Part I. Instruction in Viola Playing: 20 Introductory Exercises with explanatory remarks. (7652 a).

Part II. 24 Easy Exercises (1st position), after the Author’s “Études spéciales, Op. 24, Book I,” with 2ⁿᵈ Viola ad lib. (7652 b).

Part III. 12 Easy Exercises and Pieces (1st to 3rd Positions), after Op. 24, Book 2, with Pianoforte accompaniment ad lib. (7652 c).

Book I. Commencing with exercises on the open strings, and gradually introducing the notes of C major in the first position. (7653a).

— Select Studies, taken from the works of Campagnoli, Mazas, Corelli. Kreutzer, Spohr, Fiorillo, Wenzel Pichl, Rode, and Gaviniés; in progressive order, phrased, fingered, and arranged:—

Book I. 30 Elementary Studies in the first position, with accompaniment of a second Viola, by Campagnoli and Mazas. (7657a).

— Scales and Appeggios for the Viola, through all major and minor keys; systematically arranged, bowed, and fingered:—

Book I. Through one and two octaves. (7658a).

If Laubach’s method be adopted, Book 3 of Hermann (7652c) might suitably follow, to be succeeded by:—

Book II. Studies in the first position in the flat keys, major and minor. (7653b).

Book III. Studies in the first position in the sharp keys, major and minor. (7653c).

— Select Studies for the Viola, taken from the works of Campagnoli, Mazas, Corelli, Kreutzer, Spohr, Fiorillo, Wenzel Pichl, Rode, and Gaviniés; in progressive order, phrased, fingered, and arranged:—

Book II. 30 Studies in the first position by Corelli, Campagnoli, Kreutzer, and Spohr. (7657b).

Book III. 20 Studies in the first three positions, by Corelli, Campagnoli, Kreutzer, Fiorillo, Spohr, Wenzel Pichl, and Mazas. (7657c).

— Scales and Appeggios for the Viola, through all major and minor keys; systematically arranged, bowed, & fingered:—

Book II. Through two and three octaves. (7658b).

Book IV. Introduction of the 2nd and 3rd positions, and studies in the first three positions. (7653 d).

— Select Studies for the Viola, taken from the works of Campagnoli, Mazas, Corelli, Kreutzer, Spohr, Fiorillo, Wenzel Pichl, Rode, and Gaviniés; in progressive order, phrased, fingered, and arranged:—

Book IV. 20 Studies in the higher Positions. (7657 d).

Book V. 20 Studies in the higher Positions. (7657 c).

Book I. 12 very easy pieces, commencing with the open strings, and gradually introducing the notes of C major in the first position (7636 a).

— 25 Pieces in progressive order. In the 1st position:—

•   1. Kreuz. No. 1 Prelude; No. 2 Melody.
•   2. Schumann. Op. 68, Nos. 1, 2. Melodie; Soldatenmarsch.
•   3. Gurlitt. Berceuse, and “Heiterer Morgen.”
•   4. Schumann. “Trällerliedchen” and “Jägerliedchen.” Op. 68.
•   5. Fitzenhagen. Cavatine.
•   6. Reinecke. Air, “Unbekümmert,” from Op. 213.
•   7. Kreuz. Melody.
•   8. Schumann. “Kleine Romanze” and “Fröhlicher Landmann.”
•   9. Gluck. Air from “Orfeo.”
• 10. Gurlitt. “Ständchen” and “Jagdstück.”
• 11. Mendelssohn. Lied ohne Worte, Op. 30, No. 9.
• 12. Haydn. Aria from “Die Jahreszeiten.”

— The Violist, Bks. 3, 4. 20 progressive melodies in the 1st position. (7636 c, d).

— 25 Pieces in progressive order. (In the 1st position):—

• 13. Schumann. “Canonisches Liedchen” and “Schnitterliedchen.”
• 14. Kreuz. Gavotte, from “The Violist.”
• 15. Mozart. “Gib mir die Hand” from “Don Giovanni.”
• 16. Schubert. “Das Fischermädchen.”
• 17. Mendelssohn. Venetian Gondola Song.
• 18. Schumann. ⁂ & Siciliano.
• 19. Kreuz. “Pensée fugitive,” from “The Violist.”
• 20. Reinecke. Farandole, Op. 213, No. 10.
• 21. Weber. Air from “Der Freischütz.”
• 22. Beethoven. Sonatina.
• 23. Handel. Aria from Ouverture to “Ariadne.”
• 24. Kreuz. Romance, from “The Violist.”
• 25. Bach. Gavotte, from French Suite.

No. 1. L’Espérance.

