A

• Abnormality in Modern Life, 64
• Accident at Sea, 45
• Adaptation of physical functions, 22
• Adequate training, 9
• Age of Music, 36
• Agitation, 6
• Agitation tranquillized, 41
• American craving for rhythm, 95
• American industry, 8
• American talent, 8
• American type of music, 93
• Animals and musical sound, 27
• Appeal of the work, 14
• Appreciation in music, 33
• Aryan appreciation, 39
• Aryan disturbances, 39
• Aryan talent, 25
• Auber and the social mind, 87
• Austria, 114
• Awakening in Italy, 67

B

• Barbarism and its music, 37
• Barders of Tacitus, 30
• Bavaria, 115
• Belgium, 117
• Bellini and the social mind, 62
• Berlioz and the social mind, 85
• Bibliography, 138
• Boildieu and the social mind, 86
• British emotions, 69

C

• Canada and its type of Music, 50
• Catholicism and the ideo-Motor element, 51
• Characterization in music, 30
• Characteristic Italian composition, 67
• Children and Sound, 29
• Chinese use of music, 24
• Chopin and the social mind, 85
• Church influence and the ballad, 91
• Church Choirs, 54
• Church pressure in the United States, 94
• Civilization and bodily disturbance, 7
• Civilization and rhythm disturbances, 37
• Classes reached by musical schools, 10
• Complexity in social pressure, 93
• Complexity in music, 32-36
• Complications in Orchestration, 85-87
• Concerted volition in music, 34
• Concert Tests in Coney Island, 41
• Concert Tests in England, 41
• Concert Tests in Germany, 41
• Concert Tests in Russia, 41
• Concert Tests in United States, 41
• Concert Tests upon Italian Stone Cutters, 50
• Coney Island response to Musical Stimulus, 43
• Contrasts in French and German re-actions, 84

D

• Dancing a need, 65
• Darwin’s theory of music, 19
• Dawn of musical history, 38
• Deafness and carriage motion, 48
• Deafness and music, 48
• Deafness and the telephone, 48
• Decay of the Gens, 36-37
• Denmark, 118
• Depression and Musical stimulus, 46
• Desire for music, 14
• Development of ideas, 25
• Development of internal integrations, 23
• Disturbance expressions, 24
• Disturbance of bodily rhythm, 6
• Disturbances defined, 32
• Dogmatic emotional need, 51
• Donizetti and the social mind, 62

E

• Economic movements, 5
• Effects of rhythmic stimulus, 42-46
• Emotional forces, 5
• Emotional products in music, 56
• Emotions and sound, 13
• England, 119
• English composition, 69
• English support of musical culture, 70
• Equador, 121
• European recognition of Musical need, 10
• Evolution Stages (a) Appreciation, 33
• (b) Utilization, 33
• (c) Characterization, 33
• (d) Socialization, 33
• Evolution of the Eye, 22
• Ethnic music, 36
• Excitable natures, 48
• Experiments, 43

F

• Fees, 105
• First responses to stimuli, 22
• First inter-change of ideas, 22
• First rhythmic inventions, 23
• Foreign talent, 94
• France, 81-122
• Franck and the social mind, 89
• French intellectualism in music, 56
• French opera, 85
• French re-actions, 81

G

• Gens system and emotionalism, 39
• Gentile family, 36
• German folk spirit, 74
• German grand opera, 49
• German lieder, 49
• Germanic tribal music, 29
• Germany, 71
• Giddings note, 34
• Greek Church type, 50
• Gounod and the social mind, 89
• Group re-action to music, 41
• Group tendency in music, 7

H

• Haeckel’s note, 21
• Heart action and modern stimuli, 29
• Heroic opera, 74
• Hindus and the musical ideal, 24
• Holland, 123
• Human liking for like musical motion, 35
• Hungary, 129-135
• Hylobates syndactylus, 22
• Hymnal music, 92

I

• Ideo emotional groups, 49
• Indebtedness for statistics, 16
• Individual experiments, 47
• Inspiration in Columbia College courses, 17
• Intellectual stimuli of tribal life, 27
• Italian Ideals, 65
• Italian life and papal authority, 62
• Italy, 125

