It is a most remarkable thing. I sat down with the full intention of writing something clever and original; but for the life of me I can't think of anything clever and original—at least, not at this moment. The only thing I can think about now is being hard up. I suppose having my hands in my pockets has made me think about this. I always do sit with my hands in my pockets except when I am in the company of my sisters, my cousins, or my aunts; and they kick up such a shindy—I should say expostulate so eloquently upon the subject—that I have to give in and take them out—my hands I mean. The chorus to their objections is that it is not gentlemanly. I am hanged if I can see why. I could understand its not being considered gentlemanly to put your hands in other people's pockets (especially by the other people), but how, O ye sticklers for what looks this and what looks that, can putting his hands in his own pockets make a man less gentle? Perhaps you are right, though. Now I come to think of it, I have heard some people grumble most savagely when doing it. But they were mostly old gentlemen. We young fellows, as a rule, are never quite at ease unless we have our hands in our pockets. We are awkward and shifty. We are like what a music-hall Lion Comique would be without his opera-hat, if such a thing can be imagined. But let us put our hands in our trousers pockets, and let there be some small change in the right-hand one and a bunch of keys in the left, and we will face a female post-office clerk.
It is a little difficult to know what to do with your hands, even in your pockets, when there is nothing else there. Years ago, when my whole capital would occasionally come down to "what in town the people call a bob," I would recklessly spend a penny of it, merely for the sake of having the change, all in coppers, to jingle. You don't feel nearly so hard up with eleven pence in your pocket as you do with a shilling. Had I been "La-di-da," that impecunious youth about whom we superior folk are so sarcastic, I would have changed my penny for two ha'pennies.
I can speak with authority on the subject of being hard up. I have been a provincial actor. If further evidence be required, which I do not think likely, I can add that I have been a "gentleman connected with the press." I have lived on 15 shilling a week. I have lived a week on 10, owing the other 5; and I have lived for a fortnight on a great-coat.
It is wonderful what an insight into domestic economy being really hard up gives one. If you want to find out the value of money, live on 15 shillings a week and see how much you can put by for clothes and recreation. You will find out that it is worth while to wait for the farthing change, that it is worth while to walk a mile to save a penny, that a glass of beer is a luxury to be indulged in only at rare intervals, and that a collar can be worn for four days.
Try it just before you get married. It will be excellent practice. Let your son and heir try it before sending him to college. He won't grumble at a hundred a year pocket-money then. There are some people to whom it would do a world of good. There is that delicate blossom who can't drink any claret under ninety-four, and who would as soon think of dining off cat's meat as off plain roast mutton. You do come across these poor wretches now and then, though, to the credit of humanity, they are principally confined to that fearful and wonderful society known only to lady novelists. I never hear of one of these creatures discussing a menu card but I feel a mad desire to drag him off to the bar of some common east-end public-house and cram a sixpenny dinner down his throat—beefsteak pudding, fourpence; potatoes, a penny; half a pint of porter, a penny. The recollection of it (and the mingled fragrance of beer, tobacco, and roast pork generally leaves a vivid impression) might induce him to turn up his nose a little less frequently in the future at everything that is put before him. Then there is that generous party, the cadger's delight, who is so free with his small change, but who never thinks of paying his debts. It might teach even him a little common sense. "I always give the waiter a shilling. One can't give the fellow less, you know," explained a young government clerk with whom I was lunching the other day in Regent Street. I agreed with him as to the utter impossibility of making it elevenpence ha'penny; but at the same time I resolved to one day decoy him to an eating-house I remembered near Covent Garden, where the waiter, for the better discharge of his duties, goes about in his shirt-sleeves—and very dirty sleeves they are, too, when it gets near the end of the month. I know that waiter. If my friend gives him anything beyond a penny, the man will insist on shaking hands with him then and there as a mark of his esteem; of that I feel sure.
There have been a good many funny things said and written about hardupishness, but the reality is not funny, for all that. It is not funny to have to haggle over pennies. It isn't funny to be thought mean and stingy. It isn't funny to be shabby and to be ashamed of your address. No, there is nothing at all funny in poverty—to the poor. It is hell upon earth to a sensitive man; and many a brave gentleman who would have faced the labors of Hercules has had his heart broken by its petty miseries.
It is not the actual discomforts themselves that are hard to bear. Who would mind roughing it a bit if that were all it meant? What cared Robinson Crusoe for a patch on his trousers? Did he wear trousers? I forget; or did he go about as he does in the pantomimes? What did it matter to him if his toes did stick out of his boots? and what if his umbrella was a cotton one, so long as it kept the rain off? His shabbiness did not trouble him; there was none of his friends round about to sneer him.
Being poor is a mere trifle. It is being known to be poor that is the sting. It is not cold that makes a man without a great-coat hurry along so quickly. It is not all shame at telling lies—which he knows will not be believed—that makes him turn so red when he informs you that he considers great-coats unhealthy and never carries an umbrella on principle. It is easy enough to say that poverty is no crime. No; if it were men wouldn't be ashamed of it. It's a blunder, though, and is punished as such. A poor man is despised the whole world over; despised as much by a Christian as by a lord, as much by a demagogue as by a footman, and not all the copy-book maxims ever set for ink stained youth will make him respected. Appearances are everything, so far as human opinion goes, and the man who will walk down Piccadilly arm in arm with the most notorious scamp in London, provided he is a well-dressed one, will slink up a back street to say a couple of words to a seedy-looking gentleman. And the seedy-looking gentleman knows this—no one better—and will go a mile round to avoid meeting an acquaintance. Those that knew him in his prosperity need never trouble themselves to look the other way. He is a thousand times more anxious that they should not see him than they can be; and as to their assistance, there is nothing he dreads more than the offer of it. All he wants is to be forgotten; and in this respect he is generally fortunate enough to get what he wants.
