The following list includes only a few of the more modern and more important of the many contributions to the literature dealing with the life and art of Hans Holbein the Younger. A very complete bibliography of the artist will be found in Schweiz. Künstlerlexikon, vol. ii., Frauenfeld, 1906, to which the student is referred. Additional references will be found in the text and footnotes of this book.
Amiet, Hans Holbeins Madonna von Solothurn und der Stifter Nikolaus Conrad, 1879.
Baldry, A. L., Drawings of Hans Holbein, “Drawings of the Great Masters” series. George Newnes, Ltd. Not dated.
Bell, C. F., F.S.A., Catalogue of a Loan Collection of Portraits of English Historical Personages who died prior to the year 1625. Oxford, Clarendon Press, 1904.
Benoit, François, Holbein (“Les Maîtres de l’Art”). Paris. Not dated.
Binyon, Laurence, Catalogue of Drawings by British Artists and Artists of Foreign Origin working in Great Britain, preserved in the British Museum, Vol. ii. p. 326-243.
Black, W. H., F.S.A., and Franks, A. W., F.S.A., Discovery of the Will of Hans Holbein. Archæologia, vol. xxxix. pp. 1-18.
Black, W. H., F.S.A., On the Date and other Circumstances of the Death of Holbein, &c. Archæologia, vol. xxxix. pp. 272-6.
Blomfield, R., A.R.A., History of Renaissance Architecture in England, i. p. 18, 1897.
Brewer, J. S., M.A., and Gairdner, Dr. James, C.B., Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII, 1509-1543, 1862-1902.
Burckhardt, A., Hans Holbein. Basel, 1885.
Burckhardt, A., Hans Holbeins Ehefrau und ihr erster Ehemann Ulrich Schmid, Basler Zeitschrift für Geschichte und Altertumskunde, Bd. v. p. 420.
Burckhardt-Werthemann, D., Drei wiedergefundene Werke aus Holbeins früherer Basler Zeit. Basler Zeitschrift für Geschichte und Altertumskunde, iv. 27.
Chamberlain, A. B., A Newly Discovered Portrait of Thomas Cromwell. Burlington Magazine, No. cv. vol. xx. (December, 1911) p. 175.
Chamberlain, A. B., Holbein’s Visit to “High Burgony.” Burlington Magazine, No. cix. vol. xxi. (April, 1912) pp. 25-30.
Chatto, W. A., A Treatise on Wood Engraving, ed. H. G. Bohn. Chatto and Windus, 1861.
Churchill, S. J. A., Two Unpublished Portraits by Hans Holbein. Burlington Magazine, No. cvi. vol. xx. (January, 1912) p. 239.
Colvin, Sir Sidney, The Ambassadors Unriddled (review of Mr. W. F. Dickes’ book). Burlington Magazine, No. vi. vol. ii. (August, 1903) pp. 367-9.
Colvin, Sir Sidney, On a Portrait of Erasmus by Holbein. Burlington Magazine, No. lxxx. vol. xvi. (November, 1909) pp. 67-71.
Conway, Sir Martin, and Cust, Lionel, M.V.O., Portraits of the Wyat Family. Burlington Magazine, No. lxxxi. vol. xvi. (December, 1909) pp. 154-9.
Cox, Mary L., Inventory of Pictures, &c., in the possession of Alethea, Countess of Arundel, at the time of her Death at Amsterdam in 1654. Burlington Magazine, No. ci. vol. xix. (August, 1911) pp. 282-6; No. cii. vol. xix. (September, 1911) pp. 323-5.
Cust, Lionel, M.V.O., F.S.A., Lucas d’Heere. Magazine of Art, August, 1891.
Cust, Lionel, M.V.O., Notice of the Life and Works of Lucas d’Heere, &c. Archæologia, vol. liv. pt. i. pp. 59-80.
Cust, Lionel, M.V.O., The National Portrait Gallery. Illustrated Catalogue, 2 vols., Cassell & Co., 1901.
Cust, Lionel, M.V.O., Foreign Artists of the Reformed Religion working in London from about 1560 to 1660. Proceedings of the Huguenot Society in London, vol. vii. No. i. pp. 45-82, 1903.
Cust, Lionel, M.V.O., The Royal Collection of Paintings, vol. ii., Windsor Castle. Heinemann, 1906.
