— Recreations. Easy Pieces. Op. 48. (Pastorale, Gavotte and Musette, Romance, Scherzo, Barcarolle, Waltz.) (7355).
Czibulka. Gavotte de la Princesse. Arr. par Fr. Hermann, (9406 g).
D’Alquen, F. Nocturne in G.
Dancla, J. C. 12 Mélodies. Arr. by C. Gurlitt. (7361).
David, Ferd. Gondellied. (Hermann.) (M.F. 69). Kinderlied. (Hermann). (M.F. 12). Remembrance (Souvenir.)
De-Angelis, G. Due Pezzi facili. Op.9. (Berceuse, Gavotta.) (7325).
Diabelli. Sonata in F. (W. Abert.) (11373).
— Sonata in G. (E. Thomas.) (7347).
Dolmetsch, A. Romance.
Dorn, Ed. Grande Marche impériale. (9406 a).
D’Ourville, Leon. Gondolina. Arranged by E. Thomas.
— Soirées Musicales. Arranged by R. Hofmann:—The Mill. The Smithy. Spinning Song. Swing Song.
Dussek. Op. 20. 6 Sonatinas. (2507).
Gade, N. W. Elegie. (M.F. 13). Spring-flower. (M.F. 32)
Gautier, L. Le Secret. (M.F. 114).
Gavotte Album. 14 of the most celebrated Italian, French, and German Gavottes by Corelli, Couperin, Rameau, Bach, Handel, Martini, Gluck, &c. F. Hermann). (8687).
Gluck, C. W. Andantino affettuoso (Jensen, V. 22).
Gounod, C. L’Angelus, arranged by F. Hermann. (M.F. 113).
— Minuet, arranged by Cornelius Gurlitt.
Goltermann, G. Op. 114. Sonatine in F. (7381).
Gungl, J. Oberländler. (M.F. 19).
Gurlitt, C. Morceaux de Salon (faciles). Op. 146:—
Bk. II. Ländlicher Tanz, Elegie, Aufschwung, Romanze. (8677 b).
Bk. III. Barcarolle, Andante religioso, Fantasie, Capriccio. (8677 c).
Pleasing and useful teaching pieces, Book III containing the most difficult of the set, leading into next Step. Also published folio size in separate Nos. — Snow-flakes (Schneeflocken). Short Pieces. Op. 164:—
Book I. Humoreske, Notturno, Ständchen, Bauerntanz. (7382 a).
Book II. Elegie, Canzonetta, Impromptu, Ländler. (7382 b).
Book III. Rêverie, Intermezzo, Adagio. Valse noble. (7382 c).
Twelve pleasing and graceful teaching pieces, also in separate Nos.
— Idylle in D.
— Op. 190, No. 7. “Under the Village Lime-Tree”.
— Andantino in B flat, from the Sonatina, Op. 134, No. 2.
Handel, G. F. 2 Suites, arranged by G. Jensen:—
No. 1 in D. (7378 a) No. 2 in E minor. (7378 b).
Jensen has been particularly happy in the selection of the pieces which form these Suites and his thorough knowledge of the great master’s style has enabled him to provide accompaniments which breathe Handelian spirit, and are in themselves full of interest.
— Adagio religioso ed Allegro (Jensen, V. 19).
— Sonata III. (A maj.). Arr. by F. Hermann. (7376).
— Sonata XII. (F. maj.). (Dr. Riemann.) (7502).
— Sonatas for Flute with Basso continuo, arranged; with marks of expression by Gustav Jensen. (7385).
— Sarabande. (M.F. 96).
Hartog, Henri. Les Cloches. 5me Morceau de Salon.
Haydn, J. Serenade. (Jensen. V. 2).
— Adagio recitativo. (Jensen. V. 3).
— Ox Minuet. (M.F. 43).
Hauptmann. Sonata. Op. 6. (F. Hermann.) (7383).
Hauser. Die Plume (Preghiera). (M.F. 55).
