A Courtly Masque: The Deuice called, The World tost at Tennis. As it hath beene diuers times Presented to the Contentment of many Noble and Worthy Spectators: By the Prince his Seruants.
Inuented and set
downe, By bracket
Tho: Middleton
&
William Rowley
bracket
Gent.
London printed by George Purslowe, and are to be sold at Christ ——. 4to.
In all the copies of this Masque which I have seen, a portion of the letter-press has been cut off from the bottom of the title-page by the binder. Langbaine (Acc. of Engl. Dram. Poets, p. 374) gives to it the date 1620: and so the Biographia Dramatica, which adds that it was entered on the book of the Stationers’ Company July 4, in that year.
Eldest Daughter of the truly generous and judicious Sir William Cockaine, Knight, Lord Mayor of this City, and Lord General of the Military Forces.
After most hearty commendations, my kind and unknown friends, trusting in Phœbus your understandings are all in as good health as Simplicity’s was at the writing hereof; this is to certify you further, that this short and small treatise that follows, called a Masque, the device further intituled The World tost at Tennis—how it will be now tossed in the world, I know not—a toy brought to the press rather by the printer than the poet, who requested an epistle for his pass, to satisfy his perusers how hitherto he hath behaved himself. First, for his conception, he was begot in Brainford,[217] born on the bank-side of Helicon, brought up amongst noble gentle commons and good scholars of all sorts, where, for his time, he did good and honest service beyond the small seas: he was fair-spoken, never accused of scurrilous or obscene language, a virtue not ever found in scenes of the like condition; of as honest meaning reputed, as his words reported; neither too bitterly taxing, nor too soothingly telling, the world’s broad abuses; moderately merry, as sententiously serious; never condemned but for his brevity in speech, ever wishing his tale longer, to be assured he would continue to so good a purpose. Having all these handsome qualities simply, and no other compounded with knavery, there is great hope he shall pass still by the fair way of good report, persevering in those honest courses which may become the son of Simplicity, who, though he be now in a masque, yet is his face apparent enough. And so, loving cousins, having no news to send you at this time, but that Deceit is entering upon you, whom I pray you have a care to avoid; and this notice I can give you of him,—there are some six or eight pages before him, the Lawyer and the Devil behind him. In this care I leave you, not leaving to be
| A Scholar. | Pallas. |
| A Soldier. | Jupiter. |
| The Nine Worthies [the Nine Muses.] | |
| The second Dance. | |
| Simplicity. | The Intermeddler. |
| Deceit. | The Disguiser. |
| The second Song. | |
| A King. | A Sea-Captain. |
| A Land-Captain. | Mariners. |
| The third Song and third Dance. | |
| The Flamen. | The Lawyer. |
| The fourth and last Dance, the Devil an intermixer. | |
Scho. Soldier, ta-ra-ra-ra-ra! how is’t? thou lookest as if thou hadst lost a field to-day.
Sol. No, but I have lost a day i’ the field: if you take me a maunding[223] but where I am commanding, let ’em shew me the House of Correction.
Scho. Why, thou wert not maunding, wert thou? there’s martial danger in that, believe it.
Sol. No, sir; but I was bold to shew myself to some of my old and familiar acquaintance, but being disguised with my wants, there’s nobody knew me.
Scho. Faith, and that’s the worst disguise a man can walk in; thou wert better have appeared drunk in good clothes, much better: there’s no superfluities shame a man,—as to be over-brave,[224] over-bold, over-swearing, over-lying, over-whoring; these add still to his repute: ’tis the poor indigence, the want, the lank deficiency,—as when a man cannot be brave, dares not be bold, is afraid to swear, wants maintenance for a lie, and money to give a whore a supper; this is pauper cujus modicum non satis est: nay, he shall never be rich with begging neither, which is another wonder, because many beggars are rich.
Sol. O canina facundia! this dog-eloquence of thine will make thee somewhat one day, scholar: couldst thou turn but this prose into rhyme, there were a pitiful living to be picked out of it.
Scho. I could make ballads for a need.
Sol. Very well, sir, and I’ll warrant thee thou shalt never want subject to write of: one hangs himself to-day, another drowns himself to-morrow, a sergeant stabbed next day; here a pettifogger a’ the pillory, a bawd in the cart’s nose, and a pander in the tail; hic mulier, hæc vir, fashions, fictions, felonies, fooleries;—a hundred havens has the balladmonger to traffic at, and new ones still daily discovered.
Scho. Prithee, soldier, no further this way; I participate more of Heraclitus than Democritus; I could rather weep the sins of the people than sing ’em.
Sol. Shall I set thee down a course to live?
Scho. Faith, a coarse living, I think, must serve my turn; but why hast thou not found out thine own yet?
[Music, and this Song as an invocation to the Nine Muses, who, in the time, are discovered, with the Nine Worthies, on the upper-stage:[237] toward the conclusion they descend, each Worthy led by a Muse, the most proper and pertinent to the person of the Worthy, as Terpsichore with David, Urania with Joshua, &c.
[Enter at the three several doors the Nine Worthies, three after three, whom, as they enter, Pallas describes.