836 In the Athens Museum; it dates from the middle of the sixth century B. C.: Staïs, Marbres et Bronzes, p. 11, no. 1906 and fig. (1.78 m. high); Deonna, p. 133, no. 5; Perrot-Chipiez, VIII, figs. 189–190; Kabbadias, Arch. Eph., 1902, pp. 43 f. and Pls. 3 and 4; Bulle, no. 37 (left), who gives its height as 1.79 meters.

837 See Furtw.-Urlichs, Denkm., text to Pl. I, p. 4.

838 Furtw.-Urlichs, Denkm., p. 4, ascribe it to the Cretan sculptors Skyllis and Dipoinos, who worked in Argos, Sikyon, and Corinth, or to their school.

839 Statue A: Fouilles de Delphes, IV, Pl. I; B. C. H., XXIV, 1900, Pls. XIX-XXI (front, side, and rear) and pp. 445 f. (Homolle); Gardner, Hbk., p. 155, fig. 25; Gardiner, p. 89, fig. 8; Springer-Michaelis, p. 174, fig. 337; Perrot-Chipiez, VIII, Pls. IX, X. Statue B (fragmentary): Fouilles de Delphes, IV, p. 7, fig. 7; B. C. H., XXIV, 1900, Pl. XVIII. See also the following: Gaz. B.-A., III Pér., XII, 1894, pp. 444–6; XIII, pp. 32 f.; C. R. Acad. Inscr., 1894, p. 585; especially Homolle, l. c., pp. 445 f. (he exchanges B for A); cf. A. J. A., 1895, p. 115; Reinach, Rép., II, 2, 77, 6 and 7.

840 VI, 10.5; the epigram reads:

Damaretos of Heraia won two victories in the heavy-armed race in Ols. 65, 66 ( = 520, 516 B. C.); Theopompos two in the pentathlon in Ols. (?) 69, 70 ( = 504, 500 B. C.). Their monument was one in common: Hyde, nos. 94, 95 and pp. 42 f.; Foerster, 135, 140 and 168, 169.

841 P., VI, 15.8; he won in the boys’ wrestling match and in the pentathlon in Ol. 38 ( = 628 B. C.): Afr.; Hyde, 148; Foerster, 61, 62.

842 Hoplite victor in Ol. 68 ( = 508 B. C.): Foerster, 151.

843 Victor in three running races on the same day (τριαστής) in Ol. 67 ( = 512 B. C.): Afr.; Foerster, 144–6.

844 They won in boxing in Ol. 59 ( = 544 B. C.) and the pankration in Ol. 61 ( = 536 B. C.) respectively: P., VI, 18.7; Hyde, 187, 188, and p. 56; Foerster, 113 and 120. Pausanias, l. c., wrongly says that they were the oldest statues at Olympia.

845 He won the double foot-race in Ol. 35 ( = 640 B. C.): Afr.; P., I, 28.1; Foerster, 55.

846 He won five victories in wrestling at the beginning of the sixth century B. C.: P., III, 13.9; Foerster, 86–90. The statue of Oibotas of Dyme, who won the stade-race in Ol. 6 ( = 756 B. C.), was set up in Ol. 80 ( = 460 B. C.): Afr.; P., VI, 3.8; Hyde, 29; Foerster, 6; that of Chionis of Sparta, who won seven running races in Ols. 28–31 ( = 668–656 B. C.), was made by Myron, and consequently was erected in the fifth century B. C.: P., VI, 13.2; Afr.; Hyde, 111, and p. 48; Foerster, 39, 41–6: these two, therefore, did not necessarily conform with the “Apollo” type.

847 VI, 14.5 f; he won in Ol. (?) 61, and in Ols. 62, 63, 64, 65, 66 ( = 536–516 B. C.): Hyde, 128; Foerster, 116, 122, 126, 131, 136, and 141; Afr. gives the second victory as Ol. 62; see Foerster, 122.

