Then said the oldest of the three old men to the fisherman, ‘Take me to the island of Saint George, for there I dwell.’ And the fisherman put him ashore there. The second of the old men then said, ‘I am Saint Nicholas, take me over to the Lido.’ The fisherman set him ashore there, wondering at his own strength, for it is far. Then said the last, ‘I am Saint Mark, set me ashore at the Piazza.’ When they were there the fisherman fell upon his face before the saint, who raised him up and gave him his blessing, and, moreover, bade him go at once to the Doge, though it was late, and tell him what he had seen, and to prove that it was truth and not a dream the saint drew from his finger a ring and gave it to the fisherman as a token.
The legend has been too often told for me to dwell upon what followed, but it contrasts characteristically with the tale of the little Countess Tagliapietra, which is only forty years older, but which still retains that subtle perfume, that air of peace and light, which belong to the earlier Venetian legends. The story of the fisherman belongs already to those nightmare tales of terror which became so very common in Venice that in the sixteenth century all the popular tales represent devils and fiends struggling against the supernatural powers of saints. Last of all, even the saints and demons disappeared, and the degenerate eighteenth century expressed its love of fiction in a set of ghost stories as terrifying as any that the human imagination has ever evolved out of darkness.
Next to all that is connected with religion, that which would do the most to give a clear idea of the fourteenth century would be the study of women and their position at that time, but an almost total lack of documents makes this absolutely impossible. We can learn from old family papers and carefully preserved accounts what women were, and we may even to some extent reconstruct the frame of their outward existence; but the soul of it all escapes us. The story I have told of the little patrician girl alone stands out to give us some idea of what a spotless child’s thoughts could be in a city which was even then one of the most perverse in Europe. But of the many other Venetian ladies whom history mentions by name we know absolutely nothing, so far as their private lives are concerned. One dogess after another appears in magnificent garments; but we feel no more interest in them than if they were so many gorgeous wax figures, for no one has taken the trouble to tell us whether this one was beloved or that one hated; whether one was a woman of heart, or another proud, ambitious, and vain. In most cases we do not even know their ages. Why should any one care? Each one was ‘the dogess of her day,’ and that was enough; she was the companion and consort of the doge, but beyond that, in a state in which the supreme dignity was not hereditary, her value was purely decorative.
The fourteenth century was not remarkable for much luxury or feminine display. Among the most characteristic objects used in those times were the extraordinary clogs, with double heels and enormously high, on which women went about in order to keep their skirts out of the mud. For the streets and lanes were not even paved, and there seems to have been no great effort made to clean them. The principal scavengers seem to have been the little pigs of the monastery of Saint Anthony of Padua, which had an official right-of-way about the city, and devoured greedily whatever the good wives of Venice chose to throw into the streets when they cleaned out their kitchens. It will easily be understood that clogs might be useful in such a town. As another illustration of the times, here is a list of the exiguous outfit provided for a young lady of great family on her marriage in the year 1300: One bed, two down quilts, two pillows, four sheets, one coverlet, six silver spoons, one copper pail; one piece of scarlet stuff long enough to make a bodice, one skirt of the same material; one skirt of striped stuff, and one trimming for the said skirt of the price of nine soldi grossi; one skin of a fox; seven amber beads, one ornament made of pearls, an ornament of gold, a silver belt and some silver beads.
The display of jewellery on that occasion was certainly not magnificent, but the list of clothes leaves even more to be desired. The document explains further and determines precisely how the wedding is to be conducted, and what it is to cost the family of the bride. The bride, when she reaches Padua, is to receive twelve soldi grossi for her pocket money, a like sum to pay for the drums, and the same again for the cook; but only half as much for the duenna who is to accompany her, and who rejoices in the high-sounding name of Richadonor, ‘rich in honour’! Furthermore, forty soldi grossi were to be spent on beef, pork, poultry, biscuits, apples, birds, eggs, bread, torches, wax candles, and the hire of boats.
Living was certainly not dear in those days, and we have no means of calculating the value of the coins used, about which learned men have fruitlessly quarrelled for generations; we cannot by any means establish the value of such an outfit, but we can affirm most positively that the outfit itself bore no resemblance whatever to those provided two centuries later for brides of the very same family.
