What I've suffered from them this morning no tongue can tell. It began with Gustavus Adolphus. Gustavus Adolphus (they call him "Gusty" down-stairs for short) is a very good sort of dog when he is in the middle of a large field or on a fairly extensive common, but I won't have him indoors. He means well, but this house is not his size. He stretches himself, and over go two chairs and a what-not. He wags his tail, and the room looks as if a devastating army had marched through it. He breathes, and it puts the fire out.
At dinner-time he creeps in under the table, lies there for awhile, and then gets up suddenly; the first intimation we have of his movements being given by the table, which appears animated by a desire to turn somersaults. We all clutch at it frantically and endeavor to maintain it in a horizontal position; whereupon his struggles, he being under the impression that some wicked conspiracy is being hatched against him, become fearful, and the final picture presented is generally that of an overturned table and a smashed-up dinner sandwiched between two sprawling layers of infuriated men and women.
He came in this morning in his usual style, which he appears to have founded on that of an American cyclone, and the first thing he did was to sweep my coffee-cup off the table with his tail, sending the contents full into the middle of my waistcoat.
I rose from my chair hurriedly and remarking "——," approached him at a rapid rate. He preceded me in the direction of the door. At the door he met Eliza coming in with eggs. Eliza observed "Ugh!" and sat down on the floor, the eggs took up different positions about the carpet, where they spread themselves out, and Gustavus Adolphus left the room. I called after him, strongly advising him to go straight downstairs and not let me see him again for the next hour or so; and he seeming to agree with me, dodged the coal-scoop and went, while I returned, dried myself and finished breakfast. I made sure that he had gone in to the yard, but when I looked into the passage ten minutes later he was sitting at the top of the stairs. I ordered him down at once, but he only barked and jumped about, so I went to see what was the matter.
It was Tittums. She was sitting on the top stair but one and wouldn't let him pass.
Tittums is our kitten. She is about the size of a penny roll. Her back was up and she was swearing like a medical student.
She does swear fearfully. I do a little that way myself sometimes, but I am a mere amateur compared with her. To tell you the truth—mind, this is strictly between ourselves, please; I shouldn't like your wife to know I said it—the women folk don't understand these things; but between you and me, you know, I think it does a man good to swear. Swearing is the safety-valve through which the bad temper that might otherwise do serious internal injury to his mental mechanism escapes in harmless vaporing. When a man has said: "Bless you, my dear, sweet sir. What the sun, moon, and stars made you so careless (if I may be permitted the expression) as to allow your light and delicate foot to descend upon my corn with so much force? Is it that you are physically incapable of comprehending the direction in which you are proceeding? you nice, clever young man—you!" or words to that effect, he feels better. Swearing has the same soothing effect upon our angry passions that smashing the furniture or slamming the doors is so well known to exercise; added to which it is much cheaper. Swearing clears a man out like a pen'orth of gunpowder does the wash-house chimney. An occasional explosion is good for both. I rather distrust a man who never swears, or savagely kicks the foot-stool, or pokes the fire with unnecessary violence. Without some outlet, the anger caused by the ever-occurring troubles of life is apt to rankle and fester within. The petty annoyance, instead of being thrown from us, sits down beside us and becomes a sorrow, and the little offense is brooded over till, in the hot-bed of rumination, it grows into a great injury, under whose poisonous shadow springs up hatred and revenge.
Swearing relieves the feelings—that is what swearing does. I explained this to my aunt on one occasion, but it didn't answer with her. She said I had no business to have such feelings.
That is what I told Tittums. I told her she ought to be ashamed of herself, brought up in at Christian family as she was, too. I don't so much mind hearing an old cat swear, but I can't bear to see a mere kitten give way to it. It seems sad in one so young.
I put Tittums in my pocket and returned to my desk. I forgot her for the moment, and when I looked I found that she had squirmed out of my pocket on to the table and was trying to swallow the pen; then she put her leg into the ink-pot and upset it; then she licked her leg; then she swore again—at me this time.
I put her down on the floor, and there Tim began rowing with her. I do wish Tim would mind his own business. It was no concern of his what she had been doing. Besides, he is not a saint himself. He is only a two-year-old fox-terrier, and he interferes with everything and gives himself the airs of a gray-headed Scotch collie.
Tittums' mother has come in and Tim has got his nose scratched, for which I am remarkably glad. I have put them all three out in the passage, where they are fighting at the present moment. I'm in a mess with the ink and in a thundering bad temper; and if anything more in the cat or dog line comes fooling about me this morning, it had better bring its own funeral contractor with it.
Yet, in general, I like cats and dogs very much indeed. What jolly chaps they are! They are much superior to human beings as companions. They do not quarrel or argue with you. They never talk about themselves but listen to you while you talk about yourself, and keep up an appearance of being interested in the conversation. They never make stupid remarks. They never observe to Miss Brown across a dinner-table that they always understood she was very sweet on Mr. Jones (who has just married Miss Robinson). They never mistake your wife's cousin for her husband and fancy that you are the father-in-law. And they never ask a young author with fourteen tragedies, sixteen comedies, seven farces, and a couple of burlesques in his desk why he doesn't write a play.
