The mosque of Sultan Hassan, confessedly the most beautiful in Cairo, is also perhaps the most beautiful in the Moslem world. It was built at just that happy moment when Arabian art in Egypt, having ceased merely to appropriate or imitate, had at length evolved an original architectural style out of the heterogeneous elements of Roman and early Christian edifices. The mosques of a few centuries earlier (as, for instance, that of Tulûn, which marks the first departure from the old Byzantine model) consisted of little more than a court-yard with colonnades leading to a hall supported on a forest of pillars. A little more than a century later, and the national style had already experienced the beginnings of that prolonged eclipse which finally resulted in the bastard Neo-Byzantine renaissance represented by the mosque of Mehemet Ali. But the mosque of Sultan Hassan, built ninety-seven years before the taking of Constantinople, may justly be regarded as the highest point reached by Saracenic art in Egypt after it had used up the Greek and Roman material of Memphis, and before its new-born originality became modified by influences from beyond the Bosporus. Its pre-eminence is due neither to the greatness of its dimensions nor to the splendor of its materials. It is neither so large as the great mosque at Damascus, nor so rich in costly marbles as Saint Sophia in Constantinople; but in design, proportion, and a certain lofty grace impossible to describe, it surpasses these, and every other mosque, whether original or adapted, with which the writer is acquainted.
The whole structure is purely national. Every line and curve in it, and every inch of detail, is in the best style of the best period of the Arabian school. And above all, it was designed expressly for its present purpose. The two famous mosques of Damascus and Constantinople having, on the contrary, been Christian churches, betray evidences of adaptation. In Saint Sophia, the space once occupied by the figure of the Redeemer may be distinctly traced in the mosaic work of the apsis, filled in with gold tesseræ of later date; while the magnificent gates of the great mosque at Damascus are decorated, among other Christian emblems, with the sacramental chalice. But the mosque of Sultan Hassan, built by En Nasîr Hassan in the high and palmy days of the Memlook rule, is marred by no discrepancies. For a mosque it was designed, and a mosque it remains. Too soon it will be only a beautiful ruin.
A number of small streets having lately been demolished in this quarter, the approach to the mosque lies across a desolate open space littered with débris, but destined to be laid out as a public square. With this desirable end in view, some half-dozen workmen were lazily loading as many camels with rubble, which is the Arab way of carting rubbish. If they persevere, and the minister of public works continues to pay their wages with due punctuality, the ground will perhaps get cleared in eight or ten years’ time.
Driving up with some difficulty to the foot of the great steps, which were crowded with idlers smoking and sleeping, we observed a long and apparently fast-widening fissure reaching nearly from top to bottom of the main wall of the building, close against the minaret. It looked like just such a rent as might be caused by a shock of earthquake, and, being still new to the east, we wondered the government had not set to work to mend it. We had yet to learn that nothing is ever mended in Cairo. Here, as in Constantinople, new buildings spring up apace, but the old, no matter how venerable, are allowed to molder away, inch by inch, till nothing remains but a heap of ruins.
Going up the steps and through a lofty hall, up some more steps and along a gloomy corridor, we came to the great court, before entering which, however, we had to take off our boots and put on slippers brought for the purpose. The first sight of this court is an architectural surprise. It is like nothing one has seen before, and its beauty equals its novelty. Imagine an immense marble quadrangle, open to the sky and inclosed within lofty walls, with, at each side, a vast recess framed in by a single arch. The quadrangle is more than one hundred feet square, and the walls are more than one hundred feet high. Each recess forms a spacious hall for rest and prayer, and all are matted; but that at the eastern end is wider and considerably deeper than the other three, and the noble arch that incloses it like the proscenium of a splendid stage, measures, according to Fergusson, sixty-nine feet five inches in the span. It looks much larger. This principal hall, the floor of which is raised one step at the upper end, measures ninety feet in depth and ninety in height. The dais is covered with prayer-rugs, and contains the holy niche and the pulpit of the preacher. We observed that those who came up here came only to pray. Having prayed, they either went away or turned aside into one of the other recesses to rest. There was a charming fountain in the court with a dome roof as light and fragile looking as a big bubble, at which each worshiper performed his ablutions on coming in. This done, he left his slippers on the matting and trod the carpeted dais barefoot.
This was the first time we had seen moslems at prayer, and we could not but be impressed by their profound and unaffected devotion. Some lay prostrate, their foreheads touching the ground; others were kneeling; others bowing in the prescribed attitudes of prayer. So absorbed were they, that not even our unhallowed presence seemed to disturb them. We did not then know that the pious moslem is as devout out of the mosque as in it; or that it is his habit to pray when the appointed hours come round, no matter where he may be, or how occupied. We soon became so familiar, however, with this obvious trait of Mohammedan life, that it seemed quite a matter of course that the camel-driver should dismount and lay his forehead in the dust by the roadside; or the merchant spread his prayer-carpet on the narrow mastabah of his little shop in the public bazaar; or the boatman prostrate himself with his face to the east, as the sun went down behind the hills of the Libyan desert.
While we were admiring the spring of the roof and the intricate arabesque decorations of the pulpit, a custode came up with a big key and invited us to visit the tomb of the founder. So we followed him into an enormous vaulted hall a hundred feet square, in the center of which stood a plain, railed-off tomb, with an empty iron-bound coffer at the foot. We afterward learned that for five hundred years—that is to say, ever since the death and burial of Sultan Hassan—this coffer had contained a fine copy of the Korân, traditionally said to have been written by Sultan Hassan’s own hand; but that the khedive, who is collecting choice and antique Arabic manuscripts, had only the other day sent an order for its removal.
Nothing can be bolder or more elegant than the proportions of this noble sepulchral hall, the walls of which are covered with tracery in low relief incrusted with disks and tesseræ of turquoise-colored porcelain; while high up, in order to lead off the vaulting of the roof, the corners are rounded by means of recessed clusters of exquisite arabesque woodwork, like pendent stalactites. But the tesseræ are fast falling out, and most of their places are vacant; and the beautiful woodwork hangs in fragments, tattered and cobwebbed, like time-worn banners, which the first touch of a brush would bring down.
Going back again from the tomb to the court-yard, we everywhere observed traces of the same dilapidation. The fountain, once a miracle of Saracenic ornament, was fast going to destruction. The rich marbles of its basement were cracked and discolored, its stuccoed cupola was flaking off piecemeal, its enamels were dropping out, its lace-like wood tracery shredding away by inches.
Presently a tiny brown and golden bird perched with pretty confidence on the brink of the basin, and having splashed, and drunk, and preened its feathers like a true believer at his ablutions, flew up to the top of the cupola and sang deliciously. All else was profoundly still. Large spaces of light and shadow divided the quadrangle. The sky showed overhead as a square opening of burning solid blue; while here and there, reclining, praying, or quietly occupied, a number of turbaned figures were picturesquely scattered over the matted floors of the open halls around. Yonder sat a tailor cross-legged, making a waistcoat; near him, stretched on his face at full length, sprawled a basket-maker with his half-woven basket and bundle of rushes beside him; and here, close against the main entrance, lay a blind man and his dog; the master asleep, the dog keeping watch. It was, as I have said, our first mosque, and I well remember the surprise with which we saw that tailor sewing on his buttons and the sleepers lying about in the shade. We did not then know that a Mohammedan mosque is as much a place of rest and refuge as of prayer; or that the houseless Arab may take shelter there by night or day as freely as the birds may build their nests in the cornice, or as the blind man’s dog may share the cool shade with his sleeping master.
