“Listen, Basin, I ask for nothing better than to follow you to the ditches of Vincennes, or even to Taranto. And that reminds me, Charles, of what I was going to say to you when you were telling me about your Saint George at Venice. We have an idea, Basin and I, of spending next spring in Italy and Sicily. If you were to come with us, just think what a difference it would make! I’m not thinking only of the pleasure of seeing you, but imagine, after all you’ve told me so often about the remains of the Norman Conquest and of ancient history, imagine what a trip like that would become if you came with us! I mean to say that even Basin—what am I saying, Gilbert—would benefit by it, because I feel that even his claims to the throne of Naples and all that sort of thing would interest me if they were explained by you in old romanesque churches in little villages perched on hills like primitive paintings. But now we’re going to look at your photograph. Open the envelope,” said the Duchess to a footman. “Please, Oriane, not this evening; you can look at it to-morrow,” implored the Duke, who had already been making signs of alarm to me on seeing the huge size of the photograph. “But I like to look at it with Charles,” said the Duchess, with a smile at once artificially concupiscent and psychologically subtle, for in her desire to be friendly to Swann she spoke of the pleasure which she would have in looking at the photograph as though it were the pleasure an invalid feels he would find in eating an orange, or as though she had managed to combine an escapade with her friends with giving information to a biographer as to some of her favourite pursuits. “All right, he will come again to see you, on purpose,” declared the Duke, to whom his wife was obliged to yield. “You can spend three hours in front of it, if that amuses you,” he added ironically. “But where are you going to stick a toy of those dimensions?” “Why, in my room, of course. I like to have it before my eyes.” “Oh, just as you please; if it’s in your room, probably I shall never see it,” said the Duke, without thinking of the revelation he was thus blindly making of the negative character of his conjugal relations. “Very well, you will undo it with the greatest care,” Mme. de Guermantes told the servant, multiplying her instructions out of politeness to Swann. “And see that you don’t crumple the envelope, either.” “So even the envelope has got to be respected!” the Duke murmured to me, raising his eyes to the ceiling. “But, Swann,” he added, “I, who am only a poor married man and thoroughly prosaic, what I wonder at is how on earth you managed to find an envelope that size. Where did you pick it up?” “Oh, at the photographer’s; they’re always sending out things like that. But the man is a fool, for I see he’s written on it ‘The Duchesse de Guermantes,’ without putting ‘Madame’.” “I’ll forgive him for that,” said the Duchesse carelessly; then, seeming to be struck by a sudden idea which enlivened her, checked a faint smile; but at once returning to Swann: “Well, you don’t say whether you’re coming to Italy with us?” “Madame, I am really afraid that it will not be possible.” “Indeed! Mme. de Montmorency is more fortunate. You went with her to Venice and Vicenza. She told me that with you one saw things one would never see otherwise, things no one had ever thought of mentioning before, that you shewed her things she had never dreamed of, and that even in the well-known things she had been able to appreciate details which without you she might have passed by a dozen times without ever noticing. Obviously, she has been more highly favoured than we are to be.... You will take the big envelope from M. Swann’s photograph,” she said to the servant, “and you will hand it in, from me, this evening at half past ten at Mme. la Comtesse Molé’s.” Swann laughed. “I should like to know, all the same,” Mme. de Guermantes asked him, “how, ten months before the time, you can tell that a thing will be impossible.” “My dear Duchess, I will tell you if you insist upon it, but, first of all, you can see that I am very ill.” “Yes, my little Charles, I don’t think you look at all well. I’m not pleased with your colour, but I’m not asking you to come with me next week, I ask you to come in ten months. In ten months one has time to get oneself cured, you know.” At this point a footman came in to say that the carriage was at the door. “Come, Oriane, to horse,” said the Duke, already pawing the ground with impatience as though he were himself one of the horses that stood waiting outside. “Very well, give me in one word the reason why you can’t come to Italy,” the Duchess put it to Swann as she rose to say good-bye to us. “But, my dear friend, it’s because I shall then have been dead for several months. According to the doctors I consulted last winter, the thing I’ve got—which may, for that matter, carry me off at any moment—won’t in any case leave me more than three or four months to live, and even that is a generous estimate,” replied Swann with a smile, while the footman opened the glazed door of the hall to let the Duchess out. “What’s that you say?” cried the Duchess, stopping for a moment on her way to the carriage, and raising her fine eyes, their melancholy blue clouded by