They never say unkind things. They never tell us of our faults, "merely for our own good." They do not at inconvenient moments mildly remind us of our past follies and mistakes. They do not say, "Oh, yes, a lot of use you are if you are ever really wanted"—sarcastic like. They never inform us, like our inamoratas sometimes do, that we are not nearly so nice as we used to be. We are always the same to them.
They are always glad to see us. They are with us in all our humors. They are merry when we are glad, sober when we feel solemn, and sad when we are sorrowful.
"Halloo! happy and want a lark? Right you are; I'm your man. Here I am, frisking round you, leaping, barking, pirouetting, ready for any amount of fun and mischief. Look at my eyes if you doubt me. What shall it be? A romp in the drawing-room and never mind the furniture, or a scamper in the fresh, cool air, a scud across the fields and down the hill, and won't we let old Gaffer Goggles' geese know what time o' day it is, neither! Whoop! come along."
Or you'd like to be quiet and think. Very well. Pussy can sit on the arm of the chair and purr, and Montmorency will curl himself up on the rug and blink at the fire, yet keeping one eye on you the while, in case you are seized with any sudden desire in the direction of rats.
And when we bury our face in our hands and wish we had never been born, they don't sit up very straight and observe that we have brought it all upon ourselves. They don't even hope it will be a warning to us. But they come up softly and shove their heads against us. If it is a cat she stands on your shoulder, rumples your hair, and says, "Lor,' I am sorry for you, old man," as plain as words can speak; and if it is a dog he looks up at you with his big, true eyes and says with them, "Well you've always got me, you know. We'll go through the world together and always stand by each other, won't we?"
He is very imprudent, a dog is. He never makes it his business to inquire whether you are in the right or in the wrong, never bothers as to whether you are going up or down upon life's ladder, never asks whether you are rich or poor, silly or wise, sinner or saint. You are his pal. That is enough for him, and come luck or misfortune, good repute or bad, honor or shame, he is going to stick to you, to comfort you, guard you, and give his life for you if need be—foolish, brainless, soulless dog!
Ah! old stanch friend, with your deep, clear eyes and bright, quick glances, that take in all one has to say before one has time to speak it, do you know you are only an animal and have no mind? Do you know that that dull-eyed, gin-sodden lout leaning against the post out there is immeasurably your intellectual superior? Do you know that every little-minded, selfish scoundrel who lives by cheating and tricking, who never did a gentle deed or said a kind word, who never had a thought that was not mean and low or a desire that was not base, whose every action is a fraud, whose every utterance is a lie—do you know that these crawling skulks (and there are millions of them in the world), do you know they are all as much superior to you as the sun is superior to rushlight you honorable, brave-hearted, unselfish brute? They are MEN, you know, and MEN are the greatest, and noblest, and wisest, and best beings in the whole vast eternal universe. Any man will tell you that.
Yes, poor doggie, you are very stupid, very stupid indeed, compared with us clever men, who understand all about politics and philosophy, and who know everything, in short, except what we are and where we came from and whither we are going, and what everything outside this tiny world and most things in it are.
Never mind, though, pussy and doggie, we like you both all the better for your being stupid. We all like stupid things. Men can't bear clever women, and a woman's ideal man is some one she can call a "dear old stupid." It is so pleasant to come across people more stupid than ourselves. We love them at once for being so. The world must be rather a rough place for clever people. Ordinary folk dislike them, and as for themselves, they hate each other most cordially.
But there, the clever people are such a very insignificant minority that it really doesn't much matter if they are unhappy. So long as the foolish people can be made comfortable the world, as a whole, will get on tolerably well.
Cats have the credit of being more worldly wise than dogs—of looking more after their own interests and being less blindly devoted to those of their friends. And we men and women are naturally shocked at such selfishness. Cats certainly do love a family that has a carpet in the kitchen more than a family that has not; and if there are many children about, they prefer to spend their leisure time next door. But, taken altogether, cats are libeled. Make a friend of one, and she will stick to you through thick and thin. All the cats that I have had have been most firm comrades. I had a cat once that used to follow me about everywhere, until it even got quite embarrassing, and I had to beg her, as a personal favor, not to accompany me any further down the High Street. She used to sit up for me when I was late home and meet me in the passage. It made me feel quite like a married man, except that she never asked where I had been and then didn't believe me when I told her.
Another cat I had used to get drunk regularly every day. She would hang about for hours outside the cellar door for the purpose of sneaking in on the first opportunity and lapping up the drippings from the beer-cask. I do not mention this habit of hers in praise of the species, but merely to show how almost human some of them are. If the transmigration of souls is a fact, this animal was certainly qualifying most rapidly for a Christian, for her vanity was only second to her love of drink. Whenever she caught a particularly big rat, she would bring it up into the room where we were all sitting, lay the corpse down in the midst of us, and wait to be praised. Lord! how the girls used to scream.
Poor rats! They seem only to exist so that cats and dogs may gain credit for killing them and chemists make a fortune by inventing specialties in poison for their destruction. And yet there is something fascinating about them. There is a weirdness and uncanniness attaching to them. They are so cunning and strong, so terrible in their numbers, so cruel, so secret. They swarm in deserted houses, where the broken casements hang rotting to the crumbling walls and the doors swing creaking on their rusty hinges. They know the sinking ship and leave her, no one knows how or whither. They whisper to each other in their hiding-places how a doom will fall upon the hall and the great name die forgotten. They do fearful deeds in ghastly charnel-houses.
