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THE DUCHESS OF HOHENBERG

(Wife of the Archduke Francis Ferdinand).

Upon the answers given to those questions, and not upon the text of the oath which Francis Ferdinand swore, the ultimate inheritance of the Empire will depend. They are questions to which, so far as logic goes, one answer is as good as another; which means that the answer actually given to them will be dictated by expediency and the wishes of the influential. Those who picture Francis Ferdinand dutifully abiding by his pledges because he is a religious man not only misjudge him, but misjudge religious people generally. There is always a Higher Law—the universe is full of Higher Laws. One can always appeal to them; and, if one is an Emperor, one may have the advantage of being judge in one’s own case. Francis Ferdinand will enjoy that advantage presently; and it remains to be seen what use he will make of it. The issue is not yet, though it cannot be long delayed.

Meanwhile, one may salute Francis Ferdinand respectfully as one who has fought a good fight, and has not been content with half successes. His wife is a clever woman who knows how to bide her time, and does not go out of her way to make unnecessary enemies. He himself has his party, which looks likely to be the party of the future. The blow which he has struck at the Habsburg system is the hardest blow which that system has yet sustained, because he has struck it with dignity and self-restraint, gratifying the instinctive Habsburg craving for the infusion of fresh blood without provoking any of those scandals which give the enemy occasion to blaspheme. If the Papacy was in earnest when it admonished the Habsburgs for their consanguineous unions, then he may fairly claim that the Pope is his ally in the battle.

One cannot say the same of the acts of rebellion which have to be reviewed next, though they too have served their purpose as object-lessons: crowning proofs to be cited in support of the thesis that the Habsburg system of in-breeding in order to develop an unique type of man and woman is a failure, and that nature, expelled with a pitchfork, is apt to return—an old friend with a new face, exaggerating even to the point of grotesqueness the normal man and woman’s passion for romance.