uncertainty. Placed for the first time in her life between two duties as incompatible as getting into her carriage to go out to dinner and shewing pity for a man who was about to die, she could find nothing in the code of conventions that indicated the right line to follow, and, not knowing which to choose, felt it better to make a show of not believing that the latter alternative need be seriously considered, so as to follow the first, which demanded of her at the moment less effort, and thought that the best way of settling the conflict would be to deny that any existed. “You’re joking,” she said to Swann. “It would be a joke in charming taste,” replied he ironically. “I don’t know why I am telling you this; I have never said a word to you before about my illness. But as you asked me, and as now I may die at any moment.... But whatever I do I mustn’t make you late; you’re dining out, remember,” he added, because he knew that for other people their own social obligations took precedence of the death of a friend, and could put himself in her place by dint of his instinctive politeness. But that of the Duchess enabled her also to perceive in a vague way that the dinner to which she was going must count for less to Swann than his own death. And so, while continuing on her way towards the carriage, she let her shoulders droop, saying: “Don’t worry about our dinner. It’s not of any importance!” But this put the Duke in a bad humour, who exclaimed: “Come, Oriane, don’t stop there chattering like that and exchanging your jeremiads with Swann; you know very well that Mme. de Saint-Euverte insists on sitting down to table at eight o’clock sharp. We must know what you propose to do; the horses have been waiting for a good five minutes. I beg your pardon, Charles,” he went on, turning to Swann, “but it’s ten minutes to eight already. Oriane is always late, and it will take us more than five minutes to get to old Saint-Euverte’s.”

Mme. de Guermantes advanced resolutely towards the carriage and uttered a last farewell to Swann. “You know, we can talk about that another time; I don’t believe a word you’ve been saying, but we must discuss it quietly. I expect they gave you a dreadful fright, come to luncheon, whatever day you like,” (with Mme. de Guermantes things always resolved themselves into luncheons), “you will let me know your day and time,” and, lifting her red skirt, she set her foot on the step. She was just getting into the carriage when, seeing this foot exposed, the Duke cried in a terrifying voice: “Oriane, what have you been thinking of, you wretch? You’ve kept on your black shoes! With a red dress! Go upstairs quick and put on red shoes, or rather,” he said to the footman, “tell the lady’s maid at once to bring down a pair of red shoes.” “But, my dear,” replied the Duchess gently, annoyed to see that Swann, who was leaving the house with me but had stood back to allow the carriage to pass out in front of us, could hear, “since we are late.” “No, no, we have plenty of time. It is only ten to; it won’t take us ten minutes to get to the Parc Monceau. And, after all, what would it matter? If we turned up at half past eight they’ld have to wait for us, but you can’t possibly go there in a red dress and black shoes. Besides, we shan’t be the last, I can tell you; the Sassenages are coming, and you know they never arrive before twenty to nine.” The Duchess went up to her room. “Well,” said M. de Guermantes to Swann and myself, “we poor, down-trodden husbands, people laugh at us, but we are of some use all the same. But for me, Oriane would have been going out to dinner in black shoes.” “It’s not unbecoming,” said Swann, “I noticed the black shoes and they didn’t offend me in the least.” “I don’t say you’re wrong,” replied the Duke, “but it looks better to have them to match the dress. Besides, you needn’t worry, she would no sooner have got there than she’ld have noticed them, and I should have been obliged to come home and fetch the others. I should have had my dinner at nine o’clock. Good-bye, my children,” he said, thrusting us gently from the door, “get away, before Oriane comes down again. It’s not that she doesn’t like seeing you both. On the contrary, she’s too fond of your company. If she finds you still here she will start talking again, she is tired out already, she’ll reach the dinner-table quite dead. Besides, I tell you frankly, I’m dying of hunger. I had a wretched luncheon this morning when I came from the train. There was the devil of a béarnaise sauce, I admit, but in spite of that I sha’nt be at all sorry, not at all sorry to sit down to dinner. Five minutes to eight! Oh, women, women! She’ll give us both indigestion before to-morrow. She is not nearly as strong as people think.” The Duke felt no compunction at speaking thus of his wife’s ailments and his own to a dying man, for the former interested him more, appeared to him more important. And so it was simply from good breeding and good fellowship that, after politely shewing us out, he cried “from off stage”, in a stentorian voice from the porch to Swann, who was already in the courtyard: “You, now, don’t let yourself be taken in by the doctors’ nonsense, damn them. They’re donkeys. You’re as strong as the Pont Neuf. You’ll live to bury us all!”


