Plate XCIV

COLOR ANALYSIS FROM A “BLACK HAWTHORN VASE”
Black Ground 30
Green-White Flowers 26
Green Leaves 20
Yellow-Green Leaves 10
Brown Stems 3
Pale Red Flowers 5
Yellow „ 6
 
  100

Plate XCV

COLOR ANALYSIS FROM A ROSE-COLORED VASE
Rose Ground 50
White Panel 23
Blue-Green 10
Yellow-Green 3
Yellow 7
Deep Pink 5
Blue 2
 
  100

Plate XCVI

COLOR ANALYSIS FROM YELLOW CHINESE PORCELAIN VASE
Yellow Ground 44
Light Green Leaves 23
Dark Green „ 8
Cream White Flowers 16
Brown Stems 9
 
  100

Plate XCVII

COLOR ANALYSIS FROM A CHINESE “EGGSHELL” PLATE
Blue 18
Yellow 18
White 18
Green 18
Pink 18
Dark Pink 3
Dark Green 3
Black 2
Gold 2
 
  100
Pale tints with delicate decoration in strong tones.

Plate XCVIII

COLOR ANALYSIS FROM A BUTTERFLY
Dark Yellow Shade 30
Medium Yellow 25
Light Yellow 20
Silver 15
Black 10
 
  100
The black was well placed to contrast with the light tones, the silver to contrast with the dark tone.

Plate XCIX

COLOR ANALYSIS FROM A STONE
Pale Gray-Green 40
Gray-Green 35
Pale Red 25
 
  100
Ground, pale green.

Plate C

COLOR NOTE FROM AN OLD AND PARTLY
DISCOLORED PROPELLER FLANGE

Plate CI

COLOR NOTE FROM LEAVES ON A TREE

The sun glancing across the smooth leaves makes a cool gray, and shining through them makes a warm green.
The shaded leaves are a deep green.

Plate CII

COLOR NOTE FROM A SUNSET SKY

Plate CIII

COLOR NOTE FROM BARE WOODS ON THE
EDGE OF A MEADOW

Plate CIV

COLOR NOTE FROM EVERGREENS AGAINST
A GRAY-BLUE RAIN CLOUD

Plate CV

COLOR NOTE FROM A SHADOW ON
WHITE GROUND

Plate CVI

COLOR NOTE FROM A BLUEBIRD

A harmony of cobalt and light red.

Plate CVII

COLOR NOTE FROM A SLICE OF AN ORANGE

Plate CVIII

COLOR NOTE FROM ORANGE CANNA BLOSSOM

with part of leaf

Plate CIX

COLOR NOTE FROM A BUNCH OF AZALEAS

Plate CX

COLOR NOTE FROM OAK LEAVES AGAINST
A DISTANT HILLSIDE

Plate CXI

COLOR NOTE FROM OATS SEEN FROM THE
EDGE OF THE FIELD

So the top was a mass of soft blue-gray-green, while the
stalks were highly colored.

Plate CXII

COLOR NOTE FROM A PUSSY WILLOW

Plate CXIII

COLOR NOTE FROM A TROUT POND

Plate CXIV

COLOR NOTE FROM A TREE FUNGUS

Texture like velvet.

Sky Snow in Sunshine Shadows on Snow Dead Grass through Snow Crows Dried Oak Leaves Tree Trunks, light Pine Green Tree Trunks, dark

Plate CXV

COLOR SCHEME FROM WINTER LANDSCAPE BETWEEN BALTIMORE AND WASHINGTON

Plate CXVI

SPECTRAL RED
NEUTRALIZED BY BLACK AND WHITE

Plate CXVII

SPECTRAL YELLOW
NEUTRALIZED BY BLACK AND WHITE

Circular color wheel diagram: a circle divided into 10 wedge-shaped sectors by radiating lines from the center, labeled around the rim (clockwise) Red-purple, Violet, Blue, Green-blue, Blue-green, Green, Yellow-green, Yellow, Orange, and Red.

1. Church, Colour.

2. Rood, Modern Chromatics.

3. “Mind,” n.s., Vol. II. 1893.

4. The use of this suggestion as to colored glass is strongly urged by the author, as it is a capital way of seeing how the world would look were everything in it blue, or any other color.

5. The Chemistry of Paints and Painting.

6. Church.

7. Chevreul.

8. Colour. By A. H. Church. Ch. X., p. 116.

9. Modern Chromatics. By Prof. O. N. Rood. Ch. XVI.

10. Colour. By A. H. Church. Ch. XI., p. 144.

11. F. Schuyler Matthews.

12. Lectures and Lessons on Art. F. W. Moody. P. 131.

13. Rood.

14. Floral Art of Japan. By Condor.

15. In The American Florist.

16. Note.—“A streak of light.”—Rood.

TRANSCRIBER’S NOTES