d. I., VI and VII, 1857–63, Pl. 84, 1; Annali, XXXV, 1863, pp. 432 f. (Koehler); Rayet, II, Pl. 71; B. B., 225; Bernouilli, Roem. Ikonogr., II, i, pp. 24 f., fig. 2; etc.

688 Text on pp. 115 f.; Klein, op. cit., pp. 403 f., believes that the enigma of its interpretation remains unsolved. He looks upon it as, perhaps, a pre-Lysippan work, a sort of Vorstufe to the Apoxyomenos.

689 Cf. Gardner, Hbk., p. 534.

690 On this gesture, see von Mach, op. cit., pp. 325–6.

691 Textbd., I, figs. 13–14, pp. 26–7. For the gem, see ibid., fig. 3, p. 22; Reinach, Pierres gravées, Pl. 56, 34.

692 H. N., XXXIV, 77. So Miss Bieber, Jb., XXV, 1910, pp. 159 f., following the suggestion of Staïs, Marbres et Bronzes, ed. I, 1907, pp. 254 f. (view reiterated in ed. 2, 1910, p. 304), and Loeschke. Pliny says that the statue of Euphranor displayed every phase of Paris’ character, in the triple aspect of judge of the goddesses, lover of Helen, and slayer of Achilles. On this statue, of which we know so little, cf. the very different results reached by Furtwaengler (Mp., pp. 357 f.; Mw., pp. 591–2) and Robert (Hallisches Winckelmannsprogr., XIX, 1895, pp. 20 f.). Edw. Vicars, in the Pall Mall Magazine, XIX, 1903, pp. 551 f., followed by Dr. Cooley, believes that the bronze should be restored as Paris holding the apple of discord in the right hand.

693 Suppl. de la Gaz. d. B.-A., 1901, pp. 68 f., and 76 f.

694 VI, 100 f.; VIII, 372 f.; in the latter connection it is an adjunct to the dance.

695 Athenæus, I, 44 (p. 24 b), quotes the Pergamene Karystios (= F. H. G., IV, p. 359, fragm. 14) as saying that the women of Kerkyra played ball in his time. For Rome, cf. Hor., Sat., II, 2.11; Suetonius, Octav., 83; Pliny, Ep., III, 1.8; Seneca, de Brev. vit., 13; etc. On ball-playing, see Grasberger, Erziehung und Unterricht, I, 1864, pp. 84 f.; L. Becq de Fouquières, Les Jeux des Anciens,² 1873, Ch. IX, pp. 176–199.

696 Athen., I, 25 (p. 14 d, e).

697 Athen., I, 25–26 (pp. 14 f, 15 a).

698 In his περὶ τοῦ διὰ σμικρᾶς σφαίρας γυμνασίου. Cf. Sidon. Apoll., V, 17; Martial, IV, 19; etc.

699 Athen., I, 34 (p. 19 a).

700 Athen., I, 26 (p. 15); cf., Eustath., on Od., VI, 115, p. 1553; only the Milesians were opposed to it: id., on Od., VIII, 372, p. 1601.

701 Theophr., Char., V, 9; Pliny, Ep., II, 17.12 and V, 6.27; Suetonius, Vit. Vespas., 20; etc.

702 B. S. A., X, 1903–4, pp. 63 f; cf., XII, 1905–6, p. 387.

703 The σφαιρεῖς are mentioned in C. I. G., I, 4, 1386, 1432; P., III, 14.6, mentions a statue of Herakles there, to which these youths sacrificed. Mueller, Die Dorier, 4, 5, § 2, classed these competitions as a sort of football.

