This air has been claimed as Irish by Moore and by Bunting. The former took great liberties with the air. Bunting left it as he found it. But he did not find it till the year 1800, when he heard it played by an Irish harper named O’Neile. The harper had probably picked it up from some regimental band leaving their quarters; but it was popular in England nearly half a century before the date of its first being known in Ireland.
Let those who throng Brighton now just consider what it was about a century ago. In 1761 we read that ‘the men of the town were wholly employed in fishing, and the women in mending their nets.’ There was, however, a free school in Brighton; and boys of twelve years of age, who had learned navigation there, obtained very fair wages in the ‘fishery.’ There was a population, fixed and movable, even at that period. Many of the houses are described as ‘of flint, with windows and doors frequently adorned with very good brick.’ When Brighton took its first step forward for the purpose of attracting visitors we may learn from a contemporary chronicle of 1761, in which we read that ‘Of late the town has become a resort for the drinking of salt water and for bathing. If the town grows in the next seven years as it has done in the last seven, there will be no better in England.’ Brighton then boasted of ‘one or two public rooms that could be equalled only by those of York.’ People could then put up with what was called ‘accommodation,’ which was of a very uncomfortable character; but everything was of a free-and-easy quality, and most visitors were content to take things as they found them.
To this rule, however, there was one notable exception, just where we should expect to find it.
Nearly a hundred years have elapsed since Dr. Johnson wrote to Boswell, in November of the year 1776, ‘I was some weeks this autumn at Brighthelmstone. The place was very dull, and I was not well.’ The fact is, that Johnson cared little for the beauties of nature. He was like Charles Lamb, who once being at the summit of a mountain from which there was a prospect of unsurpassable grandeur, saw nothing but with his mind’s eye, and that was at the moment directed to the ham and beef shop at the corner of St. Martin’s Court. In like manner, Johnson hated prospects and views. We have the authority of Mrs. Piozzi for recording that Johnson used to say the best garden was the one which produced the most roots and fruits, and the river most to be prized was the one which produced the most fish. The Doctor unmercifully laughed at Shenstone for valuing a stream according to its picturesqueness, and not its productiveness. Mrs. Piozzi believed that a walk in a wood when it rained was the only rural image which pleased Johnson. The pleasure then was perhaps derived from the thought that the rain would swell the peas, or make the turnips grow, or in some way or other tend to the comforting of the inward man. The feeling was akin to that of the epicurean who dwelt fondly on the orient gale which prospered the ship freighted with sugar for his gooseberry pie. It was that of Southey’s philosopher, who reverenced pig, and who, feeling a certain amount of poetry in a fragrant breeze, exclaimed,
Johnson detested the very sight of Brighton Downs, ‘because it was a country so truly desolate,’ he said, ‘that if one had a mind to hang oneself for desperation at being obliged to live there, it would be difficult to find a tree on which to fasten the rope.’ When the sage uttered this dictum he had certainly overlooked the subject of mutton. He forgot how admirable Sussex land was for turnip husbandry, and that even where the flints lay thickest the corn crops were all the more luxuriant. He did love forest trees, and might have remembered that the Sussex oak has no superior. He was fond of milk, and might have respected the Sussex cows which keep themselves almost beef, while they give rich milk, if so little of it. Hate the Downs! Let all such people remember, especially if they have a liking for a haunch of mutton, that the rot was never known to be caught upon the South Downs; reason sufficient to authorise an epicure’s respect. We see poetry even in a Brighton fish shop. Was it not Sir Wilfred himself who made first-rate fishermen of the primitive Brighton bunglers?
Johnson and Lamb are not the only intellectual persons whose minds could turn from the contemplation of great to the consideration of smaller things. When Charles James Fox was with a party viewing the old master-pieces in the Louvre, he turned from them to bewail the too great effulgence of the sun. ‘This heat,’ he remarked, ‘will burn up all my turnips at St. Anne’s.’ So, Thomas Granville, replying to Rogers, who was referring to the overpowering glory of a sunset at which they were looking, observed that it was ‘handsome.’
Half a century ago, Brighton was as destitute of trees as it was in Johnson’s time. But now, if the Doctor were alive and had a halter, he would find no difficulty in searching for a branch from which he might hang, the very bulkiest of acorns. Where formerly only the hardy tamarisk grew, we may now see, as a local historian (Erredge) points out, that ‘belts and copses of thriving trees have reared their heads, and the elm, fir, sycamore, horse-chestnut, larch, beech, hazel, birch, hawthorn, and the holly, and other evergreens, having, by culture, become acclimatised, thrive so well as to induce the belief that they are indigenous to the south-east coast.’
That Brighton should have changed in a certain number of years is a matter for no surprise at all. The sea rolls its waves over the site on which the primitive village stood exposed to its fury. The cliffs which from behind the village looked proudly over the waves have been in part destroyed by the assailing waters which, it was once thought, were too remote ever to do them harm. But all this has been the work of time, and of a very long time. Yet change quite as remarkable has been accomplished within the lives of many persons still living. They must be old persons indeed, and must have suffered fourscore years at least of change of themselves, in order to have been within the periods of what Brighthelmstone was and what Brighton is. What it was towards the close of the last century, about 1790, when it had ceased to be the secluded fishing village it once had been, can scarcely now be realised. It was no uncommon thing for the town to be then visited by unlicensed rovers of the deep. These thieves, who ranged from Beachy Head to Selsey Bill, would drop anchor after dark, and send a company of rascals on shore in a boat, whose mission it was to break into some rich farmer’s house, or some well-endowed mansion near the coast, and carry off thence every article of value that was portable and could be turned to pirate’s use. There was such terror of these water-rats, that wherever they broke in their coming paralysed honest people, who were powerless through terror. They bound and gagged the inmates of houses which they intended to despoil, caroused without limit, and having plundered the dwelling, staggered down to the beach, and carried on board their burglarious freight. They would then lift anchor and drop down along the coast on their way to a place of refuge, or to attack some other house where there was promise of booty and good cheer. Their audacity is explicable only on the ground that they had confederates among the police authorities, if such things were in those early days. In ancient times, when the French landed there and attacked the town, the Sussex men turned out with alacrity, and often gave the invaders a tremendous thrashing. The sons of those Sussex men quailed in presence of the native rascalry, which was often cruel, but generally avoided murder.
If any archæologist care about the Druidical name for Brighton—if indeed there ever was one—or sigh to learn by what classic term the Romans designated their station on the sea, the care and the sigh are expended in vain. Let such antiquary console himself by laughing at the explanation of its later name, handed down from one local historian to another. Brighthelmstone, as it was called, has not puzzled the easily-satisfied etymologists. To explain it they invent a Saxon bishop who never existed, Brighthelm. They both beatify and canonise him under the title of St. Brighthelm, and having raised him to this dignity, they erect a stone to commemorate him, or a ‘ton,’ i.e., ‘town,’ in which he may dwell, and thus we arrive at ‘Brighthelmstone.’ Some etymologists pooh-poohed this derivation altogether, and they put forth something worse of their own. With them ‘Brighthelmstone’ is born of the shining helms of the Saxon galleys which used (or did not use) to be off the town! Another party sees in the name simply the indication that the town once belonged to a warrior whose family name was Brighthelm. We must frankly confess that one theory is quite as reasonable as the other.