One becomes used to being hard up, as one becomes used to everything else, by the help of that wonderful old homeopathic doctor, Time. You can tell at a glance the difference between the old hand and the novice; between the case-hardened man who has been used to shift and struggle for years and the poor devil of a beginner striving to hide his misery, and in a constant agony of fear lest he should be found out. Nothing shows this difference more clearly than the way in which each will pawn his watch. As the poet says somewhere: "True ease in pawning comes from art, not chance." The one goes into his "uncle's" with as much composure as he would into his tailor's—very likely with more. The assistant is even civil and attends to him at once, to the great indignation of the lady in the next box, who, however, sarcastically observes that she don't mind being kept waiting "if it is a regular customer." Why, from the pleasant and businesslike manner in which the transaction is carried out, it might be a large purchase in the three per cents. Yet what a piece of work a man makes of his first "pop." A boy popping his first question is confidence itself compared with him. He hangs about outside the shop until he has succeeded in attracting the attention of all the loafers in the neighborhood and has aroused strong suspicions in the mind of the policeman on the beat. At last, after a careful examination of the contents of the windows, made for the purpose of impressing the bystanders with the notion that he is going in to purchase a diamond bracelet or some such trifle, he enters, trying to do so with a careless swagger, and giving himself really the air of a member of the swell mob. When inside he speaks in so low a voice as to be perfectly inaudible, and has to say it all over again. When, in the course of his rambling conversation about a "friend" of his, the word "lend" is reached, he is promptly told to go up the court on the right and take the first door round the corner. He comes out of the shop with a face that you could easily light a cigarette at, and firmly under the impression that the whole population of the district is watching him. When he does get to the right place he has forgotten his name and address and is in a general condition of hopeless imbecility. Asked in a severe tone how he came by "this," he stammers and contradicts himself, and it is only a miracle if he does not confess to having stolen it that very day. He is thereupon informed that they don't want anything to do with his sort, and that he had better get out of this as quickly as possible, which he does, recollecting nothing more until he finds himself three miles off, without the slightest knowledge how he got there.
By the way, how awkward it is, though, having to depend on public-houses and churches for the time. The former are generally too fast and the latter too slow. Besides which, your efforts to get a glimpse of the public house clock from the outside are attended with great difficulties. If you gently push the swing-door ajar and peer in you draw upon yourself the contemptuous looks of the barmaid, who at once puts you down in the same category with area sneaks and cadgers. You also create a certain amount of agitation among the married portion of the customers. You don't see the clock because it is behind the door; and in trying to withdraw quietly you jam your head. The only other method is to jump up and down outside the window. After this latter proceeding, however, if you do not bring out a banjo and commence to sing, the youthful inhabitants of the neighborhood, who have gathered round in expectation, become disappointed.
I should like to know, too, by what mysterious law of nature it is that before you have left your watch "to be repaired" half an hour, some one is sure to stop you in the street and conspicuously ask you the time. Nobody even feels the slightest curiosity on the subject when you've got it on.
Dear old ladies and gentlemen who know nothing about being hard up—and may they never, bless their gray old heads—look upon the pawn-shop as the last stage of degradation; but those who know it better (and my readers have no doubt, noticed this themselves) are often surprised, like the little boy who dreamed he went to heaven, at meeting so many people there that they never expected to see. For my part, I think it a much more independent course than borrowing from friends, and I always try to impress this upon those of my acquaintance who incline toward "wanting a couple of pounds till the day after to-morrow." But they won't all see it. One of them once remarked that he objected to the principle of the thing. I fancy if he had said it was the interest that he objected to he would have been nearer the truth: twenty-five per cent. certainly does come heavy.
There are degrees in being hard up. We are all hard up, more or less—most of us more. Some are hard up for a thousand pounds; some for a shilling. Just at this moment I am hard up myself for a fiver. I only want it for a day or two. I should be certain of paying it back within a week at the outside, and if any lady or gentleman among my readers would kindly lend it me, I should be very much obliged indeed. They could send it to me under cover to Messrs. Field & Tuer, only, in such case, please let the envelope be carefully sealed. I would give you my I.O.U. as security.
All is vanity and everybody's vain. Women are terribly vain. So are men—more so, if possible. So are children, particularly children. One of them at this very moment is hammering upon my legs. She wants to know what I think of her new shoes. Candidly I don't think much of them. They lack symmetry and curve and possess an indescribable appearance of lumpiness (I believe, too, they've put them on the wrong feet). But I don't say this. It is not criticism, but flattery that she wants; and I gush over them with what I feel to myself to be degrading effusiveness. Nothing else would satisfy this self-opinionated cherub. I tried the conscientious-friend dodge with her on one occasion, but it was not a success. She had requested my judgment upon her general conduct and behavior, the exact case submitted being, "Wot oo tink of me? Oo peased wi' me?" and I had thought it a good opportunity to make a few salutary remarks upon her late moral career, and said: "No, I am not pleased with you." I recalled to her mind the events of that very morning, and I put it to her how she, as a Christian child, could expect a wise and good uncle to be satisfied with the carryings on of an infant who that very day had roused the whole house at five AM.; had upset a water-jug and tumbled downstairs after it at seven; had endeavored to put the cat in the bath at eight; and sat on her own father's hat at nine thirty-five.
What did she do? Was she grateful to me for my plain speaking? Did she ponder upon my words and determine to profit by them and to lead from that hour a better and nobler life?
No! she howled.
That done, she became abusive. She said:
"Oo naughty—oo naughty, bad unkie—oo bad man—me tell MAR."
And she did, too.
Since then, when my views have been called for I have kept my real sentiments more to myself like, preferring to express unbounded admiration of this young person's actions, irrespective of their actual merits. And she nods her head approvingly and trots off to advertise my opinion to the rest of the household. She appears to employ it as a sort of testimonial for mercenary purposes, for I subsequently hear distant sounds of "Unkie says me dood dirl—me dot to have two bikkies [biscuits]."