From the mosque of this Memlook sovereign it is but a few minutes’ uphill drive to the mosque of Mehemet Ali, by whose orders the last of that royal race were massacred just sixty-four years ago.[4] This mosque, built within the precincts of the citadel on a spur of the Mokattam Hills overlooking the city, is the most conspicuous object in Cairo. Its attenuated minarets and clustered domes show from every point of view for miles around, and remain longer in sight, as one leaves, or returns to, Cairo, than any other landmark. It is a spacious, costly, gaudy, commonplace building, with nothing really beautiful about it, except the great marble court-yard and fountain. The inside, which is entirely built of oriental alabaster, is carpeted with magnificent Turkey carpets and hung with innumerable cut-glass chandeliers, so that it looks like a huge vulgar drawing-room from which the furniture has been cleared out for dancing.
The view from the outer platform is, however, magnificent. We saw it on a hazy day, and could not therefore distinguish the point of the delta, which ought to have been visible on the north; but we could plainly see as far southward as the pyramids of Sakkârah, and trace the windings of the Nile for many miles across the plain. The pyramids of Ghizeh, on their daïs of desert rock about twelve miles off, looked, as they always do look from a distance, small and unimpressive; but the great alluvial valley dotted over with mud villages and intersected by canals and tracts of palm forest; the shining river specked with sails; and the wonderful city, all flat roofs, cupolas, and minarets, spread out like an intricate model at one’s feet, were full of interest and absorbed our whole attention. Looking down upon it from this elevation, it is as easy to believe that Cairo contains four hundred mosques, as it is to stand on the brow of the Pincio and believe in the three hundred and sixty-five churches of modern Rome.
As we came away, they showed us the place in which the Memlook nobles, four hundred and seventy[5] in number, were shot down like mad-dogs in a trap, that fatal first of March, A.D. 1811. We saw the upper gate which was shut behind them as they came out from the presence of the pasha, and the lower gate which was shut before them to prevent their egress. The walls of the narrow roadway in which the slaughter was done are said to be pitted with bullet marks; but we would not look for them.
I have already said that I do not very distinctly remember the order of our sight-seeing in Cairo, for the reason that we saw some places before we went up the river, some after we came back, and some (as for instance the museum at Boulak) both before and after, and indeed as often as possible. But I am at least quite certain that we witnessed a performance of howling dervishes, and the departure of the caravan for Mecca, before starting.
Of all the things that people do by way of pleasure, the pursuit of a procession is surely one of the most wearisome. They generally go a long way to see it; they wait a weary time; it is always late; and when at length it does come, it is over in a few minutes. The present pageant fulfilled all these conditions in a superlative degree. We breakfasted uncomfortably early, started soon after half-past seven, and had taken up our position outside the Báb en-Nasr, on the way to the desert, by half-past eight. Here we sat for nearly three hours, exposed to clouds of dust and a burning sun, with nothing to do but to watch the crowd and wait patiently. All Shepheard’s Hotel were there, and every stranger in Cairo; and we all had smart open carriages drawn by miserable screws and driven by bare-legged Arabs. These Arabs, by the way, are excellent whips, and the screws get along wonderfully; but it seems odd at first, and not a little humiliating, to be whirled along behind a coachman whose only livery consists of a rag of dirty white turban, a scant tunic just reaching to his knees, and the top boots with which nature has provided him.
Here, outside the walls, the crowd increased momentarily. The place was like a fair with provision stalls, swings, story-tellers, serpent-charmers, cake-sellers, sweetmeat-sellers, sellers of sherbet, water, lemonade, sugared nuts, fresh dates, hard-boiled eggs, oranges and sliced watermelon. Veiled women carrying little bronze Cupids of children astride upon the right shoulder, swarthy Egyptians, coal-black Abyssinians, Arabs and Nubians of every shade from golden-brown to chocolate, fellahs, dervishes, donkey boys, street urchins and beggars with every imaginable deformity, came and went; squeezed themselves in and out among the carriages; lined the road on each side of the great towered gateway; swarmed on the top of every wall; and filled the air with laughter, a babel of dialects, and those of Araby that are inseparable from an eastern crowd. A harmless, unsavory, good-humored, inoffensive throng, one glance at which was enough to put to flight all one’s preconceived notions about oriental gravity of demeanor! For the truth is that gravity is by no means an oriental characteristic. Take a Mohammedan at his devotions, and he is a model of religious abstraction; bargain with him for a carpet, and he is as impenetrable as a judge; but see him in his hours of relaxation, or on the occasion of a public holiday, and he is as garrulous and full of laughter as a big child. Like a child, too, he loves noise and movement for the mere sake of noise and movement, and looks upon swings and fire-works as the height of human felicity. Now swings and fire-works are Arabic for bread and circuses, and our pleb’s passion for them is insatiable. He not only indulges in them upon every occasion of public rejoicing, but calls in their aid to celebrate the most solemn festivals of his religion. It so happened that we afterward came in the way of several Mohammedan festivals both in Egypt and Syria, and we invariably found the swings at work all day and the fire-works going off every evening.
To-day the swings outside the Báb en-Nasr were never idle. Here were creaking Russian swings hung with little painted chariots for the children; and plain rope swings, some of them as high as Haman’s gallows, for the men. For my own part, I know no sight more comic and incongruous than the serene enjoyment with which a bearded, turbaned, middle-aged Egyptian squats upon his heels on the tiny wooden seat of one of these enormous swings, and, holding on to the side-ropes for dear life, goes careering up forty feet high into the air at every turn.
At a little before midday, when the heat and glare were becoming intolerable, the swings suddenly ceased going, the crowd surged in the direction of the gate, and a distant drumming announced the approach of the procession. First came a string of baggage-camels laden with tent furniture; then some two hundred pilgrims on foot, chanting passages from the Korân; then a regiment of Egyptian infantry, the men in a coarse white linen uniform, consisting of coat, baggy trousers and gaiters, with cross-belts and cartouche-boxes of plain black leather, and the red fez, or tarboosh, on the head. Next after these came more pilgrims, followed by a body of dervishes carrying green banners embroidered with Arabic sentences in white and yellow; then a native cavalry regiment headed by a general and four colonels in magnificent gold embroidery and preceded by an excellent military band; then another band and a second regiment of infantry; then more colonels, followed by a regiment of lancers mounted on capital gray horses and carrying lances topped with small red and green pennants. After these had gone by there was a long stoppage, and then, with endless breaks and interruptions, came a straggling, irregular crowd of pilgrims, chiefly of the fellah class, beating small darabukkehs, or native drums. Those about us estimated their number at two thousand. And now, their guttural chorus audible long before they arrived in sight, came the howling dervishes—a ragged, wild-looking, ruffianly set, rolling their heads from side to side, and keeping up a hoarse, incessant cry of “Allàh! Allàh! Allàh!” Of these there may have been a couple of hundred. The sheiks of the principal order of dervishes came next in order, superbly dressed in robes of brilliant colors embroidered with gold and mounted on magnificent Arabs. Finest of all, in a green turban and scarlet mantle, rode the Sheik of Hasaneyn, who is a descendant of the prophet; but the most important, the Sheik el Bekree, who is a sort of Egyptian Archbishop of Canterbury, and head of all the dervishes, came last, riding a white Arab with gold-embroidered housings. He was a placid-looking old man, and wore a violet robe and an enormous red and green turban.
This very reverend personage was closely followed by the chief of the carpet-makers’ guild—a handsome man, sitting sidewise on a camel.