Cust, Lionel, M.V.O., John of Antwerp, Goldsmith, and Hans Holbein. Burlington Magazine, No. xxxv. vol. viii. (February, 1906) pp. 356-60.
Cust, Lionel, M.V.O., The Lumley Inventory and the Painter H. E. Burlington Magazine, No. lxxii. vol. xiv. (March, 1909) pp. 366-8.
Cust, Lionel, M.V.O., A Portrait of Queen Catherine Howard by Hans Holbein the Younger. Burlington Magazine, No. lxxxviii. vol. xvii. (July, 1910) pp. 193-9.
Cust, Lionel, M.V.O., On a Portrait Drawing by Hans Holbein the Younger (Sir Charles Wingfield). Burlington Magazine, No. xcv. vol. xviii. (February, 1911) pp. 269-70.
Cust, Lionel, M.V.O., On Two Portraits attributed to Gerlach Flicke. Burlington Magazine, No. c. vol. xix. (July, 1911) p. 239.
Cust, Lionel, M.V.O., Notes on the Collections formed by Thomas Howard, Earl of Arundel and Surrey, K.G. Burlington Magazine, No. ci. vol. xix (August, 1911) pp. 278-81; No. civ. vol. xx (November, 1911) pp. 97-100; No. cvi. vol. xx. (January, 1912) pp. 233-6); No. cviii. vol. xx. (March, 1912) pp. 341-3; No. cxiii. vol. xxi. (August, 1912) pp. 256-8.
Cust, Lionel, M.V.O., A Newly-discovered Portrait of Thomas Cromwell. Burlington Magazine, No. ciii. vol. xx. (October, 1911) pp. 5-6.
Cust, Lionel, M.V.O., “The Family of Sir Thomas More,” by Hans Holbein. Burlington Magazine, No. cxv. vol. xxii. (October, 1912) pp. 43-4.
Cust, Lionel, M.V.O., and Bell, C. F., F.S.A., Burlington Fine Arts Club, Catalogue of Exhibition illustrative of Early English Portraiture, 1909.
Davies, Gerald S., M.A., Hans Holbein the Younger. George Bell & Sons, 1903.
Davies, Randall, An Inventory of the Duke of Buckingham’s Pictures in 1635. Burlington Magazine, No. xlviii. vol. x. (March, 1907) pp. 376-82.
Develay, V., Eloge de la Folie d’Erasme. 3rd ed. Paris, 1876.
Dickes, W. F., Holbein’s “Ambassadors” Unriddled. Cassell & Co., Ltd. Not dated.
Dimier, L., French Painting in the Sixteenth Century. (Trans. by Harold Child.) Duckworth & Co., 1904.
Dimier, L., Le Primatice. Paris, 1900.
Dodgson, Campbell, Neues über Holbeins Metallschnitte zum Vaterunser. Mitteilungen der Gesellsch. für vervielfältig. Kunst, 1903, p. 1, and 1905, p. 10.
Dodgson, Campbell, Hans Lützelburger and the Master N. H. Burlington Magazine, No. xlvii. vol. x. (February, 1907) pp. 319-22.
Dodgson, Campbell, An Alphabet by Hans Weiditz. Burlington Magazine, No. lix. vol. xii. (February, 1908) pp. 289-93.
Dodgson, Campbell, A Portrait by Hans Holbein the Elder. Burlington Magazine, No. lxvii. vol. xiv. (October, 1908) pp. 37-43.
Dodgson, Campbell, Das Holzschnittporträt von N. Borbonius. Gesells. für vervielfältigende Kunst, Mitteilungen xxxi. 1908, p. 37.
Dodgson, Campbell, Catalogue of Early German and Flemish Woodcuts, &c., in the British Museum, vol. ii. 1911, p. 320.
Dodgson, Campbell, notes by, Vasari Society, Pt. i. Nos. 17 and 18; Pt. ii. No. 31; Pt. v. No. 28.
Douce, Francis, Holbein’s Dance of Death. 1858 edition. H. G. Bohn.
Earp, F. R., M.A., Descriptive Catalogue of the Pictures in the Fitzwilliam Museum, pp. 97-8. University Press, Cambridge, 1902.
