The same day brought us a copy of Mr. Burdett's little book,—in which the sufferings and difficulties that beset the large class of women who must earn their subsistence in a city like New York, are delineated with so much simplicity, feeling, and exact adherence to the facts,—and a printed circular, containing proposals for immediate practical adoption of the plan wore fully described in a book published some weeks since, under the title, "The Duty of American Women to their Country," which was ascribed alternately to Mrs. Stowe and Miss Catharine Beecher. The two matters seemed linked to one another by natural parity. Full acquaintance with the wrong must call forth all manner of inventions for its redress.
The circular, in showing the vast want that already exists of good means for instructing the children of this nation, especially in the West, states also the belief that among women, as being less immersed in other cares and toils, from the preparation it gives for their task as mothers, and from the necessity in which a great proportion stand of earning a subsistence somehow, at least during the years which precede marriage, if they do marry, must the number of teachers wanted be found, which is estimated already at sixty thousand.
We cordially sympathize with these views.
Much has been written about woman's keeping within her sphere, which is defined as the domestic sphere. As a little girl she is to learn the lighter family duties, while she acquires that limited acquaintance with the realm of literature and science that will enable her to superintend the instruction of children in their earliest years. It is not generally proposed that she should be sufficiently instructed and developed to understand the pursuits or aims of her future husband; she is not to be a help-meet to him in the way of companionship and counsel, except in the care of his house and children. Her youth is to be passed partly in learning to keep house and the use of the needle, partly in the social circle, where her manners may be formed, ornamental accomplishments perfected and displayed, and the husband found who shall give her the domestic sphere for which she is exclusively to be prepared.
Were the destiny of Woman thus exactly marked out; did she invariably retain the shelter of a parent's or guardian's roof till she married; did marriage give her a sure home and protector; were she never liable to remain a widow, or, if so, sure of finding immediate protection from a brother or new husband, so that she might never be forced to stand alone one moment; and were her mind given for this world only, with no faculties capable of eternal growth and infinite improvement; we would still demand for her a for wider and more generous culture, than is proposed by those who so anxiously define her sphere. We would demand it that she might not ignorantly or frivolously thwart the designs of her husband; that she might be the respected friend of her sons, not less than of her daughters; that she might give more refinement, elevation and attraction, to the society which is needed to give the characters of men polish and plasticity,—no less so than to save them from vicious and sensual habits. But the most fastidious critic on the departure of Woman from her sphere can scarcely fail to see, at present, that a vast proportion of the sex, if not the better half, do not, cannot have this domestic sphere. Thousands and scores of thousands in this country, no less than in Europe, are obliged to maintain themselves alone. Far greater numbers divide with their husbands the care of earning a support for the family. In England, now, the progress of society has reached so admirable a pitch, that the position of the sexes is frequently reversed, and the husband is obliged to stay at home and "mind the house and bairns," while the wife goes forth to the employment she alone can secure.
We readily admit that the picture of this is most painful;—that Nature made an entirely opposite distribution of functions between the sexes. We believe the natural order to be the best, and that, if it could be followed in an enlightened spirit, it would bring to Woman all she wants, no less for her immortal than her mortal destiny. We are not surprised that men who do not look deeply and carefully at causes and tendencies, should be led, by disgust at the hardened, hackneyed characters which the present state of things too often produces in women, to such conclusions as they are. We, no more than they, delight in the picture of the poor woman digging in the mines in her husband's clothes. We, no more than they, delight to hear their voices shrilly raised in the market-place, whether of apples, or of celebrity. But we see that at present they must do as they do for bread. Hundreds and thousands must step out of that hallowed domestic sphere, with no choice but to work or steal, or belong to men, not as wives, but as the wretched slaves of sensuality.