— Dorflied. (M.F. 56).
Heim, Ernst. Abendlied (Evening Song).
Hennessy, Swan. Op. 7. “In the Mountains”.
Two poetical little pieces entitled “Mittagsstille” (Noon), and “Zwiegespräch” (Duet in Canon).
Henkel, H. Sicilienne.
Henselt, A. La Fontaine. (M.F. 35).
Hermann, F. Sonatina in G. (7389 a).
— Op. 28, No. 2. Sonatina in D. (7390 a).
— Dance Movements from the works of Great Masters.
The following are suitable for this Step:—
Bach, Sarabande. (7387 a).
Cherubini. Ballet music. (7387 h).
Handel, Scherzo. (7387 b).
Gluck, Musette. (7387 l).
Hoffmann, J. Cantilena in A.
Hofmann, Richard. Op. 78. 4 Pieces:—Scherzino, Romance, Gavotte. Minuet.
— 8 Vortragsstücke. Op. 103:—No. 1. Intermezzo. 5. Berceuse.
— Three Short Pieces, Op. 110; No. 3. Scherzo.
— Wiegenlied (E. Heim).
Hofmann. Potpourris on popular Melodies from classical and modern operas and oratorios.
| Balfe. | The Bohemian Girl. | (5420 c). |
| Beethoven. | Egmont. | (5421 c). |
| Beethoven. | Fidelio. | (5422 c). |
| Donizetti. | L’Elisire d’amore. | (5423 c). |
| Donizetti. | Lucrezia Borgia. | (5424 c). |
| Gluck. | Iphigénie en Aulide. | (5425 c). |
| Handel. | Judas Maccabaeus. | (5426 c). |
| Kreutzer. | Das Nachtlager in Granada. | (5427 c). |
| Marschner. | Hans Heiling. | (5428 c). |
| Mendelssohn. | A Midsummer Night’s Dream. | (5429 c). |
| Mendelssohn. | Elijah. | (5430 c). |
| Meyerbeer. | Les Huguenots. | (5431 c). |
| Meyerbeer. | Le Prophète. | (5432 c). |
| Mozart. | Le Nozze di Figaro. | (5433 c). |
| Nicolai. | Die lustigen Weiber von Windsor. | (5434 c). |
| Wallace. | Maritana. | (5435 c). |
| Weber. | Oberon. | (5436 c). |
| Weber. | Preciosa. | (5437 c). |
Holländer, G. Op. 3. Spinnerlied.
Jansa, L. Op. 54. Concertino. (7391).
— “Les Fleurs des Opéras”, edited and fingered by Courvoisier. 20 Bks. (7441-7460).
— Second Series. 7 Books. (7463-7469).
Jensen, A. Ländler. (M.F. 8).
Jensen. Wanderbilder. 2 Bks. (2129 a, b).
Nos. 7, 10, 11 of these charming pieces belong to III.
Kayser. 36 Elementary and Progressive Studies, Op. 20 (introductory to those of Kreutzer), revised by E. Heim.
Books I and II. (7397 a, b).
Book III belongs to the following step.
Kearne, L. Canzonetta.
Kirchner, F. Op. 184 a. Slumber Song.
— Hunting Sketch, No. 3. Op. 608.
Kirchner, Th. Feuillet d’Album. (M.F. 15).
Kreuz, Emil. Chant d’amour. Op. 44, No. 2.
Kuhlau, F. Sonatines. Op. 88. (Emile Thomas):—No. 1, en Ut (in C). 3. en La bémol (in A minor).
Lachner, I. Op. 93. 3 Morceaux de Salon: No. 2. Tarantelle; 3. Danse des Matelots. (7511 b, c).
No. 1, Nocturne belongs to III.
— Op. 108. 4 Duos. Nocturne, Grande Polonaise, Ländliche Idylle (Country Idyll), Böhmischer Original-Bauerntanz (Bohemian Peasants’ Dance).
— Op. 94. No. 1, Siesta; No. 2, Grande Polonaise.
