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[1] P. N. Gerdy: “Anatomy of the Forms of the Human Body for Painting, Sculpture, and Surgery.” Paris, 1829.
[2] It is not always thus abroad. Thus in Germany there is the work of E. Harless (“Lehrbuch der Plastischen Anatomie für Akademische Anstalten.” Stuttgart, 1876: 2nd edit.).
[3] We must look for other reasons than ignorance or indifference to explain the fixed scapulæ in pre-Phidian sculpture, or the exaggerated forms given to the extensor brevis of the foot and other muscles. This qualification is necessary to this general statement.—Ed.
[4] See Ludwig Choulant. Gesichte und Bibliographie des Anatomischen Abbildungen. Leipzig: 1852. (A very curious work wherein is found much information respecting the connection of anatomy with the plastic arts.)
[5] Seroux d’Agincourt. History of Art by its Monuments. Paris: 1811. Vol. i., p. 177.
[6] Pierre Camper. “Dissertations sur les différences rúlles que présentent les traits du visage chez les hommes de différents pays et de différent âges.” (Œuvres posthumes. Paris, 1786.)
[7] See especially; Conférences sur l’expression des differents charactères des passions, Paris, 1667. (These essays have been reprinted in the edition of Lavater, by Moreau. Vol. ix., 1820.)
[8] The Anatomy and Physiology of Expression (3rd edition, 1884, published after the death of Sir Charles Bell, and containing his last corrections.)
[9] The edition to consult is that issued in 1820, in ten volumes, by Moreau.
[10] Charles Darwin. The Expression of the Emotions in Man and in Animals.
[11] Albert Lemoine: De la Physionomie et de la Parole. Paris, 1865. Pierre Gratiolet: De la Physionomie et des Mouvements d’Expression. Paris, 1865. Piderit: Wissenschaftliches System der Mimik und Physiognomik. 1867.
Transcriber’s Notes:
1. Obvious printers’, punctuation and spelling errors have been
corrected silently.
2. Some hyphenated and non-hyphenated versions of the same words have
been retained as in the original.