And this transition state, with all its revolting features, indicates, we do believe, an approach of a nobler era than the world has yet known. We trust that by the stress and emergencies of the present and coming time the minds of women will be formed to more reflection and higher purposes than heretofore; their latent powers developed, their characters strengthened and eventually beautified and harmonized. Should the state of society then be such that each may remain, as Nature seems to have intended, Woman the tutelary genius of home, while Man manages the outdoor business of life, both may be done with a wisdom, a mutual understanding and respect, unknown at present. Men will be no less gainers by this than women, finding in pure and more religious marriages the joys of friendship and love combined,—in their mothers and daughters better instruction, sweeter and nobler companionship, and in society at large, an excitement to their finer powers and feelings unknown at present, except in the region of the fine arts.
Blest be the generous, the wise, who seek to forward hopes like these, instead of struggling, against the fiat of Providence and the march of Fate, to bind down rushing life to the standard of the past! Such efforts are vain, but those who make them are unhappy and unwise.
It is not, however, to such that we address ourselves, but to those who seek to make the best of things as they are, while they also strive to make them better. Such persons will have seen enough of the state of things in London, Paris, New York, and manufacturing regions everywhere, to feel that there is an imperative necessity for opening more avenues of employment to women, and fitting them better to enter them, rather than keeping them back.
Women have invaded many of the trades and some of the professions. Sewing, to the present killing extent, they cannot long bear. Factories seem likely to afford them permanent employment. In the culture of fruit, flowers, and vegetables, even in the sale of them, we rejoice to see them engaged. In domestic service they will be aided, but can never be supplanted, by machinery. As much room as there is here for Woman's mind and Woman's labor, will always be filled. A few have usurped the martial province, but these must always be few; the nature of Woman is opposed to war. It is natural enough to see "female physicians," and we believe that the lace cap and work-bag are as much at home here as the wig and gold-headed cane. In the priesthood, they have, from all time, shared more or less—in many eras more than at the present. We believe there has been no female lawyer, and probably will be none. The pen, many of the fine arts, they have made their own; and in the more refined countries of the world, as writers, as musicians, as painters, as actors, women occupy as advantageous ground as men. Writing and music may be esteemed professions for them more than any other.
But there are two others—where the demand must invariably be immense, and for which they are naturally better fitted than men—for which we should like to see them better prepared and better rewarded than they are. These are the professions of nurse to the sick, and of the teacher. The first of these professions we have warmly desired to see dignified. It is a noble one, now most unjustly regarded in the light of menial service. It is one which no menial, no servile nature can fitly occupy. We were rejoiced when an intelligent lady of Massachusetts made the refined heroine of a little romance select this calling. This lady (Mrs. George Lee) has looked on society with unusual largeness of spirit and healthiness of temper. She is well acquainted with the world of conventions, but sees beneath it the world of nature. She is a generous writer, and unpretending as the generous are wont to be. We do not recall the name of the tale, but the circumstance above mentioned marks its temper. We hope to see the time when the refined and cultivated will choose this profession, and learn it, not only through experience and under the direction of the doctor, but by acquainting themselves with the laws of matter and of mind, so that all they do shall be intelligently done, and afford them the means of developing intelligence, as well as the nobler, tenderer feelings of humanity; for even this last part of the benefit they cannot receive if their work be done in a selfish or mercenary spirit.
The other profession is that of teacher, for which women are peculiarly adapted by their nature, superiority in tact, quickness of sympathy, gentleness, patience, and a clear and animated manner in narration or description. To form a good teacher, should be added to this, sincere modesty combined with firmness, liberal views, with a power and will to liberalize them still further, a good method, and habits of exact and thorough investigation. In the two last requisites women are generally deficient, but there are now many shining examples to prove that if they are immethodical and superficial as teachers, it is because it is the custom so to teach them, and that when aware of these faults, they can and will correct them.
The profession is of itself an excellent one for the improvement of the teacher during that interim between youth and maturity when the mind needs testing, tempering, and to review and rearrange the knowledge it has acquired. The natural method of doing this for one's self, is to attempt teaching others; those years also are the best of the practical teacher. The teacher should be near the pupil, both in years and feelings; no oracle, but the eldest brother or sister of the pupil. More experience and years form the lecturer and director of studies, but injure the powers as to familiar teaching.
