| PAGE | |
|---|---|
| On Abstract Ideas | 1 |
| FRAGMENTS OF LECTURES ON PHILOSOPHY (1812) | |
| On the Writings of Hobbes | 25 |
| On Liberty and Necessity | 48 |
| On Locke’s Essay on the Human Understanding | 74 |
| On Tooke’s ‘Diversions of Purley’ | 119 |
| On Self-Love | 132 |
| CONTRIBUTIONS TO THE MORNING CHRONICLE | |
| *Madame de Staël’s Account of German Philosophy and Literature | 162 |
| *The Same Subject continued | 167 |
| *The Same Subject continued | 172 |
| *The Same Subject continued (On Abstraction) | 180 |
| *Fine Arts. British Institution | 187 |
| *The Stage | 191 |
| *Fine Arts (The Louvre) | 195 |
| CONTRIBUTIONS TO THE CHAMPION | |
| *Wilson’s Landscapes at the British Institution | 198 |
| *On Gainsborough’s Pictures | 202 |
| *Mr. Kemble’s Penruddock | 205 |
| *Introduction to an Account of Sir Joshua Reynolds’s Discourses | 208 |
| *On Genius and Originality | 210 |
| *On the Imitation of Nature | 216 |
| *On the Ideal | 223 |
| *L. Buonaparte’s Charlemagne: ou l’Église Délivrée | 230 |
| *The Same Subject continued | 234 |
| *L. Buonaparte’s Collection of Pictures | 237 |
| *British Institution | 242 |
| *The Same Subject continued | 246 |
| *The Same Subject continued | 248 |
| *On Mr. Wilkie’s Pictures | 249 |
| CONTRIBUTIONS TO THE EXAMINER | |
| *On Rochefoucault’s Maxims | 253 |
| On the Predominant Principles and Excitements of the Human Mind[2] | 258 |
| The Love of Power or Action as Main a Principle in the Human Mind as Sensibility to Pleasure or Pain[2] | 263 |
| Essay on Manners[3] | 269 |
| *Kean’s Bajazet, and ‘The Country Girl’ | 274 |
| *Doctrine of Philosophical Necessity | 277 |
| *Parallel Passages in various Poets | 282 |
| *Mr. Locke a great Plagiarist | 284 |
| [The Same Subject continued] | 578 |
| *Shakespear’s Female Characters | 290 |
| *Miss O’Neill’s Widow Cheerly | 297 |
| *Penelope and The Dansomanie. | 299 |
| *Oroonoko | 301 |
| *The Pannel and The Ravens | 303 |
| *John Gilpin | 305 |
| *Don Giovanni and Kean’s Eustace de St. Pierre | 307 |
| *Character of the Country People | 309 |
| *Mr. Macready’s Macbeth | 315 |
| *Guy Faux | 317 |
| *The Same Subject continued | 323 |
| *The Same Subject concluded | 328 |
| Character of Mr. Canning | 334 |
| *The Dandy School | 343 |
| *Actors and the Public | 348 |
| *French Plays | 352 |
| *French Plays (continued) | 356 |
| *The Theatres and Passion-Week | 358 |
| *Charles Kean | 362 |
| *Some of the Old Actors | 366 |
| *The Company at the Opera | 369 |
| *The Beggar’s Opera | 373 |
| *The Taming of the Shrew and L’Avare | 377 |
| *Mrs. Siddons | 381 |
| *The Three Quarters, etc. | 384 |
| *Mr. Kean | 389 |
| CONTRIBUTIONS TO THE TIMES | |
| *Munden’s Sir Peter Teazle | 392 |
| *Young’s Hamlet | 394 |
| *Dowton in The Hypocrite | 395 |
| *Miss Brunton’s Rosalind | 396 |
| *Maywood’s Zanga | 397 |
| *Kean’s Richard III. | 399 |
| *The Wonder | 401 |
| *Venice Preserved | 402 |
| *She Stoops to Conquer | 403 |
| *Kean’s Macbeth | 404 |
| *Kean’s Othello | 405 |
| *Kean and Miss O’Neill | 407 |
| *The Honey Moon | 409 |
| *Mr. Kean | 410 |
| *King John | 410 |
| CONTRIBUTIONS TO THE YELLOW DWARF | |
| *The Press—Coleridge, Southey, Wordsworth, and Bentham | 411 |
| *Mr. Coleridge’s Lectures | 416 |
| *Childe Harold’s Pilgrimage | 420 |
| The Opera | 426 |
| CONTRIBUTIONS TO THE EDINBURGH (NEW SCOTS) MAGAZINE | |
| *On the Question whether Pope was a Poet | 430 |
| *On Respectable People | 433 |
| On Fashion | 437 |
| On Nicknames | 442 |
| Thoughts on Taste | 450 |
| The Same Subject continued | 454 |
| The Same Subject continued[4] | 459 |
| CONTRIBUTIONS TO THE LONDON MAGAZINE | |
| *On the Present State of Parliamentary Eloquence | 464 |
| *Haydon’s ‘Christ’s Agony in the Garden’ | 481 |
| *Pope, Lord Byron, and Mr. Bowles | 486 |
| On Consistency of Opinion | 508 |
| On the Spirit of Partisanship | 521 |
| *‘The Pirate’ | 531 |
| *‘Peveril of the Peak’ | 537 |
| CONTRIBUTIONS TO THE LITERARY EXAMINER | |
| Common Places | 540 |
| Notes | 563 |
| ESSAYS NOT CERTAINLY HAZLITT’S, AND FRAGMENTS | |
| Character of Mr. Wordsworth’s New Poem The Excursion | 572 |
| The Duke D’Enghien | 577 |
| Coleridge’s ‘Christabel’ | 580 |
| Sketches of the History of the Good Old Times | 582 |
| Historical Illustrations of Shakespeare | 601 |
| Mr. Crabbe | 603 |
FACSIMILE (REDUCED) OF HAZLITT’s HANDWRITING, FROM A MS. IN THE POSSESSION OF MR. W. C. HAZLITT.