No tale of horror is complete without the rats. In stories of ghosts and murderers they scamper through the echoing rooms, and the gnawing of their teeth is heard behind the wainscot, and their gleaming eyes peer through the holes in the worm-eaten tapestry, and they scream in shrill, unearthly notes in the dead of night, while the moaning wind sweeps, sobbing, round the ruined turret towers, and passes wailing like a woman through the chambers bare and tenantless.
And dying prisoners, in their loathsome dungeons, see through the horrid gloom their small red eyes, like glittering coals, hear in the death-like silence the rush of their claw-like feet, and start up shrieking in the darkness and watch through the awful night.
I love to read tales about rats. They make my flesh creep so. I like that tale of Bishop Hatto and the rats. The wicked bishop, you know, had ever so much corn stored in his granaries and would not let the starving people touch it, but when they prayed to him for food gathered them together in his barn, and then shutting the doors on them, set fire to the place and burned them all to death. But next day there came thousands upon thousands of rats, sent to do judgment on him. Then Bishop Hatto fled to his strong tower that stood in the middle of the Rhine, and barred himself in and fancied he was safe. But the rats! they swam the river, they gnawed their way through the thick stone walls, and ate him alive where he sat.
Oh, it's a lovely tale.
Then there is the story of the Pied Piper of Hamelin, how first he piped the rats away, and afterward, when the mayor broke faith with him, drew all the children along with him and went into the mountain. What a curious old legend that is! I wonder what it means, or has it any meaning at all? There seems something strange and deep lying hid beneath the rippling rhyme. It haunts me, that picture of the quaint, mysterious old piper piping through Hamelin's narrow streets, and the children following with dancing feet and thoughtful, eager faces. The old folks try to stay them, but the children pay no heed. They hear the weird, witched music and must follow. The games are left unfinished and the playthings drop from their careless hands. They know not whither they are hastening. The mystic music calls to them, and they follow, heedless and unasking where. It stirs and vibrates in their hearts and other sounds grow faint. So they wander through Pied Piper Street away from Hamelin town.
I get thinking sometimes if the Pied Piper is really dead, or if he may not still be roaming up and down our streets and lanes, but playing now so softly that only the children hear him. Why do the little faces look so grave and solemn when they pause awhile from romping, and stand, deep wrapt, with straining eyes? They only shake their curly heads and dart back laughing to their playmates when we question them. But I fancy myself they have been listening to the magic music of the old Pied Piper, and perhaps with those bright eyes of theirs have even seen his odd, fantastic figure gliding unnoticed through the whirl and throng.
Even we grown-up children hear his piping now and then. But the yearning notes are very far away, and the noisy, blustering world is always bellowing so loud it drowns the dreamlike melody. One day the sweet, sad strains will sound out full and clear, and then we too shall, like the little children, throw our playthings all aside and follow. The loving hands will be stretched out to stay us, and the voices we have learned to listen for will cry to us to stop. But we shall push the fond arms gently back and pass out through the sorrowing house and through the open door. For the wild, strange music will be ringing in our hearts, and we shall know the meaning of its song by then.
I wish people could love animals without getting maudlin over them, as so many do. Women are the most hardened offenders in such respects, but even our intellectual sex often degrade pets into nuisances by absurd idolatry. There are the gushing young ladies who, having read "David Copperfield," have thereupon sought out a small, longhaired dog of nondescript breed, possessed of an irritating habit of criticising a man's trousers, and of finally commenting upon the same by a sniff indicative of contempt and disgust. They talk sweet girlish prattle to this animal (when there is any one near enough to overhear them), and they kiss its nose, and put its unwashed head up against their cheek in a most touching manner; though I have noticed that these caresses are principally performed when there are young men hanging about.
Then there are the old ladies who worship a fat poodle, scant of breath and full of fleas. I knew a couple of elderly spinsters once who had a sort of German sausage on legs which they called a dog between them. They used to wash its face with warm water every morning. It had a mutton cutlet regularly for breakfast; and on Sundays, when one of the ladies went to church, the other always stopped at home to keep the dog company.
There are many families where the whole interest of life is centered upon the dog. Cats, by the way, rarely suffer from excess of adulation. A cat possesses a very fair sense of the ridiculous, and will put her paw down kindly but firmly upon any nonsense of this kind. Dogs, however, seem to like it. They encourage their owners in the tomfoolery, and the consequence is that in the circles I am speaking of what "dear Fido" has done, does do, will do, won't do, can do, can't do, was doing, is doing, is going to do, shall do, shan't do, and is about to be going to have done is the continual theme of discussion from morning till night.
All the conversation, consisting, as it does, of the very dregs of imbecility, is addressed to this confounded animal. The family sit in a row all day long, watching him, commenting upon his actions, telling each other anecdotes about him, recalling his virtues, and remembering with tears how one day they lost him for two whole hours, on which occasion he was brought home in a most brutal manner by the butcher-boy, who had been met carrying him by the scruff of his neck with one hand, while soundly cuffing his head with the other.