These are just the years of leisure in the lives even of those women who are to enter the domestic sphere, and this calling most of all compatible with a constant progress as to qualifications for that.
Viewing the matter thus, it may well be seen that we should hail with joy the assurance that sixty thousand female teachers are wanted, and more likely to be, and that a plan is projected which looks wise, liberal and generous, to afford the means, to those whose hearts answer to this high calling, of obeying their dictates.
The plan is to have Cincinnati as a central point, where teachers shall be for a short time received, examined, and prepared for their duties. By mutual agreement and cooperation of the various sects, funds are to be raised, and teachers provided, according to the wants and tendencies of the various locations now destitute. What is to be done for them centrally, is for suitable persons to examine into the various kinds of fitness, communicate some general views whose value has been tested, and counsel adapted to the difficulties and advantages of their new positions. The central committee are to have the charge of raising funds, and finding teachers, and places where teachers are wanted.
The passage of thoughts, teachers and funds, will be from East to West—the course of sunlight upon this earth.
The plan is offered as the most extensive and pliant means of doing a good and preventing ill to this nation, by means of a national education; whose normal school shall have an invariable object in the search after truth, and the diffusion of the means of knowledge, while its form shall be plastic according to the wants of the time. This normal school promises to have good effects, for it proposes worthy aims through simple means, and the motive for its formation and support seems to be disinterested philanthropy.
It promises to eschew the bitter spirit of sectarianism and proselytism, else we, for one party, could have nothing to do with it. Men, no doubt, have oftentimes been kept from absolute famine by the wheat with which such tares are mingled; but we believe the time is come when a purer and more generous food is to be offered to the people at large. We believe the aim of all education to be to rouse the mind to action, show it the means of discipline and of information; then leave it free, with God, Conscience, and the love of Truth, for its guardians and teachers. Woe be to those who sacrifice these aims of universal and eternal value to the propagation of a set of opinions! We can accept such doctrine as is offered by Rev. Colvin E. Stowe, one of the committee, in the following passage:
"In judicious practice, I am persuaded there will seldom be any very great difficulty, especially if there be excited in the community anything like a whole-hearted and enlightened sincerity in the cause of public instruction.
"It is all right for people to suit their own taste and convictions in respect to sect; and by fair means, and at proper times, to teach their children and those under their influence to prefer the denominations which they prefer; but further than this no one has any right to go. It is all wrong to hazard the well-being of the soul, to jeopardize great public interests for the sake of advancing the interests of a sect. People must learn to practise some self-denial, on Christian principles, in respect to their denominational prejudices as well as in respect to other things, before pure religion can ever gain a complete victory over every form of human selfishness."
The persons who propose themselves to the examination and instruction of the teachers at Cincinnati, till the plan shall be sufficiently under way to provide regularly for the office, are Mrs. Stowe and Miss Catharine Beecher, ladies well known to fame, as possessing unusual qualifications for the task.
As to finding abundance of teachers, who that reads this little book of Mr. Burdett's, or the account of the compensation of female labor in New York, and the hopeless, comfortless, useless, pernicious lives of those who have even the advantage of getting work must lead, with the sufferings and almost inevitable degradation to which those who cannot are exposed, but must long to snatch such as are capable of this better profession (and among the multitude there must be many who are or could be made so) from their present toils, and make them free, and the means of freedom and growth in others?
To many books on such subjects—among others to "Woman in the Nineteenth Century"—the objection has been made, that they exhibit ills without specifying any practical means for their remedy. The writer of the last-named essay does indeed think that it contains one great rule which, if laid to heart, would prove a practical remedy for many ills, and of such daily and hourly efficacy in the conduct of life, that any extensive observance of it for a single year would perceptibly raise the tone of thought, feeling and conduct, throughout the civilized world. But to those who ask not only such a principle, but an external method for immediate use, we say that here is one proposed which looks noble and promising; the proposers offer themselves to the work with heart and hand, with time and purse. Go ye and do likewise.