Einstein, Lewis, The Italian Renaissance in England, 1902.
Fidler, G., Holbein’s Porch. The Art Journal, 1897, pp. 45-8.
Fortescue, Mrs. G., Holbein. (Little Books on Art.) Methuen & Co., 1904.
Foster, J. J., British Miniature Painters and their Works. 1898.
Frisch, A., and Woltmann, A., Hans Holbein des Aeltern Silberstiftzeichnungen im kgl. Museum zu Berlin. Soldau, Nuremberg.
Frölicher, Elsa, Die Porträtkunst Hans Holbeins des Jüngeren und ihr Einfluss auf die schweizerische Bildnismalerei im XVI Jahrhundert (Studien zur deutschen Kunstgeschichte, No. 117). Heitz & Mündel, Strasburg, 1909.
Fry, Roger, E., Early English Portraiture at the Burlington Fine Arts Club. Burlington Magazine, No. lxxiv. vol. xv. (May, 1909) pp. 73-5.
Ganz, Paul, Hans Holbein d. J. Einfluss auf. d. schweizerische Glasmalerei. Jahrb. d. kgl. preuss. Kunstsamml., xxiv. (1903) pp. 197-207.
Ganz, Paul, Handzeichnungen schweiz. Meister des XV-XVIII Jahrh. Helbing and Lichtenhahn, Basel, 1908.
Ganz Paul, Handzeichnungen von Hans Holbein dem Jüngeren. Julius Bard, Berlin, 1908.
Ganz, Paul, Hans Holbeins Italienfahrt. Süddeutsche Monatshefte, May, 1909, p. 599.
Ganz, Paul, Two Unpublished Portraits by Hans Holbein. Burlington Magazine, No. ciii. vol. xx. (October, 1911) pp. 31-2.
Ganz, Paul, Hans Holbein d. J.: des Meisters Gemälde in 252 Abbildungen. (Klassiker der Kunst in Gesamtausgaben No. xx.) Stuttgart, 1912. French translation, Hachette & Co., Paris, 1912.
Ganz, Paul, Die Handzeichnungen Hans Holbeins des Jüngeren. Deutscher Verein für Kunstwissenschaft E.V., Julius Bard, Berlin. In course of publication. To be completed in 50 parts (500 plates).
Ganz, Paul, and Major, Emil, Die Entstehung des Amerbach’schen Kunstkabinets und die Amerbach’schen Inventare, in the 29th Annual Report of the Public Picture Collection in Basel, 1907.
Gauthiez, Pierre, Hans Holbein sur la route d’Italie. Gazette des Beaux-Arts, December, 1897; February, 1898.
Gauthiez, Pierre, Holbein: Biographie Critique (Les Grands Artistes), Laurens, Paris. Not dated.
Glaser, Curt, Hans Holbein der Ältere (Kunstgeschichtliche Monographien, XI). K. W. Hiersemann, Leipzig, 1908.
Goette, A., Holbeins Totentanz und seine Vorbilder. Strasburg, 1897.
Heath, Dudley, Two New Portrait Miniatures by Hans Holbein. The Connoisseur, July, 1907, pp. 143-4.
Hegner, U., Hans Holbein der Jüngere. Reimer, Berlin, 1827.
Heitz, P., Basler Büchermarken. Heitz, Strasburg, 1895.
Hervey, Mary F. S., Holbein’s “Ambassadors”: the Picture and the Men. George Bell & Sons, 1900.
Hervey, Mary F. S., A Portrait of Jean de Dinteville, one of Holbein’s Ambassadors. Burlington Magazine, No. xvi. vol. v. (July, 1904) p. 413.
Hervey, Mary F. S., Notes on Some Portraits of Tudor Times. Burlington Magazine, No. lxxv. vol. xv. (June, 1909) pp. 151-60.
Hervey, Mary F. S., Notes on a Tudor Painter: Gerlach Flicke. Burlington Magazine, No. lxxxvi. vol. xvii. (May, 1910) pp. 71-9; No. lxxxvii. vol. xvii. (June, 1910) pp. 147-8.
Hervey, Mary F. S., and Martin-Holland, R., A Forgotten French Painter: Félix Chrétien. Burlington Magazine, No. xcvii. vol. xviii. (April, 1911) pp. 48-55.
