ARGUMENT.
Four ways leading to Nature, Literature, Art, and Science—The Entrance Porch of Nature Portrayed—Alpine Scenery—Polar Regions—The Torrent—The Atlantic Ocean—A Ship tossed by the Waves, and a Calm—The Gorge, Jungfrau—Floating Islands and Hot Wells—Staffa—Fingal’s Cave—Lake of Killarney—The Isle of Skye—Jura and the Lake of Geneva—Digression—Object and Aim proposed—Progress continued—The Forest—Wild Beasts’ Lair—The Constrictor—The Contrast in reference to Eden—Millennium—The Discourse—The Grove and Lovely Valley—Variety of Nature unexplored—The Poet’s Instruction.
ARGUMENT.
The Porch of Art—Entrance thereto—A Sight of the Pyramids—Statues at Memphis—Pompey’s Pillar—The Hanging Gardens of Babylon—Pompeii—Palmyra—The Temple of the Sun—Wall of China—The Eddystone—A more minute Survey of Art—The Gallery of Painting—Statuary—Distant Music—The great Masters of Science and Art pass in review, Raphael, &c., Milton, Newton—The Garden of Delight—Shakspeare—Leaving the Vale of Tempé, they are led to the Repository of Art, Armoury, &c.—Painted Glass—Models, &c.—Mechanical Objects—Steam Power—The Printing Press—The Times Journal—Modern Improvements—Inventions—Progress of Art.