There she goes, now, gazing rapturously at her own toes and murmuring "pittie"—two-foot-ten of conceit and vanity, to say nothing of other wickednesses.
They are all alike. I remember sitting in a garden one sunny afternoon in the suburbs of London. Suddenly I heard a shrill treble voice calling from a top-story window to some unseen being, presumably in one of the other gardens, "Gamma, me dood boy, me wery good boy, gamma; me dot on Bob's knickiebockies."
Why, even animals are vain. I saw a great Newfoundland dog the other day sitting in front of a mirror at the entrance to a shop in Regent's Circus, and examining himself with an amount of smug satisfaction that I have never seen equaled elsewhere outside a vestry meeting.
I was at a farm-house once when some high holiday was being celebrated. I don't remember what the occasion was, but it was something festive, a May Day or Quarter Day, or something of that sort, and they put a garland of flowers round the head of one of the cows. Well, that absurd quadruped went about all day as perky as a schoolgirl in a new frock; and when they took the wreath off she became quite sulky, and they had to put it on again before she would stand still to be milked. This is not a Percy anecdote. It is plain, sober truth.
As for cats, they nearly equal human beings for vanity. I have known a cat get up and walk out of the room on a remark derogatory to her species being made by a visitor, while a neatly turned compliment will set them purring for an hour.
I do like cats. They are so unconsciously amusing. There is such a comic dignity about them, such a "How dare you!" "Go away, don't touch me" sort of air. Now, there is nothing haughty about a dog. They are "Hail, fellow, well met" with every Tom, Dick, or Harry that they come across. When I meet a dog of my acquaintance I slap his head, call him opprobrious epithets, and roll him over on his back; and there he lies, gaping at me, and doesn't mind it a bit.
Fancy carrying on like that with a cat! Why, she would never speak to you again as long as you lived. No, when you want to win the approbation of a cat you must mind what you are about and work your way carefully. If you don't know the cat, you had best begin by saying, "Poor pussy." After which add "did 'ums" in a tone of soothing sympathy. You don't know what you mean any more than the cat does, but the sentiment seems to imply a proper spirit on your part, and generally touches her feelings to such an extent that if you are of good manners and passable appearance she will stick her back up and rub her nose against you. Matters having reached this stage, you may venture to chuck her under the chin and tickle the side of her head, and the intelligent creature will then stick her claws into your legs; and all is friendship and affection, as so sweetly expressed in the beautiful lines—
The last two lines of the stanza give us a pretty true insight into pussy's notions of human goodness. It is evident that in her opinion goodness consists of stroking her, and patting her, and feeding her with food. I fear this narrow-minded view of virtue, though, is not confined to pussies. We are all inclined to adopt a similar standard of merit in our estimate of other people. A good man is a man who is good to us, and a bad man is a man who doesn't do what we want him to. The truth is, we each of us have an inborn conviction that the whole world, with everybody and everything in it, was created as a sort of necessary appendage to ourselves. Our fellow men and women were made to admire us and to minister to our various requirements. You and I, dear reader, are each the center of the universe in our respective opinions. You, as I understand it, were brought into being by a considerate Providence in order that you might read and pay me for what I write; while I, in your opinion, am an article sent into the world to write something for you to read. The stars—as we term the myriad other worlds that are rushing down beside us through the eternal silence—were put into the heavens to make the sky look interesting for us at night; and the moon with its dark mysteries and ever-hidden face is an arrangement for us to flirt under.
I fear we are most of us like Mrs. Poyser's bantam cock, who fancied the sun got up every morning to hear him crow. "'Tis vanity that makes the world go round." I don't believe any man ever existed without vanity, and if he did he would be an extremely uncomfortable person to have anything to do with. He would, of course, be a very good man, and we should respect him very much. He would be a very admirable man—a man to be put under a glass case and shown round as a specimen—a man to be stuck upon a pedestal and copied, like a school exercise—a man to be reverenced, but not a man to be loved, not a human brother whose hand we should care to grip. Angels may be very excellent sort of folk in their way, but we, poor mortals, in our present state, would probably find them precious slow company. Even mere good people are rather depressing. It is in our faults and failings, not in our virtues, that we touch one another and find sympathy. We differ widely enough in our nobler qualities. It is in our follies that we are at one. Some of us are pious, some of us are generous. Some few of us are honest, comparatively speaking; and some, fewer still, may possibly be truthful. But in vanity and kindred weaknesses we can all join hands. Vanity is one of those touches of nature that make the whole world kin. From the Indian hunter, proud of his belt of scalps, to the European general, swelling beneath his row of stars and medals; from the Chinese, gleeful at the length of his pigtail, to the "professional beauty," suffering tortures in order that her waist may resemble a peg-top; from draggle-tailed little Polly Stiggins, strutting through Seven Dials with a tattered parasol over her head, to the princess sweeping through a drawing-room with a train of four yards long; from 'Arry, winning by vulgar chaff the loud laughter of his pals, to the statesman whose ears are tickled by the cheers that greet his high-sounding periods; from the dark-skinned African, bartering his rare oils and ivory for a few glass beads to hang about his neck, to the Christian maiden selling her white body for a score of tiny stones and an empty title to tack before her name—all march, and fight, and bleed, and die beneath its tawdry flag.
Ay, ay, vanity is truly the motive-power that moves humanity, and it is flattery that greases the wheels. If you want to win affection and respect in this world, you must flatter people. Flatter high and low, and rich and poor, and silly and wise. You will get on famously. Praise this man's virtues and that man's vices. Compliment everybody upon everything, and especially upon what they haven't got. Admire guys for their beauty, fools for their wit, and boors for their breeding. Your discernment and intelligence will be extolled to the skies.