In this connection it is as well to say that the marriage customs of Venice had changed considerably during the thirteenth century. It had become altogether impossible to celebrate all marriages on the same day of the year in the same church, as was formerly done, and weddings now took place throughout the year in the different parishes.
An edict of the year 1255 recommends the publication of marriage bans in Venice, but very little attention was paid to this regulation, and clandestine
marriages became one of the great evils of the day. If, for instance, an unmarried woman of any condition found herself hopelessly in debt, she had only to marry in order to be safe from any legal action on the part of her creditors. It was so easy to get the ceremony performed, if one wished to keep the affair quiet, that it was not even necessary to go to church. A priest could be sent for to a private house, or even to an inn, the witnesses heard the necessary words pronounced, the priest blessed the couple, and the union was irrevocable.
The government took cognisance of the innumerable abuses which resulted from this manner of proceeding, and a law was passed which would have introduced a real reform if it had been rigorously enforced. But instead it was so completely overlooked and forgotten that the archives of the law-courts a century later teem with amusing anecdotes of such marriages. The following is a specimen taken from the case of a certain Dame Caterina of the parish of Saint Gervasio.
One evening, as this good lady was lingering on the threshold of her own door, a certain Pierin da Trento came by, selling brooms. Having greeted Dame Caterina, who appears to have been an acquaintance, the man said, ‘Good madam, I pray you find me out some handsome girl.’ Thereupon the good lady was immediately very angry, and loaded Pierin with the choicest epithets in the Venetian language, all of which are scrupulously quoted in the report of the case. Pierin, however, protested, ‘No, no, Dame Caterina, I did not mean what you think! I am asking you to find me a nice little wife to whom I will be a model husband.’ She answered, ‘Well, well, on my faith I will try and find one for you. Come back to-morrow.’ She immediately thought of a young girl called Maria who waited upon herself and her daughter. On the morrow the parties met in the house of Dame Caterina, and one Menego Moisè, who was there, asked, ‘Maria, does Pietro suit you as a husband according to the commandments of God and Holy Church?’ She answered, ‘Yes.’ So they took each other by the hand, and all the company sat down to table with great joy.
This was apparently all that was necessary to make a marriage binding. It is not even explicitly stated that the man Menego who asked the ritual question was a priest; but unless we suppose that something like common-law marriage was legal in Venice, we may take it for granted that he was.
Of course, in the absence of a divorce law, the chief object of such summary marriages was that they might be denied, and such cases led to some lively fencing between the civil and religious authorities.
In spite of these abuses, however, and in spite of the numerous regular and proper marriages that took place in the parish churches, the old custom of marrying wholesale on the thirty-first of January had not fallen wholly into disuse. I shall describe in another place the Feast of the Maries, instituted to recall the one which had been disturbed long ago by the Dalmatian pirates, and which was celebrated every year with the same mixture of simplicity, display, and jollity.
One might get married quietly, with closed doors and without sound of drum or trumpet, but it was quite impossible to be buried with the same simplicity and privacy. All the chroniclers of those times have left accounts of funerals, which remind one very strongly of the East, and even of ancient Egyptian and Assyrian rites. It was absolutely indispensable that a husband on the death of his wife, or a wife on the death of her husband, should exhibit in public the most extravagant grief. The bereaved widow or widower was expected to scream, to roll upon the ground, to tear out his or her hair by the handful, to howl and moan with scarcely a moment’s intermission.
When at last the friends of the dead came to carry away the body, the frenzied relict was always found stretched upon the threshold of the house, to prevent the funeral from passing, and had to be dragged out of the way by main force. The body having been carried out of the house at last, the whole family followed it to the parish church with screams and howls, and kept up the same terrific noise during the chanting of the whole funeral service. This insane custom was so deeply rooted amongst the people that centuries elapsed before the Church could put it down, and only threats of excommunication sufficed to prevent the unseemly interruption of the Office for the Dead. Those who have lived in the far East, and especially in India, are familiar with such sights. No one who has heard the lamentations of hired mourners at an Asiatic funeral is likely to forget the impression he received; but it is hard to understand such doings amongst the Venetians of the fourteenth century, and that the poor sometimes even went so far as to expose their dead in the streets during several days, in order to excite the compassion and solicit the alms of those who passed by.