But, whatever the meaning of the name and whencesoever it came, there was a universal outcry of alarm and disgust when people in a hurry, or not much observant of orthography, cut the name down from a stately three- to a little two-decker. When Brighthelmstone began, in 1787, to be called Brighton, and that even in print, there was a howl of reprobation and a general demand to ‘give us back our three syllables!’ Even Sylvanus Urban in that year moved out of his old ways into the new-fangled groove, and talked of ‘Brighton’ as if he were a fashionable young fop wearing a round hat and his own hair, instead of cocked hat and powder. Sylvanus had announced that a certain Mr. Norman of Bromley had recently died at ‘Brighton!’ Instantly Mr. Urban was assailed with an et tu Brute sort of assault. Afflicted archæologists never thought such a blow could come from St. John’s Gate. One gentleman remonstrated in a tone of the deepest suffering. He argued that, if this abbreviating custom be carried on, Brighthelmstone will not only be wronged, but the world at large, and universal in geography particular, will be thrown into utter confusion. Foreign nations, potentates, governments, scholars, foreign humanity generally, we are told, will be bewildered, and will no longer be able to distinguish between Brighthelmstone in Sussex and Brighton a village in Yorkshire! Brighton in Yorkshire seems to have withdrawn itself modestly from the world; and if the Emperor of Germany reads of the demise of Brown, Jones, or Robinson at Brighton, that august person will not be troubled as to its local whereabout.
If Brighton Camps had their picturesque aspect and a certain connection with poetry, they had occasional deep shadows to contrast with their lights. The camp of 1795 is especially remarkable for its dark colouring. The defenders of the country were left by the circumlocution office of that day with an insufficient quantity of bread, and with nasty flour to make it. The hungry Oxford militia plundered a mill, and having got all they wanted for their own stomachs, they seized a quantity of corn at Newhaven, not for their half-starved comrades in camp, but for the pleasure of throwing the whole of it into the river at that place. Eight of the mutineers were tried, of whom two, Cooke (called ‘Captain’) and Parish, were sentenced to be shot, the rest to be flogged. During the eight days of trial the circumlocution office gave them as little food as when the office drove them to mutiny through hunger. If it had not been for the morning and evening supplies passed to them through the bars of their airing ground by Samaritans of Russell Street, the accused militiamen would not have lived through the trial to be shot or flogged. The last ceremony was carried out with much lugubrious pomp. Three of the six men received an instalment of 300 strokes, equivalent to 2,700 lashes, and the other three were respited for future punishment. Then came the more merciful act of putting quickly to death the two men condemned to be shot. There was indeed much slow circumstance before the two culprits were fairly in face of the company of their fellow-militiamen selected to carry out the sentence. For the support and encouragement of the firing party not to shirk their duty and attempt to run, there was drawn up behind them a company of artillery, with shotted cannon and lighted matches, ready to blow the firing party to atoms if they showed any reluctance to destroy their two comrades. They showed nothing but alacrity under the circumstances. Cooke and Parish, kneeling composedly on their own coffins, were shot by what was curiously described as ‘a delinquent platoon of twelve of their own regiment at the distance of only six paces,’ and then did not kill both! One, as he lay on the ground, had to be ‘finished’ by a pistol-shot through the head. Perhaps the ‘delinquent platoon’ were too hungry to aim steadily. One thing is sure, namely, that nobody at the circumlocution office was flogged for famishing the soldiers, nor was the rascal who supplied the filthy so-called flour hanged. Probably he held the plate at the next Brighton Charity Sermons, and sneered at the poor folk who only contributed ‘coppers.’
In the first year of the present century the ‘Crown and Anchor’ in East Street was proudly known as ‘The Hotel’; but the ‘Ship’ soon endeavoured to attract fashionable visitors by a dining-room decorated with ‘The Story of Telemachus’ in bronze on blue. At that time coaches had not learned to run between Brighton and London in five hours. In summer the earliest coach left Brighton at 7 A.M., and arrived in London at 5 P.M. The night coach left at 10 P.M. and was due in London at 7 the next morning, keeping its time when it could. Then for crossing ‘the streak of liquid silver,’ there were ‘pacquets’ advertised to run ‘in time of peace’ three times a week, always setting sail, weather permitting, in the evening. One of these ‘pacquets’ manifested Napoleonic ideas, for it was called the Buonaparte schooner, and it made a great boast of having two cabins, a state room, and the means of making up twenty beds.
At this period it is amusing to read in a local record that ‘literature is not neglected in this town; for in Middle Street there is an academy where young gentlemen are boarded and educated.’ The idea that a boarding-school necessarily implies literary cultivation has long since expired.
While our pulpits, in the early part of the present century were denouncing the stage, and persuading people to leave theatres to the devil, and to brace up their minds and bodies at the seaside, the marine pulpits were busy in bidding people to avoid the coast and to get back to London and their business as speedily as possible. In ‘Their Majesties’ Servants,’ I have alluded to the audiences who ‘were preached down to the coast, and especially to Brighton, and to the zealous pastors in the latter place who preached them back again. One of these, the Rev. Dr. Styles, of Union Street, Brighton, did his best to stop the progress of London on Sea. He left the question of the stage for others to deal with; but he strictly enjoined all virtuously minded people to avoid watering-places generally and Brighton in particular, unless they wished to play into the devil’s hands. He denounced the breaking up of homes, the mischief of minds at rest, and the consequences of flirting and philandering. He looked upon a brief holiday as a long sin at the seaside; and with prophecy of dire results attending on neglect of his counsel, he drove or sought to drive all the hard workers in search of health and in the enjoyment of that idle repose which helps them in their search, back to London. Then, as now, England stood shamefully distinguished for the indecorum of its sea-coast bathers; but, with certain religious principles whereby to hold firmly, the good doctor does not think that much ill may befal therefrom, and he sends all erring sheep with their faces towards London, and with a reference to Solomon’s Song (above all things!) bidding them to wait for a south wind of the Holy Spirit to blow over their spices!’
The list of Brighton notabilities is not a long one, but it invariably contains the name of Phœbe Hassell, who served in the army as a man and who died at an age which is calculated to make Mr. Thoms shake the head of incredulity. But there is a Brighton woman far worthier of being remembered than old Phœbe Hassell. We allude to the mother of James Rooke, a simple young fellow who had been drawn in by a crafty tailor, named Howell, to rob the mail, as it was then carried on horseback, between Brighton and Shoreham. On Phœbe Hassell’s information, the two were hanged and gibbeted. In course of time, the clothes and flesh of the culprits had utterly wasted away. When nothing remained but the skeletons, the aged mother of Rooke, who had often been a pilgrim to the mournful shrine of her son, went nightly to the gibbets in all weathers. Nothing prevented her from performing that sacred duty; and when her object became known it was sacredly respected. It was to collect the bones of her unhappy son, and of the companion in his sad fate, as time, wind, and tempest shook them apart and out of the respective skeletons till nothing was left in the chains. She gathered them, and carried them reverently and affectionately to her poor home; and when there were no more to gather, she deposited all in a little box, and perhaps with some sad memories of the hour when she had rejoiced at the birth of her son, she, all alone, save those memories, buried them in what she considered the hallowed ground of old Shoreham churchyard. Poor mother! Many a woman has been canonised for the performance of duties not half so holy.