After recovering from these bitter recollections, they vie with each other in bursts of admiration for the brute, until some more than usually enthusiastic member, unable any longer to control his feelings, swoops down upon the unhappy quadruped in a frenzy of affection, clutches it to his heart, and slobbers over it. Whereupon the others, mad with envy, rise up, and seizing as much of the dog as the greed of the first one has left to them, murmur praise and devotion.
Among these people everything is done through the dog. If you want to make love to the eldest daughter, or get the old man to lend you the garden roller, or the mother to subscribe to the Society for the Suppression of Solo-Cornet Players in Theatrical Orchestras (it's a pity there isn't one, anyhow), you have to begin with the dog. You must gain its approbation before they will even listen to you, and if, as is highly probable, the animal, whose frank, doggy nature has been warped by the unnatural treatment he has received, responds to your overtures of friendship by viciously snapping at you, your cause is lost forever.
"If Fido won't take to any one," the father has thoughtfully remarked beforehand, "I say that man is not to be trusted. You know, Maria, how often I have said that. Ah! he knows, bless him."
Drat him!
And to think that the surly brute was once an innocent puppy, all legs and head, full of fun and play, and burning with ambition to become a big, good dog and bark like mother.
Ah me! life sadly changes us all. The world seems a vast horrible grinding machine, into which what is fresh and bright and pure is pushed at one end, to come out old and crabbed and wrinkled at the other.
Look even at Pussy Sobersides, with her dull, sleepy glance, her grave, slow walk, and dignified, prudish airs; who could ever think that once she was the blue-eyed, whirling, scampering, head-over-heels, mad little firework that we call a kitten?
What marvelous vitality a kitten has. It is really something very beautiful the way life bubbles over in the little creatures. They rush about, and mew, and spring; dance on their hind legs, embrace everything with their front ones, roll over and over, lie on their backs and kick. They don't know what to do with themselves, they are so full of life.
Can you remember, reader, when you and I felt something of the same sort of thing? Can you remember those glorious days of fresh young manhood—how, when coming home along the moonlit road, we felt too full of life for sober walking, and had to spring and skip, and wave our arms, and shout till belated farmers' wives thought—and with good reason, too—that we were mad, and kept close to the hedge, while we stood and laughed aloud to see them scuttle off so fast and made their blood run cold with a wild parting whoop, and the tears came, we knew not why? Oh, that magnificent young LIFE! that crowned us kings of the earth; that rushed through every tingling vein till we seemed to walk on air; that thrilled through our throbbing brains and told us to go forth and conquer the whole world; that welled up in our young hearts till we longed to stretch out our arms and gather all the toiling men and women and the little children to our breast and love them all—all. Ah! they were grand days, those deep, full days, when our coming life, like an unseen organ, pealed strange, yearnful music in our ears, and our young blood cried out like a war-horse for the battle. Ah, our pulse beats slow and steady now, and our old joints are rheumatic, and we love our easy-chair and pipe and sneer at boys' enthusiasm. But oh for one brief moment of that god-like life again!
All great literary men are shy. I am myself, though I am told it is hardly noticeable.
I am glad it is not. It used to be extremely prominent at one time, and was the cause of much misery to myself and discomfort to every one about me—my lady friends especially complained most bitterly about it.
A shy man's lot is not a happy one. The men dislike him, the women despise him, and he dislikes and despises himself. Use brings him no relief, and there is no cure for him except time; though I once came across a delicious recipe for overcoming the misfortune. It appeared among the "answers to correspondents" in a small weekly journal and ran as follows—I have never forgotten it: "Adopt an easy and pleasing manner, especially toward ladies."
Poor wretch! I can imagine the grin with which he must have read that advice. "Adopt an easy and pleasing manner, especially toward ladies," forsooth! Don't you adopt anything of the kind, my dear young shy friend. Your attempt to put on any other disposition than your own will infallibly result in your becoming ridiculously gushing and offensively familiar. Be your own natural self, and then you will only be thought to be surly and stupid.
The shy man does have some slight revenge upon society for the torture it inflicts upon him. He is able, to a certain extent, to communicate his misery. He frightens other people as much as they frighten him. He acts like a damper upon the whole room, and the most jovial spirits become in his presence depressed and nervous.
This is a good deal brought about by misunderstanding. Many people mistake the shy man's timidity for overbearing arrogance and are awed and insulted by it. His awkwardness is resented as insolent carelessness, and when, terror-stricken at the first word addressed to him, the blood rushes to his head and the power of speech completely fails him, he is regarded as an awful example of the evil effects of giving way to passion.
But, indeed, to be misunderstood is the shy man's fate on every occasion; and whatever impression he endeavors to create, he is sure to convey its opposite. When he makes a joke, it is looked upon as a pretended relation of fact and his want of veracity much condemned. His sarcasm is accepted as his literal opinion and gains for him the reputation of being an ass, while if, on the other hand, wishing to ingratiate himself, he ventures upon a little bit of flattery, it is taken for satire and he is hated ever afterward.
These and the rest of a shy man's troubles are always very amusing to other people, and have afforded material for comic writing from time immemorial. But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.
Yes, shy men, like ugly women, have a bad time of it in this world, to go through which with any comfort needs the hide of a rhinoceros. Thick skin is, indeed, our moral clothes, and without it we are not fit to be seen about in civilized society. A poor gasping, blushing creature, with trembling knees and twitching hands, is a painful sight to every one, and if it cannot cure itself, the sooner it goes and hangs itself the better.