— Op. 213. 10 Petits morceaux. (7643).

• 26. Mozart. Song from “Figaro.”
• 27. Weber. Air from “Der Freischütz.”
• 28. C. Gurlitt. “Buds and Blossoms.” Op. 107, No. 4.
• 29. Mendelssohn. Song without Words, No. 14.
• 30. Handel. Largo.
• 31. Schumann. Revery. Op. 15, No. 7.
• 32. Mendelssohn. Song without Words, No. 22.
• 33. Gluck. Ballet from “Orfeo.”
• 34. C. Gurlitt. Slow waltz. Op. 146, No. 1.
• 35. Kjerulf. Longing.
• 36. Strelezki. Cavatina.
• 37. Mendelssohn. Song without words, No. 25.
• 38. E. Kreuz. Sketch. Op. 13e, No. 3.
• 39. Schubert. Serenade.
• 40. Fr. Hermann. Rondino. Op. 24, No. 2.
• 41. Mendelssohn. Christmas Pieces. Op. 72, Nos. 4 and 5.
• 42. Handel. Sonata.
• 43. Haydn. Air from “The Creation.”
• 44. Mendelssohn. Song without Words, No. 13.
• 45. Schumann. Fairy Pictures. Märchenbilder. Op. 113. No. 4.

— Op. 9. “Frühlingsgedanken” (Spring Fancies). (7628).

— Op. 13. The Violist. A Series of progressive pieces.

Book V. Three easy Sketches in the first three positions. (7636e).

Book VI. Sonata in A minor. (7636f).

— Op. 45. Suite de Pièces. (Prélude, Nocturne, Le Rêve, Danse rustique.) (5572).

Albumblatt, Wagner; Consolation, Liszt; Abendgebet, Reinecke; Tears, Reinecke; La Fontaine, Henselt, Gavotte and Rondeau, Lully; Romance, Ries; Scherzo, David; Berceuse, Reber; Mazurek, Rheinberger.

— Sonatina in C. (7644).

— Op. 25. (2207).

• 46. Schumann. Little Study. Op. 68, No. 14.
• 47. Schubert. Am Meer.
• 48. G. Goltermann. Romance from Sonatina. Op. 114.
• 49. W. H. Squire. Gavotte Humoristique.
• 50. Schumann. “Stücke im Volkston.” Op. 102, No. 2.
• 51. Schubert. Romance.
• 52. A. Strelezki. L’Absence.
• 53. E. Thomas. Sans Souci Valse.
• 54. Mendelssohn. Song without words. No. 1.
• 55. W. H. Squire. Réverie.
• 56. Schubert. Ave Maria.
• 57. A. Strelezki. Asphodel. Chant sans Paroles.
• 58. J. S. Bach. Air from the Orchestral Suite in D.
• 59. E. Kreuz. Liebesbilder. Op. 5, No. 2.
• 60. Schumann. Evening Song. Op. 85, No. 12.

No. 2. Sérénade.
  ”   3. Rêve d’amour.

— 3 Romances. Op. 94. (7641).

— 5 Stücke im Volkston. Op. 102. (7645).

— Märchenbilder (Fairy Pictures). Op. 113. (7646).

An effective modern work. The Barcarolle is published separately as No. 65 of “Select pieces.”

• 61. Meyerbeer. Air from “Les Huguenots.”
• 62. E. Kreuz. Spring fancies. Op. 9. No. 2.
• 63. Chopin. Nocturne. Op. 37, No. 1.
• 64. Beethoven. Romance in F major. Op. 50.
• 65. E. Kreuz. Barcarolle from Concerto for Viola and Orchestra. Op. 20.

Moderato. (7638a).

Allegro con moto. (7638b).

Allegretto. (7638c).

— Op. 49. Sonata.

  One of the finest compositions for the viola.

— Op. 69. 3 Duets. II-III.

— Trio facile, in C. Op. 32. (5272). II.

— Trio in C. Op. 103. (5278). II.

— Symphonie Concertante. (2206).

Wagner.	Der fliegende Holländer.	(5438s). III.
—	Lohengrin.	(5439s). IV.
—	Rienzi.	(5440s). III.
—	Tannhäuser.	(5441s). IV.
Rossini.	Il Barbiere.	(5442s). III.
—	Guillaume Tell.	(5443s). IV.
Auber.	Masaniello.	(5444s). III.
Gounod.	Faust.	(5445s). IV.

NB. Any of the pieces mentioned in the “Guide” can be procured from Messrs. Augener & Co. It will be sufficient to give the Edition No. where marked; where there is no No., name of author and title should be given.