1159 B. B., no. 324; here small leaves are still remaining over the forehead.

1160 Bronz. v. Ol., II, 2 and 2 a. Here the leaves have disappeared. See pp. 254–5.

1161 B. C. H., V, 1881, Pl. III, text, pp. 65 f. (Pottier). Here is listed a number of funerary reliefs representing athletes, which list could easily be enlarged.

1162 Helbig, Fuehrer, II, 1241; Guide, 977. On the motive, see Archaeol. Studien H. Brunn dargebr., 1893, pp. 62 f.

1163 The λημνίσκος (Lat. lemniscus) was merely the woolen fillet by which chaplets were fastened on; Hesychios says it is a Syracusan word; in any case it is used only by Roman writers and Greek writers of the Roman age; A. G., XII, 123; Plut., Sulla, 27; Polyb., XVIII, 46 (where στέφανοι and λημνίσκοι are differentiated, though they are usually interchangeable); C. I. G., III, 5361; C. I. A., III, 74. Pliny says that it was of Etruscan origin, H. N., XXI, 4, and that it was at first made of wool or linden-bark and later of gold; cf. XVI, 25. It was used at Rome at feasts, as a sign of special honor to guests: Plaut., Pseudolus, (line 1265); Livy, XXXIII, 33.2; Suet., Nero, 25. For the Roman use of the lemniscus for athletic victors and poets, cf. Cicero, Or. pro Sext. Roscio Amerino, 35, 100; Ausonius, Epist., XX, 6; etc. On the lemniscus, see Dar.-Sagl., III, 2, pp. 1099–1100.

1164 R. M., VI, 1891, p. 304, no. 3.

1165 Mon. Piot, XVII, 1909, Pls. II, III and pp. 29 f. (Merlin and Poinssot).

1166 B. M. Sculpt., III, no. 1754; B. B., 46; Marbles and Bronzes, Pl. XXII; Collignon, I, fig. 255, on p. 500; Furtw., Mp., p. 252, fig. 105; Mw., p. 457, fig. 75 (back view); Springer-Michaelis, p. 275, fig. 495; Reinach, Rép., II, 2, 546, 9. It is 4 ft. 11 in. high (Smith), i. e., 1.48 meters.

1167 Helbig, Cat. Coll. Barracco, no. 99, Pls. 38 and 38 a; id., Fuehrer, I, 1083; sketches of the Westmacott and Barracco copies in Kekulé, 49stes Berl. Winckelmannsprogr., 1889, Pl. IV.

1168 No. 254; Arch. Eph., 1890, pp. 207 f. (Philios) and Pls. X and XI. Bulle, 51, gives the Westmacott and Barracco examples side by side; in J. H. S., XXXI, 1911, Pl. II, we have the Westmacott, Barracco, and Eleusis copies together. Furtwaengler, Mp., pp. 250 f., Mw., pp. 453 f., Helbig, Cat. Coll. Barracco, p. 36, and Petersen, R. M., VIII, 1893, pp. 101 f., have added many more torsos and heads as copies or variants of the original.

1169 See Helbig, Fuehrer, I, 1083. Its soft expression and forms led Furtwaengler to derive it from the Praxitelean circle, from the period when Praxiteles was influenced by Polykleitos, and to believe that it represented a divinity, perhaps Triptolemos: Mp., p. 255 and n. 2.

1170 Burlington Fine Arts Club, Catalogue Anc. Gk. Art, 1904, no. 45, Pl. XXXIII; Furtw., Mp., p. 251, fig. 103; Mw., p. 454, fig. 73. It was formerly in the van Branteghem collection.

1171 For the Dresden head, see A. A., 1900, p. 107, figs. 1 a and 1 b.

1172 Furtw., Mp., p. 252, fig. 104; Mw., p. 455, fig. 74.

1173 First published by F. H. Marshall, J. H. S., XXIX, 1909, pp. 151–2 and figs. 1 a, b; more fully by E. A. Gardner, ibid., XXXI, 1911, pp. 21 f. and Pl. I and fig. 1.

1174 Nelson head: J. H. S., XVIII, 1898, pp. 141 f., and Pl. XI; B. B., 544; Gardner, Sculpt., Pl. XXXIX; Capitoline Amazon: Mp., p. 132, fig. 53 (restored); Mw., p. 292, fig. 39. A head of the Capitoline type has been wrongly placed on the Pheidian Mattei torso in the Vatican: Mp., p. 133, fig. 54 (head); Mw., Pl. XI; B. B., 350; von Mach, 121; Reinach, Rép., I, 483, 1.