When I first knew George Sand, I thought to have found tried the experiment I wanted. I did not value Bettine so much. She had not pride enough for me. Only now, when I am sure of myself, can I pour out my soul at the feet of another. In the assured soul it is kingly prodigality; in one which cannot forbear it is mere babyhood. I love "abandon" only when natures are capable of the extreme reverse. I know Bettine would end in nothing; when I read her book I knew she could not outlive her love.
But in "Les Sept Cordes de la Lyre," which I read first, I saw the knowledge of the passions and of social institutions, with the celestial choice which rose above them. I loved Helène, who could hear so well the terrene voices, yet keep her eye fixed on the stars. That would be my wish also,—to know all, and then choose. I even revered her, for I was not sure that I could have resisted the call of the now; could have left the spirit and gone to God; and at a more ambitious age I could not have refused the philosopher. But I hoped much from her steadfastness, and I thought I heard the last tones of a purified life. Gretchen, in the golden cloud, is raised above all past delusions, worthy to redeem and upbear the wise man who stumbled into the pit of error while searching for truth.
Still, in "André" and "Jacques," I trace the same high morality of one who had tried the liberty of circumstance only to learn to appreciate the liberty of law;—to know that license is the foe of freedom; and, though the sophistry of Passion in these books disgusted me, flowers of purest hue seemed to grow upon the dark and dirty ground. I thought she had cast aside the slough of her past life, and begun a new existence beneath the sun of a new ideal.
But here, in the "Lettres d'un Voyageur," what do I see? An unfortunate, wailing her loneliness, wailing her mistakes, writing for money! She has genius, and a manly grasp of mind, but not a manly heart. Will there never be a being to combine a man's mind and a woman's heart, and who yet finds life too rich to weep over? Never?
When I read in "Leon Leoni" the account of the jeweller's daughter's life with her mother, passed in dressing, and learning to be looked at when dressed, "avec un front impassible," it reminded me of —— and her mother. What a heroine she would be for Sand! She has the same fearless softness with Juliet, and a sportive naïveté a mixture of bird and kitten, unknown to the dupe of Leoni.
If I were a man, and wished a wife, as many do, merely as an ornament, a silken toy, I would take —— as soon as any I know. Her fantastic, impassioned and mutable nature would yield an inexhaustible amusement. She is capable of the most romantic actions,—wild as the falcon, voluptuous as the tuberose; yet she has not in her the elements of romance, like a deeper or less susceptible nature. My cold and reasoning ——, with her one love lying, perhaps never to be unfolded, beneath such sheaths of pride and reserve, would make a far better heroine.
—— and her mother differ from Juliet and her mother by the impulse a single strong character gave them. Even at this distance of time there is a light but perceptible taste of iron in the water.
George Sand disappoints me, as almost all beings do, especially since I have been brought close to her person by the "Lettres d'un Voyageur." Her remarks on Lavater seem really shallow, à la mode du genre feminin. No self-ruling Aspasia she, but a frail woman, mourning over her lot. Any peculiarity in her destiny seems accidental; she is forced to this and to that to earn her bread, forsooth!
Yet her style—with what a deeply smouldering fire it burns! Not vehement, but intense, like Jean Jacques.
It is probably known to a great proportion of readers that this writer is a woman, who writes under the name, and frequently assumes the dress and manners, of a man. It is also known that she has not only broken the marriage-bond, and, since that, formed other connections, independent of the civil and ecclesiastical sanction, but that she first rose into notice through works which systematically assailed the present institution of marriage, and the social bonds which are connected with it.
No facts are more adapted to startle every feeling of our community; but, since the works of Sand are read here, notwithstanding, and cannot fail to be so while they exert so important an influence abroad, it would be well they should be read intelligently, as to the circumstances of their birth and their tendency.