848 Vit. Apoll. Tyan., IV, 28.

849 VI, 14.6–7.

850 Frazer, IV, p. 44, believes that this description may be imaginary, concocted from stories of Milo’s feats of strength; but Hitz.-Bluemn., II, 2, p. 601, cite Guttman, de olympionicis apud Philostratum, p. 7, Matz, de Philostr. in describ. imag. Fide, p. 33, and Gurlitt, Ueber Pausanias, 1890, p. 413, as believing that it was based on the appearance of the statue. Scherer, pp. 23 f., thought that Philostratos followed Pausanias in interpreting the attributes of the statue, and that the latter got his idea of the strength of the victor from the statue or from a cicerone. Pliny, H. N., VII, 19, says of Milo: Malum tenenti nemo digitum corrigebat. Aelian mentions Milo’s feat with the pomegranate in Var. Hist., II, 24 and de Nat. anim., VI, 55.

851 Cf. Philostr., l. c., ll. 27, 28: καὶ τὸ μήπω διεστὼς τῇ ἀρχαίᾳ ἀγαλματοποιίᾳ προσκείσθω.

852 Op. cit., p. 31.

853 Cf. P., VIII, 46.3.

854 Pliny, H. N., XXXIV, 75.

855 For the type, see the Payne Knight bronze statuette in the British Museum: B. M. Bronz., no. 209 and Pl. I; Frazer, IV, p. 430, fig. 45; the same type appears on Milesian coins. Cf. Brunn, I, 77. Frazer is against Scherer’s contention.

856 II, 2, pp. 601–2. See P., VI, 9.1 (statue of Theognetos).

857 H. N., XXXIV, 59.

858 Anachar., 9; cf. A. G., IX, 357.

859 No. 38; cf. for the left-hand figure, p. 83, fig. 11 (side view).

860 B. C. H., XVIII, 1894, pp. 44 f., Pls. V, VI (de Ridder); Perrot-Chipiez, VIII, p. 547, fig. 332; A. de Ridder, no. 740, pp. 268–9, and Pls. III, IV. It is similar in pose to bronzes in the same museum, nos. 736 (= de Ridder, Pl. II, 1), 737 (= Pl. II, 3), and 738 (= Pl. II, 2). It is 0.27 meter high (Bulle).

861 It will be considered later on in this chapter: p. 119 and n. 3. It is 0.185 meter high (Bulle).

862 This statuette, showing Peloponnesian tendencies, is in the Museum of Fine Arts, Boston; it is 0.25 meter high (Bulle).

863 In the same way the pediment statues from Aegina differ from Attic works by straighter lines and more compact forms.

864 He won a chariot victory some time between Ols. (?) 98 and 101 ( = 388 and 376 B. C.): P., VI, 2.8; Hyde, 17 ( = 105 d; P., VI, 1.26); Foerster, 310.

865 He won in chariot-racing some time between Ols. (?) 115 and 130 ( = 320 and 260 B. C.): P., VI, 13.11; Hyde, 122; Foerster, 513. The date is from the lettering on the recovered base: Inschr. v. Ol., 177; cf. Hyde, p. 51. On such statues, cf. Reisch, p. 41.

866 The spelling Ηαγελαιδας occurs on two blocks, d, e, from the Praxiteles bathron at Olympia: Inschr. v. Ol., 631 = I. G. B., 30; for the whole Praxiteles bathron see Inschr. v. Ol., 266. Dittenberger and Purgold keep the reading Hagelaïdas. Possibly the spelling Ἁγελαίδα stands for ὁ Ἀγελαίδα; the MSS. of Pliny read Hagelades; see I. G. B., p. xviii, Add. to no. 30; Gardner, Hbk., p. 217, n. 1. On the sculptor, see Lechat, p. 380 and n. 4, and pp. 454 f.; Collignon, I, pp. 316 f.; Joubin, pp. 14 f., 83 f., 92 f., etc.; Brunn, pp. 63 f.; Gardner, Hbk., pp. 216 f.; and especially Pfuhl, in Pauly-Wissowa, VII, pp. 2189 f.