Every one can be got over by flattery. The belted earl—"belted earl" is the correct phrase, I believe. I don't know what it means, unless it be an earl that wears a belt instead of braces. Some men do. I don't like it myself. You have to keep the thing so tight for it to be of any use, and that is uncomfortable. Anyhow, whatever particular kind of an earl a belted earl may be, he is, I assert, get-overable by flattery; just as every other human being is, from a duchess to a cat's-meat man, from a plow boy to a poet—and the poet far easier than the plowboy, for butter sinks better into wheaten bread than into oaten cakes.
As for love, flattery is its very life-blood. Fill a person with love for themselves, and what runs over will be your share, says a certain witty and truthful Frenchman whose name I can't for the life of me remember. (Confound it! I never can remember names when I want to.) Tell a girl she is an angel, only more angelic than an angel; that she is a goddess, only more graceful, queenly, and heavenly than the average goddess; that she is more fairy-like than Titania, more beautiful than Venus, more enchanting than Parthenope; more adorable, lovely, and radiant, in short, than any other woman that ever did live, does live, or could live, and you will make a very favorable impression upon her trusting little heart. Sweet innocent! she will believe every word you say. It is so easy to deceive a woman—in this way.
Dear little souls, they hate flattery, so they tell you; and when you say, "Ah, darling, it isn't flattery in your case, it's plain, sober truth; you really are, without exaggeration, the most beautiful, the most good, the most charming, the most divine, the most perfect human creature that ever trod this earth," they will smile a quiet, approving smile, and, leaning against your manly shoulder, murmur that you are a dear good fellow after all.
By Jove! fancy a man trying to make love on strictly truthful principles, determining never to utter a word of mere compliment or hyperbole, but to scrupulously confine himself to exact fact! Fancy his gazing rapturously into his mistress' eyes and whispering softly to her that she wasn't, on the whole, bad-looking, as girls went! Fancy his holding up her little hand and assuring her that it was of a light drab color shot with red; and telling her as he pressed her to his heart that her nose, for a turned-up one, seemed rather pretty; and that her eyes appeared to him, as far as he could judge, to be quite up to the average standard of such things!
A nice chance he would stand against the man who would tell her that her face was like a fresh blush rose, that her hair was a wandering sunbeam imprisoned by her smiles, and her eyes like two evening stars.
There are various ways of flattering, and, of course, you must adapt your style to your subject. Some people like it laid on with a trowel, and this requires very little art. With sensible persons, however, it needs to be done very delicately, and more by suggestion than actual words. A good many like it wrapped up in the form of an insult, as—"Oh, you are a perfect fool, you are. You would give your last sixpence to the first hungry-looking beggar you met;" while others will swallow it only when administered through the medium of a third person, so that if C wishes to get at an A of this sort, he must confide to A's particular friend B that he thinks A a splendid fellow, and beg him, B, not to mention it, especially to A. Be careful that B is a reliable man, though, otherwise he won't.
Those fine, sturdy John Bulls who "hate flattery, sir," "Never let anybody get over me by flattery," etc., etc., are very simply managed. Flatter them enough upon their absence of vanity, and you can do what you like with them.
After all, vanity is as much a virtue as a vice. It is easy to recite copy-book maxims against its sinfulness, but it is a passion that can move us to good as well as to evil. Ambition is only vanity ennobled. We want to win praise and admiration—or fame as we prefer to name it—and so we write great books, and paint grand pictures, and sing sweet songs; and toil with willing hands in study, loom, and laboratory.
We wish to become rich men, not in order to enjoy ease and comfort—all that any one man can taste of those may be purchased anywhere for 200 pounds per annum—but that our houses may be bigger and more gaudily furnished than our neighbors'; that our horses and servants may be more numerous; that we may dress our wives and daughters in absurd but expensive clothes; and that we may give costly dinners of which we ourselves individually do not eat a shilling's worth. And to do this we aid the world's work with clear and busy brain, spreading commerce among its peoples, carrying civilization to its remotest corners.
Do not let us abuse vanity, therefore. Rather let us use it. Honor itself is but the highest form of vanity. The instinct is not confined solely to Beau Brummels and Dolly Vardens. There is the vanity of the peacock and the vanity of the eagle. Snobs are vain. But so, too, are heroes. Come, oh! my young brother bucks, let us be vain together. Let us join hands and help each other to increase our vanity. Let us be vain, not of our trousers and hair, but of brave hearts and working hands, of truth, of purity, of nobility. Let us be too vain to stoop to aught that is mean or base, too vain for petty selfishness and little-minded envy, too vain to say an unkind word or do an unkind act. Let us be vain of being single-hearted, upright gentlemen in the midst of a world of knaves. Let us pride ourselves upon thinking high thoughts, achieving great deeds, living good lives.
Not exactly the sort of thing for an idle fellow to think about, is it? But outsiders, you know, often see most of the game; and sitting in my arbor by the wayside, smoking my hookah of contentment and eating the sweet lotus-leaves of indolence, I can look out musingly upon the whirling throng that rolls and tumbles past me on the great high-road of life.
Never-ending is the wild procession. Day and night you can hear the quick tramp of the myriad feet—some running, some walking, some halting and lame; but all hastening, all eager in the feverish race, all straining life and limb and heart and soul to reach the ever-receding horizon of success.
Mark them as they surge along—men and women, old and young, gentle and simple, fair and foul, rich and poor, merry and sad—all hurrying, bustling, scrambling. The strong pushing aside the weak, the cunning creeping past the foolish; those behind elbowing those before; those in front kicking, as they run, at those behind. Look close and see the flitting show. Here is an old man panting for breath, and there a timid maiden driven by a hard and sharp-faced matron; here is a studious youth, reading "How to Get On in the World" and letting everybody pass him as he stumbles along with his eyes on his book; here is a bored-looking man, with a fashionably dressed woman jogging his elbow; here a boy gazing wistfully back at the sunny village that he never again will see; here, with a firm and easy step, strides a broad-shouldered man; and here, with stealthy tread, a thin-faced, stooping fellow dodges and shuffles upon his way; here, with gaze fixed always on the ground, an artful rogue carefully works his way from side to side of the road and thinks he is going forward; and here a youth with a noble face stands, hesitating as he looks from the distant goal to the mud beneath his feet.