It is quite certain that slavery was not only common but almost universal in Venice until the fifteenth century at least. The custom of keeping household slaves was indeed general throughout Italy in the Middle Ages, but it was nowhere so deep-rooted as in Venice. Church and State laboured in vain to put down the traffic and to discourage the purchase of slaves. In the year 960 the Doge Pier Candiano IV. threatened with very severe punishments all those who should either engage in or encourage the slave trade. And at the same time the patriarch declared himself as follows: ‘Moreover, we and our brother bishops will excommunicate all those who shall be proved guilty before the tribunals of the state; they shall be deprived of the sacrament of the Holy Eucharist; they shall not be allowed to enter any church; and if they do not repent, they shall burn everlastingly with Judas, who sold our Lord Jesus Christ.’
The civil and ecclesiastic authorities could not have expressed themselves in stronger language, but it is clear that their edicts could not be enforced, for slavery continued to flourish during four centuries after that time. We have not even the satisfaction of telling ourselves that it was at last put down by a noble impulse of humanity, since the most superficial examination proves to us that slavery did not begin to diminish in Venice until the general depravity of women had brought them down to the moral level of slaves. That very depravity was itself in great part produced by the presence of an immense number of Eastern female slaves, absolutely without any moral sense, and having no object whatever in life except to extract favours from their masters by making themselves the willing instruments of every passion and of every vice. They possessed many means of accomplishing this end, and in particular a great many of them claimed the secret knowledge of philtres, which would not only heal every malady, but which could instantly satisfy their masters’ thirst for love or revenge. They pretended, by means of incantations, to destroy by degrees the life of an enemy who could not be safely stabbed or otherwise violently put to death; and in a vast number of cases the victim actually died, if not by supernatural means, by subtle poisons administered to him by some slave of his own in collusion with the witch. Often, too, men and women went suddenly raving mad from poison thus secretly administered, and remained permanently insane. This crime was so common that it had a name of its own, and was called ‘Erbaria.’
The whole of Venice was undermined by these slave intrigues. The Eastern woman possesses beyond all others the secret of secrecy. The thousands of them who lived in Venice were in communication with each other, helped each other, and could accomplish for their respective masters almost anything they desired. There was a certain number of male slaves also, who, though far less astute than the women, often rendered their owners great services, sometimes to their own destruction; for there are records of their having been imprisoned, tortured, and hanged instead of their masters, and sometimes with the latter, for having committed crimes of which their owners did not wish to take the responsibility.
The reader will not have forgotten how the Venetian brides were carried off by pirates of Narenta towards the middle of the tenth century, in the reign of Pier Candiano III. When, at a later date, the custom of celebrating all marriages on the same day of the year and in the same church was abandoned, the ceremony called ‘the Maries’ was continued each year in memory of the romantic event.
The brides were replaced by twelve young girls, who were chosen among the most well-behaved in the city, so that the choice became a sort of prize of virtue—a ‘Prix Montyon’—and the selection was made with the utmost care. At that time the city was divided into six wards, each of which contained thirty ‘contrade,’ or districts. Two of the latter were named each year to furnish the ‘twelve Maries.’ The headmen of the districts, who were like police magistrates, called together the people in the principal open place of the district, and the election began. The chroniclers do not agree upon the qualities which were required in candidates; some say that they were all to be noble, some that they were to be poor, another says that they were the most beautiful. There is only one point upon which all agree: their behaviour was required to be perfect.
The twelve Maries having been chosen, the meeting proceeded to elect the twelve nobles at whose houses the young girls were to be entertained. These personages were to be of the same district, or were at least to live in the immediate vicinity; and it was no sinecure to fulfil this office of hospitality. The district spent from eight hundred to a thousand ducats in decorating the streets and houses, and the boats that conveyed the Maries; and the patrician whose ill-luck had designated him as one of the patrons was obliged to make such a display and to furnish such a magnificent banquet in honour of the girl he was supposed to protect, and such a reception for the inhabitants of the whole district, that his pocket suffered severely, and he was obliged to economise for some time afterwards. It often happened that there were not so many as twelve rich nobles living in the district, and in that case matters were arranged by giving two Maries to one, who was thus condemned to a double expenditure, if not to actual ruin, for the greater glory of patriotic institutions. However, as time went on, the State was moved by such misfortunes, which were not really justified by any serious necessity, and the Great Council voted that the Doge should exercise a certain control over the election of the Maries and their official protectors. By this means it became possible for a noble in poor circumstances to pass on the burden of the feast to some richer man. It was further decided that the procurators of Saint Mark should be authorised to lend on security, to the districts and to the patrons chosen, all the jewels from the treasure of the basilica, with which to adorn the attire of the twelve young girls. These jewels consisted of numerous necklaces and diadems of immense value, and the fact that they were lent for such an occasion proves the great importance which the Venetians attached to the festivity. For the time being the Republic behaved as if it had fallen in love with the maidens whose part was to recall to memory the stolen brides of old. On one occasion it is recorded that no less than 72,000 ducats were expended on the feast.