George Sand we esteem to be a person of strong passions, but of original nobleness and a love of right sufficient to guide them all to the service of worthy aims. But she fell upon evil times. She was given in marriage, according to the fashion of the old régime; she was taken from a convent, where she had heard a great deal about the law of God and the example of Jesus, into a society where no vice was proscribed, if it would only wear the cloak of hypocrisy. She found herself impatient of deception, and loudly appealed to by passion; she yielded, but she could not do so, as others did, sinning against what she owned to be the rule of right and the will of Heaven. She protested, she examined, she "hacked into the roots of things," and the bold sound of her axe called around her every foe that finds a home amid the growths of civilization. Still she persisted. "If it be real," thought she, "it cannot be destroyed; as to what is false, the sooner it goes the better; and I, for one, would rather perish by its fall, than wither in its shade."
Schiller puts into the mouth of Mary Stuart these words, as her only plea: "The world knows the worst of me, and I may boast that, though I have erred, I am better than my reputation." Sand may say the same. All is open, noble; the free descriptions, the sophistry of passion, are, at least, redeemed by a desire for truth as strong as ever beat in any heart. To the weak or unthinking, the reading of such books may not be desirable, for only those who take exercise as men can digest strong meat. But to any one able to understand the position and circumstances, we believe this reading cannot fail of bringing good impulses, valuable suggestions; and it is quite free from that subtle miasma which taints so large a portion of French literature, not less since the Revolution than before. This we say to the foreign reader. To her own country, Sand is a boon precious and prized, both as a warning and a leader, for which none there can be ungrateful. She has dared to probe its festering wounds; and if they be not past all surgery, she is one who, most of any, helps towards a cure.
Would, indeed, the surgeon had come with quite clean hands! A woman of Sand's genius—as free, as bold, and pure from even the suspicion of error—might have filled an apostolic station among her people with what force had come her cry, "If it be false, give it up; but if it be true, keep to it,— one or the other!"
But we have read all we wish to say upon this subject lately uttered just from the quarter we could wish. It is such a woman, so unblemished in character, so high in aim, so pure in soul, that should address this other, as noble in nature, but clouded by error, and struggling with circumstances. It is such women that will do such others justice. They are not afraid to look for virtue, and reply to aspiration, among those who have not dwelt "in decencies forever." It is a source of pride and happiness to read this address from the heart of Elizabeth Barrett:—
This last sonnet seems to have been written after seeing the picture of Sand, which represents her in a man's dress, but with long, loose hair, and an eye whose mournful fire is impressive, even in the caricatures.
For some years Sand has quitted her post of assailant. She has seen that it is better to seek some form of life worthy to supersede the old, than rudely to destroy it, heedless of the future. Her force is bending towards philanthropic measures. She does not appear to possess much of the constructive faculty; and, though her writings command a great pecuniary compensation, and have a wide sway, it is rather for their tendency than for their thought. She has reached no commanding point of view from which she may give orders to the advanced corps. She is still at work with others in the breach, though she works with more force than almost any.
In power, indeed, Sand bears the palm above all other French novelists. She is vigorous in conception, often great in the apprehension and the contrast of characters. She knows passion, as has been hinted, at a white heat, when all the lower particles are remoulded by its power. Her descriptive talent is very great, and her poetic feeling exquisite. She wants but little of being a poet, but that little is indispensable. Yet she keeps us always hovering on the borders of enchanted fields. She has, to a signal degree, that power of exact transcript from her own mind, in which almost all writers fail. There is no veil, no half-plastic integument between us and the thought; we vibrate perfectly with it.
This is her chief charm, and next to it is one in which we know no French writer that resembles her, except Rousseau, though he, indeed, is vastly her superior in it; that is, of concentrated glow. Her nature glows beneath the words, like fire beneath ashes,—deep, deep!
Her best works are unequal; in many parts written hastily, or carelessly, or with flagging spirits. They all promise far more than they can perform; the work is not done masterly; she has not reached that point where a writer sits at the helm of his own genius.
Sometimes she plies the oar,—sometimes she drifts. But what greatness she has is genuine; there is no tinsel of any kind, no drapery carefully adjusted, no chosen gesture about her. May Heaven lead her, at last, to the full possession of her best self, in harmony with the higher laws of life!