And now into sight comes a fair girl, with her dainty face growing more wrinkled at every step, and now a care-worn man, and now a hopeful lad.
A motley throng—a motley throng! Prince and beggar, sinner and saint, butcher and baker and candlestick maker, tinkers and tailors, and plowboys and sailors—all jostling along together. Here the counsel in his wig and gown, and here the old Jew clothes-man under his dingy tiara; here the soldier in his scarlet, and here the undertaker's mute in streaming hat-band and worn cotton gloves; here the musty scholar fumbling his faded leaves, and here the scented actor dangling his showy seals. Here the glib politician crying his legislative panaceas, and here the peripatetic Cheap-Jack holding aloft his quack cures for human ills. Here the sleek capitalist and there the sinewy laborer; here the man of science and here the shoe-back; here the poet and here the water-rate collector; here the cabinet minister and there the ballet-dancer. Here a red-nosed publican shouting the praises of his vats and there a temperance lecturer at 50 pounds a night; here a judge and there a swindler; here a priest and there a gambler. Here a jeweled duchess, smiling and gracious; here a thin lodging-house keeper, irritable with cooking; and here a wabbling, strutting thing, tawdry in paint and finery.
Cheek by cheek they struggle onward. Screaming, cursing, and praying, laughing, singing, and moaning, they rush past side by side. Their speed never slackens, the race never ends. There is no wayside rest for them, no halt by cooling fountains, no pause beneath green shades. On, on, on—on through the heat and the crowd and the dust—on, or they will be trampled down and lost—on, with throbbing brain and tottering limbs—on, till the heart grows sick, and the eyes grow blurred, and a gurgling groan tells those behind they may close up another space.
And yet, in spite of the killing pace and the stony track, who but the sluggard or the dolt can hold aloof from the course? Who—like the belated traveler that stands watching fairy revels till he snatches and drains the goblin cup and springs into the whirling circle—can view the mad tumult and not be drawn into its midst? Not I, for one. I confess to the wayside arbor, the pipe of contentment, and the lotus-leaves being altogether unsuitable metaphors. They sounded very nice and philosophical, but I'm afraid I am not the sort of person to sit in arbors smoking pipes when there is any fun going on outside. I think I more resemble the Irishman who, seeing a crowd collecting, sent his little girl out to ask if there was going to be a row—"'Cos, if so, father would like to be in it."
I love the fierce strife. I like to watch it. I like to hear of people getting on in it—battling their way bravely and fairly—that is, not slipping through by luck or trickery. It stirs one's old Saxon fighting blood like the tales of "knights who fought 'gainst fearful odds" that thrilled us in our school-boy days.
And fighting the battle of life is fighting against fearful odds, too. There are giants and dragons in this nineteenth century, and the golden casket that they guard is not so easy to win as it appears in the story-books. There, Algernon takes one long, last look at the ancestral hall, dashes the tear-drop from his eye, and goes off—to return in three years' time, rolling in riches. The authors do not tell us "how it's done," which is a pity, for it would surely prove exciting.
But then not one novelist in a thousand ever does tell us the real story of their hero. They linger for a dozen pages over a tea-party, but sum up a life's history with "he had become one of our merchant princes," or "he was now a great artist, with the world at his feet." Why, there is more real life in one of Gilbert's patter-songs than in half the biographical novels ever written. He relates to us all the various steps by which his office-boy rose to be the "ruler of the queen's navee," and explains to us how the briefless barrister managed to become a great and good judge, "ready to try this breach of promise of marriage." It is in the petty details, not in the great results, that the interest of existence lies.
What we really want is a novel showing us all the hidden under-current of an ambitious man's career—his struggles, and failures, and hopes, his disappointments and victories. It would be an immense success. I am sure the wooing of Fortune would prove quite as interesting a tale as the wooing of any flesh-and-blood maiden, though, by the way, it would read extremely similar; for Fortune is, indeed, as the ancients painted her, very like a woman—not quite so unreasonable and inconsistent, but nearly so—and the pursuit is much the same in one case as in the other. Ben Jonson's couplet—
puts them both in a nutshell. A woman never thoroughly cares for her lover until he has ceased to care for her; and it is not until you have snapped your fingers in Fortune's face and turned on your heel that she begins to smile upon you.
But by that time you do not much care whether she smiles or frowns. Why could she not have smiled when her smiles would have filled you with ecstasy? Everything comes too late in this world.
Good people say that it is quite right and proper that it should be so, and that it proves ambition is wicked.
Bosh! Good people are altogether wrong. (They always are, in my opinion. We never agree on any single point.) What would the world do without ambitious people, I should like to know? Why, it would be as flabby as a Norfolk dumpling. Ambitious people are the leaven which raises it into wholesome bread. Without ambitious people the world would never get up. They are busybodies who are about early in the morning, hammering, shouting, and rattling the fire-irons, and rendering it generally impossible for the rest of the house to remain in bed.
Wrong to be ambitious, forsooth! The men wrong who, with bent back and sweating brow, cut the smooth road over which humanity marches forward from generation to generation! Men wrong for using the talents that their Master has intrusted to them—for toiling while others play!
Of course they are seeking their reward. Man is not given that godlike unselfishness that thinks only of others' good. But in working for themselves they are working for us all. We are so bound together that no man can labor for himself alone. Each blow he strikes in his own behalf helps to mold the universe. The stream in struggling onward turns the mill-wheel; the coral insect, fashioning its tiny cell, joins continents to one another; and the ambitious man, building a pedestal for himself, leaves a monument to posterity. Alexander and Caesar fought for their own ends, but in doing so they put a belt of civilization half round the earth. Stephenson, to win a fortune, invented the steam-engine; and Shakespeare wrote his plays in order to keep a comfortable home for Mrs. Shakespeare and the little Shakespeares.