The widow Rooke is forgotten, while the annals of fashion still keep warm the memory of people less worthy of being remembered. There was a time when Mrs. Prince, as old Dame Gunn, the bathing woman, used to call Mrs. Fitzherbert, reigned in Brighton. She was one of those women who justify the old saying that beauty is of every age. She was exquisite when young. There are some among us who may remember that she was queenly, when crowned by years. Like a queen, she was surrounded by duchesses at Brighton; the most august dandies worshipped at her shrine in Castle Square; and among those idolaters were the Prince’s own brothers, with men of less degree, yet perhaps higher fame. In the number of the latter must be reckoned Colonel Hanger (late Lord Coleraine), whose first freak was to join a gang of gipsies, and take a dusky bride from among the daughters in the tents. Hanger led such a rollicking life, that when he grew old and tired of it, the new and enforced quiet came upon him like a novel enjoyment.
There were some singular specimens of ladies in the old Brighton days. None more singular than Lady Clermont, who used to take a tea-spoonful of brandy in her tea, by first pouring the brandy over the back of the spoon and then correcting the mistake, which she attributed to defect of sight, by filling the spoon in the ordinary way. Of a different temper was the fair and ambitious Lady Haggerstone. My lady invited the Prince to a rural festival at her villa near the Spa. She received him in character, as a milkmaid, ready to concoct a syllabub for the royal guest. She carried in one hand a silver pail, in the other a milking stool, such as the most ingenious of artistic upholsterers could alone invent. A characteristic hat, with long cherry-coloured ribbons, adorned her head; and the milkmaid’s apron would have fetched hundreds of pounds for its lace. The syllabub, however, was never accomplished. Some absurd accident brought the attempt to an end, which after brief laughter was altogether forgotten. In contrast with this gentle masquerade, was the bold, loudly-brogued, but beautiful Lady Nagle, with her husband Sir Edmund’s miniature suspended from the longest of chains, flinging about as she moved, but always, as she said, near her heart. The Prince loved to have these and other fair ones about him. They made up his table at whist; brought him all sorts of gossip, home and foreign, and made themselves conspicuous in a hundred ways, as they figured on the Steyne and excited the wonder of simple-minded spectators.
Sir Benjamin Bloomfield was another of the old Brighton celebrities. He owed his position as Master of the Household to the Prince of Wales to an accident. ‘Slade,’ said his Royal Highness to the Colonel of that name, ‘do you know any gentleman who plays the violoncello?’ ‘I only know one, sir,’ replied the Colonel, ‘Captain Bloomfield, of the Artillery.’ ‘Bring him here to dinner,’ rejoined the Prince, ‘and tell him to bring his violoncello with him; we’ll play something together after dinner.’ The Captain played to good purpose. The Prince again invited him as a guest; subsequently he attached the violoncello player to his household, and Sir Benjamin became as well-known a figure on and about the Steyne as the Prince himself was.
The story of the Pavilion will be found more amusing in Cobbett’s satirical chronicle of its rise and progress than in any of the local histories. The history of its decline and fall is within the memory of him who never remembers anything—the oldest inhabitant. The noble eccentrics who figured in the Pavilion circle have been stereotyped. But there were eccentrics without, whose eccentricity amused those within that circle. One of these was well known on the Brighton stage.
An ignorant impatience of taxation was manifested at Brighton, especially when the heavy impost was laid on hair-powder. By nearly general resolve people avoided the tax by leaving off the powder. Anyone who ventured to appear in public, powdered, incurred the peril of being pelted. Even on the stage, when genteel comedy required the sword by the side and the powder on the hair, there was a difference of opinion as to the wearing of it, and the actor portant épée et poudre was both hissed and applauded, as sentiment prevailed among the audience. At Brighton, Mr. Fox, the manager’s son, had to appear in a character of the sword and powder period. He took a singular course. He powdered one half of his hair, and left the other au naturel. People laughed at his droll aspect, and also at his reason for putting it on. Mr. Fox explained that he had taken that course in order to please both parties—the powderers and the anti-powderers. It was accepted for wit.
As far less has been said and written of Brighton just as royalty began to tire of its old love, than of the town when it seemed a seventh heaven to the King, George IV., we will look into one year of its sayings and doings—A.D. 1825—when it was learning to go alone.
Brighton had long rejoiced in the sunshine of royalty. It veiled its head, and wore sackcloth, and cast ashes upon itself, when royalty was absent. At least, it would have done all this, but for certain consolatory circumstances. Nevertheless, it affected a very decent horror. This is especially manifested in the fashionable intelligence in the local papers. The first thing thought of there is the condition and prospects of the Pavilion. That shrine of haut ton is spoken of as a most interesting invalid, who is sick only because the sun is absent, and all Brighton is therefore sick with it. Yet will the invalid be convalescent if Hope is the physician, and then sympathetic Brighton will feel itself also ‘very much better, thank you.’ But ‘should the King’—for we now speak of the time when George IV. had grown tired of his gew-gaw—should ‘his most sacred Majesty’ nothing less than ‘graciously condescend to inhabit’ for awhile the ‘marine palace’ which he once both well and wisely loved—in such case Brighton would not only be restored to health, but would enjoy a sensation of stalwart youth and ecstatic immortality.
It is distressing to read the expression of sorrow at the idea that the King, so to speak, continually went on not coming. With the new year (1825) the wail opens to its old solemn tune. ‘There is no change at the Pavilion.’ ‘We hope that the desire to see his Majesty again among us may speedily be realised.’ Alas! the realisation does not speedily come, and the ‘Fashionable Intelligencer’ wept in its imitation lawn handkerchief, and then wiped its loyal eyes and exclaimed, ‘The gloom of silence and desertion continues to envelop the Pavilion.’ Double envelopes of desertion and of silence. Then followed reports that the King was coming soon. The soon was succeeded by ‘a period not yet determined.’ Finally, it was said that his Majesty would visit Brighton and take up his residence there during the Christmas holidays. But before that time and its event arrived, ‘Fashionable Intelligencer’ discovered that, instead of the King coming, his best wine was going. It did not require much logic to enable observers to come to the conclusion that if the best vintage were taking its departure, Sacred Majesty would not be among speedy arrivals. The town could hardly find consolation in the assurance that wherever the monarch might be, his heart was certainly at Brighton. The King never came. The local banks could not bear it. They unanimously broke.