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ADAMS, HENRY The Education of Henry Adams 76
AIKEN, CONRAD A Comprehensive Anthology of American Verse 101
AIKEN, CONRAD Modern American Poetry 127
ANDERSON, SHERWOOD Winesburg, Ohio 104
BALZAC Droll Stories 193
BEERBOHM, MAX Zuleika Dobson 116
BEMELMANS, LUDWIG My War with the United States 175
BENNETT, ARNOLD The Old Wives’ Tale 184
BIERCE, AMBROSE In the Midst of Life 133
BOCCACCIO The Decameron 71
BRONTË, CHARLOTTE Jane Eyre 64
BRONTË, EMILY Wuthering Heights 106
BUCK, PEARL The Good Earth 2
BURTON, RICHARD The Arabian Nights 201
BUTLER, SAMUEL Erewhon and Erewhon Revisited 136
BUTLER, SAMUEL The Way of All Flesh 13
CABELL, JAMES BRANCH Jurgen 15
CALDWELL, ERSKINE God’s Little Acre 51
CANFIELD, DOROTHY The Deepening Stream 200
CARROLL, LEWIS Alice in Wonderland, etc. 79
CASANOVA, JACQUES Memoirs of Casanova 165
CELLINI, BENVENUTO Autobiography of Cellini 3
CERVANTES Don Quixote 174
CHAUCER The Canterbury Tales 161
CHAUCER Troilus and Cressida 126
CONFUCIUS The Wisdom of Confucius 7
CONRAD, JOSEPH Heart of Darkness (In Great Modern Short Stories 168)
CONRAD, JOSEPH Lord Jim 186
CONRAD, JOSEPH Victory 34
CORNEILLE and RACINE Six Plays of Corneille and Racine 194
CORVO, FREDERICK BARON A History of the Borgias 192
CUMMINGS, E. E. The Enormous Room 214
DANTE The Divine Comedy 208
DAUDET, ALPHONSE Sapho 85
DEFOE, DANIEL Moll Flanders 122
DEWEY, JOHN Human Nature and Conduct 173
DICKENS, CHARLES A Tale of Two Cities 189
DICKENS, CHARLES David Copperfield 110
DICKENS, CHARLES Pickwick Papers 204
DINESEN, ISAK Seven Gothic Tales 54
DOS PASSOS, JOHN Three Soldiers 205
DOSTOYEVSKY, FYODOR Crime and Punishment 199
DOSTOYEVSKY, FYODOR The Brothers Karamazov 151
DOSTOYEVSKY, FYODOR The Possessed 55
DOUGLAS, NORMAN South Wind 5
DREISER, THEODORE Sister Carrie 8
DUMAS, ALEXANDRE Camille 69
DUMAS, ALEXANDRE The Three Musketeers 143
DU MAURIER, GEORGE Peter Ibbetson 207
EDMAN, IRWIN The Philosophy of Plato 181
EDMONDS, WALTER D. Rome Haul 191
ELLIS, HAVELOCK The Dance of Life 160
EMERSON, RALPH WALDO Essays and Other Writings 91
FAULKNER, WILLIAM Sanctuary 61
FEUCHTWANGER, LION Power 206
FIELDING, HENRY Joseph Andrews 117
FIELDING, HENRY Tom Jones 185
FINEMAN, IRVING Hear, Ye Sons 130
FLAUBERT, GUSTAVE Madame Bovary 28
FORESTER, C. S. The African Queen 102
FORSTER, E. M. A Passage to India 218
FRANCE, ANATOLE Crime of Sylvestre Bonnard 22
FRANCE, ANATOLE Penguin Island 210
FRANKLIN, BENJAMIN Autobiography, etc. 39
GALSWORTHY, JOHN The Apple Tree (In Great Modern Short Stories 168)
GAUTIER, THEOPHILE Mlle. De Maupin, One of Cleopatra’s Nights 53
GEORGE, HENRY Progress and Poverty 36
GIDE, ANDRÉ The Counterfeiters 187
GISSING, GEORGE New Grub Street 125
GISSING, GEORGE Private Papers of Henry Ryecroft 46
GLASGOW, ELLEN Barren Ground 25