Contented, unambitious people are all very well in their way. They form a neat, useful background for great portraits to be painted against, and they make a respectable, if not particularly intelligent, audience for the active spirits of the age to play before. I have not a word to say against contented people so long as they keep quiet. But do not, for goodness' sake, let them go strutting about, as they are so fond of doing, crying out that they are the true models for the whole species. Why, they are the deadheads, the drones in the great hive, the street crowds that lounge about, gaping at those who are working.
And let them not imagine, either—as they are also fond of doing—that they are very wise and philosophical and that it is a very artful thing to be contented. It may be true that "a contented mind is happy anywhere," but so is a Jerusalem pony, and the consequence is that both are put anywhere and are treated anyhow. "Oh, you need not bother about him," is what is said; "he is very contented as he is, and it would be a pity to disturb him." And so your contented party is passed over and the discontented man gets his place.
If you are foolish enough to be contented, don't show it, but grumble with the rest; and if you can do with a little, ask for a great deal. Because if you don't you won't get any. In this world it is necessary to adopt the principle pursued by the plaintiff in an action for damages, and to demand ten times more than you are ready to accept. If you can feel satisfied with a hundred, begin by insisting on a thousand; if you start by suggesting a hundred you will only get ten.
It was by not following this simple plan that poor Jean Jacques Rousseau came to such grief. He fixed the summit of his earthly bliss at living in an orchard with an amiable woman and a cow, and he never attained even that. He did get as far as the orchard, but the woman was not amiable, and she brought her mother with her, and there was no cow. Now, if he had made up his mind for a large country estate, a houseful of angels, and a cattle-show, he might have lived to possess his kitchen garden and one head of live-stock, and even possibly have come across that rara-avis—a really amiable woman.
What a terribly dull affair, too, life must be for contented people! How heavy the time must hang upon their hands, and what on earth do they occupy their thoughts with, supposing that they have any? Reading the paper and smoking seems to be the intellectual food of the majority of them, to which the more energetic add playing the flute and talking about the affairs of the next-door neighbor.
They never knew the excitement of expectation nor the stern delight of accomplished effort, such as stir the pulse of the man who has objects, and hopes, and plans. To the ambitious man life is a brilliant game—a game that calls forth all his tact and energy and nerve—a game to be won, in the long run, by the quick eye and the steady hand, and yet having sufficient chance about its working out to give it all the glorious zest of uncertainty. He exults in it as the strong swimmer in the heaving billows, as the athlete in the wrestle, the soldier in the battle.
And if he be defeated he wins the grim joy of fighting; if he lose the race, he, at least, has had a run. Better to work and fail than to sleep one's life away.
So, walk up, walk up, walk up. Walk up, ladies and gentlemen! walk up, boys and girls! Show your skill and try your strength; brave your luck and prove your pluck. Walk up! The show is never closed and the game is always going. The only genuine sport in all the fair, gentlemen—highly respectable and strictly moral—patronized by the nobility, clergy, and gentry. Established in the year one, gentlemen, and been flourishing ever since—walk up! Walk up, ladies and gentlemen, and take a hand. There are prizes for all and all can play. There is gold for the man and fame for the boy; rank for the maiden and pleasure for the fool. So walk up, ladies and gentlemen, walk up!—all prizes and no blanks; for some few win, and as to the rest, why—
Things do go so contrary-like with me. I wanted to hit upon an especially novel, out-of-the-way subject for one of these articles. "I will write one paper about something altogether new," I said to myself; "something that nobody else has ever written or talked about before; and then I can have it all my own way." And I went about for days, trying to think of something of this kind; and I couldn't. And Mrs. Cutting, our charwoman, came yesterday—I don't mind mentioning her name, because I know she will not see this book. She would not look at such a frivolous publication. She never reads anything but the Bible and Lloyd's Weekly News. All other literature she considers unnecessary and sinful.
She said: "Lor', sir, you do look worried."
I said: "Mrs. Cutting, I am trying to think of a subject the discussion of which will come upon the world in the nature of a startler—some subject upon which no previous human being has ever said a word—some subject that will attract by its novelty, invigorate by its surprising freshness."
She laughed and said I was a funny gentleman.
That's my luck again. When I make serious observations people chuckle; when I attempt a joke nobody sees it. I had a beautiful one last week. I thought it so good, and I worked it up and brought it in artfully at a dinner-party. I forget how exactly, but we had been talking about the attitude of Shakespeare toward the Reformation, and I said something and immediately added, "Ah, that reminds me; such a funny thing happened the other day in Whitechapel." "Oh," said they, "what was that?" "Oh, 'twas awfully funny," I replied, beginning to giggle myself; "it will make you roar;" and I told it them.
There was dead silence when I finished—it was one of those long jokes, too—and then, at last, somebody said: "And that was the joke?"
I assured them that it was, and they were very polite and took my word for it. All but one old gentleman at the other end of the table, who wanted to know which was the joke—what he said to her or what she said to him; and we argued it out.
Some people are too much the other way. I knew a fellow once whose natural tendency to laugh at everything was so strong that if you wanted to talk seriously to him, you had to explain beforehand that what you were going to say would not be amusing. Unless you got him to clearly understand this, he would go off into fits of merriment over every word you uttered. I have known him on being asked the time stop short in the middle of the road, slap his leg, and burst into a roar of laughter. One never dared say anything really funny to that man. A good joke would have killed him on the spot.
In the present instance I vehemently repudiated the accusation of frivolity, and pressed Mrs. Cutting for practical ideas. She then became thoughtful and hazarded "samplers;" saying that she never heard them spoken much of now, but that they used to be all the rage when she was a girl.
I declined samplers and begged her to think again. She pondered a long while, with a tea-tray in her hands, and at last suggested the weather, which she was sure had been most trying of late.