Then happened another break in the procession—an eager pause—a gathering murmur. And then, riding a gaunt dromedary at a rapid trot, his fat sides shaking and his head rolling in a drunken way at every step, appeared a bloated, half-naked Silenus, with long fuzzy black locks and triple chin, and no other clothing than a pair of short white drawers and red slippers. A shiver of delight ran through the crowd at sight of this holy man—the famous Sheik of the Camel (Sheik el-Gemel), the “great, good priest”—the idol of the people. We afterward learned that this was his twentieth pilgrimage, and that he was supposed to fast, roll his head and wear nothing but this pair of loose drawers all the way to and from Mecca.
But the crowning excitement was yet to come and the rapture with which the crowd had greeted the Sheik el-Gemel was as nothing compared with their ecstasy when the mahmal, preceded by another group of mounted officers and borne by a gigantic camel, was seen coming through the gateway. The women held up their children; the men swarmed up the scaffoldings of the swings and behind the carriages. They screamed, they shouted, they waved handkerchiefs and turbans; they were beside themselves with excitement. Meanwhile the camel, as if conscious of the dignity of his position and the splendor of his trappings, came on slowly and ponderously with his nose in the air, and passed close before our horses’ heads. We could not possibly have had better view of the mahmal; which is nothing but a sort of cage, or pagoda, of gilded tracery very richly decorated. In the days of the Memlooks, the mahmal represented the litter of the sultan, and went empty, like a royal carriage at the public funeral;[6] but we were told that it now carried the tribute-carpet sent annually by the carpet-makers of Cairo to the tomb of the prophet.
This closed the procession. As the camel passed, the crowd surged in, and everything like order was at an end. The carriages all made at once for the gate, so meeting the full tide of the outpouring crowd and causing unimaginable confusion. Some stuck in the sand half-way—our own among the number; and all got into an inextricable block in the narrow part just inside the gate. Hereupon the drivers abused each other and the crowd got impatient, and some Europeans got pelted.
Coming back, we met two or three more regiments. The men, both horse and foot, seemed fair average specimens, and creditably disciplined. They rode better than they marched, which was to be expected. The uniform is the same for cavalry and infantry throughout the service; the only difference being that the former wear short black riding-boots, and the latter, zouave gaiters of white linen. They are officered up to a certain point by Egyptians; but the commanding officers and the staff (among whom are enough colonels and generals to form an ordinary regiment) are chiefly Europeans and Americans.
It had seemed, while the procession was passing, that the proportion of pilgrims was absurdly small when compared with the display of military; but this, which is called the departure of the caravan, is in truth only the procession of the sacred carpet from Cairo to the camp outside the walls; and the troops are present merely as part of the pageant. The true departure takes place two days later. The pilgrims then muster in great numbers; but the soldiery is reduced to a small escort. It was said that seven thousand souls went out this year from Cairo and its neighborhood.
The procession took place on Thursday, the 21st day of the Mohammedan month of Showwál, which was our 11th of December. The next day, Friday, being the Mohammedan Sabbath, we went to the convent of the Howling Dervishes, which lies beyond the walls in a quiet nook between the river side and the part known as old Cairo.
We arrived a little after two, and passing through a court-yard shaded by a great sycamore were ushered into a large, square, whitewashed hall with a dome roof and a neatly matted floor. The place in its arrangements resembled none of the mosques that we had yet seen. There was, indeed, nothing to arrange—no pulpit, no holy niche, no lamps, no prayer-carpets; nothing but a row of cane-bottomed chairs at one end, some of which were already occupied by certain of our fellow-guests at Shepheard’s Hotel. A party of some forty or fifty wild-looking dervishes were squatting in a circle at the opposite side of the hall, their outer kuftâns and queer pyramidal hats lying in a heap close by.
Being accommodated with chairs among the other spectators, we waited for whatever might happen. More deverishes and more English dropped in from time to time. The new dervishes took off their caps and sat down among the rest, laughing and talking together at their ease. The English sat in a row, shy, uncomfortable, and silent; wondering whether they ought to behave as if they were in church, and mortally ashamed of their feet. For we had all been obliged to take off or cover our boots before going in, and those who had forgotten to bring slippers had their feet tied up in pocket handkerchiefs.
A long time went by thus. At last, when the number of dervishes had increased to about seventy, and every one was tired of waiting, eight musicians came in—two trumpets, two lutes, a cocoanut fiddle, a tambourine, and two drums. Then the dervishes, some of whom were old and white haired and some mere boys, formed themselves into a great circle, shoulder to shoulder; the band struck up a plaintive, discordant air; and a grave middle aged man, placing himself in the center of the ring and inclining his head at each repetition, began to recite the name of Allàh.
Softly at first, and one by one, the dervishes took up the chant: “Allàh! Allàh! Allàh!” Their heads and their voices rose and fell in unison. The dome above gave back a hollow echo. There was something strange and solemn in the ceremony.
Presently, however, the trumpets brayed louder—the voices grew hoarser—the heads bowed lower—the name of Allàh rang out faster and faster, fiercer and fiercer. The leader, himself cool and collected, began sensibly accelerating the time of the chorus; and it became evident that the performers were possessed by a growing frenzy. Soon the whole circle was madly rocking to and fro; the voices rose to a hoarse scream; and only the trumpets were audible above the din. Now and then a dervish would spring up convulsively some three or four feet above the heads of the others; but for the most part they stood firmly rooted to one spot—now bowing their heads almost to their feet—now flinging themselves so violently back that we, standing behind, could see their faces foreshortened upside down; and this with such incredible rapidity that their long hair had scarcely time either to rise or fall, but remained as if suspended in mid-air. Still the frenzy mounted; still the pace quickened. Some shrieked—some groaned—some, unable to support themselves any longer, were held up in their places by the by-standers. All were mad for the time being. Our own heads seemed to be going round at last; and more than one of the ladies present looked longingly toward the door. It was, in truth, a horrible sight, and needed only darkness and torchlight to be quite diabolical.
At length, just as the fury was at its height and the very building seemed to be rocking to and fro above our heads, one poor wretch staggered out of the circle and fell, writhing and shrieking, close against our feet. At the same moment the leader clapped his hands; the performers, panting and exhausted, dropped into a sitting posture; and the first zikr, as it is called, came abruptly to an end. Some few, however, could not stop immediately, but kept on swaying and muttering to themselves; while the one in the fit having ceased to shriek, lay out stiff and straight, apparently in a state of coma.
There was a murmur of relief and a simultaneous rising among the spectators. It was announced that another zikr, with a re-enforcement of fresh dervishes, would soon begin; but the Europeans had had enough of it, and few remained for the second performance.
Going out we paused beside the poor fellow on the floor, and asked if nothing could be done for him.
“He is struck by Mohammed,” said gravely an Egyptian official who was standing by.
At that moment the leader came over, knelt down beside him, touched him lightly on the head and breast, and whispered something in his ear. The man was then quite rigid and white as death. We waited, however, and after a few more minutes saw him struggle back into a dazed, half-conscious state, when he was helped to his feet and led away by his friends.
The court-yard as we came out was full of dervishes sitting on cane benches in the shade and sipping coffee. The green leaves rustled overhead with glimpses of intensely blue sky between; and brilliant patches of sunshine flickered down upon groups of wild-looking, half-savage figures in party-colored garments. It was one of those ready-made subjects that the sketcher passes by with a sigh, but which live in his memory forever.