A royal duke and duchess were scarcely equivalent to a king; yet the appearance of the Duke of York relieved in some degree the heart of Brighton from some of its heavings. There was a burst of joy when it was announced that H.R.H. ‘purposed to give an entertainment to his tonish friends.’ Everyone uninvited must henceforth consider himself to be mauvais ton. What a flutter there was when ‘tonish reporters’ proclaimed in the newspapers that the Duke would give a public breakfast at Ireland’s Royal Gardens, and that ‘the whole fashionable world would partake of the repast.’ Meanwhile ‘Fashionable Intelligencer’ watched the Duke and noted his ducal ways. We read with infinite emotion that his royal princeliness not only entered several shops, but that he purchased various articles in the most unassuming manner. The grand breakfast at last came off, and a very jolly affair it was; but Snob, who was not invited, and who felt his ‘fashionable’ honour very much ruffled in consequence, declared that the thing was low, and that the company were vulgar.
The Duchess of Gloucester did not put herself so prominently forward as the Duke of York; but the local observer did not fail to chronicle the proud circumstance, namely, that ‘The Duchess gives importance by her presence to the Steyne.’ Her condescension, too, was eulogised in lofty terms; but in the practice of proud humility the Duchess was nothing in comparison with the Bishop of Chichester. Robert James Carr was then, as prelate, only a year old. In the bloom of his official age the Right Rev. Father, &c., visited Brighton, and on his first Sunday there he repaired to the Royal Chapel. There was the ordinary congregation, but there was no clergyman. He had been taken ill and was unable to attend. But the diocesan was not proud. The fashionable chronicler tells us that the Bishop performed divine worship himself, ‘with his usual kindness and condescension.’
Sometimes high-born and ill-bred personages condescended to much stranger performances. Thus we find Jeames the Chronicler setting down a record of the fact that Sir Godfrey Webster, one of the fastest of the very rapid men of the day, had left the town, and that the regret was universal; but that the baronet would soon return, in order to take the chair of a free-and-easy at the ‘Swan Inn.’ It is to be observed, that whenever a ‘tonish’ person took his departure, all Brighton was filled with the most poignant regret. Also, that when a family or individual of the haut ton or beau monde (nice distinctions!) arrived, all Brighton was stirred with an indescribable sort of happiness. If Mrs. Fitzherbert left the town drowned in tears, the arrival of Lady Berwick brought it again to life and laughter. Sir Matthew Tierney’s post-carriage, galloping out of Brighton, pierced the hearts of all beholders; but there was balm in Gilead. How sympathetic must have been the fashionable reporter of 1825 when he wrote down the fact that, ‘Grateful rumour states that the esteemed Dukes of Richmond and Argyle, and the Marquis of Anglesea, again propose to add to the importance of the “Royal York Hotel” by residing there before the end of the present year.’ Mark the new and original figure, ‘grateful rumour.’ But to indulge in strange figures was the old Brighton reporter’s dearest delight. ‘The Marquis of Granby,’ says our friend, ‘without any feeling of indisposition, enjoys good spirits in Regency Square.’ This might astonish Mark Tapley, whose spirits were highest under prostration, but to us it seems natural enough. Another fashionable record, this time full of simplicity, is to the effect that ‘Lady William Gordon confesses the salutary influence of the coast air.’ Occasionally an unexpected arrival makes the reporter of it facetious. For example, the local chronicler states how the ‘Barossa,’ homeward bound from St. Helena, had dropped her anchor off the town the previous night, without any idea of her being there, and how her gallant captain, Hutchenson, went ashore, and gave joyous surprise to his lady and family, and how he was on board again, and on his way to the Downs, by five in the morning.
Speaking of ladies as well as of captains, let us not forget—indeed it is impossible to overlook—that incarnation of gaiety and beauty, the Lady Berwick of that day. Before her marriage, she was a Miss Sophia Dubouchet. This young lady was married to the second Lord Berwick in 1812. In some peerages she is styled plain ‘Sophia Dubouchet,’ with no more account of her family than if she had been, like Melchizedek, without father and without mother. It is clear that this lady, who died childless, was not of illustrious descent. How she looked at Brighton, in 1825, and what were ‘pretty Fanny’s ways’ in that year, at that place, we may gather from another of the scraps of intelligence. ‘A la mode Lady Berwick,’ says a contemporary local journal, ‘formerly Miss Sophia de Bouchez’ (the chroniclers were not particular as to names), ‘has been the source of attraction for our fashionable promenades during the week. It afforded us much pleasure to observe that the late abuse of the press has in no degree diminished the vivacity so characteristic of her ladyship and family.’ There were two other ladies at Brighton at that time who were of a quieter quality, and whose wealth was the least of their charms. They are thus registered in the fashionable column: ‘We have two of the richest heiresses in the country now with us, Miss Wykeham and Miss Pleydell.’ How little did the chronicler conjecture that the former lady, who died so recently as 1870, was the heroine of a romance, and might have been Queen of England if she had chosen to bear that magnificent title. When Miss Wykeham was at Brighton, at a much earlier period than 1825, she attracted the attention of the Duke of Clarence. She was then the much honoured heiress of an Oxfordshire squire, Wykeham of Swalcliffe, a member of the family of William of Wykeham. The royal Duke had other opportunities of seeing this beautiful and accomplished heiress; and, overcome by her beauty, her intellectual qualities, and her account at her banker’s, he made her the offer of his hand. With good common sense, Miss Wykeham declined the offer. The Duke subsequently married a German princess, but he never ceased to esteem the heiress, whose presence made Brighton so happy nearly half a century ago. As soon as the Duke became William IV., King of England, he, with the glad sanction of Queen Adelaide, prevailed on the lady whom he had once sought to make his wife, to accept a peerage. Miss Wykeham took the title of Baroness Wenman, whereby she revived an old title in her family. Her grandfather had married the sister and heiress of the Viscount Wenman, in the Irish peerage. The Viscount having died childless, in 1800, the dignity became extinct; but Wenman, as an English baronial title, was conferred on Miss Wykeham in 1834. For six and thirty years she wore it with dignity, and when she died, in 1870, there was not a memory more honoured in the three kingdoms than that of Sophia Elizabeth Wykeham, Baroness Wenman, of Thame Park, county Oxon.
When William IV. took up his residence at Brighton, he played the citizen king. He walked and talked in the streets, and knocked at the doors of his personal friends, paying morning visits, and speedily discovering that, altogether, ‘it wouldn’t do.’ Queen Victoria went down to look at the place, to give it a trial, and to come to the same conclusion, that ‘it wouldn’t do.’ When cabmen or their customers stood on the roofs of their cabs to gaze at the Queen over the garden walls, royalty quietly withdrew, and Brighton took good heart, and has since contrived to get on handsomely alone, but she is ever glad, and naturally so, when a prince or princess is to be reckoned among her visitors. Only now the inhabitants do not go out to meet them, as they did in 1815 to meet Queen Charlotte. Large bodies of them then received permission to welcome the Queen at Patcham. They were dressed in buff, and mounted. As they cantered by the side of the Queen’s carriage, as her escort, she smiled and bowed to such of them as were ‘getting a look at her,’ as if she liked it. The Prince Regent, the Duke of Clarence, and a bright array of nobility, waited in the open space before the Pavilion to do honour to her on her arrival. ‘The present,’ says a contemporary historian, ‘is beyond all doubt the most brilliant period in the annals of Brighton.’