And ever since that idiotic suggestion I have been unable to get the weather out of my thoughts or anything else in.
It certainly is most wretched weather. At all events it is so now at the time I am writing, and if it isn't particularly unpleasant when I come to be read it soon will be.
It always is wretched weather according to us. The weather is like the government—always in the wrong. In summer-time we say it is stifling; in winter that it is killing; in spring and autumn we find fault with it for being neither one thing nor the other and wish it would make up its mind. If it is fine we say the country is being ruined for want of rain; if it does rain we pray for fine weather. If December passes without snow, we indignantly demand to know what has become of our good old-fashioned winters, and talk as if we had been cheated out of something we had bought and paid for; and when it does snow, our language is a disgrace to a Christian nation. We shall never be content until each man makes his own weather and keeps it to himself.
If that cannot be arranged, we would rather do without it altogether.
Yet I think it is only to us in cities that all weather is so unwelcome. In her own home, the country, Nature is sweet in all her moods. What can be more beautiful than the snow, falling big with mystery in silent softness, decking the fields and trees with white as if for a fairy wedding! And how delightful is a walk when the frozen ground rings beneath our swinging tread—when our blood tingles in the rare keen air, and the sheep-dogs' distant bark and children's laughter peals faintly clear like Alpine bells across the open hills! And then skating! scudding with wings of steel across the swaying ice, making whirring music as we fly. And oh, how dainty is spring—Nature at sweet eighteen!
When the little hopeful leaves peep out so fresh and green, so pure and bright, like young lives pushing shyly out into the bustling world; when the fruit-tree blossoms, pink and white, like village maidens in their Sunday frocks, hide each whitewashed cottage in a cloud of fragile splendor; and the cuckoo's note upon the breeze is wafted through the woods! And summer, with its deep dark green and drowsy hum—when the rain-drops whisper solemn secrets to the listening leaves and the twilight lingers in the lanes! And autumn! ah, how sadly fair, with its golden glow and the dying grandeur of its tinted woods—its blood-red sunsets and its ghostly evening mists, with its busy murmur of reapers, and its laden orchards, and the calling of the gleaners, and the festivals of praise!
The very rain, and sleet, and hail seem only Nature's useful servants when found doing their simple duties in the country; and the East Wind himself is nothing worse than a boisterous friend when we meet him between the hedge-rows.
But in the city where the painted stucco blisters under the smoky sun, and the sooty rain brings slush and mud, and the snow lies piled in dirty heaps, and the chill blasts whistle down dingy streets and shriek round flaring gas lit corners, no face of Nature charms us. Weather in towns is like a skylark in a counting-house—out of place and in the way. Towns ought to be covered in, warmed by hot-water pipes, and lighted by electricity. The weather is a country lass and does not appear to advantage in town. We liked well enough to flirt with her in the hay-field, but she does not seem so fascinating when we meet her in Pall Mall. There is too much of her there. The frank, free laugh and hearty voice that sounded so pleasant in the dairy jars against the artificiality of town-bred life, and her ways become exceedingly trying.
Just lately she has been favoring us with almost incessant rain for about three weeks; and I am a demned damp, moist, unpleasant body, as Mr. Mantalini puts it.
Our next-door neighbor comes out in the back garden every now and then and says it's doing the country a world of good—not his coming out into the back garden, but the weather. He doesn't understand anything about it, but ever since he started a cucumber-frame last summer he has regarded himself in the light of an agriculturist, and talks in this absurd way with the idea of impressing the rest of the terrace with the notion that he is a retired farmer. I can only hope that for this once he is correct, and that the weather really is doing good to something, because it is doing me a considerable amount of damage. It is spoiling both my clothes and my temper. The latter I can afford, as I have a good supply of it, but it wounds me to the quick to see my dear old hats and trousers sinking, prematurely worn and aged, beneath the cold world's blasts and snows.
There is my new spring suit, too. A beautiful suit it was, and now it is hanging up so bespattered with mud I can't bear to look at it.
That was Jim's fault, that was. I should never have gone out in it that night if it had not been for him. I was just trying it on when he came in. He threw up his arms with a wild yell the moment he caught sight of it, and exclaimed that he had "got 'em again!"
I said: "Does it fit all right behind?"
"Spiffin, old man," he replied. And then he wanted to know if I was coming out.
I said "no" at first, but he overruled me. He said that a man with a suit like that had no right to stop indoors. "Every citizen," said he, "owes a duty to the public. Each one should contribute to the general happiness as far as lies in his power. Come out and give the girls a treat."
Jim is slangy. I don't know where he picks it up. It certainly is not from me.
I said: "Do you think it will really please 'em?" He said it would be like a day in the country to them.
That decided me. It was a lovely evening and I went.
When I got home I undressed and rubbed myself down with whisky, put my feet in hot water and a mustard-plaster on my chest, had a basin of gruel and a glass of hot brandy-and-water, tallowed my nose, and went to bed.
These prompt and vigorous measures, aided by a naturally strong constitution, were the means of preserving my life; but as for the suit! Well, there, it isn't a suit; it's a splash-board.
And I did fancy that suit, too. But that's just the way. I never do get particularly fond of anything in this world but what something dreadful happens to it. I had a tame rat when I was a boy, and I loved that animal as only a boy would love an old water-rat; and one day it fell into a large dish of gooseberry-fool that was standing to cool in the kitchen, and nobody knew what had become of the poor creature until the second helping.
I do hate wet weather in town. At least, it is not so much the wet as the mud that I object to. Somehow or other I seem to possess an irresistible alluring power over mud. I have only to show myself in the street on a muddy day to be half-smothered by it. It all comes of being so attractive, as the old lady said when she was struck by lightning. Other people can go out on dirty days and walk about for hours without getting a speck upon themselves; while if I go across the road I come back a perfect disgrace to be seen (as in my boyish days my poor dear mother tried often to tell me). If there were only one dab of mud to be found in the whole of London, I am convinced I should carry it off from all competitors.