867 For Myron, see Pliny, H. N., XXXIV, 57. Furtwaengler, Mp., p. 196, Mw., 379–80, thinks that the connection is not literally true, even if considerations of chronology are not against it, and derives the story of Hagelaïdas teaching Myron from the similarity between the work of the two. For Polykleitos, see Pliny, H. N., XXXIV, 55. The tradition that Hagelaïdas was the master of Polykleitos has been unreasonably assailed by many scholars: e. g., by Robert, Arch. Maerchen, 1886, p. 97; Mahler, Polyklet u. s. Sch., 3912, pp. 6 f.; Klein, I, p. 340; cf. II, p. 143; cf. Springer-Michaelis, I, p. 210. Furtwaengler, Mp., p. 196, Mw., p. 380, believes it impossible because of chronological difficulties, and assumes a sculptor of an intermediate generation as the teacher of Polykleitos; he, followed by Mahler, l. c., and Klein, I, 340, names Argeiadas (mentioned in I. G. B., no. 30) as this intermediate artist. However, he admits that the statement is true in a general sense, since Polykleitos developed his canon from that of Hagelaïdas: cf. 50stes Berl. Winckelmannsprogr., p. 149; Pfuhl, however, p. 2192, has shown that the relationship is perfectly possible.

868 To be mentioned infra, p. III and note 2.

869 Dio Chrysost., de Hom. et Socr., 1; here Mueller amends the MSS. reading ΗΠΟΥ to ΗΓΙΟΥ; E. A. Gardner, Class. Rev., 1894, p. 70, wrongly reads Ἡγελάδου.

870 Mp., pp. 53 and 196; Mw., pp. 80–81, and 380.

871 Wilamowitz has shown that it comes from Apollonios, son of Chairis, who lived circa 100 B. C., and that it goes back probably to the Chronica of Apollodoros of Athens, who lived in the middle of the second century B. C.: Aus Kydathen (Kiessling and Wilamowitz, Philolog. Untersuchungen, I, 1880), pp. 154 f. Kalkmann, in his Quellen der Kunstgesch. d. Plinius, p. 41, believes that the date which is given by Pliny (XXXIV, 49) for the floruit of Hagelaïdas, Ol. 87 ( = 423–429 B. C.), comes from the same Apollodoros.

872 Op. cit., pp. 41 and 65 f.; Pfuhl, p. 2194. Brunn, l. c., Overbeck, I, p. 140, and Robert, l. c., had assumed an earlier plague at the beginning of the fifth century B. C.; but the real occasion for the dedication of the Herakles remains obscure.

873 P., IV, 33.2.

874 P., VI, 8.6; Hyde, 82; Foerster, 142, 148.

875 P., VI, 14.11; Hyde, 132; Foerster, 133, 134.

876 P., VI, 10.6 f.; Hyde, 99; Foerster, 143. There is no reason for following Brunn in his contention that these statues were set up some time after the victories, as these dates fit the chronology of the artist outlined above.

877 A fifth-century type of statue occurs on these coins, representing the god standing with the left foot forward, the knee slightly bent, a thunderbolt held in the extended right hand and an eagle in the extended left: B. M. Coins, Pelop., Pl. XXII, nos. 1 and 6; Hitz.-Bluemn., I, 2, Muenztafel, III, 20 and 12; Springer-Michaelis, I, p. 211, fig. 393; Collignon, I, p. 318, figs. 158–159. Frickenhaus, quoted by Pfuhl, p. 2194, believes that the pose is seen also in the small bronze pictured in B. S. A., III, 1896–7, Pl. X, 1.

878 P., VII, 24.4. See B. M. Coins, Pelop., Pl. IV, nos. 12 and 17, and cf. 14; Hitz.-Bluemn., II, 1, Muenztafel, IV, 16–17; Svoronos, Journ. int. d’arch. num., II, 1898, 302, Pl. 14, 11.