— Op. 99. Sonatina in A. (7503).
— Op. 100. Sonatina in B♭. (7504).
— Op. 101. Sonatina in G. (7505).
Three excellent sonatinas for young pupils.
Lachner’s music recalls much of the spirit of Haydn,—it is straightforward, healthy and genial in character. The influence of Schumann and the somewhat complicated rhythmical feeling introduced by many modern German composers into their otherwise technically easy pieces (rendering them difficult to be understood by young beginners who are not specially gifted) are here conspicuous by their absence.
Langer. G. Op. 20. “Grossmütterchen.” Ländler.
Laubach, F. 24 Scottish Songs, arranged. (7513).
Lee, Maurice. Cantilena.—Gavotte de Louis XV.—Rêve céleste, Morceau de Salon.
— Gavotte du Duc de Richelieu. (9406 f).
— Sylvana. Menuet. (9406 c).
Liszt. F. Consolation. (M.F. 16).
Lully. J. B. Entrée de l’Opéra, “Les Songes funestes d’Atys”. (Hermann, C.V.M. 5).
— Gavotte et Rondeau d’Alceste. (A minor). (Hermann, C.V.M. 6).
March Album. Bk. 2. Edited by Hermann. (8686 b). Contains 5 Marches by Beethoven, 3 by Cherubini, and 1 by Lesueur.
Martini, G. B. Gavotta. (Jensen, V. 16).
Mendelssohn. 4 Marches (Wedding March, War March, March from Italian Symphony, Lied ohne Worte in E minor). Bk. 5 of March Albums. (8686 e).
— Christmas Piece. Op. 72. No. 2. (M.F. 112).
Meo, Alfonzo. The Cubanese Dance.
Moffat, A. Bourrée et Musette. Gigue anglaise. Hebridean Jorram (Hebriden Schifferlied). Mélodie élégiaque. Pierrette. Danse Gracieuse. Fantasia on English Airs. Fantasia on Irish Melodies.
Mozart, W. A. Allegretto (Sonata in G). (7324 c).
— Rondo (Sonata in F). (7324 c).
— Sonata in D arranged from the Pianoforte Duet Sonata, Op. 3, No. 1, by W. Abert. (11566).
— Romanze aus der “Nacht-Musik” (Jensen, V. 17).
Nölck, A. Berceuse. Op. 92.
Our Favorite Tunes. (Hermann.) (7388).
Nos. 1, 2, 5 and 14 belong to I b).
Papini, G. Deux Airs Napolitains. No. 1 in D; No. 2 in D.
Pergolese, G. B. Air. (M.F. 116).
Pleyel. Op. 48. Six Sonatinas. (F. Hermann.) (7546).
Porpora, Niccolo. La Chasse. Pianoforte Accompaniment, arranged from the original figured Bass by A. Moffat.
Poznanski, J. B. La Paresse.
Rameau, J. P. Menuet et Passepieds de “Castor et Pollux”. (Hermann, C.V.M. No. 7).
— Rigodon (Dardanus). (M.F. 99).
— Rigodon en Rondeau (Dardanus). (M.F. 100).
Reber, H. Berceuse in G.
Reinecke, C. Miniature Sonatina in C. Op. 122, No. 9.
— Sonate miniature, in B minor.
— 2 Miniature Sonatas (in first position). Op. 213. Nos. 11 & 12. (7543).
These four sonatinas would suitably follow those of Gurlitt under I.
— Abendgebet. (M.F. 18).
— Tears (Thränen). (M.F. 40).
— Chant d’amour. (M.F. 51).
— Farandole. (M.F. 86).
Rheinberger, J. Masurek. (M.F. 20).
Ries, F. Sonatinas in F, in A minor, and in C. (Thomas). (7547).
Roeckel, J. L. Croquis musicaux. 6 Morceaux. 2 Books. (7563 a, b).
No. 1. À l’antique. No. 2. Mazourka-Caprice. No. 3. Simple Mélodie. No. 6. Sous la lune.