The disease can be cured. For the comfort of the shy, I can assure them of that from personal experience. I do not like speaking about myself, as may have been noticed, but in the cause of humanity I on this occasion will do so, and will confess that at one time I was, as the young man in the Bab Ballad says, "the shyest of the shy," and "whenever I was introduced to any pretty maid, my knees they knocked together just as if I was afraid." Now, I would—nay, have—on this very day before yesterday I did the deed. Alone and entirely by myself (as the school-boy said in translating the "Bellum Gallicum") did I beard a railway refreshment-room young lady in her own lair. I rebuked her in terms of mingled bitterness and sorrow for her callousness and want of condescension. I insisted, courteously but firmly, on being accorded that deference and attention that was the right of the traveling Briton, and at the end I looked her full in the face. Need I say more?
True, immediately after doing so I left the room with what may possibly have appeared to be precipitation and without waiting for any refreshment. But that was because I had changed my mind, not because I was frightened, you understand.
One consolation that shy folk can take unto themselves is that shyness is certainly no sign of stupidity. It is easy enough for bull-headed clowns to sneer at nerves, but the highest natures are not necessarily those containing the greatest amount of moral brass. The horse is not an inferior animal to the cock-sparrow, nor the deer of the forest to the pig. Shyness simply means extreme sensibility, and has nothing whatever to do with self-consciousness or with conceit, though its relationship to both is continually insisted upon by the poll-parrot school of philosophy.
Conceit, indeed, is the quickest cure for it. When it once begins to dawn upon you that you are a good deal cleverer than any one else in this world, bashfulness becomes shocked and leaves you. When you can look round a roomful of people and think that each one is a mere child in intellect compared with yourself you feel no more shy of them than you would of a select company of magpies or orang-outangs.
Conceit is the finest armor that a man can wear. Upon its smooth, impenetrable surface the puny dagger-thrusts of spite and envy glance harmlessly aside. Without that breast-plate the sword of talent cannot force its way through the battle of life, for blows have to be borne as well as dealt. I do not, of course, speak of the conceit that displays itself in an elevated nose and a falsetto voice. That is not real conceit—that is only playing at being conceited; like children play at being kings and queens and go strutting about with feathers and long trains. Genuine conceit does not make a man objectionable. On the contrary, it tends to make him genial, kind-hearted, and simple. He has no need of affectation—he is far too well satisfied with his own character; and his pride is too deep-seated to appear at all on the outside. Careless alike of praise or blame, he can afford to be truthful. Too far, in fancy, above the rest of mankind to trouble about their petty distinctions, he is equally at home with duke or costermonger. And valuing no one's standard but his own, he is never tempted to practice that miserable pretense that less self-reliant people offer up as an hourly sacrifice to the god of their neighbor's opinion.
The shy man, on the other hand, is humble—modest of his own judgment and over-anxious concerning that of others. But this in the case of a young man is surely right enough. His character is unformed. It is slowly evolving itself out of a chaos of doubt and disbelief. Before the growing insight and experience the diffidence recedes. A man rarely carries his shyness past the hobbledehoy period. Even if his own inward strength does not throw it off, the rubbings of the world generally smooth it down. You scarcely ever meet a really shy man—except in novels or on the stage, where, by the bye, he is much admired, especially by the women.
There, in that supernatural land, he appears as a fair-haired and saintlike young man—fair hair and goodness always go together on the stage. No respectable audience would believe in one without the other. I knew an actor who mislaid his wig once and had to rush on to play the hero in his own hair, which was jet-black, and the gallery howled at all his noble sentiments under the impression that he was the villain. He—the shy young man—loves the heroine, oh so devotedly (but only in asides, for he dare not tell her of it), and he is so noble and unselfish, and speaks in such a low voice, and is so good to his mother; and the bad people in the play, they laugh at him and jeer at him, but he takes it all so gently, and in the end it transpires that he is such a clever man, though nobody knew it, and then the heroine tells him she loves him, and he is so surprised, and oh, so happy! and everybody loves him and asks him to forgive them, which he does in a few well-chosen and sarcastic words, and blesses them; and he seems to have generally such a good time of it that all the young fellows who are not shy long to be shy. But the really shy man knows better. He knows that it is not quite so pleasant in reality. He is not quite so interesting there as in the fiction. He is a little more clumsy and stupid and a little less devoted and gentle, and his hair is much darker, which, taken altogether, considerably alters the aspect of the case.
The point where he does resemble his ideal is in his faithfulness. I am fully prepared to allow the shy young man that virtue: he is constant in his love. But the reason is not far to seek. The fact is it exhausts all his stock of courage to look one woman in the face, and it would be simply impossible for him to go through the ordeal with a second. He stands in far too much dread of the whole female sex to want to go gadding about with many of them. One is quite enough for him.
Now, it is different with the young man who is not shy. He has temptations which his bashful brother never encounters. He looks around and everywhere sees roguish eyes and laughing lips. What more natural than that amid so many roguish eyes and laughing lips he should become confused and, forgetting for the moment which particular pair of roguish ayes and laughing lips it is that he belongs to, go off making love to the wrong set. The shy man, who never looks at anything but his own boots, sees not and is not tempted. Happy shy man!