879 Furtwaengler, 50stes Berl. Winckelmannsprogr., 1890 (Eine argivische Bronze), pp. 152–153 and Pl. I (3 views); from which plate Gardner, Hbk., p. 221, fig. 49; Waldstein, J. H. S., XXIV, 1904, p. 131, fig. 1; Gardiner, p. 93, fig. 11; von Mach, 17 b; Reinach, Rép., II, 1, 85, 1; cf. Frost, J. H. S., XXIII, 1903, pp. 223 f., and fig. 1, who compares its style and pose with a later bronze statuette found off Cerigotto (Arch. Eph., 1902, Pl. 14). Ligourió is on the site of the ancient Lessa: Curtius, Peloponnesos, II, 1852, p. 418. The bronze without the base is 135 millimeters high (Furtwaengler).

880 B. B., 302; Bulle, 43; Springer-Michaelis, p. 234, fig. 428; Furtw., Mp., p. 52, fig. 10 (upper part); Mw., p. 79, fig. 3; Overbeck, II, p. 473, fig. 228 b. It is 1.60 meters high (Bulle).

881 Listed by Furtwaengler, 50stes Berl. Winckelmannsprogr., p. 139, n. 61. For the relation of these copies to each other, id., Berl. Philol. Wochenschr., XIV, 1894, pp. 81 f.; he ascribes them to Hegias.

882 B. B., no. 301; Bulle, 41; von Mach, 321; Helbig, Fuehrer, II, 1846; Guide, 744; Baum., II, p. 1191, fig. 1391; Collignon, II, p. 661, fig. 346; Overbeck, II, p. 473, fig. 228, a; Reinach, Rép., II, 2, 588, 9; F. W., 225; A. Z., XXXVI, 1878, Pl. XV, and pp. 123 f.; Annali, XXXVIII, 1865, Pl. D and pp. 58 f.; Kekulé, Gruppe des Kuenstlers Menelaos in Villa Ludovisi, 1870, Pl. II, 2, pp. 20 f.; Joubin, p. 87, fig. 15; Springer-Michaelis, p. 211, fig. 398. The best copy of the head of the statue by Stephanos is in the Lateran Museum, Rome: see Furtwaengler, Mp., p. 217, fig. 92; Mw., p. 405, fig. 62. The statue is 1.44 meters high (Bulle). For the inscription on the tree-trunk, see I. G. B., no. 374.

883 The best example is in Naples, the group being known, and probably correctly, since Winckelmann’s day, as Orestes and Elektra: B. B., no. 306; Kekulé, Gruppe d. Menelaos, Pl. II, 1; Bulle, 141 (height 1.44 meters); Collignon, II, pp. 662, fig. 347; Gardner, Hbk., p. 557, fig. 151; Clarac, V, 836, 2093; Reinach, Rép., I, 506.4. A sketch of the Naples Orestes and the Ligourió bronze, showing their great resemblance, is given by Furtwaengler, 50stes Berl. Winckelmannsprogr., p. 137. A replica of the female figure is cited by Michaelis as in Marbury Hall, England: p. 503, no. 6; cf. Conze, Beitraege zur Gesch. d. gr. Pl.², p. 25, n. 3.

884 E. g., the so-called group of Orestes and Pylades in the Louvre: von Mach, 323; Collignon, II, p. 663, fig. 348; Reinach, Rép., I, 161, 2 (= Mercury and Vulcan).

885 Kalkmann, 53stes Berl. Winckelmannsprogr., 1893, pp. 77 f., thought that the Stephanos figure went back to an original by Pythagoras, the rival of Myron, which Furtwaengler, Mp., p. 49, rightly characterizes as “wide of the mark”; Pfuhl, p. 2197, Bulle, and others regard its ascription to the school of Hagelaïdas as probable, even if not capable of proof. Furtwaengler, 50stes Berl. Winckelmannsprogr., p. 152, believes it was vermutlich ein Werk des Meisters (i. e., Hagelaïdas) selbst: on pp. 146–7 he pronounces the life-size marble torso of a statue of a nude man found in a wall over the ruins of the Palaistra at Olympia (Treu, A. Z., XXXVIII, 1880, p. 45)—because of its resemblance in pose to that of the Ligourió statuette—a Roman school copy of an original bronze victor statue going back to Hagelaïdas.