J

• Japan’s use of music, 24

K

• Knightly ballad taste, 72

L

• Laws of motion and the body, 58
• Laws of need, 42
• Lectures with music, 45
• Lectures without music, 45
• Life preservation and music, 58
• Live force in musical vibrations, 26

M

• Massenet and the social mind, 89
• Mascagni and the social mind, 67
• Mean rhythm of aggregates, 31
• Measurement of musical effects, 26
• Mental attitude of 1821, 74
• Mendelssohn and the social pressure, 76
• Meyerbeer and the social mind, 87
• Milder stimuli and musical expression, 80
• Mission of music, 13
• Music and Motion, 31
• Music as a health measure, 55
• Music as a national need, 28
• Music and national disturbances, 60
• Music as an incident force, 59
• Music and social control, 16
• Music for rhythm maintenance, 31
• Music as an industry, 9
• Music in Colleges, 10
• Music taxation, 11
• Music of birds, 27
• Music in carriage motion, 48
• Musical employment field, 8-94
• Musical madness, 89
• Musical statistics, 12
• Musical tone in railway motions, 48
• Musical tone in telephones, 48
• Musical tone in wash of waves, 48
• Musical tone in winds, 48
• Musical valves for American emotionalism, 95

N

• Napoleon’s influence on music, 83
• National control of music, 7
• National stimuli, 60
• National type of music, 10-55
• Nature and music, 19
• New combination of tone and nerve, 59
• New organs for new stimuli, 37
• Normal pulse action, 56
• Normalizing effect of music, 48
• Northern immigration, 92
• Norway, 124

O

• Ocean Grove mental type, 51
• Opera comique under Mehul, 86
• Orchestral complexity, 85

P

• Paleolithic man and percussion, 36
• Panic calmed by National songs, 46
• Partially deaf re-actions to music, 27
• Passion for homogeneity, 36
• Peace and Parsifal, 80
• Peace and religious agitation, 88
• Periodic Motions, 39
• Phlegmatic natures, 48
• Pioneer life and social pressure, 91
• Popular waves of feeling, 6
• Primitive man’s rhythmic life, 21
• Primitive speech as rhythmic disturber, 23
• Proper study of music, 15
• Prussia, 127
• Public emotionalism, 6
• Public school musical instruction, 94

R

• Rational thinking and Gidding’s definition, 40
• Rationalistic group, 52
• Rationalistic music, 52
• Real elements of music, 22
• Rebellious fanaticism, 83
• Recent absurdities in musical form, 62
• Recent immigration, 93
• Realm of musical need, 53
• Reflective Sympathy and music, 35
• Response of the masses, 5
• Registration of rhythm, 39
• Religious atmosphere in U. S., 92
• Revolutionary character of Tristan 1865, 78
• Rise of industrial complications, 92
• Rossini and the social mind, 62-86
• Russia, 130
• Russian audiences, 49

S

• Saint-Saens and the social mind, 89
• Savagery and its music, 37
• Saxony, 131
• Schumann and the social mind, 49
• Science and musical study, 15
• Schubert and the social mind, 72
• Separation of church and state, 89
• Social want, 10
• Social welfare, 15
• Social mind in France, 82
• Sociological terminology in music, 35
• Sources of conclusions, 41
• Sources of statistics, 74-99
• Spencer’s theory of music, 20
• Spontini and the Napoleonic regime, 86
• State and Municipal expenditure, 10
• Strenuous years 1848 to 1860, 65

T

• Tension in strikes, 46
• Tests among revolutionary elements, 54
• Tendency toward musical equality, 36
• Theory of rhythm, 12
• Thesis, 7
• Toneurology, 56
• Tragedy element in Italian life, 61
• Tribal life and rhythmic disturbances, 23

U

• United States, 91-133
• Untalented citizens, 15
• Universal craving for music, 53
• Utility aspect of music, 33

V

• Value of New York expenditures, 10
• Value of percussion, 23
• Value of music with the dance, 64
• Verdi and the social mind, 65
• Vibratory impulse, 30
• Vita, 143
• Vocalism extraordinary, 62
• Von Weber and the social mind, 74

W

• Wagner and the social mind, 50
• Wallascheks, 20
• Waltz, social significance of, 77
• War factor in music of tribes, 25
• Wave (the) of emotionalism 1861, 92
• Western music, 9
• Working girl’s tests, 41-54
• Working girl’s club, 46