Not but what the shy man himself would much rather not be happy in that way. He longs to "go it" with the others, and curses himself every day for not being able to. He will now and again, screwing up his courage by a tremendous effort, plunge into roguishness. But it is always a terrible fiasco, and after one or two feeble flounders he crawls out again, limp and pitiable.
I say "pitiable," though I am afraid he never is pitied. There are certain misfortunes which, while inflicting a vast amount of suffering upon their victims, gain for them no sympathy. Losing an umbrella, falling in love, toothache, black eyes, and having your hat sat upon may be mentioned as a few examples, but the chief of them all is shyness. The shy man is regarded as an animate joke. His tortures are the sport of the drawing-room arena and are pointed out and discussed with much gusto.
"Look," cry his tittering audience to each other; "he's blushing!"
"Just watch his legs," says one.
"Do you notice how he is sitting?" adds another: "right on the edge of the chair."
"Seems to have plenty of color," sneers a military-looking gentleman.
"Pity he's got so many hands," murmurs an elderly lady, with her own calmly folded on her lap. "They quite confuse him."
"A yard or two off his feet wouldn't be a disadvantage," chimes in the comic man, "especially as he seems so anxious to hide them."
And then another suggests that with such a voice he ought to have been a sea-captain. Some draw attention to the desperate way in which he is grasping his hat. Some comment upon his limited powers of conversation. Others remark upon the troublesome nature of his cough. And so on, until his peculiarities and the company are both thoroughly exhausted.
His friends and relations make matters still more unpleasant for the poor boy (friends and relations are privileged to be more disagreeable than other people). Not content with making fun of him among themselves, they insist on his seeing the joke. They mimic and caricature him for his own edification. One, pretending to imitate him, goes outside and comes in again in a ludicrously nervous manner, explaining to him afterward that that is the way he—meaning the shy fellow—walks into a room; or, turning to him with "This is the way you shake hands," proceeds to go through a comic pantomime with the rest of the room, taking hold of every one's hand as if it were a hot plate and flabbily dropping it again. And then they ask him why he blushes, and why he stammers, and why he always speaks in an almost inaudible tone, as if they thought he did it on purpose. Then one of them, sticking out his chest and strutting about the room like a pouter-pigeon, suggests quite seriously that that is the style he should adopt. The old man slaps him on the back and says: "Be bold, my boy. Don't be afraid of any one." The mother says, "Never do anything that you need be ashamed of, Algernon, and then you never need be ashamed of anything you do," and, beaming mildly at him, seems surprised at the clearness of her own logic. The boys tell him that he's "worse than a girl," and the girls repudiate the implied slur upon their sex by indignantly exclaiming that they are sure no girl would be half as bad.
They are quite right; no girl would be. There is no such thing as a shy woman, or, at all events, I have never come across one, and until I do I shall not believe in them. I know that the generally accepted belief is quite the reverse. All women are supposed to be like timid, startled fawns, blushing and casting down their gentle eyes when looked at and running away when spoken to; while we men are supposed to be a bold and rollicky lot, and the poor dear little women admire us for it, but are terribly afraid of us. It is a pretty theory, but, like most generally accepted theories, mere nonsense. The girl of twelve is self-contained and as cool as the proverbial cucumber, while her brother of twenty stammers and stutters by her side. A woman will enter a concert-room late, interrupt the performance, and disturb the whole audience without moving a hair, while her husband follows her, a crushed heap of apologizing misery.
The superior nerve of women in all matters connected with love, from the casting of the first sheep's-eye down to the end of the honeymoon, is too well acknowledged to need comment. Nor is the example a fair one to cite in the present instance, the positions not being equally balanced. Love is woman's business, and in "business" we all lay aside our natural weaknesses—the shyest man I ever knew was a photographic tout.
Oh, yes, I do—I know a lot about 'em. I was one myself once, though not long—not so long as my clothes. They were very long, I recollect, and always in my way when I wanted to kick. Why do babies have such yards of unnecessary clothing? It is not a riddle. I really want to know. I never could understand it. Is it that the parents are ashamed of the size of the child and wish to make believe that it is longer than it actually is? I asked a nurse once why it was. She said:
"Lor', sir, they always have long clothes, bless their little hearts."
And when I explained that her answer, although doing credit to her feelings, hardly disposed of my difficulty, she replied:
"Lor', sir, you wouldn't have 'em in short clothes, poor little dears?" And she said it in a tone that seemed to imply I had suggested some unmanly outrage.
Since than I have felt shy at making inquiries on the subject, and the reason—if reason there be—is still a mystery to me. But indeed, putting them in any clothes at all seems absurd to my mind. Goodness knows there is enough of dressing and undressing to be gone through in life without beginning it before we need; and one would think that people who live in bed might at all events be spared the torture. Why wake the poor little wretches up in the morning to take one lot of clothes off, fix another lot on, and put them to bed again, and then at night haul them out once more, merely to change everything back? And when all is done, what difference is there, I should like to know, between a baby's night-shirt and the thing it wears in the day-time?
Very likely, however, I am only making myself ridiculous—I often do, so I am informed—and I will therefore say no more upon this matter of clothes, except only that it would be of great convenience if some fashion were adopted enabling you to tell a boy from a girl.