From hence, being within a few minutes’ drive of old Cairo, we went on as far as the Mosque of Amr—an uninteresting ruin stands alone among the rubbish-mounds of the first Mohammedan capital of Egypt. It is constructed on the plan of a single quadrangle two hundred and twenty-five feet square, surrounded by a covered colonnade one range of pillars in depth on the west (which is the side of the entrance); four on the north; three on the south; and six on the east, which is the place of prayer, and contains three holy niches and the pulpit. The columns, two hundred and forty-five in number, have been brought from earlier Roman and Byzantine buildings. They are of various marbles and have all kinds of capitals. Some being originally too short, have been stilted on disproportionately high bases; and in one instance the necessary height has been obtained by adding a second capital on the top of the first. We observed one column of that rare black and white speckled marble of which there is a specimen in the pulpit of St. Mark’s in Venice; and one of the holy niches contains some fragments of Byzantine mosaics. But the whole building seems to have been put together in a barbarous way, and would appear to owe its present state of dilapidation more to bad workmanship than to time. Many of the pillars, especially on the western side, are fallen and broken; the octagonal fountain in the center is a roofless ruin; and the little minaret at the southeast corner is no longer safe.
Apart, however, from its poverty of design and detail, the Mosque of Amr is interesting as a point of departure in the history of Saracenic architecture. It was built by Amr Ebn el-As, the Arab conqueror of Egypt, in the twenty-first year of the hegira (A.D. 642), just ten years after the death of Mohammed; and it is the earliest Saracenic edifice in Egypt. We were glad, therefore, to have seen it for this reason, if for no other. But it is a barren, dreary place; and the glare reflected from all sides of the quadrangle was so intense that we were thankful to get away into the narrow streets beside the river.
Here we presently fell in with a wedding procession consisting of a crowd of men, a band, and some three or four hired carriages full of veiled women, one of whom was pointed out as the bride. The bridegroom walked in the midst of the men, who seemed to be teasing him, drumming round him, and opposing his progress; while high above the laughter, the shouting, the jingle of tambourines and the thrumming of darabukkehs, was heard the shrill squeal of some instrument that sounded exactly like a bagpipe.
It was a brilliant afternoon, and we ended our day’s work, I remember, with a drive on the Shubra road and a glance at the gardens of the khedive’s summer palace. The Shubra road is the Champs Elysées of Cairo, and is thronged every day from four to half-past six. Here little sheds of roadside cafés alternate with smart modern villas; ragged fellâheen on jaded donkeys trot side by side with elegant attachés on high-stepping Arabs; while tourists in hired carriages, Jew bankers in unexceptionable phaetons, veiled hareems in London built broughams, Italian shop-keepers in preposterously fashionable toilets, grave sheiks on magnificent Cairo asses, officers in frogged and braided frocks, and English girls in tall hats and close-fitting habits, followed by the inevitable little solemn-looking English groom, pass and repass, precede and follow each other, in one changing, restless, heterogeneous stream, the like of which is to be seen in no other capital in the world. The sons of the khedive drive here daily, always in separate carriages and preceded by four saïses and four guards. They are of all ages and sizes, from the hereditary prince, a pale, gentlemanly looking young man of four or five and twenty, down to one tiny, imperious atom of about six, who is dressed like a little man, and is constantly leaning out of the carriage window and shrilly abusing his coachman.[7]
Apart however, from those who frequent it, the Shubra road is a really fine drive, broad, level, raised some six or eight feet above the cultivated plain, closely planted on both sides with acacias and sycamore fig trees, and reaching straight away for four miles out of Cairo, counting from the railway terminus to the summer palace. The carriage-way is about as wide as the road across Hyde Park which connects Bayswater with Kensington; and toward the Shubra end, it runs close beside the Nile. Many of the sycamores are of great size and quite patriarchal girth. Their branches meet overhead nearly all the way, weaving a delicious shade and making a cool green tunnel of the long perspective.
We did not stay long in the khedive’s gardens, for it was already getting late when we reached the gates; but we went far enough to see that they were tolerably well kept, not over formal and laid out with a view to masses of foliage, shady paths and spaces of turf inlaid with flower-beds, after the style of the famous Sarntheim and Moser gardens at Botzen in the Tyrol. Here are sont trees (Acacia Nilotica) of unusual size, powdered all over with little feathery tufts of yellow blossom; orange and lemon trees in abundance; heaps of little green limes; bananas bearing heavy pendent bunches of ripe fruit; winding thickets of pomegranates, oleanders and salvias; and great beds and banks and trellised walks of roses. Among these, however, I observed none of the rarer varieties. As for the pointsettia, it grows in Egypt to a height of twenty feet, and bears blossoms of such size and color as we in England can form no idea of. We saw large trees of it both here and at Alexandria that seemed as if bending beneath a mantle of crimson stars, some of which cannot have measured less than twenty-two inches in diameter.
A large Italian fountain, in a rococo style, is the great sight of the place. We caught a glimpse of it through the trees, and surprised the gardener who was showing us over by declining to inspect it more nearly. He could not understand why we preferred to give our time to the shrubs and flower-beds.
Driving back presently toward Cairo with a big handful of roses apiece, we saw the sun going down in an aureole of fleecy pink and golden clouds, the Nile flowing by like a stream of liquid light, and a little fleet of sailing boats going up to Boulak before a puff of north wind that had sprung up as the sun neared the horizon. That puff of north wind, those gliding sails, had a keen interest for us now and touched us nearly; because—I have delayed this momentous revelation till the last moment—because we were to start to-morrow!
And this is why I have been able, in the midst of so much that was new and bewildering, to remember quite circumstantially the dates and all the events connected with these last two days. They were to be our last two days in Cairo; and to-morrow morning, Saturday, the 13th of December, we were to go on board a certain dahabeeyah now lying off the iron bridge at Boulak, therein to begin that strange aquatic life to which we had been looking forward with so many hopes and fears, and toward which we had been steering through so many preliminary difficulties.
But the difficulties were all over now and everything was settled; though not in the way we had at first intended. For, in place of a small boat, we had secured one of the largest on the river; and instead of going alone we had decided to throw in our lot with that of three other travelers. One of these three was already known to the writer. The other two, friends of the first, were on their way out from Europe and were not expected in Cairo for another week. We knew nothing of them but their names.
Meanwhile L—— and the writer, assuming sole possession of the dahabeeyah, were about to start ten days in advance; it being their intention to push on as far as Rhoda (the ultimate point then reached by the Nile railway), and there to await the arrival of the rest of the party. Now Rhoda (more correctly Roda) is just one hundred and eighty miles south of Cairo, and we calculated upon seeing the Sakkârah pyramids, the Turra quarries, the tombs of Beni Hassan, and the famous grotto of the Colossus on the Sledge, before our fellow-travelers should be due.
“It depends on the wind, you know,” said our dragoman, with a lugubrious smile.
We knew that it depended on the wind; but what then? In Egypt the wind is supposed always to blow from the north at this time of the year, and we had ten good days at our disposal. The observation was clearly irrelevant.
A rapid raid into some of the nearest shops for things remembered at the last moment—a breathless gathering up of innumerable parcels—a few hurried farewells on the steps of the hotel—and away we rattle as fast as a pair of raw-boned grays can carry us. For this morning every moment is of value. We are already late; we expect visitors to luncheon on board at midday; and we are to weigh anchor at two P.M. Hence our anxiety to reach Boulak before the bridge is opened, that we may drive across to the western bank, against which our dahabeeyah lies moored. Hence, also, our mortification when we arrive just in time to see the bridge swing apart and the first tall mast glide through.