By far the most interesting and charmingly simple account of the feast is that left by a certain Martin da
Canal, written in a dialect half French and half Provençal. It describes the Feast of the Maries in the second half of the twelfth century, when Ranier Zeno was Doge; and though a few modifications were afterwards introduced in the ceremonial, this account continues to be quite the most accurate that has come down to us. The only way of accounting for its having been written in the Provençal tongue is that the latter was the language of polished society in that age. Here is an attempt to translate it as simply and accurately as possible:—
I shall now tell you about the festival which the Venetians hold on the last day of January, to wit, in remembrance of how our Lord St. Mark came to Venice; and of the beautiful festival which the Venetians hold in reverence of our Lady St. Mary. You must know that the Lord Doge has divided the districts of Venice into thirty parts, two districts to each part. Now on the eve of our Lord St. Mark a company of young gentles come by water, and when they have reached the palace they land and hand their banners to little boys, and go two by two before the church of our Lord St. Mark; and after them come trumpeters, and after them again young gentles who carry silver dishes loaded with confectionery, and with them are brought vessels of silver, full of wine, and cups of gold and silver carried by more young nobles, and last of all come clerks singing, dressed in their copes of velvet and gold, and they all together go as far as the church of St. Mary, which is called Formosa; and they find women and maidens in great numbers, and present them with the confectionery and with wine to drink....
So far I have told you of the eve, and now I shall tell you of the day of our Lord St. Mark.
You must know, sirs, that on the last day of January is the feast and double procession, when come youths and men of age to the palace of our Lord the Doge by water; and they get out upon the dry land, and give more than one thousand banners to little children, and send them before them two and two to the church of our Lord St. Mark; and after them come the older children carrying in their hands more than a hundred crosses of silver; and afterwards come the clergy, all dressed in copes of velvet and gold; and trumpets and cymbals; and a clerk comes in the midst of the company, dressed in a cloth all of gold damask, after the manner of the Virgin, our Lady St. Mary; and that clerk is placed upon a very richly ornamented chair, which is carried by four men on their shoulders; and before him, and on each side, the standards of gold, and the clerks go singing in the procession. While they are thus going, three clerks come out of the procession, and where they see our Lord the Doge at the windows of his palace, in company with noble Venetians, they go up to a platform singing with a loud voice, and they all sing as follows:—‘Christ is King. Christ reigns!’ ‘To our Lord Ranier Zeno, by the grace of God Doge of Venice, Dalmatia, and Croatia, and ruler of the fourth part and one-half a fourth part of all the empire of the Romans, health, long life, and victory!’ ‘St. Mark, help thou him!’ When the praises are finished they come down from the platform, and our Lord the Doge causes to be thrown down to them a quantity of his medals, and they return into the procession with the rest who have meanwhile been waiting for them; and then comes forward a clerk who wears a crown of gold, and is richly attired after the manner of the Holy Virgin, as I have told you; and when he is very near our Lord the Doge he greets him, who returns his greeting, and then those who carry him on their shoulders go forward, and the procession follows them, and they go their way into the church of our Lady St. Mary, and wait there until those of the other district have also entered. Now these others come in the manner which I have explained, with banners, crosses, and priests, and cause three clerks to sing the same praises of our Lord the Doge, as did the others, and our Lord the Doge causes medals to be thrown down to them. You must know our Lord the Doge is dressed in cloth of gold, and has a crown of gold upon his head; and in order to see the procession, which is made in honour of our Lady, there are present the nobles of Venice, all the people, and a great number of ladies and maidens, and there are many of them both in the streets and at the windows of the palaces.
