CHAPTER IV
THE DAYS OF CHILDHOOD

Romantic Journeys from Lea Hurst to Embley Park—George Eliot Associations—First Patient—Love of Animals and Flowers—Early Education.

The childhood shows the man,
As morning shows the day.
Milton.
There is a lesson in each flower;
A story in each stream and bower;
On every herb o’er which you tread
Are written words which, rightly read,
Will lead you from earth’s fragrant sod,
To hope and holiness and God.
Allan Cunningham.

The childhood of Florence Nightingale, begun, as we have seen, in the sunny land of Italy, was subsequently passed in the beautiful surroundings of her Derbyshire home, and at Embley Park, Hampshire, a fine old Elizabethan mansion, which Mr. Nightingale purchased when Florence was about six years old.

The custom was for the family to pass the summer at Lea Hurst, going in the autumn to Embley for the winter and early spring. And what an exciting and delightful time Florence and her sister Parthe had on the occasions of these alternative “flittings” between Derbyshire and Hampshire in the days before railroads had destroyed the romance of travelling! Then the now quiet little town of Cromford, two miles from Lea Hurst, was a busy coaching centre, and the stage coaches also stopped for passengers at the village inn of Whatstandwell, just below Lea Hurst Park. In those times the Derby road was alive with the pleasurable excitements of the prancing of horses, the crack of the coach-driver’s whip, the shouts of the post-boys, and the sound of the horn—certainly more inspiring and romantic sights and sounds than the present toot-toot of the motor-car, and the billows of dust-clouds which follow in its rear.

Sometimes the journey from Lea Hurst was made by coach, but more frequently Mr. and Mrs. Nightingale with their two little girls drove in their own carriage, proceeding by easy stages and putting up at inns en route, while the servants went before with the luggage to prepare Embley for the reception of the family.

How glorious it was in those bright October days to drive through the country, just assuming its dress of red and gold, or again in the return journey in the spring, when the hills and dales of Derbyshire were bursting into fresh green beauty. The passionate love for nature and the sights and sounds of rural life which has always characterised Miss Nightingale was implanted in these happy days of childhood. And so, too, were the homely wit and piquant sayings which distinguish her writings and mark her more intimate conversation. She acquired them unconsciously, as she encountered the country people.

In her Derbyshire home she lived in touch with the life which at the same period was weaving its spell about Marian Evans, when she visited her kinspeople, and was destined to be immortalised in Adam Bede and The Mill on the Floss. Amongst her father’s tenants Florence Nightingale knew farmers’ wives who had a touch of Mrs. Poyser’s caustic wit, and was familiar with the “Yea” and “Nay” and other quaint forms of Derbyshire speech, such as Mr. Tulliver used when he talked to “the little wench” in the house-place of the ill-fated Mill on the Floss. She met, too, many of “the people called Methodists,” who in her girlhood were establishing their preaching-places in the country around Lea Hurst, and she heard of the fame of the woman preacher, then exercising her marvellous gifts in the Derby district, who was to become immortal as Dinah Morris. In Florence Nightingale’s early womanhood, Adam Bede lived in his thatched cottage by Wirksworth Tape Mills, a few miles from Lea Hurst, and the Poysers’ farm stood across the meadows.

The childhood of our heroine was passed amid surroundings which proved a singularly interesting environment. Steam power had not then revolutionised rural England: the counties retained their distinctive speech and customs, the young people remained on the soil where they were born, and the rich and the poor were thrown more intimately together. The effect of the greater personal intercourse then existing between the squire’s family and his people had an important influence on the character of Florence Nightingale in her Derbyshire and Hampshire homes. She learned sympathy with the poor and afflicted, and gained an understanding of the workings and prejudices of the uneducated mind, which enabled her in after years to be a real friend to those poor fellows fresh from the battlefields of the Crimea, many of whom had enlisted from the class of rural homes which she knew so well.