At present it is most awkward. Neither hair, dress, nor conversation affords the slightest clew, and you are left to guess. By some mysterious law of nature you invariably guess wrong, and are thereupon regarded by all the relatives and friends as a mixture of fool and knave, the enormity of alluding to a male babe as "she" being only equaled by the atrocity of referring to a female infant as "he". Whichever sex the particular child in question happens not to belong to is considered as beneath contempt, and any mention of it is taken as a personal insult to the family.
And as you value your fair name do not attempt to get out of the difficulty by talking of "it."
There are various methods by which you may achieve ignominy and shame. By murdering a large and respected family in cold blood and afterward depositing their bodies in the water companies' reservoir, you will gain much unpopularity in the neighborhood of your crime, and even robbing a church will get you cordially disliked, especially by the vicar. But if you desire to drain to the dregs the fullest cup of scorn and hatred that a fellow human creature can pour out for you, let a young mother hear you call dear baby "it."
Your best plan is to address the article as "little angel." The noun "angel" being of common gender suits the case admirably, and the epithet is sure of being favorably received. "Pet" or "beauty" are useful for variety's sake, but "angel" is the term that brings you the greatest credit for sense and good-feeling. The word should be preceded by a short giggle and accompanied by as much smile as possible. And whatever you do, don't forget to say that the child has got its father's nose. This "fetches" the parents (if I may be allowed a vulgarism) more than anything. They will pretend to laugh at the idea at first and will say, "Oh, nonsense!" You must then get excited and insist that it is a fact. You need have no conscientious scruples on the subject, because the thing's nose really does resemble its father's—at all events quite as much as it does anything else in nature—being, as it is, a mere smudge.
Do not despise these hints, my friends. There may come a time when, with mamma on one side and grand mamma on the other, a group of admiring young ladies (not admiring you, though) behind, and a bald-headed dab of humanity in front, you will be extremely thankful for some idea of what to say. A man—an unmarried man, that is—is never seen to such disadvantage as when undergoing the ordeal of "seeing baby." A cold shudder runs down his back at the bare proposal, and the sickly smile with which he says how delighted he shall be ought surely to move even a mother's heart, unless, as I am inclined to believe, the whole proceeding is a mere device adopted by wives to discourage the visits of bachelor friends.
It is a cruel trick, though, whatever its excuse may be. The bell is rung and somebody sent to tell nurse to bring baby down. This is the signal for all the females present to commence talking "baby," during which time you are left to your own sad thoughts and the speculations upon the practicability of suddenly recollecting an important engagement, and the likelihood of your being believed if you do. Just when you have concocted an absurdly implausible tale about a man outside, the door opens, and a tall, severe-looking woman enters, carrying what at first sight appears to be a particularly skinny bolster, with the feathers all at one end. Instinct, however, tells you that this is the baby, and you rise with a miserable attempt at appearing eager. When the first gush of feminine enthusiasm with which the object in question is received has died out, and the number of ladies talking at once has been reduced to the ordinary four or five, the circle of fluttering petticoats divides, and room is made for you to step forward. This you do with much the same air that you would walk into the dock at Bow Street, and then, feeling unutterably miserable, you stand solemnly staring at the child. There is dead silence, and you know that every one is waiting for you to speak. You try to think of something to say, but find, to your horror, that your reasoning faculties have left you. It is a moment of despair, and your evil genius, seizing the opportunity, suggests to you some of the most idiotic remarks that it is possible for a human being to perpetrate. Glancing round with an imbecile smile, you sniggeringly observe that "it hasn't got much hair has it?" Nobody answers you for a minute, but at last the stately nurse says with much gravity:
"It is not customary for children five weeks old to have long hair." Another silence follows this, and you feel you are being given a second chance, which you avail yourself of by inquiring if it can walk yet, or what they feed it on.
By this time you have got to be regarded as not quite right in your head, and pity is the only thing felt for you. The nurse, however, is determined that, insane or not, there shall be no shirking and that you shall go through your task to the end. In the tones of a high priestess directing some religious mystery she says, holding the bundle toward you:
"Take her in your arms, sir." You are too crushed to offer any resistance and so meekly accept the burden. "Put your arm more down her middle, sir," says the high-priestess, and then all step back and watch you intently as though you were going to do a trick with it.
What to do you know no more than you did what to say. It is certain something must be done, and the only thing that occurs to you is to heave the unhappy infant up and down to the accompaniment of "oopsee-daisy," or some remark of equal intelligence. "I wouldn't jig her, sir, if I were you," says the nurse; "a very little upsets her." You promptly decide not to jig her and sincerely hope that you have not gone too far already.
At this point the child itself, who has hitherto been regarding you with an expression of mingled horror and disgust, puts an end to the nonsense by beginning to yell at the top of its voice, at which the priestess rushes forward and snatches it from you with "There! there! there! What did ums do to ums?" "How very extraordinary!" you say pleasantly. "Whatever made it go off like that?" "Oh, why, you must have done something to her!" says the mother indignantly; "the child wouldn't scream like that for nothing." It is evident they think you have been running pins into it.
The brat is calmed at last, and would no doubt remain quiet enough, only some mischievous busybody points you out again with "Who's this, baby?" and the intelligent child, recognizing you, howls louder than ever.