When the three clerks have sung the praises of the Lord Doge, in the same manner in which those who came first had done, they go on in procession again, and another clerk comes forward, who sits upon a seat most richly adorned, in the dress of an angel, and he is carried on the shoulders of four men. When he is near our Lord Doge he salutes him, and the Lord Doge returns his salute; and then they go on in the procession, and the clerks go on singing. [It is amusing to note that until 1328 the priests who figured as the Madonna and the angel rose in the presence of the Doge, but this was discontinued from that date as improper.] You must know that both clerks and laymen have good ‘ramarri’ (?) and they go until they enter the church of our Lady St. Mary. When the priest who is arrayed to resemble the angel has entered into the church and sees the other who is arrayed to resemble the Virgin Mary, he stands up and says as follows: ‘Hail, Mary, full of grace! The Lord is with thee. Blessed art thou among women, and blessed is the fruit of thy womb. Thus saith the Lord.’ And the priest who is arrayed to resemble our Lady answers and says, ‘How can this be, oh thou angel of God, since I know not a man?’ And the angel answers, ‘The Holy Spirit descends in thee. Oh, Mary, fear nothing, thou shalt conceive the Son of God.’ And she answers and says, ‘Behold the handmaiden of the Lord. Let it be with me according to Thy word.’
What shall I tell you? After these words they leave the church and go to their own houses, and after they have eaten, the people, men and women, go into the districts that have made these processions, and they find in twelve houses the twelve Maries, so beautifully arrayed as is a wonder to see. Each one has a crown of gold with precious stones upon her head, and they are dressed in cloth of gold, and on their robes there are precious stones and pearls without number. The ladies and maidens sit around them, very richly dressed, and the men present their friends with confectionery to eat and with wine to drink. And on the following day they make other feasts in their twelve houses. And our Lord the Doge wears the crown of gold on the eve of our Lady, as he wears it at Pentecost, and after vespers he returns to the palace in the same manner in which he came. On our Lady’s day, the second of February, each of the two districts which give the beautiful and rich festival, as I have narrated, prepare six great barges, and have them rowed to the head of the city, exactly where the Bishop of Venice lives; these six barges are very richly draped with cloth of gold and carpets. And then ladies and maidens are taken on board four of them, very richly habited, and they put the Maries in the midst, and in another barge go forty men well armed, with their drawn swords in their hands; and in another go the clerks arrayed with the richest treasures of the Church. Then comes the Bishop, and gives his benediction, and when he has blessed them they all return into their barges, and the Bishop goes with them, with two abbots in their great barges, so richly dressed, and they are all arrayed in copes of cloth of gold. The Lord Bishop has his canons in his company, and the two abbots have their monks. Then the barges set forth from the palace of the Lord Bishop, adorned as I told you, and they meet upon their way two magnificent barges, which are to be for the same festival next year. They all go thus before the church of our Lord St. Mark, and there they drop anchor, and lie to wait for the coming of our Lord the Doge. When the Bishop and the two abbots have come to the shore they go out upon dry land with all their company, and go together into the church of our Lord St. Mark, and find our Lord the Doge at mass; and after mass they come back to the barges. The Lord Doge comes under the umbrella, with the Bishop by him on one side and the senior canon on his other side, and both the abbots before them. The Doge is crowned with gold, and the Bishop wears his mitre, and the abbots, the chaplains, and the canons go singing in procession; the trumpets and the cymbals go before every one, and the crosses afterwards. In this manner the Lord Doge goes as far as his great barge, and enters it with the nobility of Venice, and his Judge is beside him, and behind him is placed in the ship he who carries the Doge’s sword. When our Lord Doge has entered the great ship in company with the nobility of Venice, and of many honourable men, he sits down between the senior canon and his Judge, and they sit down upon the barge; and the Bishop and the two abbots enter their barges; then the men of the barges weigh anchor, and they go to the other end of the city, and you must know that the city is very long, a league and a half, or more. But if you were there, sirs, you might well see the water covered with boats, full of men and women who follow, of whom you must know that you could never tell the number. And in the windows of the palaces and on the banks there is a throng of ladies and maidens, as many as there are in all the city, and so richly dressed that you could see none finer. With such joy and festivity they go to the other end of the city, and then return to their own districts, and the Lord Doge with all his company returns to his palace, and finds the tables set, and he eats with all those who have been with him.