Presently, however, when those on the look-out have observed our signals of distress, a smart-looking sandal, or jolly-boat, decked with gay rugs and cushions, manned by five smiling Arabs, and flying a bright little new union jack, comes swiftly threading its way in and out among the lumbering barges now crowding through the bridge. In a few more minutes we are afloat. For this is our sandal and these are five of our crew; and of the three dahabeeyahs moored over yonder in the shade of the palms the biggest by far, and the trimmest, is our dear, memorable Philæ.
Close behind the Philæ lies the Bagstones, a neat little dahabeeyah in the occupation of two English ladies who chanced to cross with us in the Simla from Brindisi, and of whom we have seen so much ever since that we regard them by this time as quite old friends in a strange land. I will call them the M. B.’s. The other boat, lying off a few yards ahead, carries the tri-color, and is chartered by a party of French gentlemen. All three are to sail to-day.
And now we are on board and have shaken hands with the captain and are as busy as bees; for there are cabins to put in order, flowers to arrange, and a hundred little things to be seen to before the guests arrive. It is wonderful, however, what a few books and roses, an open piano, and a sketch or two will do. In a few minutes the comfortless hired look has vanished, and long enough before the first comers are announced the Philæ wears an aspect as cozy and home-like as if she had been occupied for a month.
As for the luncheon, it certainly surprised the givers of the entertainment quite as much as it must have surprised their guests. Being, no doubt, a pre-arranged display of professional pride on the part of dragoman and cook, it was more like an excessive Christmas dinner than a modest midday meal. We sat through it unflinchingly, however, for about an hour and three quarters, when a startling discharge of firearms sent us all running upon deck and created a wholesome diversion in our favor. It was the French boat signaling her departure, shaking out her big sail, and going off triumphantly.
I fear that we of the Bagstones and Philæ—being mere mortals and Englishwomen—could not help feeling just a little spiteful when we found the tri-color had started first; but then it was a consolation to know that the Frenchmen were going only to Assuân. Such is the esprit du Nil. The people in dahabeeyahs despise Cook’s tourists; those who are bound for the second cataract look down with lofty compassion upon those whose ambition extends only to the first; and travelers who engage their boat by the month hold their heads a trifle higher than those who contract for the trip. We, who were going as far as we liked and for as long as we liked, could afford to be magnanimous. So we forgave the Frenchmen, went down again to the saloon, and had coffee and music.
It was nearly three o’clock when our Cairo visitors wished us “bon voyage” and good-by. Then the M. B.’s, who, with their nephew, had been of the party, went back to their own boat; and both captains prepared to sail at a given signal. For the M. B.’s had entered into a solemn convention to start with us, moor with us, and keep with us, if practicable, all the way up the river. It is pleasant now to remember that this sociable compact, instead of falling through as such compacts are wont to do, was quite literally carried out as far as Aboo Simbel; that is to say, during a period of seven weeks’ hard going and for a distance of upward of eight hundred miles.
At last all is ready. The awning that has all day roofed in the upper deck is taken down; the captain stands at the head of the steps; the steersman is at the helm; the dragoman has loaded his musket. Is the Bagstones ready? We wave a handkerchief of inquiry—the signal is answered—the mooring ropes are loosened—the sailors pole the boat off from the bank—bang go the guns, six from the Philæ and six from the Bagstones, and away we go, our huge sail filling as it takes the wind!
Happy are the Nile travelers who start thus with a fair breeze on a brilliant afternoon. The good boat cleaves her way swiftly and steadily. Water-side palaces and gardens glide by and are left behind. The domes and minarets of Cairo drop quickly out of sight. The mosque of the citadel and the ruined fort that looks down upon it from the mountain ridge above diminish in the distance. The pyramids stand up sharp and clear.
We sit on the high upper deck, which is furnished with lounge-chairs, tables and foreign rugs, like a drawing-room in the open air, and enjoy the prospect at our ease. The valley is wide here and the banks are flat, showing a steep verge of crumbling alluvial mud next the river. Long belts of palm groves, tracts of young corn only an inch or two above the surface, and clusters of mud huts, relieved now and then by a little whitewashed cupola or a stumpy minaret, succeed each other on both sides of the river, while the horizon is bounded to right and left by long ranges of yellow limestone mountains, in the folds of which sleep inexpressibly tender shadows of pale violet and blue.
Thus the miles glide away, and by and by we approach Turra—a large, new-looking mud village, and the first of any extent that we have yet seen. Some of the houses are whitewashed; a few have glass windows, and many seem to be unfinished. A space of white, stony, glaring plain separates the village from the quarried mountains beyond, the flanks of which show all gashed and hewn away. One great cliff seems to have been cut sheer off for a distance of perhaps half a mile. Where the cuttings are fresh the limestone comes out dazzling white and the long slopes of débris heaped against the foot of the cliffs glisten like snow-drifts in the sun. Yet the outer surface of the mountains is orange-tawny, like the pyramids. As for the piles of rough hewn blocks that lie ranged along the bank ready for transport, they look like salt rather than stone. Here lies moored a whole fleet of cargo boats, laden and lading; and along the tramway that extends from the river side to the quarries we see long trains of mule-carts coming and going.
For all the new buildings in Cairo, the khedive’s palaces, the public offices, the smart modern villas, the glaring new streets, the theaters and foot pavements and cafés, all come from these mountains—just as the pyramids did more than six thousand years ago. There are hieroglyphed tablets and sculptured grottoes to be seen in the most ancient part of the quarries, if one were inclined to stop for them at this early stage of the journey; and Champollion tells of two magnificent outlines done in red ink upon the living rock by some master hand of Pharaonic times, the cutting of which was never even begun. A substantial new barrack and an esplanade planted with sycamore figs bring the straggling village to an end.
And now, as the afternoon wanes, we draw near to a dense, wide-spreading forest of stately date-palms on the western bank, knowing that beyond them, though unseen, lie the mounds of Memphis and all the wonders of Sakkârah. Then the sun goes down behind the Libyan hills; and the palms stand out black and bronzed against a golden sky; and the pyramids, left far behind, look gray and ghostly in the distance.
Presently, when it is quite dusk and the stars are out, we moor for the night at Bedreshayn, which is the nearest point for visiting Sakkârah. There is a railway station here, and also a considerable village, both lying back about half a mile from the river; and the distance from Cairo, which is reckoned at fifteen miles by the line, is probably about eighteen by water.
Such was our first day on the Nile. And perhaps, before going farther on our way, I ought to describe the Philæ and introduce Reïs Hassan and his crew.
A dahabeeyah, at the first glance, is more like a civic or an Oxford University barge, than anything in the shape of a boat with which we in England are familiar. It is shallow and flat-bottomed, and is adapted for either sailing or rowing. It carries two masts; a big one near the prow and a smaller one at the stern. The cabins are on deck and occupy the after-part of the vessel; and the roof of the cabins forms the raised deck, or open-air drawing-room already mentioned. This upper deck is reached from the lower deck by two little flights of steps, and is the exclusive territory of the passengers. The lower deck is the territory of the crew. A dahabeeyah is, in fact, not very unlike the Noah’s ark of our childhood, with this difference—the habitable part, instead of occupying the middle of the vessel, is all at one end, top heavy and many-windowed; while the fore-deck is not more than six feet above the level of the water. The hold, however, is under the lower deck, and so counterbalances the weight at the other end. Not to multiply comparisons unnecessarily, I may say that a large dahabeeyah reminds one of old pictures of the Bucentaur; especially when the men are at their oars.