We are not acquainted with all her works, but among those we know, mention "La Roche Maupart," "André," "Jacques," "Les Sept Cordes de la Lyre," and "Les Maitres Mosaistes," as representing her higher inspirations, her sincerity in expression, and her dramatic powers. They are full of faults; still they show her scope and aim with some fairness, which such of her readers as chance first on such of her books as "Leone Leoni" may fail to find; or even such as "Simon," and "Spiridion," though into the imperfect web of these are woven threads of pure gold. Such is the first impression made by the girl Fiamma, so noble, as she appears before us with the words "E l'onore;" such the thought in Spiridion of making the apparition the reward of virtue.
The work she is now publishing, "Consuelo" with its sequel, "Baroness de Rudolstadt," exhibits her genius poised on a firmer pedestal, breathing a serener air. Still it is faulty in conduct, and shows some obliquity of vision. She has not reached the Interpreter's house yet. But when she does, she will have clues to guide many a pilgrim, whom one less tried, less tempted than herself could not help on the way.
* * * * *. The work itself cannot fail of innumerable readers, and a great influence, for it counts many of the most significant pulse-beats of the tune. Apart from its range of character and fine descriptions, it records some of the mystical apparitions, and attempts to solve some of the problems of the time. How to combine the benefits of the religious life with those of the artist-life in an existence more simple, more full, more human in short, than either of the two hitherto known by these names has been,—this problem is but poorly solved in the "Countess of Rudolstadt," the sequel to Consuelo. It is true, as the English reviewer says, that George Sand is a far better poet than philosopher, and that the chief use she can be of in these matters is, by her great range of observation and fine intuitions, to help to develop the thoughts of the time a little way further. But the sincerity, the reality of all he can obtain from this writer will be highly valued by the earnest man.
In one respect the book is entirely successful—in showing how inward purity and honor may preserve a woman from bewilderment and danger, and secure her a genuine independence. Whoever aims at this is still considered, by unthinking or prejudiced minds, as wishing to despoil the female character of its natural and peculiar loveliness. It is supposed that delicacy must imply weakness, and that only an Amazon can stand upright, and have sufficient command of her faculties to confront the shock of adversity, or resist the allurements of tenderness. Miss Bremer, Dumas, and the northern novelist, Andersen, make women who have a tendency to the intellectual life of an artist fail, and suffer the penalties of arrogant presumption, in the very first steps of a career to which an inward vocation called them in preference to the usual home duties. Yet nothing is more obvious than that the circumstances of the time do, more and more frequently, call women to such lives, and that, if guardianship is absolutely necessary to women, many must perish for want of it. There is, then, reason to hope that God may be a sufficient guardian to those who dare rely on him; and if the heroines of the novelists we have named ended as they did, it was for the want of the purity of ambition and simplicity of character which do not permit such as Consuelo to be either unseated and depraved, or unresisting victims and breaking reeds, if left alone in the storm and crowd of life. To many women this picture will prove a true Consuelo (consolation), and we think even very prejudiced men will not read it without being charmed with the expansion, sweetness and genuine force, of a female character, such as they have not met, but must, when painted, recognize as possible, and may be led to review their opinions, and perhaps to elevate and enlarge their hopes, as to "Woman's sphere" and "Woman's mission." If such insist on what they have heard of the private life of this writer, and refuse to believe that any good thing can come out of Nazareth, we reply that we do not know the true facts as to the history of George Sand. There has been no memoir or notice of her published on which any one can rely, and we have seen too much of life to accept the monsters of gossip in reference to any one. But we know, through her works, that, whatever the stains on her life and reputation may have been, there is in her a soul so capable of goodness and honor as to depict them most successfully in her ideal forms. It is her works, and not her private life, that we are considering. Of her works we have means of judging; of herself, not. But among those who have passed unblamed through the walks of life, we have not often found a nobleness of purpose and feeling, a sincere religious hope, to be compared with the spirit that breathes through the pages of Consuelo.