886 E. g., the marble group formerly in the Boncompagni-Ludovisi collection, now in the Museo delle Terme, Rome: Helbig, Fuehrer, II, 1314; Guide, 887; B. B., no. 309; von Mach, 322; Baum., II, p. 1193, fig. 1393; Springer-Michaelis, p. 454, fig. 834; Kekulé, Die Gruppe d. Menelaos, Pl. I; Schreiber, Bildw. d. Villa Ludovisi, p. 89, no. 69; Collignon, II, p. 665, fig. 349; F. W., 1560; Reinach, Rép., I, 506, 6.

887 V, 10.8.

888 Pliny, H. N., XXXIV, 72, and XXXVI, 16.

889 See Brunn, pp. 236–7 and 244–5.

890 Loeschke (Dorpaterprogr., 1887, p. 7, on the basis of an early suggestion of Furtwaengler in A. M., III, 1878, p. 194) and J. Six (J. H. S., X, 1889, pp. 109 f.), assumed two sculptors of the name of Alkamenes, ascribing the gable statues and that of Hera at Phaleron (mentioned by P., I, 1.5) to the elder one. Furtwaengler later retracted the theory of two artists and assumed but one (Mp., p. 90, n. 3; Mw., p. 122 and n. 6). Koepp has shown that the Hera is of no use in dating, since the story of Pausanias that the temple of Hera was destroyed by the Persians is an invention (Jb., V, 1890, p. 277). The idea of an elder Alkamenes based on the inscription on a herm recently found in Pergamon (A. A., 1904, fig. on p. 76) has also been refuted by Winter (A. M., XXIX, 1904, pp. 208–211, and Pls. XVIII-XXI), who has shown that the inscription and statue do not go so far back.

891 See Baum., pp. 1104 KK.

892 P. 243.

893 A. Z., XLI, 1883, pp. 141 f.

894 No. 135.

895 Arch. Stud. H. Brunn dargebr., pp. 67 f.

896 A. M., VII, 1882, pp. 206 f. He also found the style of the two pediments unlike.

897 A. Z., XXXIX, 1881, p. 78, n. (= Argive-Sikyonian); cf. Bildw. v. Ol., Textbd., pp. 44–95; Tafelbd., Pls. IX-XVII (East Gable), XXII-XXXI (West Gable).

898 A. M., XII, 1887, pp. 374–5 (= Argive-Sikyonian); cf. R. M., II, 1887, pp. 53 f., where he excepts the four corner figures of the West Gable as Attic, because they are of Pentelic marble, and not Parian, like the others.

899 I, pp. 460–1.

900 I, p. 330 (= Elean).

901 For a discussion of the whole question of the artists, see Hitz.-Bluemn., II, i, pp. 329 f.; Frazer, III, pp. 512 f. For a restoration of the two groups, see Treu, Jb., III, 1888, Pls. 5, 6 (West), and ibid., IV, 1889, Pls. 8, 9 (East); whence Gardner, Hbk., p. 246, figs, 57 and 56 respectively; see also Bildw. v. Ol., Tafelbd., Pls. XVIII-XXI; Textbd., pp. 114–137; Overbeck, I, Pl. opp. p. 309; etc.

902 Richardson, p. 101, fig. 49 (side), and p. 154 for the statement; Lechat, Au Musée, Pl. XVI; Bulle, pp. 462–3, figs. 135, 136; B. B., no. 461 (middle row, bottom); A. M., XII, 1887, pp. 372 f. (Studniczka); de Ridder, no. 467; Perrot-Chipiez, VIII, p. 679, fig. 347; it is 0.10 meter high (Graef., A. M., XV, 1890, p. 16, n. 1). For the figure of Apollo, see Bulle, no. 42; Bildw. v. Ol., Tafelbd., Pl. XXII, and Textbd., p. 69; von Mach, 86 (statue), 446 (head). The original height was 3.10 meters (Bulle).