1175 B. B., 128 (original and cast).

1176 As, e. g., in the bronze head of a victor in Naples, already discussed (Fig. 25); B. B., 339.

1177 E. g., Furtwaengler and Collignon; the latter, I, pp. 499–500.

1178 Hypnos, pp. 30 f.; accepted by Wolters (apud Lepsius, Griech. Marmorstudien, p. 83, no. 164), Treu (A. A., 1889, p. 57), Collignon, Petersen, l. c., Kekulé (Idolino, p. 13), Furtwaengler (Mp., pp. 252–3, Mw., pp. 458–9 and 747), and others; see Philios, op. cit.

1179 E. g., by Philios (op. cit.), Amelung (Bert. Phil. Wochenschr., XXII, 1902, p. 273). This scraping motive is seen in the bronze statuette in the Bibliothèque Nationale, no. 934.

1180 This is inconsistent with the position of the hand in the Barracco copy, which is too far from the head. This was an older view of Helbig, Rendiconti della Reale Accad. dei Lincei, 1892, pp. 790 f.; refuted by Furtwaengler, Petersen, Helbig himself later (in the Fuehrer), and others.

1181 Quoted by E. A. Gardner, J. H. S., XXXI, pp. 25–6, as the theory of E. N. Gardiner.

1182 H. N., XXXIV, 55; for this theory, see Mahler, Polyklet u. s. Sch., p. 50.

1183 Michaelis, Der Parthenon, 1870, Block 131 (from the North frieze).

1184 F. W., 1665; Furtw., Mp., p. 256, fig. 106; Mw., p. 463, fig. 76; M. W., Pl. 70, 879; etc.

1185 For list, see Furtw., Mp., p. 254, n. 2. For a restoration of the original statue, see ibid., p. 250, fig. 102; Mw., p. 453, fig. 72.

1186 VI, 4.11; Inschr. v. Ol., 149; I. G. B., 50.

1187 Those of the Elean pentathlete Pythokles: Inschr. v. Ol., 162–3; I. G. B., 91; and the Epidaurian boxer Aristion: Inschr. v. Ol., 165 (renewed); I. G. B., 92. The feet of the Aristion were both flat upon the ground.

1188 That of the boy wrestler Xenokles of Mainalos: Inschr. v. Ol., 164; I. G. B., 90.

1189 In one of the Olympia Zanes: I. G. B., 95.

1190 On the Kyniskos basis there are no traces, as on that of Pythokles, to show that the original had been removed from the Altis and replaced by a copy long before Pausanias visited Olympia.

1191 O. S., p. 186, on the basis of the Oxy. Pap.; followed by Hyde, 45. Foerster’s date, Ol. (?) 86 ( = 436 B. C.), follows the earlier dating of Polykleitos by Robert, Arch. Maerchen, 1886, p. 107, i. e., before the discovery of the Oxyrhynchus Papyrus; see Foerster, 255. Robert later dated the birth of the sculptor about Ol. 75.4 ( = 477 B. C.). Thus, even if the Kyniskos were his earliest statue, it must have been erected some time after the victory. Furtwaengler dates the original of the Westmacott Athlete about 440 B. C.: Mp., p. 252.

1192 Bulle, Furtwaengler, E. A. Gardner, and others find the assumption of identity not completely convincing. Thus Furtwaengler looks upon the identification as “no far-fetched theory,” but says: “Unfortunately, however, absolute certainty can scarcely be attained” (Mp., pp. 249–50).

1193 VIII, 48.2; cf. Vitruv., de Arch., IX, 1 (p. 212).

1194 Homer mentions the palm: e. g., Od., VI, 163; the various kinds of palm are given by Theophr., Hist. Plant., II, 6.6 and 8.4. Its fronds (σπάθαι, cf. Hdt., VII, 69) were formed into victory crowns: Plut., Quaest. conviv., VIII, 4, p. 723.