Nos. 4 and 5 belong to III.
— Air du Dauphin. (9406 d).
— La Kermesse de St. Cloud. (9406 e).
Rubinstein, A. Romance (F). (M.F. 24).
Saint-George. L’ancien régime. Petite Suite. (7570a).
— Entre nous. Morceau de Salon.—Tristesse.—Vieille Histoire.
Schmitt, J. Sonatina in C. (E. Thomas).
Schubert. Three Sonatinas. (E. Thomas). (7571).
No. 1 in D, No. 3 in G; No. 2 belongs to III.
— Moment musical. (M.F. 5).
— Ballet de Rosamonde. (M.F. 28).
— Menuet favori. (M.F. 52).
— Divertissement à la hongroise. (M.F. 93).
— Am Meer. Arr. by Emile Thomas.
— Romance from “Rosamonde.” Arr. by Emile Thomas.
— Serenade. Arr. by Emile Thomas.
Schubert, F. (Dresden). Cantabile. (M.F. 84).
— Romanza espressiva. (M.F. 101).
Schumann, R. Schlummerlied. (M.F. 26).
— “Revery” and “At the Fireside” (Hermann).
— Album. 56 Pieces arr. by F. Hermann. (7574).
— Scenes of Childhood (Kinderscenen). Easy Pieces. Op. 15. Arranged by F. Hermann. (7575).
Nos. 12 and 13 belong to IV.
— Album for the Young (Jugend-Album). Op. 68. Arranged by F. Hermann. (7576).
No. 4 belongs to Ia. Nos. 2, 23 and 42 to Ib. No. 22 to III, and 33 to IV.
Schytte, L. Berceuse. (M.F. 82).
Senaillé, J. B. Aria in G minor. (Jensen, V. 7).
— Sonate. (Jensen). (7405).
Simon, A. Berceuse. Edited and fingered by Ernst Heim.
Smith, Sydney. The Lily of the Valley, op. 14. Arranged.
Spohr, L. Romanze in A. (M.F. 22).
— Barcarolle from 3 Duettinos op. 135. (8695).
— Larghetto in G. (M.F. 92).
Squire, W. H. Gavotte sentimentale.
— Reverie.
— Serenade in A.
— Bourrée. Op. 24.
— Meditation. Op. 25.
Strelezki, A. “L’Absence”, Mélodie.
— Mélodie réligieuse.
— 4ième Menuet à l’Antique. (M.F. 103).
Struss, Fritz. 2 Characteristic Pieces. Op. 12.
No. 1. Gondoliera.
Sutcliffe, W. Andante in E.
Tartini, G. Larghetto (G minor). (Jensen, V. 6).
Thomas, Emile. Air de Ballet.
— Danse Lente.
— Sanssouci Valse.
— Polka.
— Danse rustique.
Light salon pieces in simple rhythms.
— Sonatine en Ut (C).
Tschaïkowsky, P. Album of Favourite Pieces:—
1. Mazurka; 2. Sweet Dream; 3. Neapolitan Song; 4. Autumn Song; 5. Barcarolle; 6. Andante cantabile; 7. Chant sans paroles; 8. Troïka; 9. Christmas. Edited and partly arranged by Fr. Hermann. (7590).
Nos. 1, 6, 7, 8 and 9 belong to II.
— Chanson triste. (M.F. 85).
— Chant sans Paroles. (M.F. 27).
Valle de Paz, E. del. Op. 29, No. 2. Minuet.
Veracini, A. Sonata in A minor. (G. Jensen.) (7416).
Veracini, F. M. Minuet. (Jensen, V. 5).
— Sarabanda e Danza rustica. (Moffat.) (7589).
Volkmann, R. Musical Picture Book. Arranged by F. Hermann:—
No. 4. On the Lake. (M.F. 62).
No. 6. The Shepherd. (M.F. 64).
Weber, C. M. von. Lonely. (Krug.)