Hes, Willy, Ambrosius Holbein (Studien zur deutschen Kunstgeschichte, No. 145). Heitz and Mündel, Strasburg, 1911.
Hind, A. M., Great Engravers: Hans Holbein the Younger. Heinemann, 1912.
His-Heusler, E., Hans Holbeins des Aelteren Feder- und Silberstiftzeichnungen in den Kunstsammlungen zu Basel, &c. Soldau, Nuremberg.
His-Heusler, E., Die Basler Archive über Hans Holbein und seine Familie, Zahns Jahrbücher für Kunst, iii. p. 113 et seq. Leipzig, 1870.
His-Heusler, E., Hans Lützelburger, le Graveur des Simulacres de la Mort d’Holbein. Gaz. des Beaux-Arts, 2nd period, iv. (1871) p. 481.
His-Heusler, E., Dessins d’Ornements de Hans Holbein. Boussod, Valadon, and Co., Paris, 1886.
His-Heusler, E., Einige Gedanken über die Lehr- und Wanderjahre H. H. d. J. Jahrbuch für K. K. preuss. Kunstsamml., 1891, 2nd fasc., p. 59 et seq.
His-Heusler, E., Holbeins Bergwerkzeichnung im britischen Museum. Jahrbuch für K. K., &c., 1894, iii. p. 207 et seq.
His-Heusler, E., Holbeins Verhältniss zur Basler Reformation. Rep. für Kunstwissenschaft, iii. p. 156.
His-Heusler, E., Ambrosius Holbein als Maler. Jahrbuch der kgl. preuss. Kunst., xxiv. 1903, pp. 243-6.
Holmes, Sir Richard, K.C.V.O., Hans Holbein: Portraits of Illustrious Personages of the Court of Henry VIII, in the Royal Library, Windsor Castle, 2 vols. Hanfstaengl. Not dated.
Holmes, Sir Richard, K.C.V.O., Note on an Unpublished Holbein Miniature in the Collection of the Queen of Holland. Burlington Magazine, No. ii. vol. i. (April, 1903) p. 218.
Holmes, Sir Richard, K.C.V.O., A Miniature by Holbein (Mrs. Pemberton). Burlington Magazine, No. xvi. vol. v. (July, 1904) p. 337.
Holmes, Sir Richard, K.C.V.O., English Miniature Painters: No. I. Nicholas Hilliard. Burlington Magazine, No. xxxiv. vol. viii. (January, 1906) pp. 229-34.
Hueffer, F. M., Hans Holbein the Younger: a Critical Monograph (Popular Library of Art). Duckworth & Co. Not dated.
Huppertz, A., Der Sebastiansaltar in der Münchener A. Pinak. Repertorium für Kunst., xxxiv. 1911, p. 255.
Iselin, L., Holbein, in Historisch und geographisches Lexikon, Basel, 1726.
Kainzbauer, L., Holbein der “Verbesserte.” Eine neue Untersuchung der beiden Madonnen des Bürgermeisters Mayer in Basel, 1906.
Kinkel, G., Hans Holbein (review of Woltmann’s and Wornum’s books). Fine Arts Quarterly Review, June, 1867.
Knackfuss, H., Hans Holbein der Jüngere. Velhagen & Klasing, Bielefeld and Leipzig, 1896; 4th edition, Bielefeld, 1902.
Knackfuss, H., Holbein, English translation by Campbell Dodgson. H. Grevel and Co., 1899.
Koegler, Hans, Ergänzungen zum Holzschnittwerk des Hans und Ambrosius Holbein. Jahrb. d. preuss. Kunstsamml., xxviii. (1907) p. 85.
Koegler, Hans, Hans Holbeins Holzschnitte für Sebastian Münsters “Instrument über die zwei Lichter,” Basel, 1534. Jahrb. d. preuss Kunstsamml., xxxi. p. 254.
Koegler, Hans, Der Hortulus Animæ, illust. von H. Holbein. Zeitschrift f. bildende Kunst., xx. (1908) p. 35.
Koegler, Hans, Die grösseren Metallschnittillustrationen Hans Holbeins d. J. zu einen “Hortulus Animæ.” Monatshefte f. Kunstwissenschaft, iii. (January, 1910) pp. 13-17; (June, 1910) pp. 317-33.