1195 H. N., XXXV, 75.

1196 Arch. Stud. H. Brunn dargehracht, 1893, pp. 62 f.

1197 Mp., p. 256 and n. 1; Mw., p. 462 and n. 2.

1198 Cf. Waldstein, J. H. S., I, 1880, p. 187, n. 1.

1199 B. C. H., V, 1881, PI. III. See supra, p. 155.

1200 So Waldstein, l. c., p. 186.

1201 E. g., on a Panathenaic vase: Mon. d. I., X, 1874–78, Pl. 48, e. g.

1202 Mentioned by Helbig, Guide, 977; discussed by Arndt in La Glyptothèque Ny-Carlsberg, text to Pls. XXI-IV. Arndt believes that the right arm with the palm in the hand is modern, like the head and left arm; they are of a different marble from the torso. The torso is a replica of a statue in the Villa Albani, Rome: op. cit., fig. 13; cf. Furtwaengler, Mw., p. 738 (= god type). On representing athletes in the act of placing wreaths on their heads with the right hand and holding palm-branches in the left, see Milchhoefer, and others, in the work already cited, Arch. Stud. H. Brunn dargebracht, pp. 62 f.

1203 VI, 10.4. The scholiast on Pindar, Pyth., IX, 1, Boeckh, p. 401, says that the hoplites ran with bronze shields.

1204 See supra, pp. 105, n. 3, and 116.

1205 P., VI, 13.7. He won in Ol. 81 ( = 456 B. C.): Oxy. Pap.; Hyde, 117; Foerster, 184.

1206 Schol. on Pindar, Pyth., IX, Inscript. a. Boeckh, p. 401.

1207 Head A: Bildw. v. Ol., Textbd., pp. 29 f.; Tafelbd., Pl. VI, 1–4; Ausgrab. v. Ol., V, 1881, pp. 12 f., Pls. XVIII (front), XIX (side); F. W., 316; Overbeck, I, pp. 198–9 and cf. p. 178. Head B: Bildw., pp. 31 f., and Pl. VI, 9–10; Ausgrab., p. 13; Overbeck, p. 178; F. W., 315.

1208 Bildw., Pl. VI, 5–6; fig. 30, on p. 30 in Textbd.; Ausgrab., V, Pl. XIX, 4 and p. 12; F. W., 317.

1209 Bildw., Textbd., fig. 31, on p. 30.

1210 Bildw. v. Ol., Textbd., fig. 32, on p. 31.

1211 Ibid., pp. 31 f., and Pl. VI, 7–8; Ausgrab. v. Ol., V, Pl. XIX, 5 and p. 12; F. W., 319. Both the foot and arm are of Parian marble, like the head.

1212 Hyde, pp. 42–4; cf. Foerster, 151, 155; he also won the stade-race at Delphi: Pindar, Pyth., X, 12–16. Robert accepts my ascription: Pauly-Wissowa, VI, p. 1493. Liddell and Scott, Lexicon, s. v. Φρικίας (= “Bristle”), believe this to be the name not of the victor but of his horse, so called because of his long outstanding mane; cf. Herrmann, Opuscula, VII, 166 n. This is also the interpretation of Sandys, Odes of Pindar, Loeb Library, 1915, p. 291, n. 1.

1213 P., VI, 10.4–5; R. Foerster, Das Portraet in d. gr. Plastik, 1882, p. 22, n. 5.

1214 Treu, A. Z., XXXVIII, 1880, pp. 48 f.; Bildw. v. Ol., p. 34 and n. 2. He explained the shield device of the ram and Phrixos by the fact that Eperastos traced his descent from that hero. Cf. Overbeck, I, p. 198.

1215 VI, 17.5; Hyde, 183 and p. 62; Foerster, 765 (undated).

1216 Preus. Jb., LI, p. 382; cf. Sammlung Sabouroff, Einleitung zu den Skulpturen, p. 5, n. 4; followed by Flasch, Baum., II, p. 1104 U f.

1217 V, 27.7.

1218 Textbd., pp. 31–2.

1219 Hyde, l. c. For the date, see Afr; Foerster, 144–6; he was the first Olympic τριαστής, i. e., he gained victories in three events on the same day (stade-, double stade- and hoplite-races).

1220 Matz-Duhn, Ant. Bildw., no. 1097; here it is called a diskobolos; Clarac, 830, 2085; Furtwaengler, Mp., p. 204; Mw., p. 392.

1221 Hauser, Jb., II, 1887, p. 101, n. 24, points out its resemblance to the Tuebingen bronze, but because of the tree-trunk does not regard it as a representation of a hoplitodrome. Furtwaengler, l. c., regards the helmet as belonging to the head, while others believe it alien thereto.

1222 No. 795; A. Z., XXXVI, 1878, Pl. XI and pp. 58–71; Gardiner, p. 105, fig. 17; cf. another in Copenhagen: Gerhard, IV, Pl. CCLXXXI.

1223 P., VI, 3.10; he won the pentathlon some time between Ols. 94 and 103 ( = 404 and 368 B. C.): Hyde, 31; Foerster, 347.

