THE RARER KINDS OF STONE MENTIONED BY VASARI.

A, Egyptian Porphyry. A¹, Portion of the same piece that has passed through the fire. B, Dark green porphyritic stone, incorrectly called “Serpentine.” C, D, Two specimens of Breccias of Seravezza (Stazzema). E, “Verde di Prato,” a true Serpentine. F, F, Red Marble or Limestone from Monsummano, near Pistoja, as used on the Duomo and Campanile, Florence. G, Pietra Serena. H, Cipollino. I, True Touchstone or Basanite. J, White Statuary Marble from Monte Altissimo. K, Bardiglio, or Grey Marble, from La Cappella, near Seravezza. L, Istrian Stone. M, Pietra Forte. N, Do. from Fortezza, Florence. O, Travertine. P, So-called “Paragone,” a grey marble with lighter veins. Q, Peperino, from Rome.

VASARI ON TECHNIQUE
BEING THE INTRODUCTION TO THE THREE ARTS OF DESIGN, ARCHITECTURE, SCULPTURE AND PAINTING, PREFIXED TO THE LIVES OF THE MOST EXCELLENT PAINTERS, SCULPTORS AND ARCHITECTS

By GIORGIO VASARI

PAINTER & ARCHITECT OF AREZZO

NOW FOR THE FIRST TIME TRANSLATED INTO ENGLISH BY

LOUISA S. MACLEHOSE

EDITED WITH INTRODUCTION & NOTES BY

PROFESSOR G. BALDWIN BROWN

AND PUBLISHED BY

J. M. DENT & COMPANY

29 & 30 BEDFORD STREET, LONDON

1907

VASARI ON TECHNIQUE BEING THE INTRODUCTION TO THE THREE ARTS OF DESIGN, ARCHITECTURE, SCULPTURE AND PAINTING, PREFIXED TO THE LIVES OF THE MOST EXCELLENT PAINTERS, SCULPTORS AND ARCHITECTS

VASARI ON TECHNIQUE
BEING THE INTRODUCTION TO THE THREE ARTS OF DESIGN, ARCHITECTURE, SCULPTURE AND PAINTING, PREFIXED TO THE LIVES OF THE MOST EXCELLENT PAINTERS, SCULPTORS AND ARCHITECTS