Whereupon some fat old lady remarks that "it's strange how children take a dislike to any one." "Oh, they know," replies another mysteriously. "It's a wonderful thing," adds a third; and then everybody looks sideways at you, convinced you are a scoundrel of the blackest dye; and they glory in the beautiful idea that your true character, unguessed by your fellow-men, has been discovered by the untaught instinct of a little child.
Babies, though, with all their crimes and errors, are not without their use—not without use, surely, when they fill an empty heart; not without use when, at their call, sunbeams of love break through care-clouded faces; not without use when their little fingers press wrinkles into smiles.
Odd little people! They are the unconscious comedians of the world's great stage. They supply the humor in life's all-too-heavy drama. Each one, a small but determined opposition to the order of things in general, is forever doing the wrong thing at the wrong time, in the wrong place and in the wrong way. The nurse-girl who sent Jenny to see what Tommy and Totty were doing and "tell 'em they mustn't" knew infantile nature. Give an average baby a fair chance, and if it doesn't do something it oughtn't to a doctor should be called in at once.
They have a genius for doing the most ridiculous things, and they do them in a grave, stoical manner that is irresistible. The business-like air with which two of them will join hands and proceed due east at a break-neck toddle, while an excitable big sister is roaring for them to follow her in a westerly direction, is most amusing—except, perhaps, for the big sister. They walk round a soldier, staring at his legs with the greatest curiosity, and poke him to see if he is real. They stoutly maintain, against all argument and much to the discomfort of the victim, that the bashful young man at the end of the 'bus is "dadda." A crowded street-corner suggests itself to their minds as a favorable spot for the discussion of family affairs at a shrill treble. When in the middle of crossing the road they are seized with a sudden impulse to dance, and the doorstep of a busy shop is the place they always select for sitting down and taking off their shoes.
When at home they find the biggest walking-stick in the house or an umbrella—open preferred-of much assistance in getting upstairs. They discover that they love Mary Ann at the precise moment when that faithful domestic is blackleading the stove, and nothing will relieve their feelings but to embrace her then and there. With regard to food, their favorite dishes are coke and cat's meat. They nurse pussy upside down, and they show their affection for the dog by pulling his tail.
They are a deal of trouble, and they make a place untidy and they cost a lot of money to keep; but still you would not have the house without them. It would not be home without their noisy tongues and their mischief-making hands. Would not the rooms seem silent without their pattering feet, and might not you stray apart if no prattling voices called you together?
It should be so, and yet I have sometimes thought the tiny hand seemed as a wedge, dividing. It is a bearish task to quarrel with that purest of all human affections—that perfecting touch to a woman's life—a mother's love. It is a holy love, that we coarser-fibered men can hardly understand, and I would not be deemed to lack reverence for it when I say that surely it need not swallow up all other affection. The baby need not take your whole heart, like the rich man who walled up the desert well. Is there not another thirsty traveler standing by?
In your desire to be a good mother, do not forget to be a good wife. No need for all the thought and care to be only for one. Do not, whenever poor Edwin wants you to come out, answer indignantly, "What, and leave baby!" Do not spend all your evenings upstairs, and do not confine your conversation exclusively to whooping-cough and measles. My dear little woman, the child is not going to die every time it sneezes, the house is not bound to get burned down and the nurse run away with a soldier every time you go outside the front door; nor the cat sure to come and sit on the precious child's chest the moment you leave the bedside. You worry yourself a good deal too much about that solitary chick, and you worry everybody else too. Try and think of your other duties, and your pretty face will not be always puckered into wrinkles, and there will be cheerfulness in the parlor as well as in the nursery. Think of your big baby a little. Dance him about a bit; call him pretty names; laugh at him now and then. It is only the first baby that takes up the whole of a woman's time. Five or six do not require nearly so much attention as one. But before then the mischief has been done. A house where there seems no room for him and a wife too busy to think of him have lost their hold on that so unreasonable husband of yours, and he has learned to look elsewhere for comfort and companionship.
But there, there, there! I shall get myself the character of a baby-hater if I talk any more in this strain. And Heaven knows I am not one. Who could be, to look into the little innocent faces clustered in timid helplessness round those great gates that open down into the world?
The world—the small round world! what a vast mysterious place it must seem to baby eyes! What a trackless continent the back garden appears! What marvelous explorations they make in the cellar under the stairs! With what awe they gaze down the long street, wondering, like us bigger babies when we gaze up at the stars, where it all ends!
And down that longest street of all—that long, dim street of life that stretches out before them—what grave, old-fashioned looks they seem to cast! What pitiful, frightened looks sometimes! I saw a little mite sitting on a doorstep in a Soho slum one night, and I shall never forget the look that the gas-lamp showed me on its wizen face—a look of dull despair, as if from the squalid court the vista of its own squalid life had risen, ghostlike, and struck its heart dead with horror.
Poor little feet, just commencing the stony journey! We old travelers, far down the road, can only pause to wave a hand to you. You come out of the dark mist, and we, looking back, see you, so tiny in the distance, standing on the brow of the hill, your arms stretched out toward us. God speed you! We would stay and take your little hands in ours, but the murmur of the great sea is in our ears and we may not linger. We must hasten down, for the shadowy ships are waiting to spread their sable sails.