1224 P., V, 26.3.

1225 V, 27.12.

1226 A. Z., XLI, 1883, Pl. XIII, 2 and pp. 227–8 (Milchhoefer).

1227 Inventar, no. 6306; mentioned by L. Gurlitt in A. M., VI, 1881, p. 158.

1228 Duetschke, II, no. 22; a very similar statue, no. 25, has no halteres; both are poor Roman copies.

1229 Bildw. v. Ol., p. 217; Tafelbd., Pl. LVI, 3.

1230 So schol. on Pindar, Ol., VII, Argum., Boeckh, p. 158. He won in Ol. 83 ( = 448 B. C.): Oxy. Pap.; P., VI, 7.1 f.; Hyde, 60; Foerster, 252.

1231 Matz-Duhn, Ant. Bildw. in Rom., no. 1096; J. H. S., II, 1881, p. 342, fig. 3. Thongs appear on both forearms of the Polykleitan statue, copies of which are in Kassel (Furtw., Mp., p. 246, fig. 99; Mw., p. 447, fig. 69), and on a headless one in Lansdowne House (Michaelis, p. 438, no. 3; Clarac, 851, 2180 A); similarly on the Lysippan boxer by Koblanos found at Sorrento, and now in Naples (Fig. 57; Kalkmann, Die Proport, des Gesichts in d. gr. Kunst = 53stes Berl. Winckelmannsprogr., 1893, Pl. III); on the bronze statue of a boxer from Herculaneum in Naples; and on the delle Terme Seated Boxer (Pl. 16); etc.

1232 So interpreted, and rightly, by Waldstein (J. H. S., I, 1880, p. 186), and others; Juethner, pp. 68–9, thinks that the object here represented is a victor fillet, being too short for thongs.

1233 P. 26 and n. 2; against him, Reisch, p. 43; Hitz-Bluemn., II, 2, p. 577; etc. Oil-flasks of various kinds—lekythoi, aryballoi, alabastra, olpai—are mentioned repeatedly by Greek writers; e. g., λήκυθος, by Homer, Od., VI, 79; Aristoph., Plutus, 810; ἀρύβαλλος, Aristoph., Equites, 1094; Pollux, VII, 166 and X, 63; ἀλάβαστρον, Theokr., XV. 114; ὄλπη (of leather), Theokr., II, 156; etc.

1234 VI, 14.6.

1235 VI, 9.1. Theognetos won in the boys’ wrestling match in Ol. 76 ( = 746 B. C.): Oxy. Pap.; Hyde, 83; Foerster, 193 and 193 N.

1236 We have already in the present chapter mentioned this “Apollo” in connection with the statuette from Piombino (Fig. 19); Studniczka, R. M., II, 1887, pp. 99–100, believed that it represented a victor. See supra, p. 119.

1237 E. g., on the bronze statuette from Naxos, now in Berlin: see supra, p. 119 and n. 5.

1238 Boy wrestlers especially wore caps in the palæstræ, but not at the games; we see them on the wrestler group in the palæstra scene on the r.-f. kylix in Munich (no. 795) already mentioned.

1239 Stuart Jones, Cat., pp. 65–6, no. 8; Helbig, Fuehrer, I, 769; Guide, 418; B. B., 527 (and fig. 6 in text, by Arndt); Furtw., Mp., p. 204, Mw., p. 392. Helbig finds it Myronian, while Furtwaengler considers it Attic, but non-Myronic; for a copy in Stockholm, see B. B., figs. 7, 8, 9, in the text to no. 527.

1240 I, 17.2. Furtw., Mp., p. 204, n. 6, shows that the Athens head bears no resemblance to the Capitoline. Furthermore, heads on coins of Juba differ from both and show no trace of the complicated head-dress. A marble head from Shershel (= Cæsarea) seems to be an authentic portrait of Juba II: see Annali, XXIX, 1857, Pl. E, no. 2, and p. 194; and Waille, de Caesareae Monumentis, 1891, title page (vignette) and p. 92 (quoted by Helbig, Guide, l. c.).