903 Mp., p. 53; Mw., p. 80; 50stes Bert. Winckelmannsprogr., pp. 140–1 and 148.

904 The torso was found in 1865, the head in 1888: torso, A. M., V, 1880, p. 20 and Pl. I, with wrong head (Furtwaengler); head, Arch. Eph., 1888, p. 81 and Pl. III; figure in outline, Collignon, I, pp. 374–5, figs. 191–2; Dickins, no. 698, pp. 264 f.; B. B., 461 b; Bulle, 40 and figs. 15, 14 on pp. 87–8 (from a cast); von Mach, 57; Overbeck, I, p. 205, fig. 48; Lechat, p. 452, fig. 38; Reinach, Rép., II, 2, 588, 1; Springer-Michaelis, p. 217, fig. 403; Furtwaengler, A. A., 1889, p. 147, Mw., pp. 76, n. 2, and 81; Wolters, A. M., XIII, 1888, p. 226. Bulle dates it toward 480 B. C.

905 The same turn appears in the sixth-century Rampin head: Collignon, I, p. 360, fig. 182. It will be discussed later on, pp. 126–127.

906 Furtwaengler, 50stes Bert. Winckelmannsprogr., pp. 132 and 150; Mp., p. 19; Dickins, p. 265.

907 It is a dedication by Euthydikos: Collignon, I, Pl. VI (right), opp. p. 356; von Mach, no. 26 (right); Gardner, Hbk., p. 212, fig. 47; Bulle, 240; Lechat, Au Musée, p. 367, fig. 37; Perrot-Chipiez, VIII, p. 595, fig. 299; Richardson, p. 78, fig. 33; Springer-Michaelis, p. 207, fig. 390. Bulle gives it as half life-size.

908 Dickins, pp. 248 f., no. 689; Bulle, no. 198; B. B., 460; von Mach, 440 and 443 (left); Collignon, I, p. 362, fig. 184, and bibliog., note 3, p. 363; Overbeck, I, p. 206, fig. 49; Gardner, Hbk., p. 213, fig. 48; Lechat, p. 362 and Au Musée, p. 374, fig. 39; Furtw., 50stes Berl. Winckelmannsprogr., p. 151; Perrot-Chipiez, VIII, Pl. XIV; Arch. Eph., III, 1888, Pl. II. It is slightly under life-size.

909 Here again Furtwaengler ascribes it to Hegias, whose art he derives from Hagelaïdas.

910 Richter, Greek, Etruscan, and Roman Bronzes in the Metropolitan Museum, p. 49, fig. 78; it will be discussed infra in Ch. IV, pp. 220–1.

911 See supra, p. 105 and n. 3.

912 On Chrysothemis, see Robert in Pauly-Wissowa, III, 2, p. 2521; Brunn, pp. 61–2; Overbeck, I, p. 140; Collignon, I, pp. 225 (= forerunners of Hagelaïdas and Polykleitos), and cf. p. 320. On Eutelidas, see Pauly-Wissowa, VI, 1, p. 1493.

913 Pliny, H. N., XXXIV, 55; others, e. g., P., VI, 6.2, call him an Argive. He belonged to a family of sculptors, some of whom worked in Sikyon and others in Argos.

914 Kyniskos: P., VI, 4.11; Hyde, 45; Foerster, 255; Inschr. v. Ol., 149; Pythokles: P., VI, 7.10; Oxy. Pap.; Hyde, 70; Foerster, 295; Inschr. v. Ol., 162–3; Aristion: P., VI, 13.6; Oxy. Pap.; Hyde, 115; Foerster, 376; Inschr. v. Ol., 165 (renewed); I. G. B., 92; Thersilochos: P., VI, 13.6; Hyde, 114; Foerster, 369.

915 H. N., XXXIV, 91. In the same book, § 72, Pliny mentions another pupil of Polykleitos, Aristeides, as the fashioner of chariot-groups. Pausanias merely mentions him in connection with improvements in the hippodrome at Olympia made by Kleoitas: VI, 20.14; see Pauly-Wissowa, II, pp. 896–7.