The experiences of the artist-life, the grand and penetrating remarks upon music, make the book a precious acquisition to all whose hearts are fashioned to understand such things.
We suppose that we receive here not only the mind of the writer, but of Liszt, with whom she has publicly corresponded in the "Lettres d'un Voyageur." None could more avail us, for "in him also is a spark of the divine fire," as Beethoven said of Ichubert. We may thus consider that we have in this book the benefit of the most electric nature, the finest sensibility, and the boldest spirit of investigation combined, expressing themselves in a little world of beautiful or picturesque forms.
Although there are grave problems discussed, and sad and searching experiences described in this work, yet its spirit is, in the main, hopeful, serene, almost glad. It is the spirit inspired from a near acquaintance with the higher life of art. Seeing there something really achieved and completed, corresponding with the soul's desires, faith is enlivened as to the eventual fulfilment of those desires, and we feel a certainty that the existence which looks at present so marred and fragmentary shall yet end in harmony. The shuttle is at work, and the threads are gradually added that shall bring out the pattern, and prove that what seems at present confusion is really the way and means to order and beauty.
Jenny Lind, the prima donna of Stockholm, is among the most distinguished of those geniuses who have been invited to welcome the queen to Germany. Her name has been unknown among us, as she is still young, and has not wandered much from the scene of her first triumphs; but many may have seen, last winter, in the foreign papers, an account of her entrance into Stockholm after an absence of some length. The people received her with loud cries of homage, took the horses from her carriage and drew her home; a tribute of respect often paid to conquerors and statesmen, but seldom, or, as far as we know, never to the priesthood of the muses, who have conferred the higher benefit of raising, refining and exhilarating, the popular mind.
An accomplished Swede, now in this country, communicated to a friend particulars of Jenny Lind's career, which suggested the thought that she might have given the hint for the principal figure in Sand's late famous novel, "Consuelo."
This work is at present in process of translation in "The Harbinger," a periodical published at Brook Farm, Mass.; but, as this translation has proceeded but a little way, and the book in its native tongue is not generally, though it has been extensively, circulated here, we will give a slight sketch of its plan.
It has been a work of deepest interest to those who have looked upon Sand for some years back, as one of the best exponents of the difficulties, the errors, the aspirations, the weaknesses, and the regenerative powers of the present epoch. The struggle in her mind and the experiments of her life have been laid bare to the eyes of her fellow-creatures with fearless openness—fearless, not shameless. Let no man confound the bold unreserve of Sand with that of those who have lost the feeling of beauty and the love of good. With a bleeding heart and bewildered feet she sought the truth, and if she lost the way, returned as soon as convinced she had done so; but she would never hide the fact that she had lost it. "What God knows, I dare avow to man," seems to be her motto. It is impossible not to see in her, not only the distress and doubts of the intellect, but the temptations of a sensual nature; but we see too the courage of a hero and a deep capacity for religion. This mixed nature, too, fits her peculiarly to speak to men so diseased as men are at present. They feel she knows their ailment, and if she find a cure, it will really be by a specific remedy.
An upward tendency and growing light are observable in all her works for several years past, till now, in the present, she has expressed such conclusions as forty years of the most varied experience have brought to one who had shrunk from no kind of discipline, yet still cried to God amid it all; one who, whatever you may say against her, you must feel has never accepted a word for a thing, or worn one moment the veil of hypocrisy; and this person one of the most powerful nature, both as to passion and action, and of an ardent, glowing genius. These conclusions are sadly incomplete. There is an amazing alloy in the last product of her crucible, but there is also so much of pure gold that the book is truly a cordial, as its name of Consuelo (consolation) promises.
The young Consuelo lives as a child the life of a beggar. Her youth is passed in the lowest circumstances of the streets of Venice. She brings the more pertinacious fire of Spanish blood to be fostered by the cheerful airs of Italy. A vague sense of the benefits to be derived, from such mingling of various influences, in the formation of a character, is to be discerned in several works of art now, when men are really wishing to become citizens of the world, though old habits still interfere on every side with so noble a development.