I wish I could return the affection, but I fear I never shall be able to. I have a horror of what they call the "London particular." I feel miserable and muggy all through a dirty day, and it is quite a relief to pull one's clothes off and get into bed, out of the way of it all. Everything goes wrong in wet weather. I don't know how it is, but there always seem to me to be more people, and dogs, and perambulators, and cabs, and carts about in wet weather than at any other time, and they all get in your way more, and everybody is so disagreeable—except myself—and it does make me so wild. And then, too, somehow I always find myself carrying more things in wet weather than in dry; and when you have a bag, and three parcels, and a newspaper, and it suddenly comes on to rain, you can't open your umbrella.
Which reminds me of another phase of the weather that I can't bear, and that is April weather (so called because it always comes in May). Poets think it very nice. As it does not know its own mind five minutes together, they liken it to a woman; and it is supposed to be very charming on that account. I don't appreciate it, myself. Such lightning-change business may be all very agreeable in a girl. It is no doubt highly delightful to have to do with a person who grins one moment about nothing at all, and snivels the next for precisely the same cause, and who then giggles, and then sulks, and who is rude, and affectionate, and bad-tempered, and jolly, and boisterous, and silent, and passionate, and cold, and stand-offish, and flopping, all in one minute (mind, I don't say this. It is those poets. And they are supposed to be connoisseurs of this sort of thing); but in the weather the disadvantages of the system are more apparent. A woman's tears do not make one wet, but the rain does; and her coldness does not lay the foundations of asthma and rheumatism, as the east wind is apt to. I can prepare for and put up with a regularly bad day, but these ha'porth-of-all-sorts kind of days do not suit me. It aggravates me to see a bright blue sky above me when I am walking along wet through, and there is something so exasperating about the way the sun comes out smiling after a drenching shower, and seems to say: "Lord love you, you don't mean to say you're wet? Well, I am surprised. Why, it was only my fun."
They don't give you time to open or shut your umbrella in an English April, especially if it is an "automaton" one—the umbrella, I mean, not the April.
I bought an "automaton" once in April, and I did have a time with it! I wanted an umbrella, and I went into a shop in the Strand and told them so, and they said:
"Yes, sir. What sort of an umbrella would you like?"
I said I should like one that would keep the rain off, and that would not allow itself to be left behind in a railway carriage.
"Try an 'automaton,'" said the shopman.
"What's an 'automaton'?" said I.
"Oh, it's a beautiful arrangement," replied the man, with a touch of enthusiasm. "It opens and shuts itself."
I bought one and found that he was quite correct. It did open and shut itself. I had no control over it whatever. When it began to rain, which it did that season every alternate five minutes, I used to try and get the machine to open, but it would not budge; and then I used to stand and struggle with the wretched thing, and shake it, and swear at it, while the rain poured down in torrents. Then the moment the rain ceased the absurd thing would go up suddenly with a jerk and would not come down again; and I had to walk about under a bright blue sky, with an umbrella over my head, wishing that it would come on to rain again, so that it might not seem that I was insane.
When it did shut it did so unexpectedly and knocked one's hat off.
I don't know why it should be so, but it is an undeniable fact that there is nothing makes a man look so supremely ridiculous as losing his hat. The feeling of helpless misery that shoots down one's back on suddenly becoming aware that one's head is bare is among the most bitter ills that flesh is heir to. And then there is the wild chase after it, accompanied by an excitable small dog, who thinks it is a game, and in the course of which you are certain to upset three or four innocent children—to say nothing of their mothers—butt a fat old gentleman on to the top of a perambulator, and carom off a ladies' seminary into the arms of a wet sweep.
After this, the idiotic hilarity of the spectators and the disreputable appearance of the hat when recovered appear but of minor importance.
Altogether, what between March winds, April showers, and the entire absence of May flowers, spring is not a success in cities. It is all very well in the country, as I have said, but in towns whose population is anything over ten thousand it most certainly ought to be abolished. In the world's grim workshops it is like the children—out of place. Neither shows to advantage amid the dust and din. It seems so sad to see the little dirt-grimed brats try to play in the noisy courts and muddy streets. Poor little uncared-for, unwanted human atoms, they are not children. Children are bright-eyed, chubby, and shy. These are dingy, screeching elves, their tiny faces seared and withered, their baby laughter cracked and hoarse.
The spring of life and the spring of the year were alike meant to be cradled in the green lap of nature. To us in the town spring brings but its cold winds and drizzling rains. We must seek it among the leafless woods and the brambly lanes, on the heathy moors and the great still hills, if we want to feel its joyous breath and hear its silent voices. There is a glorious freshness in the spring there. The scurrying clouds, the open bleakness, the rushing wind, and the clear bright air thrill one with vague energies and hopes. Life, like the landscape around us, seems bigger, and wider, and freer—a rainbow road leading to unknown ends. Through the silvery rents that bar the sky we seem to catch a glimpse of the great hope and grandeur that lies around this little throbbing world, and a breath of its scent is wafted us on the wings of the wild March wind.
Strange thoughts we do not understand are stirring in our hearts. Voices are calling us to some great effort, to some mighty work. But we do not comprehend their meaning yet, and the hidden echoes within us that would reply are struggling, inarticulate and dumb.
We stretch our hands like children to the light, seeking to grasp we know not what. Our thoughts, like the boys' thoughts in the Danish song, are very long, long thoughts, and very vague; we cannot see their end.
It must be so. All thoughts that peer outside this narrow world cannot be else than dim and shapeless. The thoughts that we can clearly grasp are very little thoughts—that two and two make four-that when we are hungry it is pleasant to eat—that honesty is the best policy; all greater thoughts are undefined and vast to our poor childish brains. We see but dimly through the mists that roll around our time-girt isle of life, and only hear the distant surging of the great sea beyond.