The care of their children is the primary occupation of the ladies of Egypt: they are also charged with the superintendence of domestic affairs; but, in most families, the husband alone attends to the household expenses. Their leisure-hours are mostly spent in working with the needle; particularly in embroidering handkerchiefs, head-veils, etc., upon a frame called “menseg,” with coloured silks and gold. Many women, even in the houses of the wealthy, replenish their private purses by ornamenting handkerchiefs and other things in this manner, and employing a “delláleh” (or female broker) to take them to the market, or to other hareems, for sale. The visit of one hareem to another often occupies nearly a whole day. Eating, smoking, drinking coffee and sherbet, gossiping, and displaying their finery, are sufficient amusements to the company. On such occasions, the master of the house is never allowed to enter the hareem, unless on some particular and unavoidable business; and in this case, he must give notice of his approach, and let the visitors have sufficient time to veil themselves, or to retire to an adjoining room. Being thus under no fear of his sudden intrusion, and being naturally of a lively and an unreserved disposition, they indulge in easy gaiety, and not unfrequently in youthful frolic. When their usual subjects of conversation are exhausted, sometimes one of the party entertains the rest with the recital of some wonderful or facetious tale. The Egyptian ladies are very seldom instructed either in music or dancing; but they take great delight in the performances of professional musicians and public dancers; and often amuse themselves and their guests, in the absence of better performers and better instruments, by beating the “darabukkeh” (which is a kind of drum) and the “tár” (or tambourine); though seldom in houses so situated that many passengers might hear the sounds of festivity. On the occasion of any great rejoicing among the women (such as takes place on account of the birth of a son, or the celebration of a circumcision, or a wedding, etc.), “’A′l’mehs” (or professional female singers) are often introduced; but not for the mere amusement of the women, on common occasions, in any respectable family; for this would be considered indecorous. The “Gházeeyehs” (or public dancing-girls), who exhibit in the streets with unveiled faces, are very seldom admitted into a hareem; but on such occasions as those above mentioned, they often perform in front of the house, or in the court; though, by many persons, even this is not deemed strictly proper. The “A′látees” (or male musicians) are never hired exclusively for the amusement of the women; but chiefly for that of the men: they always perform in the assembly of the latter: their concert, however, is distinctly heard by the inmates of the hareem.

When the women of the higher or middle classes go out to pay a visit, or for any other purpose, they generally ride upon asses. They sit astride, upon a very high and broad saddle, which is covered with a small carpet; and each is attended by a man on one or on each side. Generally, all the women of a hareem ride out together; one behind another. Mounted as above described, they present a very singular appearance. Being raised so high above the back of the “homár ’álee” (or the “high ass”—for so the animal which they ride, furnished with the high saddle, is commonly called^[314]), they seem very insecurely seated; but I believe this is not really the case: the ass is well girthed, and sure-footed; and proceeds with a slow, ambling pace, and very easy motion. The ladies of the highest rank, as well as those of the middling classes, ride asses, thus equipped: they are very seldom seen upon mules or horses. The asses are generally hired. When a lady cannot procure a homár ’álee, she rides one of the asses equipped for the use of the men; but has a “seggádeh” (or prayer-carpet) placed over its saddle; and the inferior members of the hareem, and females of the middle orders, often do the same. Ladies never walk abroad, unless they have to go but a very short distance. They have a slow and shuffling gait, owing to the difficulty of retaining the slippers upon their feet; and, in walking, they always hold the front edges of the habarah in the manner represented in the engraving in page 38 in this volume. Whether walking or riding, they are regarded with much respect in public: no well-bred man stares at them; but rather directs his eyes another way. They are never seen abroad at night, if not compelled to go out or return at that time by some pressing and extraordinary necessity: it is their usual rule to return from paying a visit before sunset. The ladies of the higher orders never go to a shop, but send for whatever they want; and there are numerous dellálehs who have access to the hareems, and bring all kinds of ornaments, articles of female apparel, etc., for sale. Nor do these ladies, in general, visit the public bath, unless invited to accompany thither some of their friends; for most of them have baths in their own houses.