704 Rev. des Ét. gr., XIV, 1901, pp. 445–8.

705 Helbig, Fuehrer, II, no. 1299; B. B., 413; Bulle, 44; Arndt-Amelung, Einzelaufnahmen, III, text to no. 1127; F. W., text to 1630; Rayet, II, text to Pl. 70, fig. on p. 5; Kekulé, Die griech. Skulpt.,² fig. on p. 349 (the Germanicus on p. 348; cf. Bulle, p. 94, fig. 17); Loewy, Griech. Plastik, Pl. 94, fig. 176 a, p. 80. The statue is 1.83 meters high (Bulle). Head alone in Overbeck, II, p. 446, and cf. 456, n. 4; Arndt-Amelung, nos. 270–271. A fine herma-replica of the head is at Broadlands, England: Michaelis, p. 219, no. 9; Furtwaengler, Mp., p. 58, fig. 13 (three views). A poorer copy is in the Uffizi, Florence: Duetschke, III, no. 13; Arndt-Amelung, Einzelaufnahmen, 83–84.

706 Graef, Aus der Anomia, 1890, p. 69. Bulle finds the head similar to that of the Lemnian Athena and the body to that of the Farnese Anadoumenos of the British Museum (= Bulle, no. 49). Furtwaengler thinks that its relation to the Lemnia is not close enough to warrant us in assigning it to Pheidias: Mp., p. 57; Mw., pp. 86 and 742. On the basis of a Phokaian coin (Berlin example, Mp., Pl. VI, 19; copy in British Museum, B. M. Coins, Ionia, IV, 23), which represents a similar Hermes, he ascribes the statue to an Ionian artist and conjectures Telephanes mentioned by Pliny, H. N., XXXIV, 68.

707 Helbig finds the head Myronian, but the body unconnected with any of the well-known artistic tendencies of his day.

708 As shown in the Germanicus copy; the right arm is wrongly restored in the Ludovisi statue. In the Germanicus the arm is bowed more at the elbow, the hand reaching the level of the temples.

709 Froehner, pp. 213 f., no. 184 (and bibliography); F. W., 1630; Rayet, II, Pls. 69 (statue), 70 (head); etc.

710 A. J. A., XV, 1911, Pl. VI and pp. 215–16 (Caskey); Jb., XXIV, 1909, Pls. I and II (from Munich cast), pp. 1 f. (Sieveking). For the Hermes of the Boboli gardens, see ibid., figs. 1 and 3, pp. 2 and 4; Arndt-Amelung., Einzelauf., 103–105; Duetschke, II, no. 84; Furtw., Mp., p. 230, Mw., p. 424. Another replica is in the Hermitage: Kieseritzky, Kat., no. 179; Sieveking, figs. 4–5, p. 5; Mp., p. 290, Mw., 506; another in the Torlonia Museum in Rome, no. 475: Sieveking, fig. 6, p. 5.

711 Gaz. d. B.-A., 1911, p. 251.

712 Furtwaengler, Mp., p. 230 and cf. p. 290; Mw., p. 424 and cf. p. 506.

713 See the Annual Report of the Museum of Fine Arts, 1898, p. 20. Mahler, Polyklet u. seine Schule, p. 27, no. 34, wrongly thought that it was a replica of the Doryphoros.

714 Froehner, no. 183, pp. 210 f. (bibliography on pp. 212–13; later bibliogr. in Klein, Praxitel. Stud., 1899, p. 4, n. 2); B. B., no. 67; von Mach, 238 b; Clarac, Pl. 309, no. 2046. Replica in Munich (with a head of Apollo not belonging to the torso): Furtw.-Wolters, Beschr. d. Glypt.², 1910, 287 (with list of replicas); von Mach, 238a; Clarac, V, 814, 2048; Reinach, Rép., I, 487, 7; Klein, pp. 4 f.; one in London, in Lansdowne House: Michaelis, pp. 464f., no. 85 and Pl. opp. p. 464; Clarac, V, 814, 2048 A; Reinach, Rép., I, 487, 6; one in the Vatican: Reinach, Rép., I, 487, 5; head and torso in Athens: ibid., II, i, 153, 10; A. M., XI, 1886, Pl. IX (middle), pp. 362 f. (Studniczka); head in Copenhagen, formerly in the Borghese Coll., Rome: P. Arndt, Glypt. Ny-Carlsberg, 1912, Pls. 128, 129, and text pp. 177 f., (fig. 95 = bronze restoration for the municipal Museum in Stettin, combining the Lansdowne body and the Fagan head in the British Museum; for the Fagan head see B. M. Sculpt., III, 1785).