When quite a child, Florence Nightingale showed characteristics which pointed to her vocation in life. Her dolls were always in a delicate state of health and required the utmost care. Florence would undress and put them to bed with many cautions to her sister not to disturb them. She soothed their pillows, tempted them with imaginary delicacies from toy cups and plates, and nursed them to convalescence, only to consign them to a sick bed the next day. Happily, Parthe did not exhibit the same tender consideration for her waxen favourites, who frequently suffered the loss of a limb or got burnt at the nursery fire. Then of course Florence’s superior skill was needed, and she neatly bandaged poor dolly and “set” her arms and legs with a facility which might be the envy of the modern miraculous bone-setter.

The first “real live patient” of the future Queen of Nurses was Cap, the dog of an old Scotch shepherd, and although the story has been many times repeated since Florence Nightingale’s name became a household word, no account of her childhood would be complete without it. One day Florence was having a delightful ride over the Hampshire downs near Embley along with the vicar, for whom she had a warm affection. He took great interest in the little girl’s fondness for anything which had to do with the relief of the sick or injured, and as his own tastes lay in that direction, he was able to give her much useful instruction. However, on this particular day, as they rode along the downs, they noticed the sheep scattered in all directions and old Roger, the shepherd, vainly trying to collect them together.

“Where is your dog?” asked the vicar as he drew up his horse and watched the old man’s futile efforts.

“The boys have been throwing stones at him, sir,” was the reply, “and they have broken his leg, poor beast. He will never be any good for anything again and I am thinking of putting an end to his misery.”

“Poor Cap’s leg broken?” said a girlish voice at the clergyman’s side. “Oh, cannot we do something for him, Roger? It is cruel to leave him alone in his pain. Where is he?”

“You can’t do any good, missy,” said the old shepherd sorrowfully. “I’ll just take a cord to him to-night—that will be the best way to ease his pain. I left him lying in the shed over yonder.”

“Oh, can’t we do something for poor Cap?” pleaded Florence to her friend; and the vicar, seeing the look of pity in her young face, turned his horse’s head towards the distant shed where the dog lay. But Florence put her pony to the gallop and reached the shed first. Kneeling down on the mud floor, she caressed the suffering dog with her little hand, and spoke soothing words to it until the faithful brown eyes seemed to have less of pain in them and were lifted to her face in pathetic gratitude.

That look of the shepherd’s dog, which touched her girlish heart on the lonely hillside, Florence Nightingale was destined to see repeated in the eyes of suffering men as she bent over them in the hospital at Scutari.

The vicar soon joined his young companion, and finding that the dog’s leg was only injured, not broken, he decided that a little careful nursing would put him all right again.

“What shall I do first?” asked Florence, all eagerness to begin nursing in real earnest.

“Well,” said her friend, “I should advise a hot compress on Cap’s leg.”

Florence looked puzzled, for though she had poulticed and bandaged her dolls, she had never heard about a compress. However, finding that in plain language it meant cloths wrung out of boiling water, and laid upon the affected part, she set nimbly to work under the vicar’s directions. Boiling water was the first requisite, and calling in the services of the shepherd’s boy, she lighted a fire of sticks in the cottage near by, and soon had the kettle boiling.

Next thing, she looked round for cloths to make the compress. The shepherd’s clean smock hung behind the door, and Florence seized it with delight, for it was the very thing.

“If I tear it up, mamma will give Roger another,” she reasoned, and, at an approving nod from the vicar, tore the smock into suitable lengths for fomentation. Then going back to the place where the dog lay, accompanied by the boy carrying the kettle and a basin, Florence Nightingale set to work to give “first aid to the wounded.” Cap offered no resistance—he had a wise confidence in his nurse—and as she applied the fomentations the swelling began to go down, and the pain grew less.

Florence was resolved to do her work thoroughly, and a messenger having been despatched to allay her parents’ anxiety at her prolonged absence, she remained for several hours in attendance on her patient.

In the evening old Roger came slowly and sorrowfully towards the shed, carrying the fatal rope, but no sooner did he put his head in at the door than Cap greeted him with a whine of pleasure and tried to come towards him.

“Deary me, missy,” said the old shepherd in astonishment, “why, you have been doing wonders. I never thought to see the poor dog greet me again.”