Koegler, Hans, Kleine Beiträge zum Schnittwerk Hans Holbein d. J.: Der Meister C.S. Monatshefte, &c. (September, 1911), pp. 389-408.
Koegler, Hans, Hans Holbein d. J. und Dr. Johann Fabri. Repertorium für Kunstwissenschaft, vol. 35, pts. 4 and 5, pp. 379-84, 1912.
Kugler, Handbook of Painting: German, Flemish, and Dutch Schools. Remodelled by Dr. Waagen, and revised by Sir J. A. Crowe, 2 vols., 3rd ed. John Murray, 1898.
Lappenberg, Dr., Urkundliche Geschichte des Hansischen Stahlhofs zu London. Hamburg, 1851.
Larpent, S., Sur le Portrait de Morette. Christiania, 1881.
Law, Ernest, The Royal Gallery of Hampton Court. George Bell & Sons, 1898.
Law, Ernest, Holbein’s Pictures at Windsor Castle. Hanfstaengl, 1901.
Leighton, Lord, Addresses to the Students of the Royal Academy. 2nd edition, 1897.
Leithäuser, Hans Holbein in seinem Verhältnisse zur Antike und zum Humanismus. Hamburg, 1886.
Liebenau, Th. von, Das Alte Luzern, 1881.
Liebenau, Th. von, Hans Holbeins d. J. Fresken am Hertenstein Haus in Luzern, 1888.
Loftie, W. J., F.S.A., Whitehall: Historical and Architectural Notes. Portfolio Monograph, 1895.
Machiels, A., Les Portraits d’Erasme. Gazette des Beaux-Arts, November 1911, pp. 349-61.
Machiels, A., Quelques œuvres de H. Holbein en Angleterre. Revue de l’Art Ancien et Modern, xx. p. 227.
Major, E., Das Fäschische Museum und die Fäschischen Inventare. 60th Annual Report of the Basel Public Picture Collection, 1908.
Major, E., Basler Horologienbücher mit Holzschnitten von Hans Holbein. Monatshefte, &c., iv. 1911, pp. 77-81.
Mander, Carel van, Het Schilder-Boeck, 1604. French translation, ed. H. Hymans, 2 vols., 1884.
Manners, Lady Victoria, Notes on the Pictures at Belvoir Castle. The Art Journal, May, 1904, pp. 161-6.
Mantz, P., Hans Holbein. A. Quantin, Paris, 1879.
Mantz, P., Les Portraits d’Erasme par Holbein. Bull. de l’Art pour Tous, xliii. No. 226, October, 1904.
Mauclair, Camille, Les Dessins de Hans Holbein au Musée de Bâle. L’Art et les Artistes. December, 1911, pp. 99-112.
Mechel, Chrétien de, œuvres de Jean Holbein, &c. Basel, 1780.
Nichols, F. M., F.S.A., Observations on a further Correction of the Date of the Birth Year of Sir Thomas More. Proceedings of the Society of Antiquaries, vol. xvi. No. iii. (March, 1897) pp. 321-7.
Nichols, F. M., F.S.A., On some Works executed by Hans Holbein during his first Visit to England, 1526-1529. Proceedings of the Society of Antiquaries, vol. xvii. No. i. (March, 1898) pp. 132-45.
Nichols, J. G., F.S.A., Notices of the Contemporaries and Successors of Holbein, Archæologia, vol. xxxix, pp. 19-46.
Nichols, J. G., F.S.A., Remarks upon Holbein’s Portraits of the Royal Family of England, &c. Archæologia, vol. xl. pp. 71-80.
Nicolas, Sir N. H., F.S.A., The Privy Purse Expenses of King Henry the Eighth, Pickering, 1867.
Norman, Dr. Philip, Notes on the later History of the Steelyard in London. Archæologia, vol. lxi. pt. ii. (1909), pp. 389-426.
Norman, Dr. Philip, Nicholas Hilliard’s Treatise concerning “The Arte of Limning,” with introduction and notes. Walpole Society, 1st annual vol., 1911-12, pp. 1-54.
Ochs, P., Geschichte von Basel, Stadt und Landschaft, 8 vols. Berlin, 1786-1821.