916 Furtwaengler, Mp., p. 226, makes Naukydes, Daidalos, and the younger Polykleitos sons of Patrokles, the brother of the great Polykleitos. Naukydes and Daidalos describe themselves as sons of Patrokles in two inscriptions: I. G. B., 86 and 88. Pausanias, however, calls Naukydes a brother of Polykleitos and son of Mothon: II, 22.7.

917 Cheimon: P., VI, 9.3; Oxy. Pap.; Hyde, 88; Foerster, 285; Baukis: P., VI, 8.4; Hyde, 77; Foerster, 318; Eukles: P., VI, 6.2; Hyde, 52; Foerster, 297; Inschr. v. Ol., 159 (renewed). Naukydes’ activity extended from Ol. 83 to Ol. 95 ( = 448–400 B. C.): Hyde, p. 39.

918 H. N., XXXIV, 49.

919 P., VI, 8.1; Hyde, 72; Foerster, 268.

920 P., VI, 6.2, expressly distinguishes between the elder and younger Polykleitos; in speaking of the statue of the boy wrestler Agenor, he says that Polykleitos, the pupil of Naukydes, “not the one who made the statue of Hera,” fashioned it. Robert, O. S., pp. 186 f., gives his activity as Ols. 98 to 103 ( = 388–368 B. C.).

921 Antipatros: P., VI, 2.6; Hyde, 16; Foerster, 309; Agenor: P., VI, 6.2; Hyde, 53; Foerster, 355; Xenokles: P., VI, 9.2; Hyde, 85; Foerster, 308; Inschr. v. Ol., 164; I. G. B., 90; Furtwaengler wrongly ascribed the statue of Xenokles to the elder Polykleitos and that of Aristion to the younger: Mp., pp. 224–5. Loewy had already assumed the eider for Aristion, Strena Helbigiana, p. 180, n. 4, and this was confirmed by the early dating of his victory in the Oxy. Pap.

922 P., VI, 16.7; Hyde, 162; Foerster, 515. On this sculptor, see Pauly-Wissowa, I, p. 2137; I. G. B., 475; Inschr. v. Ol., 318; etc.

923 Before 600 B. C.; Robert, in Pauly-Wissowa, V, pp. 1159 f.; cf. Collignon, I, pp. 131 and 222 f.; Overbeck, I, pp. 84 f.

924 P., VI, 9.1, f.

925 Antipatros of Sidon, in A. Pl. (XVI), no. 220; on Aristokles, see Pauly-Wissowa, II, p. 937; Robert, Arch. Maerch., pp. 95 ff.

926 Longpérier, Notice des bronzes antiques du Louvre, I, 1868, no. 69; de Ridder, Les bronzes antiques du Louvre, I, 1913, Pl. 2, 2, and p. 7; B. B., no. 78; Collignon, I, Pl. V, opp. p. 312; von Mach, 18 (two views); Overbeck, I, p. 235, fig. 60 (two views); Springer-Michaelis, p. 211, fig. 397; Perrot-Chipiez, VIII, Pl. XI; Reinach, Rép., II, 1, 84, 9. For bibliography, see Deonna, Les Apollons archaïques, p. 274. It is only 3 feet 4 inches tall. The Apollo Philesios, stolen from Miletos at the destruction of the city by Darius in 493 B. C. (Hdt., VI, 19; but P., VIII, 46.3, and later writers wrongly say by Xerxes; see E. Meyer, Gesch. d. Altertums,² 1912, III, p. 309), was restored from Ekbatana in Media in 306 B. C. by Seleukos Nikator (P., l. c., and cf. I, 16.3). It is also mentioned by P., II, 10.5. The genuineness of the Piombino statuette has been assailed, but Overbeck has proved it genuinely archaic: Griech. Kunstmyth., III, Apollon, 1889, pp. 22 f.; cf. Gesch. d. gr. Pl., I, pp. 234 f.