1241 See B. B., text to no. 527, figs. 1, 2, 3.

1242 Helbig, Fuehrer, I, 972; Guide, 595; B. Com. Rom., XII, 1884, Pl. XXIII, pp. 245–253. The meaning is explained by a similar archaistic Parian marble relief in Wilton House, Wiltshire, England, where the youth stands before a statue of Zeus, washing his hands preparatory to making a thank-offering to the god who gave him victory: see Michaelis, p. 680, no. 48 and wood-cut on p. 681; Arndt, La Glypt. Ny-Carlsberg, text, fig. 33; F. W., 239; its inscription is not genuine. The same archaistic traits are seen on a votive relief to Zeus Xenios in the Museo delle Terme: Helbig, Fuehrer, II, 1405; Arndt, op. cit., fig. 34; this is to be dated in the first century B. C., or A. D., because of its inscription: I. G. Sic. et Ital., no. 990.

1243 See Fabretti, de Columna Trajani, p. 267; Gardiner, p. 433, fig. 149; Schreiber, Bilderatlas, Pl. XXIV, no. 8. Cf. Krause, I, pp. 517 f.

1244 Cf. Reisch, pp. 42–3.

1245 Cf. Philostr., Heroicus, XII b (p. 315); τὰ δὲ ὦτα κατεαγὼς ἦν οὐχ ὑπὸ πάλης.

1246 Thus Furtwaengler calls the Ince-Blundell head that of a boxer statue: Mp., p. 173, and fig. 71 on p. 172; Mw., p. 348, and fig. 44 on p. 347.

1247 Cf. discussion by Gardiner, pp. 425–6.

1248 Gorgias, 515 E; Protag., 342 B. In the latter passage he says: καὶ οἱ μὲν ὦτά τε κατάγνυνται μιμούμενοι αὐτούς, καὶ ἱμάντας περιειλίττονται καὶ φιλογυμναστοῦσι καὶ βραχείας ἀναβολὰς φοροῦσιν, κ. τ. λ. The boxer’s swollen ears are mentioned by Theokritos, XXII, 45. The word ὠτοκάταξις seems to have meant a boxer whose ears were battered by the gloves: Aristoph., Fragm., 72; Pollux, II, 83 (whence Dindorf corrects the form ὠτοκαταξίας in Poll., IV, 144). For references, see Krause, I, pp. 516–17; and cf. J. H. S., XXVI, p. 13.

1249 E. g., on a fragment of a red-figured kylix in Berlin: J. H. S., XXVI, p. 8, fig. 2; Hartwig, Die griech. Meisterschalen, Textbd., p. 90, fig. 12; Gardiner, p. 438, fig. 153. Here one of the contestants in the pankration is bleeding at the nose.

1250 B. C. H., XXIII, 1899, pp. 455; cf., p. 457, where he speaks of le detail réaliste de l’oreille tuméfiée par les coups. For the statue of Agias mentioned, see infra, Ch. VI, pp. 286 f., and Pl. 28 and fig. 68. Cf. on this subject also Neugebauer, Studien ueber Skopas (in Beitraege zur Kunstgesch., XXXIX, 1913, p. 35, n. 172).

1251 Bronz. v. Ol., Tafelbd., IV, Pl. II, 2, 2 a; F. W., 323; etc.

1252 See infra, Ch. VI., pp. 293 f.

1253 Fouilles de Delphes, IV, Pls. LXIII-LXIV.

1254 Ant. Denkm., I, 1, 1886, Pl. IV.

1255 Duetschke, III, no. 72.

1256 Gaz. arch., VIII, Pl. I, and p. 85 (Rayet); F. W., 461.

1257 B. B., no. 8.

1258 Bulle, no. 105 (right); and fig. 46 on p. 205.

1259 A. M., XVI, 1891, Pls. IV, V (two views).

1260 F. W., 505; Collignon, I, p. 495, fig. 252. As the swollen ears do not occur on other copies, they are here doubtless a modification by a late artist.

1261 La Glypt. Ny-Carlsberg, Pl. XXXVI (= copy of fifth century B. C.); XCIV (Herakles or athlete, from the Tyszkiewicz coll., Skopasian in character; = Reinach, Têtes, Pls. CL, CLI); XCV (similar to preceding, though later in style: Têtes, Pls. CLVI, CLVII); CXX (copy of head of athlete of the fourth century B. C.).

1262 Cat. Class. Coll., pp. 228 f.; fig. 141 on p. 231. Miss Richter points out its affinity to the Hermes and assigns it to the immediate influence of Praxiteles. This fragment of a statue appears to have been trimmed into its present shape in modern times. Miss Richter’s statement (p. 230) that swollen ears are a characteristic which applies in representations of heroes to Herakles alone is contradicted by what we shall say below about heads of Diomedes.

1263 Rayet, II, Pls. 64, 65 (head); B. B., 75; von Mach, 286; F. W., 1425; M. W., I, Pl. 48, 216; Reinach, Rép., I, 154, 1–4. Rayet calls the statue that of a hoplitodromos.

1264 Brunn, Sitzb. Muen. Akad., 1892, pp. 651 f.; Furtw.-Wolters, Beschr. d. Glypt.², no. 304; B. B., 128 (left = original; right = cast); Furtw., Mp., p. 147, fig. 60 (from a cast with modern restorations omitted), and p. 150, fig. 61 (head, two views); text, pp. 146 ff.; Mw., Pls. XII, XIII; text, pp. 311 f.; Clarac, 871, 2219 and 633, 1438 A.; Gardner, Sculpt., Pl. XVII (cast). Its Kresilæan origin has been shown by Brunn (l. c., pp. 660 and 673), Flasch (Vortraege an der 41sten Philologenversamml., 1891, p. 9, quoted by Furtwaengler), Loeschke and Studniczka (quoted by Furtwaengler) and Furtwaengler. It also shows Myronic traces. It stands 1.86 meters (without the base).

1265 Furtw., Mp., p. 151, fig. 62; Mw., Pl. XIV and p. 313. This and a head in private possession in England, B. B., 543 (three views), are the best and truest copies of the lost original.

1266 Froehner, Notice, 128; Bouillon, Musée des antiques (statues), Pls. II and III; Clarac, 314, 1438.

1267 Duetschke, II, no. 163; Amelung, Fuehrer, 210; B. B., 361; F. W., 458. It will be discussed further on in Ch. IV, pp. 180 f. The Berlin replica is given in Mp., p. 167, fig. 67; cf. text, p. 165, n. 2.

1268 Roscher, Lex., I, 2, p. 2163, fig.; Furtwaengler, Mp., p. 155, n. 2.

1269 R. M., IV, 1889, P. 197, no. 12 (B. Graef).

1270 B. M. Sculpt., III, 1731, and Pl. V, fig. 2; Marbles and Bronzes, Pl. XXI; Museum Marbles, II, Pl. XLVI; Specimens, I, Pl. LX; Collignon, II, p. 240, fig. 120; Wolters, Jb., I, 1886, Pl. V, fig. 2 and p. 54. Two other copies of the same original are the one in the Capitoline Museum, Rome, and one found in 1876 on the Quirinal and now in the Palazzo dei Conservatori there. B. Graef, R. M., IV, 1889, p. 189 f, and Pls. VIII (Capitoline bust) and IX (Quirinal bust), attributes the type to Skopas; he is followed by Collignon, II, p. 240, n. 1; cf. S. Reinach, Gaz. d. B-A., 3d Per., III, 1890, pp. 338 and 340. Wolters tried to show that it was Praxitelian. But the similarity between these heads and that of the Lansdowne Herakles (Pl. 30 and fig. 71), which we ascribe to Lysippos in Ch. VI, pp. 298, 311, is easily apparent.

1271 Amelung, Vat., I, p. 738, no. 636 and II, Pl. 79; Helbig, Fuehrer, I, no. 108; Guide, 113; B. B., 609; Furtw., Mp., p. 341, fig. 146; p. 342, fig. 147 (head, two views); Mw., p. 575, fig. 109 and p. 577, fig. 110.

1272 Furtw.-Wolters, Beschr., d. Glypt.,² no. 245 (the so-called Lenbach head); Arndt-Bruckmann, Griech. und roem. Portraets, Pls. 335–6. See Furtw.-Wolters, for replicas in the Louvre, etc.

1273 B. B., 338; Helbig, Guide, 69 (= boxer).

1274 Comparetti e de Petra, La Villa Ercolanese dei Pisoni, 1883, Pl. XXI, 3; Furtw., Mp., pp. 234 f. and fig. 95; Mw., pp. 428 f. and fig. 65. Both Furtwaengler (l. c.) and B. Graef (R. M., IV, 1889, pp. 215 and 202) have shown the Polykleitan origin of the type. The former believes that it may have been copied from a statue of Herakles by the master, which is mentioned by Pliny (H. N., XXXIV, 56) as at Rome. For other replicas of the type, see Furtw., Mp., p. 234, n. 1; Mw., p. 429, n. 1.

1275 A. A., 1889, pp. 57–8 (Treu, who referred it to Polykleitos); Furtw., Mp., p. 92 and fig. 40; Mw., p. 124 and Pl. VI (he called it Pheidian).

1276 Museo Torlonia, Pl. 26, no. 104.