Hans Holbein the Younger (Vol 1 of 2), by Arthur B. Chamberlain--A Project Gutenberg eBook

321. Woltmann, 49. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 24.

322. Hdz. Schwz. Mstr., note to iii. 24.

323. See Appendix (D).

324. Reproduced by Ganz, Holbein, p. xxi.

325. Woltmann, 112. Reproduced by His, Pl. v.; Ganz, Holbein, p. 30.

326. Woltmann, 102. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 38; His, Pl. iv.

327. See Ganz, Hdz. Schwz. Mstr., note to iii. 38.

328. British Museum, 13, Binyon Catg., ii. p. 329. Woltmann, 209.

329. Woltmann, 95. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 53 (see note to the plate by Meyenburg).

330. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 54, and in Hdz. von H. H. dem Jüng., Pl. 13. See his notes to both plates.

331. See Ganz, Hdz. Schwz. Mstr., note to iii. 54.

332. See Ganz, Hdz. Schwz. Mstr., note to iii. 54.

333. Woltmann, 90. Reproduced by Ganz, Hdz. Schwz. Mstr., ii. 35; His, Pl. vii.

334. Woltmann, 91. Reproduced by Ganz, Hdz. Schwz. Mstr., i. 42, and in Hdz. von H. H. dem Jüng., Pl. 15; Knackfuss, fig. 26; His, Pl. vi.

335. Woltmann, 66. Reproduced by Knackfuss, fig. 28; Mantz, p. 44 (No. 1).

336. Woltmann, 67. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 22; Davies, p. 72; Knackfuss fig. 29; Mantz, p. 44 (No. 2).

337. Woltmann, 68. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 39; Knackfuss, fig. 30; Mantz, p. 44 (No. 3).

338. See Ganz, Hdz. Schwz. Mstr., note to iii. 39.

339. Woltmann, 69. Reproduced by His, Pl. x.; Mantz, p. 44 (No. 4).

340. Woltmann, 70. Reproduced by Knackfuss, fig. 31; His, Pl. xi.; Woltmann, i. p. 173; Mantz, p. 44 (No. 5).

341. Woltmann, 71. Reproduced by Ganz, Hdz. von H. H. dem Jüng., Pl. 17; His, Pl. xii., Mantz, p. 44 (No. 6).

342. See Ganz, Hdz. von H. H. dem Jüng., p. 36.

343. Woltmann, 72. Reproduced by Ganz, Hdz. Schwz. Mstr., ii. 50; Knackfuss, fig. 32; His, Pl. xiii.; Mantz, p. 44 (No. 7).

344. Woltmann, 73. Reproduced by Mantz, p. 44 (No. 8).

345. Woltmann, 74. Reproduced by Davies, p. 68; His, Pl. xiv.; Mantz, p. 44 (No. 9).

346. Woltmann, 75. Reproduced by Davies, p. 70; Knackfuss, fig. 33; Woltmann, i. p. 174; Mantz, p. 44 (No. 10).

347. Woltmann, 177-183; British Museum, 1-7, Binyon Catg., ii. pp. 327-8. See Appendix (D).

348. Woltmann 76-81. All six reproduced by Mantz, eng. by Edouard Lièvre, p. 128.

349. Woltmann, 76. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 11, and in Hdz. von H. H. dem Jüng., Pl. 3; Knackfuss, fig. 42.

350. Woltmann, 80. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 37; Davies, p. 136; Knackfuss, fig. 44.

351. Woltmann, 78. Also wearing a gauze cap.

352. Woltmann, 77. Reproduced by Knackfuss, fig. 43.

355. Ganz, Hdz. Schwz. Mstr., note to iii. 11.

356. Reproduced by Ganz, Hdz. von H. H. dem Jüng., Pl. 26; and see his note, p. 44.

357. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 55, and in Hdz. von H. H. dem Jüng., Pl. 12.

358. Woltmann, 104. Reproduced by Ganz, Hdz. Schwz. Mstr., ii. 36, and in Hdz. von H. H. dem Jüng., Pl. 28; Knackfuss, fig. 68.