927 H. N., XXXIV, 75; cf. Jex-Blake ad loc., p. 60. Pausanias mentions a cedar replica of the Apollo at Thebes: II, 10.5 and IX, 10.2. See p. 336, n. 1.

928 P. Gardner, The Types of Greek Coins, 1883, Pl. XV, nos. 15–16; Collignon, I, p. 312, figs. 153–155; cf. B. Head, Historia Nummorum², 1911, p. 586; Overbeck, Apollon, pp. 23 f., and Muenztafel I, nos. 22 f. Also on gems: see M. W., I, Pl. XV, no. 61; B. M. Gems, no. 720; etc.

929 L. c.

930 B. M. Bronzes, no. 209 and Pl. I (middle); Specimens, Pl. 12; Annali, VI, 1834, Pl. D, fig. 4; Overbeck, I, p. 144, fig. 24, and Apollon, p. 24, fig. 5; Murray, I, p. 193, fig. 49; Rayet et Thomas, Milet et le golfe Latmique, Pl. 28, 2; Collignon, I, p. 313, fig. 156; Dar.-Sagl., I, p. 318, fig. 375; von Mach, 17 a; Springer-Michaelis, p. 183, fig. 350; Perrot-Chipiez, VIII, p. 475, fig. 242; Reinach, Rép., II, 1, 80, 9; Fowler and Wheeler, Hbk. of Greek Archæology, 1909, p. 331, fig. 251; Furtwaengler, in Roscher, Lex., I, 1, p. 451; Frazer, IV, p. 430, fig. 45, Bulle, 28 (middle). A modern copy is in the Antiquarium, Munich: F. W., 51. It is 0.185 meter high (Bulle).

931 R. M., II, 1887, pp. 90 f. (Studniczka) and Pls. IV, IV a, V; Collignon, I, p. 321, fig. 161; Overbeck, I, p. 239, fig. 62; Michaelis in A. Z., XXI, 1863, pp. 122 f. (Anzeiger). It is 1.11 meters in height.

932 Collignon, I, p. 253, fig. 122; Overbeck, Griech. Kunstmythol., III, Apollon, p. 36, fig. 8; Fraenkel, in A. Z., XXXVII, 1879, pp. 84–91, and Pl. 7.

933 The small bronze also found there, 0.155 meter high, belongs to the same series: B. C. H., X, 1886, pp. 190 f., and Pl. IX. It greatly resembles the statuette from Naxos. For a list of replicas of the statue of Kanachos, see Rayet, Études d’archéologie et d’art, p. 164; etc.

934 On the style of Kanachos and the Apollo, see also Kekulé, Sitzb. d. preuss. Akad. d. Wiss. zu Berlin, 1904, I, pp. 786–801; O. Mueller, Kleine Schriften, II, p. 537; F. W., to no. 51; Brunn, pp. 74 f.; Collignon, I, pp. 310 f.; etc.

935 P., VI, 1.3 and 8.5; Hyde, 1, 2, 3, and 78; Foerster, 296, 300, 299, 290 and 305; on Alypos, see Pauly-Wissowa, I, p. 1711; Brunn, p. 280; B. C. H., XXI, 1897, pp. 287 f.; and cf. P., X, 9.10.

936 P., VI, 13.7; Hyde, 116; Foerster, 291; on the sculptor, see Brunn, p. 277.

937 P., VI, 3.13; Hyde, 34; Foerster, 575; on the sculptor, see Brunn, pp. 292 and 419; cf. Hyde, p. 34.

938 Timon and Aigyptos, who won some time between Ols. (?) 98 and 101: P., VI, 2.8; Hyde, 17, 18; Foerster, 310, 301; Aristodemos, Ol. 98: P., VI, 3.4; Hyde, 25; Foerster, 312; Eupolemos, Ol. 96: Afr.; P., VI, 3.7; Hyde, 28; Foerster, 294. On Daidalos, see Pauly-Wissowa, IV, pp. 2006 f.; Robert, O. S., pp. 191 f.; Brunn, pp. 14 f.