GOETHE Faust 177
GOETHE The Sorrows of Werther (In Collected German Stories 108)
GOGOL, NIKOLAI Dead Souls 40
GRAVES, ROBERT I, Claudius 20
HAMMETT, DASHIELL The Maltese Falcon 45
HAMSUN, KNUT Growth of the Soil 12
HARDY, THOMAS Jude the Obscure 135
HARDY, THOMAS The Mayor of Casterbridge 17
HARDY, THOMAS The Return of the Native 121
HARDY, THOMAS Tess of the D’Urbervilles 72
HART, LIDDELL The War in Outline 16
HAWTHORNE, NATHANIEL The Scarlet Letter 93
HEMINGWAY, ERNEST A Farewell to Arms 19
HEMINGWAY, ERNEST The Sun Also Rises 170
HEMON, LOUIS Maria Chapdelaine 10
HOMER The Iliad 166
HOMER The Odyssey 167
HORACE The Complete Works of 141
HUDSON, W. H. Green Mansions 89
HUDSON, W. H. The Purple Land 24
HUGHES, RICHARD A High Wind in Jamaica 112
HUGO, VICTOR The Hunchback of Notre Dame 35
HUNEKER, JAMES G. Painted Veils 43
HUXLEY, ALDOUS Antic Hay 209
HUXLEY, ALDOUS Point Counter Point 180
IBSEN, HENRIK A Doll’s House, Ghosts, etc. 6
JAMES, HENRY The Portrait of a Lady 107
JAMES, HENRY The Turn of the Screw 169
JAMES, WILLIAM The Philosophy of William James 114
JAMES, WILLIAM The Varieties of Religious Experience 70
JEFFERS, ROBINSON Roan Stallion; Tamar and Other Poems 118
JOYCE, JAMES Dubliners 124
JOYCE, JAMES A Portrait of the Artist as a Young Man 145
KUPRIN, ALEXANDRE Yama 203
LARDNER, RING The Collected Short Stories of 211
LAWRENCE, D. H. The Rainbow 128
LAWRENCE, D. H. Sons and Lovers 109
LAWRENCE, D. H. Women in Love 68
LEWIS, SINCLAIR Arrowsmith 42
LEWISOHN, LUDWIG The Island Within 123
LONGFELLOW, HENRY W. Poems 56
LOUYS, PIERRE Aphrodite 77
LUDWIG, EMIL Napoleon 95
LUNDBERG, FERDINAND Imperial Hearst 81
MACHIAVELLI The Prince and The Discourses of Machiavelli 65
MALRAUX, ANDRÉ Man’s Fate 33
MANN, THOMAS Death in Venice (In Collected German Stories 108)
MANSFIELD, KATHERINE The Garden Party 129
MARQUAND, JOHN P. The Late George Apley 182
MARX, KARL Capital and Other Writings 202
MAUGHAM, W. SOMERSET Of Human Bondage 176
MAUGHAM, W. SOMERSET The Moon and Sixpence 27
MAUPASSANT, GUY DE Best Short Stories 98
McFEE, WILLIAM Casuals of the Sea 195
MELVILLE, HERMAN Moby Dick 119
MEREDITH, GEORGE Diana of the Crossways 14
MEREDITH, GEORGE The Ordeal of Richard Feverel 134
MEREJKOWSKI, DMITRI The Romance of Leonardo da Vinci 138
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  An Anthology of Light Verse 48
  Best Ghost Stories 73
  Best Amer. Humorous Short Stories 87
  Best Russian Short Stories, including Bunin’s The Gentleman from San Francisco 18
  Eight Famous Elizabethan Plays 94
  Five Great Modern Irish Plays 30
  Four Famous Greek Plays 158
  Fourteen Great Detective Stories 144
  Great German Short Novels and Stories 108
  Great Modern Short Stories 168
  The Federalist 139
  The Making of Man: An Outline of Anthropology 149
  The Making of Society: An Outline of Sociology 183