Parthey, Gustav, Verzeichniss der Kupferstiche Wenzel Hollars. Berlin, 1853.
Patin, Charles, Relations hist. et curieuses de Voyages, &c. Basel, 1673, pp. 211 et seq.; Lyon, 1674; Amsterdam, 1695.
Patin, Charles, Index operum Holbenii, appendix ad Morias Encomium. Basel, 1676.
Peltzer, R. A., Porträt des D. Tybis von Duisburg: Inschriften. Blätter f. Gemäldek., iii. 1907, p. 161.
Phillips, Sir Claude, The Picture Gallery of Charles I. Portfolio Monograph, 1896.
Phillips, Sir Claude, The Collection of Pictures at Longford Castle. The Art Journal, 1897, pp. 97-104.
Pollard, A. F., Henry VIII. Goupil & Co., 1902.
Raczynski, Les Arts en Portugal, 1846, p. 295.
Rawnsley, Canon H. D., The Revival of the Decorative Arts at Lucerne. Lucerne, 1897.
Reinach, S., Répertoire de Peintures du Moyen Age et de la Renaissance, 1280-1580, 3 vols. E. Leroux, Paris, 1905-10.
Richardson, Architectural Remains of the Reigns of Elizabeth and James I. 1838.
Roper, W., The Life and Death of Sir Thomas More, &c. Ed. Rev. J. Lewis, 1731.
Ruskin, John, Sir Joshua and Holbein. Cornhill Magazine, March, 1860, p. 328 et seq.; reprinted in “On the Old Road,” vol. i. pt. i. pp. 221-36.
Ruskin, John, Design in the German Schools of Engraving, Lecture V in “Ariadne Fiorentina,” pp. 127-70. George Allen, 1876.
Sainsbury, Original Unpublished Papers illustrative of the Life of Sir P. P. Rubens, &c. London, 1859.
Sandrart, J. von, Teutsche Akademie, 1675.
Scharf, Sir George, F.S.A., Royal Picture Galleries, in “Old London.” John Murray, 1867.
Scharf, Sir G., Additional Observations on some of the Painters contemporary with Holbein. Archæologia, vol. xxxix, pp. 47-56.
Scharf, Sir G., Remarks on some Pictures from Windsor Castle, Hampton Court, &c. Archæologia, vol. xxxix. pp. 245-71.
Scharf, Sir G., Notes on several of the Portraits described in Mr. J. G. Nichols’ Memoir. Archæologia, vol. xl. pp. 81-8.
Scharf, Sir G., F.S.A., Remarks on a Portrait of the Duchess of Milan recently discovered at Windsor Castle, &c. Archæologia, vol. xl. pp. 106-12.
Schmid, H. A., Hans Holbein d. J. Jugendentwickelung, 1515-1526. Basel, 1892.
Schmid, H. A., Die Gemälde Hans Holbeins d. J. im Basler Grossratsaal. Jahrbuch der kgl. preuss. Kunsts., xvii. (1896) p. 73.
Schmid, H. A., Holbeins Tätigkeit für die Basler Verleger. Jahrbuch der kgl. preuss. Kunstsammlungen, vol. xx. p. 233.
Schmid, H. A., Die Darmstädter Madonna. Graphische Künste. Vienna, 1901.
Schneeli, G., and Heitz, P., Initialen von Hans Holbein. Heitz, Strasburg, 1900.
Seeman, A., Der Brunnen des Lebens von H. Holbein. Zeitschrift f. bild. Kunst, May, 1903.
Sheppard, Dr. Edgar, The Old Royal Palace of Whitehall, pp. 385-6. Longmans, Green & Co., 1901.
Simon, K., Holbeins Morusbild. Repertorium für Kunstwissenschaft, xxx. 1907, p. 332.
Sketchley, R. E. D., Holbein as Goldsmith’s Designer. The Art Journal, June, 1910, p. 175.
Smith, H. Clifford, Jewellery. The Connoisseur’s Library.
Squire, W. Barclay, and Helen Matilda, Countess of Radnor, Catalogue of the Pictures in the Collection of the Earl of Radnor, 2 vols. Chiswick Press, 1909.
Stephens, F. G., The Private Collections of England: Nos. lviii. and lix., Nostell Priory, Wakefield. The Athenæum, Nos. 2760-1, September 18 and 25, 1880.