Fitting period wherewith to close these remarks. What a contrast is the fuss to get a sovereign into Brighton with the anxiety to get Charles II. out of it! For effecting the escape of the King, Captain Tattersall was rewarded with a pension of 100l. a year to himself and his descendants. We suppose that the most democratic of politicians would not object to a pension being paid which was originally earned by getting his most ‘religious majesty’ out of the kingdom.
Of all historical parallels, there are few more curious than the one between the first club ever established and any similar association of modern times. We must go as far back as the reign of Philip of Macedon (B.C. 320) for that original club. It consisted of Greek gentlemen, who, from their number, called themselves ‘The Sixty.’ They met once a week, not at a tavern, but in a temple—that of Hercules, at Athens. Their secretary was a sprightly young Achaian, named Callimedes—so sprightly, indeed, that the jolly Sixty nicknamed him the Grasshopper. They must have had the highest opinion of their own wit, for every good thing that was uttered was entered in a book, and any member who had a repartee on the tip of his tongue was obliged to keep it there till what had provoked it had been written down! This book of wit, wisdom, and joking was in such repute that it was lent out to princes and other potentialities, on depositing a security for its return. Thus Athens furnished not only the first club, but the first idea of a circulating library.
One of the most singular features of some of the social gatherings of Roman gentlemen consists in the fact, that if a member did not consider himself ‘clubbable,’ or was not considered so by his colleagues, he might bring with him some one who was. If he possessed an extremely witty slave, and chose to bring him to the meeting, in such case Libanus was as welcome as Demenætus. There are clubs of the present day where dulness so prevails among the associates, where Sir Rayleigh D’Istressin is such a nonentity, and Mr. Hugh Doane Nohoo is so overflowing with nonsense, that it is a pity they cannot be represented by capable substitutes. The latter might be found among the public office clerks. How well many of these persons have discovered what they are especially fitted for is to be seen in the little companies that club together and exhibit themselves with alacrity as Nigger Serenaders!
In England here, although the name of club for a society was not known till the seventeenth century, the thing itself was in active practice three hundred years before. The first English club of which we know anything has a French name—La Cour de Bonne Compagnie. It was founded in the reign of Henry the Fourth, and we may take it that bonne compagnie was understood to signify, in English, good fellows. They met, like ‘The Sixty’ in Athens, once a week. The club was what would now be called a dining club—that is, meeting periodically in order to dine together, and to enjoy the ‘feast of reason and the flow of soul’ which come of good cheer, safe digestion, happy humour, and undying wit.
We may be very sure that at the meetings which took place at ‘The Mermaid,’ and at those where Ben Jonson’s sons sat around him in ‘The Apollo,’ the English language ripened into mellowness, beauty, and strength. Shakespeare, Raleigh, and the men whose sympathies were attuned to those of the soldier and the poet, must have done especially good work to that end during their joyous discussions at ‘The Mermaid.’ Politics do not seem to have been touched upon. The first club founded in London with a political purpose among its other objects was the Rota Club. More than two centuries have elapsed since the Rota saw its table and coffee-cups surrounded by such men as Milton, Cyriac Skinner (to whom Milton addressed the sonnet which urges play as well as work), Marvel, Harrington, Nevill, and very many others. They advocated a going-out of Members of Parliament by rotation, and used a ballot-box for the settlement of club questions—that is to say, they affirmed or negatived by that means the conclusions arrived at by the lecturer for the evening. They also supported the ballot, as the simplest and truest method of voting, generally. To this end we are only on the point of now coming partially.
There were some clubs that, meeting only for recreation, fell into a fixed purpose by accident. Small clubs they were, but they were the beginnings of great consequences. From the meeting together of a few ‘city gentlemen,’ members of the Wednesday Club, in the reign of William III., arose certain discussions on financial matters which led to the ‘Conferences’ of 1695, in which William Paterson took a leading part. From this club, its discussions and conferences, sprang a gigantic result—‘The Old Lady in Threadneedle Street;’ in other words, the Bank of England.
A dozen years later, the first germs of the Royal Society of Antiquaries, long enthroned in Somerset House, were planted in the modest room of ‘The Bear Tavern,’ in the Strand. Three individuals, to whom the past was dearer than the present or the future, there met to talk over the condition of the ancient monuments of the kingdom, while they smoked their pipes and sipped their ale. One of them was Humphrey Wanley, the well-known archæologist, and librarian to Harley, Earl of Oxford. They agreed to add to their numbers, meet every Friday night, and confine themselves to the consideration of matters and monuments which illustrated English history not later than the reign of James the First. The weekly business was to begin at six, and every absentee was to be fined sixpence. The club or society migrated from the parlour of one public-house to another before it found royal patronage, and a home in the palace which occupies the site of the one built by the Protector Somerset. After a brief sojourn of a month at ‘The Bear,’ they went, in 1708, to the ‘Young Devil’ tavern close by, and there they seem to have been housed for above a quarter of a century. In 1739 they moved to more commodious apartments in ‘The Mitre,’ Fleet Street, and they talked no more of sixpences. They numbered a hundred members. Each of them paid a guinea entrance-fee, and twelve shillings annual subscription. In 1770 they commenced the ‘Archæologia’; and in the following year George III. gave them the abiding-place beneath the roof of Somerset House, where, till the removal to Burlington House, they met weekly, on Thursdays, during six or seven months of the year, and sometimes, like Gratiano, spoke an infinite deal of nothing. At other times the meetings are full of interest, and emperors themselves have been glad to be enrolled among the Antiquaries, who began their career as a modest club in a Strand tavern of no great repute.
A more ancient society than the Antiquaries had also a home within Somerset House. The Royal Society is of much older date, but it began in a little club-gathering, in 1645, at Dr. Goddard’s lodgings in Wood Street, and for some time where it could, in Cheapside. After it rose from a club to an incorporated society, it first met in Gresham College, but afterwards occupied rooms in Somerset House for upwards of ninety years, when it migrated to Burlington House. Its first avowed object—the establishing of facts by successive experiments—was highly ridiculed, and that most wittily, by Butler, in ‘The Elephant in the Moon.’ One of the members is described as one who
Another philosopher is said to be renowned
A third experimentalist and chatterer is transported with the ‘twang of his own trills.’ Collectively they are men who are satisfied,
The society set up a telescope to make discoveries in the moon. They detect armies fighting, and an elephant moving among them. Delighted with what they had discovered, they drew up a narrative, to be published in the ‘Transactions.’ By the time this had been done, idle explorers have made out that the armies are gnats and flies on the lens, and that the elephant is a mouse that had got imprisoned in the tube. The philosophers are disconcerted, and the satirical poet rides over them roughshod, with a moral which is intended to make them as comfortable as a toad under a harrow. Butler flew at them again, in prose, in ‘An Occasional Reflection upon Dr. Charlton’s feeling a Dog’s Pulse at Gresham College.’ This is exquisite fooling. The paper is supposed to be written by Robert Boyle, Esq., and never was imitation so hard to be distinguished from an original. It is far superior in this respect to the prose imitations, in ‘Rejected Addresses,’ of the styles of Dr. Johnson and of Cobbett. We will not conclude this reference to the Wood-street Club, which has grown to such dignity and usefulness as the present Royal Society, without recording that, a little more than a hundred years ago, a Latin paper, on ‘Volcanoes,’ was read before it by a German, one Raspe. Whether it faithfully narrated Raspe’s experiences, who can tell?—for Raspe subsequently wrote that amusingly serious lie called ‘Baron Munchausen.’