The kitchen—which is a mere shed like a Dutch oven in shape, and contains only a charcoal stove and a row of stew-pans—stands between the big mast and the prow, removed as far as possible from the passengers’ cabins. In this position the cook is protected from a favorable wind by his shed; but in the case of a contrary wind he is screened by an awning. How, under even the most favorable circumstances, these men can serve up the elaborate dinners which are the pride of a Nile cook’s heart, is sufficiently wonderful; but how they achieve the same results when wind-storms and sand-storms are blowing and every breath is laden with the fine grit of the desert, is little short of miraculous.
Thus far, all dahabeeyahs are alike. The cabin arrangements differ, however, according to the size of the boat; and it must be remembered that in describing the Philæ I describe a dahabeeyah of the largest build—her total length from stem to stern being just one hundred feet, and the width of her upper deck at the broadest part little short of twenty.
Our floor being on a somewhat lower level than the men’s deck, we went down three steps to the entrance door, on each side of which was an external cupboard, one serving as a store-room and the other as a pantry. This door led into a passage out of which opened four sleeping-cabins, two on each side. These cabins measured about eight feet in length by four and a half in width, and contained a bed, a chair, a fixed washing-stand, a looking-glass against the wall, a shelf, a row of hooks, and under each bed two large drawers for clothes. At the end of this little passage another door opened into the dining-saloon—a spacious, cheerful room, some twenty-three or twenty-four feet long, situated in the widest part of the boat, and lighted by four windows on each side and a skylight. The paneled walls and ceiling were painted in white picked out with gold; a cushioned divan covered with a smart woolen reps ran along each side; and a gay Brussels carpet adorned the floor. The dining-table stood in the center of the room, and there was ample space for a piano, two little book-cases, and several chairs. The window-curtains and portières were of the same reps as the divan, the prevailing colors being scarlet and orange. Add a couple of mirrors in gilt frames; a vase of flowers on the table (for we were rarely without flowers of some sort, even in Nubia, where our daily bouquet had to be made with a few bean blossoms and castor-oil berries); plenty of books; the gentlemen’s guns and sticks in one corner; and the hats of all the party hanging in the spaces between the windows, and it will be easy to realize the homely, habitable look of our general sitting-room.
Another door and passage opening from the upper end of the saloon led to three more sleeping-rooms, two of which were single and one double; a bath-room; a tiny back staircase leading to the upper deck; and the stern-cabin saloon. This last, following the form of the stern, was semicircular, lighted by eight windows, and surrounded by a divan. Under this, as under the saloon divans, there ran a row of deep drawers, which, being fairly divided, held our clothes, wine, and books. The entire length of the dahabeeyah being exactly one hundred feet, I take the cabin part to have occupied about fifty-six or fifty-seven feet (that is to say, about six or seven feet over the exact half), and the lower deck to have measured the remaining forty-three feet. But these dimensions, being given from memory, are approximate.
For the crew there was no sleeping accommodation whatever, unless they chose to creep into the hold among the luggage and packing-cases. But this they never did. They just rolled themselves up at night, heads and all, in rough brown blankets, and lay about the lower deck like dogs.
The reïs, or captain, the steersman, and twelve sailors, the dragoman, head cook, assistant cook, two waiters, and the boy who cooked for the crew, completed our equipment. Reïs Hassan—short, stern-looking, authoritative—was a Cairo Arab. The dragoman, Elias Talhamy, was a Syrian of Beyrout. The two waiters, Michael and Habîb, and the head cook (a wizened old cordon bleu named Hassan Bedawee) were also Syrians. The steersman and five of the sailors were from Thebes; four belonged to a place near Philæ; one came from a village opposite Kom Ombo; one from Cairo, and two were Nubians from Assuân. They were of all shades, from yellowish bronze to a hue not far removed from black; and though, at the first mention of it, nothing more incongruous can well be imagined than a sailor in petticoats and a turban, yet these men in their loose blue gowns, bare feet, and white muslin turbans, looked not only picturesque but dressed exactly as they should be. They were for the most part fine young men, slender but powerful, square in the shoulders, like the ancient Egyptian statues, with the same slight legs and long, flat feet. More docile, active, good-tempered, friendly fellows never pulled an oar. Simple and trustful as children, frugal as anchorites, they worked cheerfully from sunrise to sunset, sometimes towing the dahabeeyah on a rope all day long, like barge-horses; sometimes punting for hours, which is the hardest work of all; yet always singing at their task, always smiling when spoken to, and made as happy as princes with a handful of coarse Egyptian tobacco, or a bundle of fresh sugar-canes bought for a few pence by the river side. We soon came to know them all by name—Mehemet Ali, Salame, Khalîfeh, Riskali, Hassan, Mûsa, and so on; and as none of us ever went on shore without one or two of them to act as guards and attendants, and as the poor fellows were constantly getting bruised hands or feet and coming to the upper deck to be doctored, a feeling of genuine friendliness was speedily established between us.
The ordinary pay of a Nile sailor is two pounds a month, with an additional allowance of about three and sixpence a month for flour. Bread is their staple food, and they make it themselves at certain places along the river where there are large public ovens for the purpose. This bread, which is cut up in slices and dried in the sun, is as brown as gingerbread and as hard as biscuit. They eat it soaked in hot water, flavored with oil, pepper and salt, and stirred in with boiled lentils till the whole becomes of the color, flavor, and consistence of thick pea soup. Except on grand occasions, such as Christmas day or the anniversary of the flight of the prophet, when the passengers treat them to a sheep, this mess of bread and lentils, with a little coffee twice a day, and now and then a handful of dates, constitutes their only food throughout the journey.
The Nile season is the Nile sailors’ harvest time. When the warm weather sets in and the travelers migrate with the swallows, these poor fellows disperse in all directions; some to seek a living as porters in Cairo; others to their homes in Middle and Upper Egypt, where, for about four-pence a day, they take hire as laborers, or work at Shâdûf irrigation till the Nile again overspreads the land. The Shâdûf work is hard, and a man has to keep on for nine hours out of every twenty-four; but he prefers it, for the most part, to employment in the government sugar factories, where the wages average at about the same rate, but are paid in bread, which, being doled out by unscrupulous inferiors, is too often of light weight and bad quality. The sailors who succeed in getting a berth on board a cargo-boat for the summer are the most fortunate.
Our captain, pilot, and crew were all Mohammedans. The cook and his assistant were Syrian Mohammedans. The dragoman and waiters were Christians of the Syrian Latin church. Only one out of the fifteen natives could write or read; and that one was a sailor named Egendi, who acted as a sort of second mate. He used sometimes to write letters for the others, holding a scrap of tumbled paper across the palm of his left hand, and scrawling rude Arabic characters with a reed pen of his own making. This Egendi, though perhaps the least interesting of the crew, was a man of many accomplishments—an excellent comic actor, a bit of a shoemaker, and a first-rate barber. More than once, when we happened to be stationed far from any village, he shaved his messmates all round and turned them out with heads as smooth as billiard balls.