359. And the Lachner glass design. See Appendix (B).

360. Woltmann, 63. Reproduced by Ganz, Hdz. Schwz. Mstr., i. 10; Knackfuss, fig. 69.

361. This drawing is only the central part of the design, the left-hand half being in the Albertina, Vienna (Woltmann, 259). For the drawing at Frankfurt of the transport ship with landsknechte, see Vol. ii. p. 264.

362. Woltmann, 105. Reproduced by Knackfuss, fig. 17.

363. Woltmann, 106. Reproduced by Knackfuss, fig. 18.

364. Ægidius was thirty-one when the portrait was painted, and had been appointed town-clerk seven years previously.

365. Archæologia, xliv. pp. 435 et seq.

366. Reproduced by Sir Claude Phillips, Art Journal, 1897, p. 101; Arundel Club, 1905; Catalogue of the Pictures in the Earl of Radnor’s Collection, 1909, vol. i. No. 80; A. Machiels, Gaz. des Beaux-Arts, Nov. 1911, heliotype.

367. Inscribed “Viro Literatissimo Petro Egidio Amico Charissimo Antuerpiæ.”

368. Eng. by F. Leuwers, 1873. For a description and history of the two pictures, see H. Barclay Squire, in Lord Radnor’s Catalogue, note to No. 80, vol. i. pp. 44, 45.

369. Law, Royal Gallery of Hampton Court, 1898, p. 215.

370. A poor reproduction of this portrait—which Wornum (p. 143) regarded as a fine, genuine work by Holbein, but in some of its details recalling Metsys—accompanies M. Henri Hymans’ article “Quentin Metsys et son Portrait d’Erasme,” in the Bulletin des Commissions Royales d’Art et d’Archéologie, 1882; reproduced also by J. R. Haarhaus, “Bildnisse des Erasmus,” Zeits. für bild. Kunst, Nov. 1898.

371. See André Machiels, “Les Portraits d’Erasme,” Gazette des Beaux-Arts, November 1911, pp. 349-61, who reproduces the Rome portrait; also W. Barclay Squire, Lord Radnor’s Catalogue, addit. note to No. 80.

372. One of these drawings is in the collection of M. Léon Bonnat, Paris, and is reproduced in the Gaz. des Beaux-Arts, 1879, i. p. 269.

373. Reproduced by A. Machiels, Gaz. des Beaux-Arts, Nov. 1911, p. 355.

374. See Appendix (E).

375. According to Walpole, Anecdotes, ed. Wornum, 1888, i. p. 344, the pictures were “altered” by Von Steenwyck for King Charles.

376. Wornum, p. 140.

377. Law, Holbein’s Pictures at Windsor Castle, 1901, p. 28.

378. Reproduced by Ganz, Holbein, p. 207.

379. See Appendix (E).

380. See A. Horawitz, Zeitschrift für bildende Kunst, viii. p. 128. Quoted by Woltmann, i. p. 286.

381. F. M. Nichols, Proceedings of the Society of Antiquaries, second series, xvii. No. I., pp. 132-145.

382. Woltmann, 214. Reproduced by Davies, frontispiece; Sir Claude Phillips, Art Journal, 1897, p. 102; Earl of Radnor’s Catalogue, No. 81; Ganz, Holbein, p. 37; Machiels, Gaz. des Beaux-Arts, Nov. 1911, p. 357. Exhibited Royal Academy Winter Exhib., 1873, No. 178.

383. In Jahrbücher des Vereins von Alterthumsfreunden im Rheinlande, 1868, p. 269, quoted by Woltmann, i. p. 288. For other readings by Grimm, &c., see W. Barclay Squire in Lord Radnor’s Catalogue, note to 81.

384. See Sir Claude Phillips, Art Journal, 1897, p. 103. Also Waagen, Galleries and Cabinets, 1857, p. 356, who says that it is “alone worth a pilgrimage to Longford Castle.”