In the early part of the last century, a body of ladies constituted themselves as ‘The Shakespeare Club.’ They met in rooms in Covent Garden, and their object was to raise funds to supply the managers of the two theatres, to enable them to act with appropriate splendour the plays of the national poet strictly according to his text; in other words, the end was to annihilate the adapters of the bard. How even the ladies themselves were divided in opinion and into clubs, is seen in the closing words to Fielding’s ‘Historical Register for 1736.’ The piece closes with a deprecatory appeal to the fair sex present, to whom an actor says: ‘And you ladies, whether you be Shakespeare’s ladies, or Beaumont and Fletcher’s ladies, I hope you will make allowance for a rehearsal.’
There was another club in the last century whose purpose was one which deserves for it everlasting respect and admiration. The excellent object it had in view was the suppression of wearisome preachers, or the putting down of silly and interminable sermons. Whether the means taken to arrive at the ends aimed at could be equally respected and admired, is a matter on which a certain difference of opinion may be justly allowed. It was the fashion of the time for ladies to carry fans, and for gentlemen to be inseparable from their canes. These weapons were turned to church uses by the ladies and gentlemen who were members of the Rattling Club. They were vagrant Christians, who attended such churches as possessed congregations who sat in need of relief from a great oppression—that of being bored by a preacher who (as Voltaire says of them all) stood five feet above contradiction. The Rattlers were perfectly unobtrusive during service, and indeed they were perfectly decorous during sermon, unless they were provoked by absurdity or tediousness. As soon as any provocation of that sort was felt, a Lady-Rattler began to agitate her fan, or a Gentleman-Rattler tapped his cane against the floor or the panelling of his pew. The signal was followed by the other members, and the interruption was continued, gradually increasing till there was such a fluttering of fans and a rattling of canes as to produce conviction on the mind of the preacher that the sooner he pronounced the word ‘finally’ the sooner there would be peace in the church. It would not be very unreasonable to call such conduct unseemly—even vulgar. The Rattling Club, however, had very august precedent for their proceedings. In as far as the eccentric young Queen Christina of Sweden set the example, she may be fairly looked upon as the founder of the Rattlers. In her own royal chapel, as well as in any ordinary church where she happened to be present before she passed over to the Church of Rome, Christina used to give decent attention to the sermon till she thought she had taken as much as would do her good. At that point she would slightly rap with her fan on the top of the back of the chair which always stood before her own in the Chapel Royal, or on any hard substance which happened to be near her, when she was being sermon-vexed in other places. If the preacher neglected to attend to this signal, her Majesty declared open warfare against him, and rattled away with her fan with increasing intensity till she had silenced the pulpit, or (if the preacher continued to pour forth his volleys) till she raised the siege and retreated in vexation. Let us mention here, by the way, that in the early intolerant age of the Reformation which followed the intolerable era of Popery in England, people were compelled (under serious penalties) to go to church whether they were Reformers or Romanists. Many of the latter attended the Protestant service rather than pay the fine, and yet preserved their consistency; and you may fancy the mirth in some old country-house, when the solemn knight and his lady, and the laughing daughters with their haughty brothers, as soon as they heard the church-bells ring, proceeded to stuff wool into their ears, and then went to a sermon with a joyous conviction of being unable to hear a word of it.
Let us now fancy ourselves standing in Great Queen Street, Lincoln’s Inn Fields, in the year 1711. We are in front of the Land Bank, which had lately come to grief, and the street was not of the high estate it had been when lords smoked their pipes at its windows, and could smell the haycocks that were in St. Pancras Fields. Let us describe what took place. There was a going in and out, and a standing on the steps, and a gathering of increased numbers, and an universal cheerful gossiping, save on the part of Mr. Ferrers, who was dumb. Passengers stopped to look at these men, and were not slow to recognise the most eminent among the wellnigh five dozen standing or moving about the door, or going in and out. People from Drury Lane knew their neighbour Mr. Vertue, who was talking apart to a little knot of listeners—engravers like himself. There was Michael Dahl, talking a good deal about his Swedish patroness Queen Christina, and still more about his claims to be director of an Academy of Painting. At these claims his hearers may be taken to have smiled, especially if their eye happened to fall on a well-dressed, courteous gentleman, who passed into the house bowing to all who greeted him. There was not a child in Queen Street who could not recognise in him the great Sir Godfrey Kneller. Sir Godfrey was probably greeted most warmly by Laguerre, who had glorified the knight’s house at Whitton with more simple taste than usually distinguished Laguerre. Thornhill stood near the latter, and looked on him with no more perceptible air of triumph than a modest artist could help, who had been substituted for the other in the task of painting the Life of St. Paul within the dome of the metropolitan church. Richardson too was there, and his colleagues respected him as an artist who, if Kneller and Dahl were but away, would be at the head of portraiture in England. A laughing group stood round Richardson; he was narrating to them his own great story, which has been so often retold with other heroes of the tale: ‘The gentleman was singularly annoyed that his friend should declare that his Rubens was only a copy. He said to me: “I will knock any man’s brains out who will call it a copy! My dear Mr. Richardson, come down to my house, and give me your candid opinion!”’ We may fancy that merry and wise Richardson tripping up the steps laughingly, stopping, perhaps, in the hall to talk with two gentlemen, brothers, one of whom exhibits to him, and to smiling Laptist Monnoyer, some paintings on fans which excite his generous unreserved admiration. It is Mr. Godfrey, behind whose marvellously-decorated fans—on which figured landscapes created to make love in—the beauties of the time of Anne and the first two Georges used to feign to blush and hide confusion which they did not feel.
When these and others were assembled in the old bank, they numbered sixty-two. Every man came with his guinea ready for the treasurer. It was to be the annual subscription. Each member had also with him a list of twelve names, whom he voted for as directors for one year. Michael Dahl insinuated his right to be governor, but, saving Dahl’s vote, Kneller was unanimously elected; and with his quietly moving into the chair of that club, was the first Academy of Painting established in England.