— Maienblümchen. (F. Hermann). (M.F. 105).
— Sonatina in C for 4 hands, arranged. (Abert.) (11765).
Witting, C. Andante alla Siciliana.
Wolfermann, A. Fantasia No. 1 in G, No. 2 in G.
Melodious pieces, containing excellent practice.
— Romance. No. 1 of 3 pieces.
Palaestra. A Collection of Pieces, Sonatas, Suites, and Concert Pieces, for Violin Solo with Pianoforte Accompaniment: arranged in progressive order, carefully marked and annotated by Ernst Heim:—
Book Va. Pieces with change from first to fourth position, by Lachner, Gurlitt, Hofmann, and Moffat. Piece with change from first to fifth position, by Lully. (11475a).
Book Vb. Pieces up to the fifth position, by Spohr, Geminiani, Mozart, and Handel. (11475b).
Book Vc. Supplement to Books A and B. Pieces by Liszt, Jensen, Heller, Gade, and David. (11475c).
Palaestra, a collection of graduated pieces, revised by Ernst Heim, offers the most suitable material for the study of style and phrasing; each book corresponds in difficulty with the same book of his Violin Duets. “Arena”, see page 124, and his Violin Studies, “Gradus ad Parnassum”, see page 114.
Album de Danses. Vols. 1 and 2, containing some of the most celebrated dances by Johann and Josef Strauss. (7319a, b).
Album pour Violon et Piano. 15 Vols. Arranged by F. Hermann. (7322 a-n).
A number of favourite pieces, such as Rubinstein’s “Melody in F”, Raff’s “Cavatina”, etc., are contained in these books, the majority being suited to III, but a few to the next Step.
Arensky, A. Serenade in G. (M.F. 102).
Bach, J. S. Air and Gavotte (from the Orchestral Suite in D). (Jensen, V. 1).
— Andante. (Sonata in A minor, No. 3.) (Jensen, V. 13).
— Concertos in A minor and E minor.
— Largo from a flute Sonata. (Jensen, V. 20).
— Siciliano from a flute Sonata. (Jensen, V. 21).
— Sonata in G minor. (7434).
— 3 Tonsätze, arr. von H. Henkel. (1. Berceuse; 2. Sarabande; 3. Toccata.) (7326).
Barthélemon, E. H. Sonata in E minor. (7421).
Batiste, E. Voix céleste. (M.F. 70).
Becker, J. Romance. (M.F. 42).
Beethoven-Album. (Arranged by F. Hermann). (7329).
Beethoven. 2 Romances in G and F. (Jensen, V. 10, 11). (7331).
Two of the choicest gems of violin literature. One of the best and clearest editions is that fingered and edited by G. Jensen.
Benda, Franz. 8th Sonata in A minor. (7433).
Bennet, W. Sterndale. Overture, “Parisina”. (8671a).
— Overture, “The Naïades”. (8671b).
— Overture, “The Wood Nymphs”. (8671c).
Bériot, C. de. 6me Air varié. (7335).
— 7me Air varié. (7338).
— 12 Mélodies Italiennes. 2 Bks. (7334a, b).
— La Verginella. (M.F. 87).
Blagrove, Stanley. Rêverie.
Borch, Gaston. Berceuse in G. Op. 50.
— Romance in G. Op. 57. (11326).
Borders, W. Morceau à l’Irlandaise. Op. 87.
— Romance and Bolero. Op. 88. Duo Concertante.
Borghi, L. Sonata No. 2, in A major. (7413).
— Sonata No. 4, in G minor. (7414).
Brahms, J. Op. 39. Walzer. (9402).
— Ungarische Tänze. 4 Bks.).
Simplified arrangement by F. Hermann.
Brauer, Max. Meditation on “Little Study”, by Schumann (Ernst Heim).
Burgmüller. Nocturne. (M.F. 91).
Campagnoli. Etude. (Hermann, C.V.M. 3).