  The Short Bible 57
  Outline of Abnormal Psychology 152
  Outline of Psychoanalysis 66
  The Sex Problem in Modern Society 198
MOLIERE Plays 78
MORLEY, CHRISTOPHER Human Being 74
MORLEY, CHRISTOPHER Parnassus on Wheels 190
NIETZSCHE, FRIEDRICH Thus Spake Zarathustra 9
ODETS, CLIFFORD Six Plays of 67
O’NEILL, EUGENE The Emperor Jones, Anna Christie and The Hairy Ape 146
O’NEILL, EUGENE The Long Voyage Home and Seven Plays of the Sea 111
PASCAL, BLAISE Pensées and The Provincial Letters 164
PATER, WALTER The Renaissance 86
PATER, WALTER Marius the Epicurean 90
PEARSON, EDMUND Studies in Murder 113
PEPYS, SAMUEL Samuel Pepys’ Diary 103
PETRONIUS ARBITER The Satyricon 156
PLATO The Republic 153
PLATO The Philosophy of Plato 181
POE, EDGAR ALLAN Best Tales 82
POLO, MARCO The Travels of Marco Polo 196
PORTER, KATHERINE ANNE Flowering Judas 88
PREVOST, ANTOINE Manon Lescaut 85
PROUST, MARCEL Cities of the Plain 220
PROUST, MARCEL The Captive 120
PROUST, MARCEL The Guermantes Way 213
PROUST, MARCEL Swann’s Way 59
PROUST, MARCEL Within a Budding Grove 172
RABELAIS Gargantua and Pantagruel 4
READE, CHARLES The Cloister and the Hearth 62
REED, JOHN Ten Days that Shook the World 215
RENAN, ERNEST The Life of Jesus 140
ROSTAND, EDMOND Cyrano de Bergerac 154
RUSSELL, BERTRAND Selected Papers of Bertrand Russell 137
SAROYAN, WILLIAM The Daring Young Man on the Flying Trapeze 92
SCHOPENHAUER The Philosophy of Schopenhauer 52
SCHREINER, OLIVE The Story of an African Farm 132
SHEEAN, VINCENT Personal History 32
SMOLLETT, TOBIAS Humphry Clinker 159
SPINOZA The Philosophy of Spinoza 60
STEINBECK, JOHN In Dubious Battle 115
STEINBECK, JOHN The Grapes of Wrath 148
STEINBECK, JOHN Tortilla Flat 216
STEINBECK, JOHN Of Mice and Men 29
STENDHAL The Charterhouse of Parma 150
STENDHAL The Red and the Black 157
STERNE, LAURENCE Tristram Shandy 147
STOKER, BRAM Dracula 31
STONE, IRVING Lust for Life 11
STRACHEY, LYTTON Eminent Victorians 212
SUDERMANN, HERMANN The Song of Songs 162
SUETONIUS Lives of the Twelve Caesars 188
SWIFT, JONATHAN Gulliver’s Travels, A Tale of a Tub, The Battle of the Books 100
SWINBURNE, CHARLES Poems 23
SYMONDS, JOHN A. The Life of Michelangelo 49
TCHEKOV, ANTON Short Stories 50
TCHEKOV, ANTON Sea Gull, Cherry Orchard, Three Sisters, etc. 171
THACKERAY, WILLIAM Henry Esmond 80
THACKERAY, WILLIAM Vanity Fair 131
THOMPSON, FRANCIS Complete Poems 38
THOREAU, HENRY DAVID Walden and Other Writings 155
THUCYDIDES The Complete Writings of 58
TOLSTOY, LEO Anna Karenina 37
TOMLINSON, H. M. The Sea and the Jungle 99
TROLLOPE, ANTHONY Barchester Towers and The Warden 41
TURGENEV, IVAN Fathers and Sons 21
VAN LOON, HENDRIK W. Ancient Man 105
VEBLEN, THORSTEIN The Theory of the Leisure Class 63
VIRGIL’S WORKS Including The Aeneid, Eclogues, and Georgics 75
VOLTAIRE Candide 47