There are, of course, good and bad Mohammedans as there are good and bad churchmen of every denomination; and we had both sorts on board. Some of the men were very devout, never failing to perform their ablutions and say their prayers at sunrise and sunset. Others never dreamed of doing so. Some would not touch wine—had never tasted it in their lives, and would have suffered any extremity rather than break the law of their prophet. Others had a nice taste in clarets and a delicate appreciation of the respective merits of rum or whisky punch. It is, however, only fair to add that we never gave them these things except on special occasions, as on Christmas day, or when they had been wading in the river, or in some other way undergoing extra fatigue in our service. Nor do I believe there was a man on board who would have spent a para of his scanty earnings on any drink stronger than coffee. Coffee and tobacco are, indeed, the only luxuries in which the Egyptian peasant indulges; and our poor fellows were never more grateful than when we distributed among them a few pounds of cheap native tobacco. This abominable mixture sells in the bazaars at sixpence the pound, the plant from which it is gathered being raised from inferior seed in a soil chemically unsuitable, because wholly devoid of potash.
Also it is systematically spoiled in the growing. Instead of being nipped off when green and dried in the shade, the leaves are allowed to wither on the stalk before they are gathered. The result is a kind of rank hay without strength or flavor, which is smoked by only the very poorest class, and carefully avoided by all who can afford to buy Turkish or Syrian tobacco.
Twice a day, after their midday and evening meals, our sailors were wont to sit in a circle and solemnly smoke a certain big pipe of the kind known as a hubble-bubble. This hubble-bubble (which was of most primitive make and consisted of a cocoanut and two sugar-canes) was common property; and, being filled by the captain, went round from hand to hand, from mouth to mouth, while it lasted.
They smoked cigarettes at other times, and seldom went on shore without a tobacco-pouch and a tiny book of cigarette-papers. Fancy a bare-legged Arab making cigarettes! No Frenchman, however, could twist them up more deftly or smoke them with a better grace.
A Nile sailor’s service expires with the season, so that he is generally a landsman for about half the year; but the captain’s appointment is permanent. He is expected to live in Cairo, and is responsible for his dahabeeyah during the summer months, while it lies up at Boulak. Reïs Hassan had a wife and a comfortable little home on the outskirts of old Cairo, and was looked upon as a well-to-do personage among his fellows. He received four pounds a month all the year round from the owner of the Philæ—a magnificent broad-shouldered Arab of about six foot nine, with a delightful smile, the manners of a gentleman, and the rapacity of a Shylock.
Our men treated us to a concert that first night, as we lay moored under the bank near Bedreshayn. Being told that it was customary to provide musical instruments, we had given them leave to buy a tar and darabukkeh before starting. The tar, or tambourine, was pretty enough, being made of rosewood inlaid with mother-of-pearl; but a more barbarous affair than the darabukkeh was surely never constructed. This primitive drum is about a foot and a half in length, funnel-shaped, molded of sun-dried clay like the kullehs, and covered over the top with strained parchment. It is held under the left arm and played like a tomtom with the fingers of the right hand; and it weighs about four pounds. We would willingly have added a double pipe or a cocoanut fiddle[8] to the strength of the band but none of our men could play them. The tar and darabukkeh, however, answered the purpose well enough, and were perhaps better suited to their strange singing than more tuneful instruments.
We had just finished dinner when they began. First came a prolonged wail that swelled, and sank, and swelled again, and at last died away. This was the principal singer leading off with the keynote. The next followed suit on the third of the key; and finally all united in one long, shrill, descending cry, like a yawn, or a howl, or a combination of both. This, twice repeated, preluded their performance and worked them up, apparently, to the necessary pitch of musical enthusiasm. The primo tenore then led off in a quavering roulade, at the end of which he slid into a melancholy chant, to which the rest sang chorus. At the close of each verse they yawned and howled again; while the singer, carried away by his emotions, broke out every now and then into a repetition of the same amazing and utterly indescribable vocal wriggle with which he had begun. Whenever he did this, the rest held their breath in respectful admiration and uttered an approving “Ah!”—which is here the customary expression of applause.
We thought their music horrible that first night, I remember; though we ended, as I believe most travelers do, by liking it. We, however, paid them the compliment of going upon deck and listening to their performance. As a night-scene, nothing could be more picturesque than this group of turbaned Arabs sitting in a circle, cross-legged, with a lantern in their midst. The singer quavered; the musicians thrummed; the rest softly clapped their hands to time and waited their turn to chime in with the chorus. Meanwhile the lantern lit up their swarthy faces and their glittering teeth. The great mast towered up into the darkness. The river gleamed below. The stars shone overhead. We felt we were indeed strangers in a strange land.
Having arrived at Bedreshayn after dark and there moored for the night, we were roused early next morning by the furious squabbling and chattering of some fifty or sixty men and boys, who, with a score or two of little rough-coated, depressed-looking donkeys, were assembled on the high bank above. Seen thus against the sky, their tattered garments fluttering in the wind, their brown arms and legs in frantic movement, they looked like a troop of mad monkeys let loose. Every moment the uproar grew shriller. Every moment more men, more boys, more donkeys appeared upon the scene. It was as if some new Cadmus had been sowing boys and donkeys broadcast and they had all come up at once for our benefit.
Then it appeared that Talhamy, knowing how eight donkeys would be wanted for our united forces, had sent up to the village for twenty-five, intending, perhaps with more wisdom than justice, to select the best and dismiss the others. The result was overwhelming. Misled by the magnitude of the order and concluding that Cook’s party had arrived, every man, boy and donkey in Bedreshayn and the neighboring village of Mîtrahîneh had turned out in hot haste and rushed down to the river; so that by the time breakfast was over there were steeds enough in readiness for all the English in Cairo. I pass over the tumult that ensued when our party at last mounted the eight likeliest beasts and rode away, leaving the indignant multitude to disperse at leisure.
And now our way lies over a dusty flat, across the railway line, past the long straggling village, and through the famous plantations known as the Palms of Memphis. There is a crowd of patient-looking fellaheen at the little whitewashed station, waiting for the train, and the usual rabble of clamorous water, bread and fruit sellers. Bedreshayn, though a collection of mere mud-hovels, looks pretty, nestling in the midst of stately date-palms. Square pigeon towers, imbedded round the top with layers of wide-mouthed pots and stuck with rows of leafless acacia boughs like ragged banner poles, stand up at intervals among the huts. The pigeons go in and out of the pots, or sit preening their feathers on the branches. The dogs dash out and bark madly at us as we go by. The little brown children pursue us with cries of “Bakhshïsh!” The potter, laying out rows of soft, gray, freshly molded clay bowls and kullehs[9] to bake in the sun, stops, open-mouthed, and stares as if he had never seen a European till this moment. His young wife snatches up her baby and pulls her veil more closely over her face, fearing the evil eye.
The village being left behind, we ride on through one long palm-grove after another; now skirting the borders of a large sheet of tranquil back-water; now catching a glimpse of the far-off pyramids of Ghîzeh, now passing between the huge irregular mounds of crumbled clay which mark the site of Memphis. Next beyond these we come out upon a high embanked road some twenty feet above the plain, which here spreads out like a wide lake and spends its last dark-brown alluvial wave against the yellow rocks which define the edge of the desert. High on this barren plateau, seen for the first time in one unbroken panoramic line, there stand a solemn company of pyramids; those of Sakkârah straight before us, those of Dahshûr to the left, those of Abusîr to the right and the great pyramids of Ghîzeh always in the remotest distance.
It might be thought that there would be some monotony in such a scene and but little beauty. On the contrary, however, there is beauty of a most subtle and exquisite kind—transcendent beauty of color and atmosphere and sentiment; and no monotony either in the landscape or in the forms of the pyramids. One of these which we are now approaching is built in a succession of platforms gradually decreasing toward the top. Another down yonder at Dahshûr curves outward at the angles, half dome, half pyramid, like the roof of the Palais de Justice, in Paris. No two are of precisely the same size, or built at precisely the same angle; and each cluster differs somehow in the grouping.