Chamber Music. Edited by H. Holmes. A selection from the Solo Sonatas of Corelli, Tartini, Bach and Handel. (8679).
Chopin, F. Mazurka. (M.F. 34).
— Marche funèbre. (M.F. 89).
Corelli, A. 12 Sonatas. Op. 5 (Gustav Jensen). Bound, with Portrait. (7354*).
Part I. (Sonatas 1 to 6). (7354a).
Part II. (Sonatas 7 to 12). (7354b).
The accompaniments to these beautiful Sonatas are the work of a true artist, who, with all the technical resources at his command, worked in reverential spirit with regard to the style and character of the old Master. The accompaniments are varied and very interesting in their wealth of contrapuntal device and figuration. The careful way in which all the ornaments are written out, and the bowing and fingering add still further to the value of this fine edition.
The same work in Score by Joachim and Chrysander:—
Livre III. Op. 5, Parte Prima: 6 Sonate a Violino Solo e Violone, o Cembalo. Parte Seconda: Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte e Follia a Violino Solo e Violone, o Cembalo. (4936c).
— Follia con variazioni. (G. Jensen). (7419).
After a lapse of two centuries the study of Corelli is still indispensable. The above new edition has been admirably done by G. Jensen, who has availed himself of the ornaments as played by Corelli.
Danbé, J. Mazurka de Salon.
David, Ferd. 6 Salonstücke. Op. 24. Revised by Fr. Hermann. (7349).
— Op. 30. “Bunte Reihe”. (F. Hermann). (7363a, b). 24 pieces in two books.
No. 1 is an attractive Scherzo. No. 5, a graceful Gondellied. No. 16, a good wrist study, No. 24, an equally good staccato leggiero study. In others, the keys of 5 and 6 sharps and flats are freely used.
— Romance in F sharp major (original key).
— Romance in F major (transposed).
— Scherzo. (M.F. 2).
— Ungarisch. Op. 30, No. 19. (Fr. Hermann).
De-Angelis, G. Andante religioso. Op. 7.
— Biondina. Mélodie. Op. 10.
— Petite Légende.
Del Valle de Paz, E. 3 Capricci. Op. 15. (7362).
— Op. 28, No. 1. Sérénade Italienne.
— Op. 32, Album. (Improvisation, Tarantelle, Melodie, Adieu, Serenatella, Canzonetta amorosa, Bourrée, Mazurka.) (7364).
Delibes, L. “Sylvia”. Introduction and Valse Lente.
— “Sylvia”. Barcarolle and Pizzicati. Arranged by M. Marsick.
Dobrzynski, I. F. Les Larmes. (M.F. 104).
Dunkler, E. Morceau de Salon, revised by Hermann. (M.F. 48).
Dussek. Op. 69, No. 1. Sonata in B♭. (E. Thomas.) (7360).
A very favourite work.
Dvorak. Op. 15. Ballade. (7365).
Ellerton. Duo in D minor. Op. 56. (8675).
Ersfeld, C. Op. 15. Romance in B♭. (7373).
Gabriel-Marie. Sérénade Badine.
Gade, N. W. Op. 6. Sonata in A. (7369).
— Op. 21. Sonata in D minor. (7374).
Geminiani, F. Sonatas No. 1 in A major (7401), No. 2 in B minor (7402), No. 8 in D minor (7411).
— Selected Sonata movements. (7412).
German, Edward. Song without Words. (11441).
— Saltarelle. (7370).
— Three Dances from “Henry VIII”.
Godard, B. Berceuse de “Jocelyn”.
Goltermann. Op. 13. 2 Salon Pieces. (Les Adieux and Le Rêve.) (1996).
— Berceuse.
Gounod, C. Serenade. (M.F. 72).
— Meditation on Bach’s 1st Prelude. (M.F. 118).
Grieg, E. Christmas Song, arr. by F. Hermann. (M.F. 110).
Guillaume. Op. 4. Mélancolie; Romance.
Gurlitt, C. Op. 134. Sonatinas:— No. 1, in A major (7372a); No. 2, in F (7372b).