It is worth noting that in the fourteenth century the Doge’s vessel was no longer called the principal barge, but the Bucentaur, the name being probably, as some say, derived from ‘Buzeus aureus,’ and so called in some documents. It was a rich vessel, adorned with carvings, stuffs, carpets, and paintings. Up to 1311 it was not rowed, but was towed by another boat, which was draped and rowed by men of Murano; but after that year it had its own rowers.
It is easy to understand that such a festival as Martin da Canal describes might be the ruin of more than one great house, and it cost even the State enormous sums, which is one reason why it was not always celebrated with equal magnificence. In 1350, when the plague had greatly reduced the budget, it was decided to substitute painted wooden statues for the twelve young girls, but the public strongly opposed this innovation. The recollection of these wooden dolls has never been wholly effaced; it is still common in Venice to call a woman who is thin, cold, stupid, and pretentious, ‘a wooden Mary.’
The feast was given up at the end of the fourteenth century, at the time of the final struggle with Genoa. The treasury was empty, and excessive anxiety kept the public spirits in a state of nervous tension; moreover, the age of the ideal Venetian woman was past, and she no longer inspired profound and chivalrous devotion as in the old days when she had been more modest, more retiring, and more gentle.
Of all that splendid show and pageant nothing remained but the Doge’s visit to the church of Santa Maria Formosa, and his largess of small coins to the street boys at the moment of loosing the line with which the rector of the church pretended to bar the way to the bridge.
Pietro Gradenigo reigned twenty-two years, during a very eventful period. In 1298 he had placed the aristocratic supremacy on a permanent basis, and a few months later he crushed the sedition of Marin Bocconio; eight years afterwards he put down the much more dangerous insurrection of Tiepolo and the Quirini; but he was less fortunate abroad than at home, and his foreign policy resulted in the wholesale excommunication of the Venetian people and government, as the direct consequence of the attempt to annex Ferrara, a step which had also led to the organisation of the Tiepolo conspiracy. When Gradenigo died the papal interdict was still in full force.
The forty-one patricians who were to elect his successor were duly chosen and shut up in the ducal palace, though not yet with any great precautions to prevent them from communicating with their friends. They understood well enough that the interests of the State required a Doge whose genuine piety should move the Pope to forgiveness; such a man was found in the senator Stefano Giustiniani, and in a short time the majority of votes was in his favour. He was not only a man of irreproachable life, but also a first-rate statesman, and he was personally well known and liked in Rome, where he had once resided as Venetian ambassador. The choice was a good one, but the patrician was too virtuous, or too wise, or both, to accept the supreme office at such a moment, foreseeing clearly that his conscience and reputation would be simultaneously at stake, and in such a way that to save the one would probably have been to imperil the other.
He had long nourished the hope of retiring from the world, and when he knew that he was elected he lost no time in carrying out his pious design. Instead of going from his house to the ducal palace, he disappeared within the doors of the monastery of Saint George, and on the same day put on the habit and took the obligations of a novice.
The stupefaction and embarrassment of the electors may be imagined; it was perhaps within the powers of the all-powerful government to drag Giustiniani from the refuge of his cell, and to place him by force upon
the ducal throne, but such a course would certainly not have improved the relations of the Republic with the Pope, a result which had been the sole object of the election. On the other hand, it seemed impossible even to agree upon the names of candidates, in order to proceed to an election. The electors fell into a state of apathy of which there is probably no example in history; they moved about in an objectless way, talking listlessly of anything that occurred to them; they even lingered at the open windows of the palace, to watch the people passing in the street.
As they looked down, they saw an aged nobleman slowly walking toward the postern gate of the prisons, followed by a servant who carried a big sack of bread, so full that the loaves protruded from the open mouth. It was Marin Zorzi, a charitable and devout person, on his way to distribute food to the poor prisoners. He was the very man. Before he had left the prisons, he was elected Doge.
Unhappily this hasty choice did not improve matters. An old chronicler sums up in a few words the short reign that followed: Zorzi lived ten months, during which he never saw the sea calm nor the sun without clouds. All that remained to mark his reign was an asylum for poor children, the earliest foundation of the kind in the world.
In less than a year, therefore, another election took place, and as the experiment of looking out of the palace windows in the hope of seeing the right man pass in the street had been a failure, the electors were shut up, windows and balcony doors were closely sealed, and the forty-one were driven to look at each other. In a short time they elected Giovanni Soranzo by a considerable majority.
So far as I can ascertain, he was born in 1240, and was therefore about seventy-one years old in 1311; but the longevity of the Venetian nobles was always remarkable, and he was destined to reign seventeen years. He had rendered the Republic very eminent service on more than one occasion, and was a man of astounding activity. To mention only a few incidents of his busy life, in its later years, he had commanded a fleet of twenty-five galleys against the Genoese when already fifty-six years old, had taken possession of the port of Caffa and had defended it during a whole winter against the combined attacks of the Genoese and the Tartars, and had captured a goodly number of richly laden Genoese vessels. On his return to Venice he had been received with honours resembling those of a triumph, and had soon found himself in arms again, but on land this time, against Padua first, and then against Ferrara, which he had already governed as Podestà. When at last recalled to Venice he had occupied the important position of a procurator of Saint Mark, from which post he was elected Doge to succeed Marin Zorzi.
Soranzo was undeniably one of the most illustrious men elected to the Dogeship in the course of its existence of exactly eleven hundred years. It is enough to say that he reconciled the Republic with the Pope, and reconquered Dalmatia; and that, in spite of the vast sums of money which both these undertakings cost, he protected and developed Venetian manufacture and commerce so diligently as to increase the public wealth instead of diminishing it. It was during his reign that the weaving of silk stuffs in Venice reached a perfection hitherto undreamt of, surpassing, according to the taste of the day, the fabrics of the Levant and driving them out of the market. Under Soranzo the glass-works of Murano produced mirrors that outdid the very best that could be made in Germany, for clearness and brilliancy. At the same time, the Arsenal of Venice was greatly extended by the addition of new basins, windmills were set up all over the islands, many like improvements, then modern, were introduced, a general condition of ease and well-being extended through all classes, and the population increased more quickly than ever before. The State could count forty thousand men between the ages of twenty and sixty years who were able to bear arms. For a silver ducat a man could buy enough meat and flour to support him for a week, with as much wine as he needed, and wood to cook with and to warm him.
So Giovanni Soranzo reigned in success and plenty and honour to the very end of his long life. Yet in all those seventeen years he cannot have counted one day truly happy, and many must have been profoundly saddened by the knowledge of his own daughter’s sufferings in her captivity at the convent of the Vergini. Time and again she poured out her heart to him, in letters which he was not even allowed to answer without permission of his counsellors, and probably of the recently elected Council of Ten; and the old captain, whose commanding voice had been heard above many storms at sea, and many a fight on land, had to humble himself before the Power, and humbly beg a little sunshine, an hour’s liberty, for the daughter he adored.
They saw each other rarely enough for a long time. It was not till the great old man’s strength was breaking down beneath the weight of nearly ninety years that his daughter was allowed to leave her prison more frequently that she might tend him and cheer his declining days. He died in her arms in the end, on the last day of December in the year 1328, eighty-eight years old; and the unhappy woman must have found some small comfort in the universal grief that rose to meet her own. She went back to her cell; but the body of the great Doge was laid out in a hall of the palace, dressed in the mantle of state and the ducal cap. He was borne thence to Saint Mark’s, whither the Dogess had gone before with her ladies, and when the last requiem had been sung Giovanni Soranzo was laid in the chapel of the baptistery. His simple tomb bears the arms of his family and little else that tells of his glory, as all may see to this day.
The great bell had scarcely ceased to toll for him, when it rang out the summons to elect his successor, and the Council met to this end. But Soranzo’s reign had made changes, which, as they came gradually, were not noticed, but which were plain enough now that a new Doge was to be chosen. Prosperity had increased vastly, and with it luxury, and the magnificence of all that represented the Republic’s power. Soranzo had been very rich, but his successor might be poor. Soranzo had filled the ducal palace with his own plate, his own array of servants and footmen, and all his rich belongings. Ambassadors had come and gone, and had seen how the Doge lived; it might not be that they should come again, and find a poor man living under the same roof, dining off earthenware dishes and served by a few threadbare retainers. Venice had many faults, and Venice, as a city, loved money, but Venice, the Republic, was never sordid, nor miserly, nor mean. Before the Council elected the next Doge, a large provision was settled upon his office for ever; his salary was increased from four thousand ducats to five thousand two hundred, which is far more, considering the value of money, than the President of the United States receives to-day; the ducal palace was amply furnished with vessels of gold and silver; it was made a rule that the Doge was henceforth to keep five-and-twenty servants, neither more nor less, and that each should have two new liveries every year. In case the new sovereign should not have ready means at hand to defray the expenses of his coronation and of his change of domicile, it was decreed that a loan (for business was business) of three thousand lire should be placed at his disposal out of State funds; and, finally, a jeweller was ordered to make a very rich crown, which the Doge was to wear on great occasions, and which was to be in the keeping of the procurators of Saint Mark.