“Yes, doesn’t he look better?” said the youthful nurse with pardonable pride. “You can throw away that rope now, and help me to make compresses.”

“That I will, missy,” said Roger, and stooping down beside Florence and Cap, he was initiated into the mysteries.

“Yes,” said the vicar, “Miss Florence is quite right, Roger—your dog will soon be able to walk again if you give it a little rest and care.”

“I am sure I can’t thank your reverence and the young lady enough,” replied the shepherd, quite overcome at the sight of his faithful dog’s look of content and the thought that he would not lose him after all; “and you may be sure, sir, I will carry out the instructions.”

“But I shall come again to-morrow, Roger,” interposed Florence, who had no idea of giving up her patient yet. “I know mamma will let me when I tell her about poor Cap.” After a parting caress to the dog, and many last injunctions to Roger, Florence mounted her pony and rode away with the vicar, her young heart very full of joy. She had really helped to lessen pain, if only for a dumb creature, and the grateful eyes of the suffering dog stirred a new feeling in her opening mind. She longed to be always doing something for somebody, and the poor people on her father’s estates soon learned what a kind friend they had in Miss Florence. They grew also to have unbounded faith in her skill, and whenever a pet animal was sick or injured, the owner would contrive to let “Miss Florence” know.

She and her sister were encouraged by Mr. and Mrs. Nightingale in a love of animals, and were allowed to have many pets. It was characteristic of Florence that her heart went out to the less favoured ones, those which owing to old age or infirmity were taken little notice of by the servants and farm-men. She was particularly attached to Peggy, an old grey pony long since past work, who spent her days in the paddock at Lea Hurst. Florence never missed a morning, if she could help it, without going to talk to Peggy, who knew her footstep, and would come trotting up to the gate ready to meet her young mistress. Then would follow some good-natured sport.

“Would you like an apple, poor old Peggy?” Florence would say as she fondled the pony’s neck; “then look for it.”

At this invitation Peggy would put her nose to the dress pocket of her little visitor and discover the delicacy. Or it might be a carrot, held well out of sight, which Peggy was invited to play hide-and-seek for. If the stable cat had kittens, it was Florence who gave them a welcome and fondled and played with the little creatures before any one else noticed them. She had, too, a quick eye for a hedge-sparrow’s nest, and would jealously guard the brooding mother’s secret until the fledgelings were hatched and ready to fly. Some of the bitterest tears of her childhood were shed over the broken-up homes of some of her feathered friends. The young animals in the fields were quickly won by her kind nature, and would come bounding towards her. Out in those beautiful Lea Hurst woods she made companions of the squirrels, who came fearlessly after her as she walked, to pick up the nuts mysteriously dropped in their path. Then, when master squirrel least expected it, Florence turned sharp round and away raced the little brown creature up the tall beech, only to come down again with a quizzical look in his keen little eye at nuts held too temptingly for any squirrel of ordinary appetite to resist. With what delight she watched their funny antics, for she had the gift to make these timid creatures trust her.

EMBLEY PARK, HAMPSHIRE.

(From a drawing by the late Lady Verney.)

[To face p. 32.

Then in spring-time there was sure to be a pet lamb to be fed, and Florence and her sister were indeed happy at this acquisition to the home pets. The pony which she rode and the dog which was ever at her side were of course her particular dumb friends. I am not sure, however, that she thought them dumb, for she and they understood one another perfectly. The love of animals, which was so marked a characteristic in Florence Nightingale as a child, remained with her throughout life and made her very sympathetic to invalids who craved for the company of some favourite animal. Many nurses and doctors disapprove of their patients having pets about them, but, to quote the Queen of Nurses’ own words, “A small pet animal is often an excellent companion for the sick, for long chronic cases especially. An invalid, in giving an account of his nursing by a nurse and a dog, infinitely preferred that of the dog. ‘Above all,’ he said, ‘it did not talk.’”

It was a great source of pleasure to Florence in her early years to be allowed to act as almoner for her mother. Mrs. Nightingale was very kind and benevolent to the people around Lea Hurst and Embley, and supplied the sick with delicacies from her own table. Indeed, she made her homes centres of beneficence for several miles around, and, according to the best traditions of those times, was ready with remedies for simple ailments when the doctor was not at hand. Owing to the fact that Florence had never had measles and whooping cough, her parents had to exercise great caution in permitting her to visit the cottage people; however, she could call at the doors on her pony and leave jelly and puddings from the basket at her saddle-bow without incurring special risk. And she could gather flowers from the garden to brighten a sick-room, or in the lovely spring days load her basket with primroses and bluebells and so carry the scent of the woods to some delicate girl who, like Tennyson’s May Queen, was pining for the sight of field and hedgerow and the flowers which grew but a little distance from her cottage door.

Such attentions to the fancies of the sick were little thought of in those times, before flower missions had come into vogue, or the necessity for cheering the patients by pleasing the eye, as well as tending the body, was recognised, but in that, as in much else, our heroine was in advance of her time. Her love of flowers, like fondness for animals, was a part of her nature: it came too as a fitting heritage from the city of flowers under whose sunny sky she had been born.

Both at Embley and Lea Hurst, Florence and her sister had their own little gardens, in which they digged and sowed and planted to their hearts’ delight, and in summer they ran about with their miniature watering cans, bestowing, doubtless, an almost equal supply on their own tiny feet as on the parched ground. In after years this early love of flowers had its pathetic sequel. When, after months of exhausting work amongst the suffering soldiers, Florence Nightingale lay in a hut on the heights of Balaclava, prostrate with Crimean fever, she relates that she first began to rally after receiving a bunch of flowers from a friend, and that the sight of them beside her sick couch helped her to throw off the languor which had nearly proved fatal. She dated her recovery from that hour.

In every respect the circumstances of Florence Nightingale’s childhood were calculated to fit her for the destiny which lay in the future. Not only was she reared among scenes of exceptional beauty in both her Derbyshire and her Hampshire homes and taught the privilege of ministering to the poor and sick, but she was mentally trained in advance of the custom of the day. Without that equipment she could not have held the commanding position which she attained in the work of army nursing and organisation.

She and her sister Parthe, being so near in age, did their lessons together. Their education was conducted entirely at home under a private governess, and was assiduously supervised by their father. Mr. Nightingale was a man of broad sympathies, artistic and intellectual tastes, and much general cultivation, and, having no sons, he made a hobby of giving a classical education to his girls, and found a fertile soil in the quick brain of his daughter Florence. He was a strict disciplinarian, and none of the desultory ways which characterised the home education of young ladies in the early Victorian days was allowed in the schoolrooms at Embley and Lea Hurst. Rules were rigidly fixed for lessons and play, and careless work was never passed unpunished. It was in the days of childhood that the future heroine of the Crimea laid the foundation of an orderly mind and a habit of method which served her so admirably when suddenly called to organise the ill-regulated hospital at Scutari.

As a child Florence excelled in the more intellectual branches of education and showed a great aptitude for foreign languages. She attained creditable proficiency in music and was clever at drawing, but in these artistic branches her elder sister Parthe excelled most. From her father Florence learned elementary science, Greek, Latin, and mathematics, and under his guidance, seated in the dear old library at Lea Hurst, made the acquaintance of standard authors and poets. But doubtless the sisters got an occasional romance not included in the paternal list and read it with glowing cheeks and sparkling eyes in a secluded nook in the garden.

If study was made a serious business, the sisters enjoyed to the full the healthy advantages of country life. They scampered about the park with their dogs, rode their ponies over hill and dale, spent long days in the woods amongst the bluebells and primroses, and in summer tumbled about in the sweet-scented hay. During the summer at Lea Hurst, lessons were a little relaxed in favour of outdoor life, but on the return to Embley for the winter, schoolroom routine was again enforced on very strict lines.

Mrs. Nightingale supervised the domestic side of her little girls’ education, and before Florence was twelve years old she could hemstitch and seam, embroider bookmarkers, and had worked several creditable samplers. Her mother trained her too in matters of deportment, and nothing was omitted in her early years which would tend to mould her into a graceful and accomplished girl.