True and unsophisticated melody distinguish these two Sonatinas. The Andante of the first is particularly fine.
Handel. Largo. Aria, “Ombra mai fu”, arr. by R. Hofmann.
— Sonatas in A (7422), in G minor (7426), in D (7427), in E (7377).
— Suites Nos. 1 and 2. (Jensen). (7378a, b).
These Suites belong to II except for a bar in each.
Hartog. “Home, sweet home”. Variations. (7380).
— Berceuse, Ier Morceau de Salon.
Hauser, M. Le Désir. (M.F. 4).
— Le Rêve. (M.F. 11).
— Barcarolle. (M.F. 54).
— Hungarian Dance.
— 6 Songs without Words. (7506).
Melodious and characteristic salon pieces.
Haydn. Variations “Gott erhalte Franz den Kaiser”. (Thomas).
Heller & Ernst. Pensées fugitives. (Fr. Hermann):—
Bk. I. (Passé, Souvenir, Romance, Lied, Agitato, &c.). (7386a).
Bk. II. (Rêverie, Un Caprice, Inquiétude, Prière pendant l’orage, Intermezzo, and Thème original et variations). (7386b).
Brilliant and fanciful. Very grateful drawing room pieces.
Heller, Stephen. Rondeau. (M.F. 88).
Henkel, H. Gavotte moderne. Op. 81.
Movements from the works of Great Masters. The following may be taken in this Step:—
Beethoven. Allegretto, (7387 f): Haydn. Nachtwächter Menuett. (7387 c): Marschner. Tanzmusik. (7387i): Monsigny, Chaconne. (7387 m): Mozart. All’Ongarese. (7387 g): Mozart. Minuet. (7387 e): Rameau. Chaconne and Musette. (7387 k).
Herrmann, E. Op. 12. Barcarolle. (8678).
Hoffmann, J. Bolero.—Danse des sorcières.—Zingaresca, Morceau caractéristique.—Robin Adair. Fantaisie brillante.
Hofmann, Richard. Short Study (Kleine Studie). Op. 110, No. 2.
Holländer, V. Polonaise. (11501).
Hurlstone. W. Sonata in D minor. (7507).
Ireland, John. Berceuse.
Jensen, A. Träumerei.
As arranged by Wilhelm; this makes a fine solo for the fourth string.
— Serenade (Ständchen). Arranged by Hermann. (M.F. 58).
— Wanderbilder. Nos. 7, 10 and 11. (2129 a, b).
Jensen, G. Op. 25. Suite in A minor. (8680).
Prélude from the same.
Barcarolle from the same.
— Op. 28. Three Pieces.
— Op. 31. 3 Morceaux Caractéristiques. (7394).
— Op. 36. 2nd Romance in B♭.
— Op. 38. Berceuse.
Kayser. 36 Elementary and Progressive Studies. Op. 20 (introductory to those of Kreutzer), revised by E. Heim. Book III. (7397 c).
Kjerulf, H. Frühlingslied. (M.F. 75).
Kreuz. E. “Frühlingsgedanken.” Op. 9. (7510).
— Four Pieces. Op. 28. (7517).
— Cavatina in E♭. Op. 44. No. 1.
— Sérénade napolitaine. Op. 44, No. 3.
— Le rêve. Morceau. Op. 45. No. 3.
Kücken, F. 6 Duos. (8681 a-f).
Kuhlau. Op. 88. 4 Sonatinas. Nos. 2, 3 and 4. (7399).
Lachner, Ignaz. Morceaux de Salon. Op. 93:— No. 1. Nocturne.
Leclair, J. M. Andante, Gavotta e Minuetto. (Jensen, V. 18).
— Sarabanda and Tambourino. (Jensen, V. 4).
— Tambourin. (Hermann, C.V.M. 8).
— Sonate IV. (G. Jensen). (7245).
Le Jeune, A. Coronation March.