Stoddart, Jane T., Girlhood of Mary Queen of Scots, chap. xxi. p. 346 et seq. 1909.
Stödtner, Franz, Hans Holbein der Aeltere. Berlin, 1896.
Stow, John, Summarie of Englysh Chronicles, &c., 1565.
Stow, John, The Annales of England, &c., 1592.
Stow, John, A Survay of London, &c., 1598.
Strong, S. Arthur, Reproduction of Drawings by the Old Masters at Chatsworth. Duckworth & Co., 1902.
Strong, S. Arthur, Critical Studies and Fragments. Duckworth & Co., 1905.
Stryienski, C., “Pedigree” d’un Holbein: Portrait de G. Gisze. Chronique des Arts, 1911.
Strype, Rev. John, Annals of the Reformation in England, 1709-31.
Tonjola, Basilea Sepulta, 1661, p. 382.
Vögelin, S., Ein wiedergefundenes Meisterwerk Holbeins. Frankfurter Zeitung, 1871 (Nos. 236-7, 244, 248).
Vögelin, S., Ergänzungen und Nachweisungen zum Holzschnittwerk H. H. d. J. Repertorium f. Kunstwissenschaft, ii. (1877) pp. 162, 312; v. p. 179.
Vögelin, S., Der Holbeintisch auf der Stadtbibliothek in Zürich. Vienna, 1878.
Vögelin, S., Holbeins Fassadenmalereien zu Basel. Anzeiger für schweiz. Altertumskunde, xiii., 1880, p. 50.
Vögelin, S., Fassadenmalerei in der Schweiz. Anzeiger für schweiz. Altertumskunde, 1884.
Vögelin, S., Wer hat Holbein die Kenntnis des klassischen Altertums vermittelt? Repertorium für Kunstwissenschaft, x. p. 345.
Voll, Karl, Meisterwerke der Gemäldegalerie im Haag. Hanfstaengl, 1903.
Voll, Karl, Holbein und Böcklin. Süddeutsche Monatshefte, 1905, ii. 8, p. 177.
Voss, H., Holbein und Raphael. Monatshefte für Kunst., iii. (1910) p. 159.
Waagen, G. F., Kunstwerke und Künstler in Deutschland, 1845.
Waagen, G. F., Treasures of Art in Great Britain, 4 vols. Translated by Lady Eastlake. John Murray, 1854-7.
Walpole, Horace, Anecdotes of Painting in England, with some Account of the Principal Artists. Additions by the Rev. James Dallaway, revised by Ralph N. Wornum, 3 vols. Swan, Sonnenschein, Lowrey & Co., 1888.
Weale, W. H. James, Simon Binnink, Miniaturist. Burlington Magazine, No. xxxv. vol. viii. (February, 1906) pp. 355-6.
Weale, W. H. James, Livina Teerlinc, Miniaturist. Burlington Magazine, No. xl. vol. ix. (July, 1906) p. 278.
Werner, Anton, Die Holbein in Augsburg. Der Sammler, No. 143, 1907.
Williamson, G. C., The History of Portrait Miniatures, 1531-1860, 2 vols. George Bell & Sons, 1904.
Williamson, G. C., Mr. J. Pierpont Morgan’s Catalogue: The Miniatures. Privately printed.
Williamson, G. C., Portrait Miniatures. The Studio, Spring Number, 1910.
Woltmann, Alfred, Holbein und seine Zeit, 2 vols., second edition. E. A. Seeman, Leipzig, 1874-6.
Woltmann, Alfred, Holbein and his Time. Translation of vol. i. first edition, by F. E. Bunnett. Richard Bentley & Son, 1872.
Woltmann, Alfred, Holbein at the National Portrait Gallery. Fortnightly Review, vol. vi. (1866) p. 160.
Woltmann, Alfred, Holbein und Q. Metsys in Longford Castle. Zeitschrift für bild. Kunst., i. p. 198.
Wornum, Ralph N., Some Account of the Life and Works of Hans Holbein, Painter, of Augsburg. Chapman & Hall, 1867.
Wornum, Ralph N., Hans Holbein and the Meier Madonna. Arundel Society, 1871.
Wurstisen, Epitome Historiæ Basiliensis. Basel, 1577.
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