The jealousy of Dahl, and a few individual affectations, marred some of the good that the Academy might have accomplished. In the second year, the Swedish favourite of Queen Anne and her husband, Prince George of Denmark, withdrew, because Kneller was still preferred to him as governor or president. The Academy Club elected new members, with or without their consent. At that time there was a French painter in London, named Berchet. He had painted panels and ceilings in England from the time of the latter years of Charles II.; and when De la Fosse was over here, he must have been proud, if he was not jealous, of his pupil. If there be an old painted panel yet in the house that was the Duke of Schomberg’s, in Pall Mall, it is possibly a portion of the decoration of the house, and is, in such case, Berchet’s work. The belles and gallants of the day flocked to Ranelagh, to gaze at the summer-house so daintily tricked out by Berchet’s delicate pencil. Now, he was painting small mythological pieces, in oils; and the ‘Academicians,’ deeming him worthy of being a member, elected him. Berchet (by letter) ‘excused himself, being not well and tysicky, and could not bear the smoke of the lamp.’ His infirmity did not leave him, neither did his industry. He had just put his name at the foot of ‘A Bacchanalian,’ his last work, when the pencil dropped for ever from his hand, and Berchet’s occupation was gone.
We pass from Art to Fashionable Eccentricity. When squires were squires in England, and came up to London to see a little life, a club was founded for them in St. James’s Street, which was (and is) called Boodle’s, but which was long familiarly known as ‘The Topboot and Worsted Stocking Club.’ To rival Boodle’s dinners, or Almack’s, was not a difficult matter, since they seem to have consisted of uncouth legs of mutton, roasted geese, and buttered apple-pies. Something better than mere squirearchy must have been among the members, for Gibbon was one, and a hundred years ago the great historian wrote his letters there. It was the poor cookery of Boodle’s that probably gave rise to the ‘Sçavoir Vivre Club,’ the palates of whose members could not bear, nor their stomachs digest, the mutton, geese, and apple-pies of the club, which still exists. The ‘Sçavoir Vivre’ showed that they knew how to live, by composing or importing new dishes, and they showed that they knew how to dress, by creating the most eccentric of costumes. Among their imported dishes was macaroni. It become such a favourite dish at the club, and was so invariably brought to table, that the clubbists themselves became celebrated as ‘Macaronies.’ In dress they wore a toy cocked hat, gold-laced, buttoned and tasseled over hair fashioned into a foretop above the head, side-curls, and a clubbed tail. Tight striped silk breeches, and an equally tight coat and waistcoat, kept them together. Their tasseled canes were as long as those still carried by state footmen when they ride behind a carriage going to court on a drawing-room day. Like Tiddy Bob, they had a watch in each fob, with cable-chains, and a pound of seals at the end of them. Their white neck-cloths displayed a front bow as large as a cauliflower; and they daintily walked about in white silk stockings and diamond-buckled shoes, in all weathers. In any sense, for a Macaroni to wear a greatcoat was to confess his unworthiness of being a member of the august brotherhood. As equestrians, they figured in the park on little ponies, and looked as if they lacked strength to get on anything higher. The female Macaronies carried heads top-heavy with hair of their own and other peoples—hat, feathers, and a world of knicknackery. Their dress clung almost as closely to the body as the gentlemen’s to theirs. But they dragged after them a long, long gold-embroidered train, the very thought of which reminds us of the poet’s line:—
Hæc nunc auratâ cyclade verret humum.
The Macaronies and the Macaroniesses, as they were called, turned days, nights, hours, and seasons, topsy-turvy; and the former, to show that they were men, ran foot-races on Sundays in Kensington Gardens, very lightly clad, and putting in peril their little lives, by exhaustion of the little breath they carried in their little bodies. Having established macaroni as a dish to be thenceforward known in every household of taste, they died out, and men knew them no more.
The Eccentrics entered into the present century. The Keep-the-Line Club was one of the brilliant, fashionable, and shortlived clubs of the first quarter of the present century. Its members consisted of wits, artists, actors, authors, gentlemen, and peers. It had two purposes—enjoyment and preservation of temper, by putting it to the hardest trials. One of the rules was, that whenever a member was insulted by another, however grossly, the insulted person should rise and offer his best thanks to the offender. A witty fellow might here find good opportunity for his wit, if he only knew how to avail himself of opportunity. Another rule imposed a fine of a dozen of claret to the club, on the member who published any literary composition of his own. Samuel Rogers, Topham, Miles Peter Andrews, Merry, Morton, Reynolds, Fitzgerald, Horace Smith, Boaden, Kenney, and others, paid the fine willingly whenever it was fairly due. The penalty was once demanded of Wilson (the surgeon), and of John Tufton. The first had issued an advertisement announcing a course of lectures; Tufton had addressed an electioneering handbill to his constituents. Both publications were pronounced to be literary. The authors had not only to pay the penalty in claret, but to profess their unfeigned delight at its being imposed on them.
While the Keep-the-Line loved fun, others loved athletics. The Mary-le-bone Cricket Club of the olden days did not at all resemble what it afterwards became when known as Lord’s. In its early age, there was as much difficulty in passing a ballot successfully, as in the most exclusive clubs of the present day. The members included players from every degree in the peerage, members of the House of Commons, and gentlemen of large landed property. The costume of the club was skyblue! and their chief object—even before cricketing—was the performance of practical jokes. One of the latter was played by the bacchanalian Duke of Richmond on Fred Reynolds the dramatist. The Duke put Reynolds on horseback, and rode with him to a match on Moulsey Hurst. The steed ridden by Reynolds was from Astley’s, and the Duke led the way to where a body of soldiers were exercising with gun, drum, and trumpet. The circus war-horse immediately became dramatic, going through a course of unparalleled performances, which he concluded by flinging his sky-blue rider. But there were, besides the practical jokers, serious and accomplished cricketers. For bowling, David Harris; for batting, Tom Walker; and for wicket-keeping, sharp-eyed Hammond, had no equal except in Lord Frederick Beauclerc, who excelled, each in his speciality, and could beat everybody at all three.
In those days, the Mary-le-bone Club had no particular ground. From May to September they moved from place to place, encamping here and bivouacking there by day, and taking their ease in their inn by night. Hospitality varied this course very pleasantly. Sir Horace Mann, the King of Cricket, kept open house for the club at his seat near Maidstone, or at his marine residence at Margate. This hospitality did not cause him to be respected by the practical jokers. Some of the jokes lacked decency; and we do not see much fun in the emptying a man’s box of its snuff and filling it with hellebore, to make him sneeze a hundred times for one! It was a rule that no offence was to be taken at the roughest of these jokes, but it was not always in the power of a man to seem delighted at them. We quite sympathise with Miles Peter Andrews, who, being asked why he looked serious when everybody was laughing loudly at a jest perpetrated by the most convivial of the members, answered—‘My dear sir, I can see no fun in a man who owes me three guineas!’
The hospitality of Mann to the club was, if possible, exceeded by that of Richard Leigh, whose welcomes to the members at Wilmington were feudal in their sumptuousness. His good taste and liberality were manifested in many ways. His musical gatherings were exquisite treats. His love for athletic sports was shown in his zeal at getting up cricket matches. The eccentric Duchess of Gordon, who had married two dukes and a marquis to her three daughters, once said aloud to Richard Leigh: ‘I am the first, but you are the second, match-maker in England, Mr. Leigh.’