Loeschhorn, A. A Child’s Dream (Des Kindes Traum). Characteristic piece, arranged by Ernst Heim.
Loew, J. Albumblatt. (M.F. 6).
Lully, J. B. Gavotte in D minor. (Hermann, C.V.M. 10).
Mac Cunn, Hamish. Op. 30. “Highland Memories”, Suite of 3 Scottish Scenes: “By the Burnside”, “On the Loch” and “Harvest Dance”. (7520).
Three interesting and quite uncommon pieces.
— Three Romantic Pieces. Op. 27. No. 1. L’Espérance. No. 2. Sérénade. No. 3. Rêve d’amour.
Mackenzie, A. C. Op. 37, Nos. 3 and 4 “Benedictus” and “Zingaresca”.
Mallard, C. “Sehnsucht und Hoffnung”.
March Album. Bks. 3 and 4. Edited by Hermann. (8686c, d).
Martini, G. B. Siciliana. (Jensen, V. 15).
Matras, Maud. Ballade. Op. 8. (7534).
Mendelssohn. Op. 4. Adieu à Berlin. (8683).
Moffat, Alfred. La Gracieuse. Mazurka.
— Légende.
— Mazurka hongroise.
— Fantasia on Scottish Melodies.
Molique, B. 6 Morceaux Caractéristiques. Op. 41. (Ernst Heim). (11562).
— Op. 47. 6 Mélodies. 2 Books. (9405a, b).
No. 6 is especially piquant.
Monsigny. Rigaudon. (7387d).
Moszkowski, M. Op. 8. 5 Valses. (7527)
— Op. 21. Album Espagnol. (7529).
Arranged by E. Thomas from the piano duets.
— Op. 23. “From Foreign Parts”. (E. Thomas). (7531)
— Mélodie. (M.F. 1).
Mozart, W. A. 18 Sonatas.
Mozart’s sonatas, although presenting no special technical difficulties, require great delicacy and refinement in rendering. Nos. 8, in C, 11, in G, and 18, in F, might be first studied.
— Andante, Minuet and Rondo (Haffner Serenade). (7418).
— Larghetto, from clarionet Quintet. (Jensen. V. 14).
— Andante in E♭ (Sonata in B♭). (7324b).
— Adagio, edited by E. Heim. (11567).
— Adagio. (M.F. 94).
Nicodé, J. L. Barcarolle. (M.F. 31).
Noskowski, S. Op. 23. Cracovienne Mélancolique. (M.F. 77).
— Op. 27. Cracovienne in A. (M.F. 74).
Papini, Guido. Trois Morceaux de Salon. (8685):—
No. 1. Gavotte. No. 2. Romance sans Paroles. No. 3. Scherzettino.
Papini’s compositions belong to the better class of salon music, being especially melodious and attractive.
Pfeiffer, G. Op. 77. Gigue dans le genre ancien. (Thomas). (11630).
Pitt, Percy. Canzonetta. Op. 8, No. 1.
Pleyel. Op. 44. (Hermann). (7544).
Pugnani, G. Sonata in E. (7404).
Raff, Joachim. Pastorale. Op. 85. No. 2.
— Chanson suisse. (M.F. 106).
Renard, F. Berceuse. (M.F. 44).
Ries. Romance. (M.F. 9).
Ritter. Operatic Duets. The following can be taken in this Step:—Sonnambula, (9407c); La Favorite, (9407d); Lucia di Lammermoor, (9407e); Zampa, (9407f); Zauberflöte, (9407g); Lohengrin, (9407h); Tannhäuser, (9407i); Oberon, (9407k); Taming of the Shrew, (9407l); Flying Dutchman, (9407m); Fra Diavolo (9407a).
Rode, P. Op. 10. Air Varié. (Jensen V. 12). (8691).
Roeckel, J. L. Croquis musicaux.
No. 4. Thème dansant. No. 5. Dans la barque.
Rubinstein, A. 3 Salon Pieces, Op. 11, edited by E. Heim: