The late Emperor Augustus did more than all the others; for he placed in the most conspicuous part of his Forum, two pictures, representing War and Triumph.1848 He also placed in the Temple of his father,1849 Cæsar, a picture of the Castors,1850 and one of Victory, in addition to those which we shall mention in our account of the works of the different artists.1851 He also inserted two pictures in the wall of the Curia1852 which he consecrated in the Comitium;1853 one of which was a Nemea1854 seated upon a lion, and bearing a palm in her hand. Close to her is an Old Man, standing with a staff, and above his head hangs the picture of a chariot with two horses. Nicias1855 has written upon this picture that he “inburned”1856 it, such being the word he has employed.

In the second picture the thing to be chiefly admired, is the resemblance that the youth bears to the old man his father, allowing, of course, for the difference in age; above them soars an eagle, which grasps a dragon in its talons. Philochares1857 attests that he is the author of this work, an instance, if we only consider it, of the mighty power wielded by the pictorial art; for here, thanks to Philochares, the senate of the Roman people, age after age, has before its eyes Glaucion and his son Aristippus, persons who would otherwise have been altogether unknown. The Emperor Tiberius, too, a prince who was by no means very gracious, has exhibited in the temple dedicated by him, in his turn, to Augustus, several pictures which we shall describe hereafter.1858