One of the droller incidents of the club-matches was long remembered. Reynolds, who was but an amateur, was one day called upon to go in for a member who was too ill to play. He went to the wicket with a feeling of fright, as if he stood in front of a loaded pistol levelled at him, when he saw that the formidable Harris was about to bowl. In his own words, he says: ‘My terrors were so much increased, by the mock pity and sympathy of Hammond, Beldam, and others round the wicket, that when this mighty bowler—the Jupiter Tonans—hurled his bolt at me, I shut my eyes in the intensity of my panic, and mechanically gave a random desperate blow, which, to my utter astonishment, was followed by a loud cry all over the ring of “Run! run!” I did run, and with all my force; and getting three notches, the Duke of Richmond, John Tufton, Leigh, Anguish, and other arch-wags, advanced and formally presented to me twenty-five sixpences in a hat, collected from the bystanders as “the reward of merit.” Even Lord Winchilsea and Sir Horace Mann contributed to this, and then all playfully commenced promoting a new subscription, which only stopped because I could not stop the next ball. To my great joy, up went my stumps and out I walked—certainly with some little éclat, being the first member of the club who had been considered a regular player—i.e., paid for his services.’
We have now to say a few words of some other clubs and their purposes. In the last century, Benjamin Franklin was in the chair at a private club which used to meet weekly at ‘The Prince of Wales’ in Conduit Street. A proposal was made to do something for starving authors. The members murmured over their pipes, stared at the punch-bowl, and thought authors were vulgar people, who were not worth being thought about. The matter, however, was not allowed to drop. Year after year some kind soul or another brought it hot upon the anvil, hammered at it till he was weary, and then passed the hammer to another and another, and he to another, till at last the something was beaten into shape, and shape into substance, till there was fashioned that excellent and praiseworthy institution, the Literary Fund. In its first year only a few shillings could be spared for one hungry author, but now it sends forth welcome relief by hundreds of pounds.
This Literary Fund brings to our mind a literary club which we must not pass over—namely, ‘The Syncretics.’ The worthy gentleman who invented the name has never been discovered; but, dignified as the title looked, it sorely troubled some of the members, particularly those who had looked into a dictionary for the interpretation, yet who, on being asked for the meaning of ‘Syncretic,’ had forgotten the dictionary definition. The object of this united body was the encouragement of the dramatic element among the members. They were to write plays, which managers were to put on the stage for them; and as each play was acted, the Syncretics were bound, or were supposed to be bound, to support the drama of their brother-member by enthusiastic demonstrations of applause. Their motto seemed to be: ‘Hors nous et nos amis nul n’aura de l’esprit.’
When the amiable society had furnished nearly as many new dramas as there were members, the difficulty arose as to which play should have the precedence. It was a delicate matter. Each writer saw peculiar claims and merits in his own play, and those members whose pieces were as yet only on the stocks thought that the club should not be in too great a hurry, lest, by failing in their first venture, they should discourage the possible or probable new Shakespeares who as yet lacked time to bring about their dramatic dénouements. At length a decision was arrived at, and a play called ‘Martinuzzi’ had the good or evil fortune to be selected for representation. The public expectation had been stimulated to a high degree, but disappointment followed. ‘Martinuzzi’ was a lugubrious failure; but an ill-natured world would have it that it was most violently hissed by the author’s fellow-clubbists, the Syncretics. What will not a censorious world assert? The scandal-mongers affirmed that it was a Syncretic rule for each member, except the author, to hiss the play in course of representation, as each sibilant member hoped, by damning his brother’s play, to obtain a better chance of bringing his own forward earlier.
Is there anyone surviving whose pantomimic memories can flash vividly back half a generation? If so, how joyous yet sad must be his remembrance of another literary club—‘The Fielding’—and the pantomime of ‘Harlequin Guy Fawkes,’ acted by the members, at Covent Garden, in 1855! If the set purpose of that society at its formation was to found a school of mimes, the success was undoubted. It was a strange ambition, thought Smelfungus, for professional men and clerks in public offices to attempt to rival—nay, excel—the clowns, harlequins, lovers, and pantaloons who were imbued with the traditions of the times of Grimaldi and Bologna, Barnes and Parsloe. The amateurs were quite up to the regular business. Who that was there will forget the marvellous delivery of the patter song which Albert Smith rattled out as ‘Catesby’? Was ever stage-fight at the old Coburg (where Messrs. Blanchard and Bradley used to slay and be slain nightly with broad-swords, that hacked and hewed to orchestral accompaniments) equal to the terrific combat which was maintained between the awfully savage Catesby and the resolute assassin Guy Fawkes, who had Mr. Holmes under his mask? The latter seemed like a boneless unvertebrated acrobat who could throw his limbs anywhere he pleased out of his own way, or very much in the way of his adversary. The murderous earnestness of his fighting was in strong contrast with the hilarious humour of his burlesque-singing; and Mr. Holmes’s solemn humour was equally well illustrated in the part he took, with three other amateurs, in the performance of acrobatic feats in the scene of the Epsom Racecourse. They executed the easiest of feats with an admirable air of having achieved the impossible. The laughing spectators were almost deceived by the mock seriousness of the pseudo-acrobats; and, when the latter bowed to the applause, with an air of being exhausted by their seemingly laborious efforts, the applause grew louder, and the laughter shook the very house.
There were other members of the club who took part in this celebrated pantomime, and who were quite as effective as their fellows. Spectators calculated in vain the number of government-office windows Mr. Bidwell, the inimitable harlequin, must have leapt through, the government tables he must have vaulted over, and the government chairs he must have waltzed with for supposititious columbines, before he arrived at the perfection which he then displayed. One could not but wonder whether he went down to his office in Whitehall in his spangles covered by a greatcoat, from which he suddenly emerged to stir the often-manifested delight of the porter. Did he go to his desk by a hop, step, and a jump? Did he ever awe a reproving ‘Head of Department’ by shaking his ruler above him, as on the stage he shook his wand and paralysed the clown? Then there was Arthur Smith, who slipped about in Pantaloon as if he had never known boots, and heels to them, since he was born. Nor let us pass over Joe Robins, that airy medical student, who, we suppose, made the dissecting-room funny by his skeleton songs, if he chaunted the scraps of minstrelsy as farcically as he sang ‘Hot Codlins’ in the character of Clown. Horace Walpole said of some amateur actors at whose playing he was present, that they played so well it was a pity they had not sense enough not to play at all. He would not have been epigrammatic in that style had he witnessed the burlesquers and pantomimists of the Fielding Club. It was because of their sense and intelligence that they were so efficient. In their strength and buoyant spirits and exuberant health, they looked immortal. Alas! some of them have passed from the stage-manager to the sexton. One or two, having the alternative put before them, quitted motley and pantomime for ever, and took permanently to their office duties. Two or three went in an opposite direction; they stuck to the stage, and more or less adorn it now, under their proper or under stage-names. An odd fellow or so ‘got up a tree,’ as if that feat belonged to the harlequinade of life; but it is believed that their creditors saw less fun in the reality than in the pantomimic effect. In short, to quote Hood’s ‘Ode on a Distant Prospect of Clapham College’—