385. Woltmann, 232. Reproduced by Davies, p. 110; Ganz, Holbein, p. xxiii.

386. Woltmann, 231. Reproduced by Davies, p. 110; Ganz, Hdz. von H. H. dem Jüng., Pl. 16.

387. It is possibly the portrait noted by Evelyn in his Diary, August 10, 1655—“I went to Alburie to visit Mr. Howard.... He shew’d me many rare pictures, particularly ... Erasmus as big as the life, by Holbein.” This could hardly refer to the small Greystoke portrait.

388. Reproduced by Ganz, Holbein, p. 206. Mr. Barclay Squire notes copies of Mr. Gay’s version in the Bodleian Library, Oxford, presented by Sir James Thornhill in 1728, and one in Archbishop Tenison’s School, Leicester Square (note to No. 81, Lord Radnor’s Catalogue).

389. See Colvin, Burlington Magazine, vol. xvi. Nov. 1909, p. 71.

390. Woltmann, 224. Reproduced by Davies, p. 108; Knackfuss, fig. 52; Sir C. Phillips, “Picture Gallery of Charles I,” Portfolio Monograph, 1896, p. 23; Ganz, Holbein, p. 39.

391. The study for this hand, in the Louvre, has aleady been mentioned (see Pl. 55).

392. Reproduced by Cust, Royal Collection of Paintings, Windsor Castle, Pl. 47.

393. Or perhaps the small roundel at Basel mentioned below.

394. Vol. xxix., 1884, p. 423.

395. Woltmann, 12. Reproduced by Woltmann, vol. i. p. 315, fig. 57; Ganz, Holbein, p. 38.

396. Woltmann, ii. p. 99.

397. Woltmann, i. p. 290.

398. Ganz, Holbein, p. xxvi.

399. See Ganz, Holbein, pp. xxv.-vi.

400. See Appendix (F).

401. He may have gone, of course, as Lützelburger’s representative.

402. Woltmann, 44 and 45.

403. Reproduced by Ganz, Hdz. Schwz. Mstr. iii. 25; Knackfuss, fig. 53.

404. See Chapter xxi., Vol. ii. p. 138 et seq.

405. See Vol. ii. p. 162.

406. Reproduced in the Burlington Magazine, vol. xvi., November 1909, frontispiece; Ganz, Holbein, p. 91.

407. Burlington Magazine, vol. xvi., November 1909, pp. 67-71.

408. Only one of these has Holbein’s name attached to it in the Arundel inventory of 1655. The two are entered as “Erasmo di Holbein” and “Ritratto d’Erasmo Roterodamo.” See above, p. 171, note 4.

409. Reproduced in Burlington Magazine, vol. xvi., November 1909.

410. Woltmann, 240. Reproduced by Ganz, Holbein, p. 86.

411. The much inferior version in the Besançon Museum (reproduced by Ganz, Holbein, p. 215) is an almost exact replica of the Parma picture.

412. See M. Curtze, Beiblatt der Zeitschrift für bildende Kunst, 1874, ix. 537 ff.; Woltmann, vol. ii. p. 15; and Colvin, Burlington Magazine, vol. xvi. p. 68.

413. Woltmann, 13. Reproduced by Davies, p. 112; Knackfuss, fig. 114; Ganz, Holbein, p. 90.

415. Reproduced by Ganz, Holbein, p. 214; the hands and body follow the Longford picture, while the head is like the Parma version.

416. Woltmann, 250. Reproduced by André Machiels, Gaz. des Beaux-Arts, November 1911, p. 359, who regards it as an original work by Holbein.

418. Woltmann, 207. Reproduced by Knackfuss, fig. 51.

419. Woltmann, 206. Reproduced by Woltmann, i. 357, fig. 63; Knackfuss, fig. 112; Machiels, Gaz. des Beaux-Arts, November 1911, p. 358; and elsewhere.

420. Reproduced by Law, Holbein’s Pictures in Windsor Castle, viii. p. 27, and in Royal Gallery of Hampton Court, p. 220; Sir C. Phillips, “The Picture Gallery of Charles I,” Portfolio Monograph, 1896, p. 111; Davies, p. 28; Ganz, Holbein, p. 207.