Then again the coloring—coloring not to be matched with any pigments yet invented. The Libyan rocks, like rusty gold—the paler line of the driven sand-slopes—the warm maize of the nearer pyramids which, seen from this distance, takes a tender tint of rose, like the red bloom on an apricot—the delicate tone of these objects against the sky—the infinite gradations of that sky, soft and pearly toward the horizon, blue and burning toward the zenith—the opalescent shadows, pale blue and violet and greenish-gray, that nestle in the hollows of the rock and the curves of the sand-drifts—all this is beautiful in a way impossible to describe, and, alas! impossible to copy. Nor does the lake-like plain with its palm-groves and corn-flats form too tame a foreground. It is exactly what is wanted to relieve that glowing distance.
And now, as we follow the zigzags of the road, the new pyramids grow gradually larger; the sun mounts higher; the heat increases. We meet a train of camels, buffaloes, shaggy brown sheep, men, women, and children of all ages. The camels are laden with bedding, rugs, mats, and crates of poultry, and carry, besides, two women with babies and one very old man. The younger men drive the tired beasts. The rest follow behind. The dust rises after them in a cloud. It is evidently the migration of a family of three, if not four generations. One cannot help being struck by the patriarchal simplicity of the incident. Just thus, with flocks and herds and all his clan, went Abraham into the land of Canaan close upon four thousand years ago; and one at least of these Sakkârah pyramids was even then the oldest building in the world.
It is a touching and picturesque procession—much more picturesque than ours and much more numerous; notwithstanding that our united forces, including donkey boys, porters and miscellaneous hangers-on, number nearer thirty than twenty persons. For there are the M. B.’s and their nephew, and L—— and the writer, and L——’s maid, and Talhamy, all on donkeys; and then there are the owners of the donkeys, also on donkeys; and then every donkey has a boy; and every boy has a donkey; and every donkey-boy’s donkey has an inferior boy in attendance. Our style of dress, too, however convenient, is not exactly in harmony with the surrounding scenery; and one cannot but feel, as these draped and dusty pilgrims pass us on the road, that we cut a sorry figure with our hideous palm-leaf hats, green veils, and white umbrellas.
But the most amazing and incongruous personage in our whole procession is unquestionably George. Now George is an English north-country groom whom the M. B.’s have brought out from the wilds of Lancashire, partly because he is a good shot and may be useful to “Master Alfred” after birds and crocodiles, and partly from a well-founded belief in his general abilities. And George, who is a fellow of infinite jest and infinite resource, takes to eastern life as a duckling to the water. He picks up Arabic as if it were his mother tongue. He skins birds like a practiced taxidermist. He can even wash and iron on occasion. He is, in short, groom, footman, house-maid, laundry-maid, stroke-oar, gamekeeper and general factotum all in one. And, besides all this, he is gifted with a comic gravity of countenance that no surprises and no disasters can upset for a moment. To see this worthy anachronism cantering along in his groom’s coat and gaiters, livery-buttons, spotted neckcloth, tall hat, and all the rest of it; his long legs dangling within an inch of the ground on either side of the most diminutive of donkeys; his double-barreled fowling-piece under his arm, and that imperturbable look in his face, one would have sworn that he and Egypt were friends of old, and that he had been brought up on pyramids from his earliest childhood.
It is a long and shelterless ride from the palms to the desert; but we come to the end of it at last, mounting just such another sand-slope as that which leads up from the Ghîzeh road to the foot of the great pyramid. The edge of the plateau here rises abruptly from the plain in one long range of low perpendicular cliffs pierced with dark mouths of rock-cut sepulchers, while the sand-slope by which we are climbing pours down through a breach in the rock, as an Alpine snow-drift flows through a mountain gap from the ice-level above.
And now, having dismounted through compassion for our unfortunate little donkeys, the first thing we observe is the curious mixture of débris underfoot. At Ghîzeh one treads only sand and pebbles; but here at Sakkârah the whole plateau is thickly strewn with scraps of broken pottery, limestone, marble, and alabaster; flakes of green and blue glaze; bleached bones; shreads of yellow linen, and lumps of some odd-looking, dark-brown substance, like dried-up sponge. Presently some one picks up a little noseless head of one of the common blue-ware funereal statuettes, and immediately we all fall to work, grubbing for treasure—a pure waste of precious time; for, though the sand is full of débris, it has been sifted so often and so carefully by the Arabs that it no longer contains anything worth looking for. Meanwhile, one finds a fragment of iridescent glass—another, a morsel of shattered vase—a third, an opaque bead of some kind of yellow paste. And then, with a shock which the present writer, at all events, will not soon forget, we suddenly discover that these scattered bones are human—that those linen shreds are shreds of cerement cloths—that yonder odd-looking brown lumps are rent fragments of what once was living flesh! And now for the first time we realize that every inch of this ground on which we are standing, and all these hillocks and hollows and pits in the sand, are violated graves.
“Ce n’est que le premier pas que coûte.” We soon became quite hardened to such sights and learned to rummage among dusty sepulchers with no more compunction than would have befitted a gang of professional body-snatchers. These are experiences upon which one looks back afterward with wonder and something like remorse; but so infectious is the universal callousness, and so over-mastering is the passion for relic-hunting, that I do not doubt we should again do the same things under the same circumstances. Most Egyptian travelers, if questioned, would have to make a similar confession. Shocked at first, they denounce with horror the whole system of sepulchral excavation, legal as well as predatory; acquiring, however, a taste for scarabs and funerary statuettes, they soon begin to buy with eagerness the spoils of the dead; finally, they forget all their former scruples and ask no better fortune than to discover and confiscate a tomb for themselves.
Notwithstanding that I had first seen the pyramids of Ghîzeh, the size of the Sakkârah group—especially of the pyramid in platforms—took me by surprise. They are all smaller than the pyramids of Khufu and Khafra and would no doubt look sufficiently insignificant if seen with them in close juxtaposition; but taken by themselves they are quite vast enough for grandeur. As for the pyramid in platforms (which is the largest at Sakkârah, and next largest to the pyramid of Khafra), its position is so fine, its architectural style so exceptional, its age so immense that one altogether loses sight of these questions of relative magnitude. If Egyptologists are right in ascribing the royal title hieroglyphed on the inner door of this pyramid to Ouenephes, the fourth king of the first dynasty, then it is the most ancient building in the world. It had been standing from five to seven hundred years when King Khufu began his great pyramid at Ghîzeh. It was over two thousand years old when Abraham was born. It is now about six thousand eight hundred years old according to Manetho and Mariette, or about four thousand eight hundred according to the computation of Bunsen. One’s imagination recoils upon the brink of such a gulf of time.
The door of this pyramid was carried off with other precious spoils by Lepsius and is now in the museum at Berlin. The evidence that identifies the inscription is tolerably direct. According to Manetho, an Egyptian historian who wrote in Greek and lived in the reign of Ptolemy Philadelphia, King Ouenephes built for himself a pyramid at a place called Kokhome. Now a tablet discovered in the Serapeum by Mariette gives the name of Ka-kem to the necropolis of Sakkârah; and as the pyramid in stages is not only the largest on this platform, but is also the only one in which a royal cartouche has been found, the conclusion seems obvious.