WALPOLE, HUGH Fortitude 178
WALTON, IZAAK The Compleat Angler 26
WEBB, MARY Precious Bane 219
WELLS, H. G. Tono Bungay 197
WHITMAN, WALT Leaves of Grass 97
WILDE, OSCAR Dorian Gray, De Profundis 1
WILDE, OSCAR The Plays of Oscar Wilde 83
WILDE, OSCAR Poems and Fairy Tales 84
WOOLF, VIRGINIA Mrs. Dalloway 96
WOOLF, VIRGINIA To the Lighthouse 217
YEATS, W. B. Irish Fairy and Folk Tales 44
YOUNG, G. F. The Medici 179
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G48.   THE METROPOLITAN OPERA GUIDE.
G49.   TWAIN, MARK. Tom Sawyer and Huckleberry Finn.
G50.   WHITMAN, WALT. Leaves of Grass.
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G55.   O’NEILL, EUGENE. Nine Plays by
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G57.   BROOKS, VAN WYCK. The Flowering of New England.
G58.   MALRAUX, ANDRÉ. Man’s Hope.

Transcriber’s Note

You will note in the Table of Contents, that the pagination of the original text begins with ‘1’ for each of the two Parts. Page references in these notes below refers to each Part by prefixing ‘1.’ or ‘2.’.

Errors deemed most likely to be the printer’s have been corrected, and are noted here. The references are to the part, page and line in the original.

1.44.21 Really, Madame d’Ambresac[,/.] Replaced.
1.102.22 from the window[ of] a country house Added.
1.135.29 by the sumpt[u]ous curtains Inserted.
1.155.32 would never venture[.] Restored.
1.157.31 the thought of Mme. de Guermantes[.] Added.
1.185.21 if-I[-]tell-you-a-thing Inserted.
1.194.25 were barely distinguish[i/a]ble Replaced.
1.209.15 discern[a/i]ble at most Replaced.
1.210.19 she’ll perhaps [h/b]e afraid Replaced.
1.213.17 a woman desir[i]ous of earning Removed.
1.290.28 [“]Whenever there’s a famous man Added.
1.311.7 [“]After all, one never does know Added.
1.313.16 to explain it to him.[”] Added.
1.321.8 [“]if they’re all like Gilbert Added.
1.351.7 [“]But I’ve found out Removed.
1.358.27 [‘/“]Damn it, these fellows will see Replaced.
1.381.32 by exposing his strat[e/a]gem. Replaced.
1.393.7 that intermittent familiar[it]y Inserted.
396.22 his [“/‘]haggart[”/’]) of a mother Replaced.
1.418.21 rashes, asthma, ep[l]ilepsy, a terror Inserted.
1.425.24 I said to him: ‘Y[’] mustn’t let go Added.
     
2.18.4 with a hot needle.[”] Added.
2.40.6 which he had[ had] left ajar. Removed.
2.70.28 the temptation to kiss you.[”] Added.
2.82.24 has been tra[n]smitted Inserted.
2.138.4 plent[l]y plenty of foreigners Inserted.
2.220.14 on the afternoon of[ of] “Teaser Augustus”. Removed.
2.250.7 with the s[ta/at]isfaction which he derived Transposed.
2.174.20 r[yh/hy]thm of precise and noble movements Transposed.
2.290.10 all go quite smooth[l]y. Inserted.
2.282.17 of their conversation, [oc/co]mments which Transposed.
2.331.5 Feuilles d’A[n/u]tomne Inverted.
2.348.12 regard[n/l]ess of any want Replaced.