421. Reproduced by Ganz, Holbein, p. 208.

422. Law, Holbein’s Pictures, &c., p. 28.

423. Woltmann, i. p. 289.

424. Knackfuss, p. 78.

425. Woltmann, 164. Reproduced by Knackfuss, fig. 113; Ganz, Holbein, p. 92.

426. Reproduced by Ganz, Holbein, p. 92.

427. On this point see Koegler, Jahrbuch d. Pr. K.-S., 1911, and Ganz, Holbein, p. 239.

428. Woltmann, ii. p. 359.

429. Woltmann, 43. Reproduced by Ganz, Hdz. von H. H. dem Jüng., Pl. 50 (in colours), and Holbein, frontispiece; Davies, p. 100; Knackfuss, fig. 21; Wornum, frontispiece, eng. by C. W. Sharpe.

430. According to Dr. Ganz, Holbein, p. 232, this cutting-out was in all probability done in the eighteenth century, when at the same time the hat and mantle were freshened with water-colours.

431. Dr. Ganz points out (Holbein, p. 232), that it was not until after his journey into France, in 1523-4, that he made use of coloured chalks in his drawings.

432. Another drawing of this period in the Basel Gallery, the Young Man with the big hat, is described in Vol. ii. pp. 259-60.

433. Including Woltmann, in the first edition of his book, Eng. trans., p. 205.

434. The same initials occur on the title-page to Hall’s Chronicle, 1548. See Vol. ii. p. 79.

435. Woltmann, Eng. trans., p. 205.

436. See Campbell Dodgson, Burlington Magazine, vol. x., Feb. 1907, pp. 319-22; also the same writer’s Catalogue of Early German and Flemish Woodcuts in the British Museum, vol. ii., 1911, p. 295, &c.

437. See His, “Hans Lützelburger,” &c., in Gazette des Beaux-Arts, 2^e Période, vol. iv. pp. 481-9 (December 1871).

438. Mr. Frederic Lees, however, mentions as clearly by Holbein, “a drawing for the celebrated Dance of Death series, and the only one of the forty which now exists,” which is in the collection of M. Emile Wauters in Paris.—The Studio, vol. li. No. 213, p. 213 (December 1910).

439. See pp. 44-5 and Pl. 11.

440. Woltmann, 223. Reproduced by Butsch, Die Bücher-Ornamentik der Renaissance, Pl. 45; and by Mantz, Hans Holbein, p. 26.

441. Calendars of Letters and Papers, Hen. VIII, vol. ii. pt. i. 2540.

442. Woltmann, A. H., 4. Reproduced by Butsch, Pl. 43. Already used by Froben in more than one book in the previous year (1517).

443. Woltmann, 217, 218. See p. 111.

444. Woltmann, 227. Reproduced by Butsch, Pl. 54; Knackfuss, fig. 50; Mantz, p. 43.

445. Woltmann, 215. Reproduced by Butsch, Pl. 57.

447. Woltmann, 184-7.

448. Woltmann, 188-91.

449. Woltmann, 192. Reproduced in Holbein, “Great Engravers” Series (A. M. Hind), 1912.

451. Woltmann, 150-70.

452. See Woltmann, i. 218-20.

456. Woltmann, 195, 196. Reproduced by Woltmann, i. pp. 237-38.

457. Woltmann, 231. Reproduced by Butsch, Pl. 64; Woltmann, i. p. 200.

458. Woltmann, 232. Reproduced by Butsch, Pl. 64; Wornum, p. 13, &c.

460. Woltmann, 253. Four of the letters reproduced by Woltmann, Eng. trans., p. 218.

462. Woltmann, 255-9.

464. Woltmann, 266-8.

465. Woltmann, 238a, 238b.

466. Woltmann, 239-41.

467. Woltmann, 242, 243.

468. Woltmann, 244, 245.

469. Woltmann, 246-8.

470. Woltmann, 249. A number of these marks reproduced by Butsch, Pls. 50, 51.

471. See Appendix (G).

474. See Vol. ii. pp. 76-9.

475. See Woltmann, i. chap. xi.; Chatto, Treatise on Wood Engraving, ed. Bohn, chap. vi.; Douce, Dance of Death, 1858, pp. 30-37.