When Soranzo had been elected, an ancient custom still prevailed by which the population was allowed to joyously plunder the house of the new Doge of all it contained that was movable, precisely as the populace of Rome plundered the house of the cardinal who was elected Pope, until a much later date. This half-civilised practice was now forbidden in Venice under heavy penalties.
All this was agreed upon, set down and made law, before beginning the process of balloting by which the forty-one electors of the Doge were chosen.
Their choice fell upon Francesco Dandolo, the skilful diplomatist by whose efforts Clement V. had been induced to remove the excommunication of Venice, and the enthusiasm of the people on learning the result was in proportion to what they had suffered during the period of the interdict, not yet forgotten. The multitude moved with one will towards his dwelling, and were for carrying him in triumph to the ducal palace; but he strongly protested against any such show, though the throng pressed upon him on his way to Saint Mark’s. There he knelt before the high altar and received the investiture of his high dignity, and took the oath of fidelity before the headmen of the districts as representatives of the people of the city and of all the Venetian territory. Himself bearing the standard of Saint Mark in his right hand, he entered the ducal palace, ascended the great staircase—not yet the ‘Giants’ Staircase’ of our time—and on the highest step took oath to observe all the obligations contained in the ‘Ducal Promise.’ The senior member of his own Council made a solemn acknowledgment of this oath, and the people listened in breathless silence to Dandolo’s short but brilliant speech, breaking out in
renewed and yet more enthusiastic applause when he had finished.
During the following days festivities were organised for the coronation of the Dogess, much more various and of longer duration than those which greeted her husband’s elevation to the throne. In older times, when the head of the Republic still possessed real power, his wife played no official part in State ceremonies. She lived as before, and the Doge could retire to her apartments and be in his home as if he were a private person, much as the modern Turk takes refuge in his harem. At most, the Dogess, as the first matron of the city, might outdo other patrician women in assisting public and private charities; but when the Doge’s personal authority was almost gone, and he was required, in a degree, to compensate its loss by a certain amount of display and ceremony, intended to please the people and impose upon the representatives of foreign powers, the presence and influence of a woman became temporarily necessary. The Dogess then received a court of her own, and was required to wear a special dress, and for her a complete ceremonial was devised, from which she could not withdraw herself without incurring the displeasure of her husband and of the State itself.
From the moment when the joyful multitude pressed to the doors of Dandolo’s palace, his wife remained within, according to the new laws of conduct laid down for her. Then came the High Chancellor, as representative of the people, and the Doge’s six counsellors, to present their congratulations and to ‘request’—or require—her strict observance of such clauses in the Ducal Promise as directly concerned herself. When these personages withdrew, she presented each with a magnificent gold-embroidered purse.
A few days later, when all was ready for the ceremony, they came to fetch her with the Bucentaur, and in her honour was renewed the spectacle which had been given half a century earlier for the wife of Lorenzo Tiepolo. The vast and splendid barge had but a few times its own length to move from Dandolo’s palace to the landing of the Piazzetta. An immense crowd was gathered there, from the borders of the canal to the door of the Basilica, a sufficient space being kept open in its midst for the display of the Dogess’s pageant.
The guilds of the arts and trades had been privileged to escort the wife of Lorenzo Tiepolo to the church: first the blacksmiths with flying banner; then the merchants of fur, dressed in their richest garments and most priceless sables, and wearing ermines fit for an emperor; the weavers next, singing at the top of their voices to the music of trumpets and cymbals, and bearing both silver cups and flagons full of wine. After the weavers the tailors came in the dress of their trade guild, white robes embroidered with red stars; and the wool-merchants bore olive branches in their hands and had crowns of olive leaves on their heads; also the makers of quilts and coverlets were crowned with gold beads, and wore on their shoulders white cloaks embroidered with fleur-de-lis; and there