Nothing can be more charming than the first volume, which describes the young girl amid the common life of Venice. It is sunny, open, and romantic as the place. The beauty of her voice, when a little singing-girl in the streets, arrested the attention of a really great and severe master, Porpora, who educated her to music. In this she finds the vent and the echo for her higher self. Her affections are fixed on a young companion, an unworthy object, but she does not know him to be so. She judges from her own candid soul, that all must be good, and derives from the tie, for a while, the fostering influences which love alone has for genius. Clear perception follows quickly upon her first triumphs in art. They have given her a rival, and a mean rival, in her betrothed, whose talent, though great, is of an inferior grade to hers; who is vain, every way impure. Her master, Porpora, tries to avail himself of this disappointment to convince her that the artist ought to devote himself to art alone; that private ties must interfere with his perfection and his glory. But the nature of Consuelo revolts against this doctrine, as it would against the seclusion of a convent. She feels that genius requires manifold experience for its development, and that the mind, concentrated on a single object, is likely to pay by a loss of vital energy for the economy of thoughts and time.
Driven by these circumstances into Germany, she is brought into contact with the old noblesse, a very different, but far less charming, atmosphere than that of the gondoliers of Venice. But here, too, the strong, simple character of our Consuelo is unconstrained, if not at home, and when her heart swells and needs expansion, she can sing.
Here the Count de Rudolstadt, Albert, loves Consuelo, which seems, in the conduct of the relation, a type of a religious democracy in love with the spirit of art. We do not mean that any such cold abstraction is consciously intended, but all that is said means this. It shadows forth one of the greatest desires which convulse our age.
A most noble meaning is couched in the history of Albert, and though the writer breaks down under such great attempts, and the religion and philosophy of the book are clumsily embodied compared with its poesy and rhetoric, yet great and still growing thoughts are expressed with sufficient force to make the book a companion of rare value to one in the same phase of mind.
Albert is the aristocratic democrat, such as Alfieri was; one who, in his keen perception of beauty, shares the good of that culture which ages have bestowed on the more fortunate classes, but in his large heart loves and longs for the good of all men, as if he had himself suffered in the lowest pits of human misery. He is all this and more in his transmigration, real or fancied, of soul, through many forms of heroic effort and bloody error; in his incompetency to act at the present time, his need of long silences, of the company of the dead and of fools, and eventually of a separation from all habitual ties, is expressed a great idea, which is still only in the throes of birth, yet the nature of whose life we begin to prognosticate with some clearness.
Consuelo's escape from the castle, and even from Albert, her admiration of him, and her incapacity to love him till her own character be more advanced, are told with great naturalness. Her travels with Joseph Haydn, are again as charmingly told as the Venetian life. Here the author speaks from her habitual existence, and far more masterly than of those deep places of thought where she is less at home. She has lived much, discerned much, felt great need of great thoughts, but not been able to think a great way for herself. She fearlessly accompanies the spirit of the age, but she never surpasses it; that is the office of the great thinker.
At Vienna Consuelo is brought fully into connection with the great world as an artist. She finds that its realities, so far from being less, are even more harsh and sordid for the artist than for any other; and that with avarice, envy and falsehood, she must prepare for the fearful combat which awaits noble souls in any kind of arena, with the pain of disgust when they cannot raise themselves to patience—with the almost equal pain, when they can, of pity for those who know not what they do.
Albert is on the verge of the grave; and Consuelo, who, not being able to feel for him sufficient love to find in it compensation for the loss of that artist-life to which she feels Nature has destined her, had hitherto resisted the entreaties of his aged father, and the pleadings of her own reverential and tender sympathy with the wants of his soul, becomes his wife just before he dies.
The sequel, therefore, of this history is given under the title of Countess of Rudolstadt. Consuelo is still on the stage; she is at the Prussian court. The well-known features of this society, as given in the memoirs of the time, are put together with much grace and wit. The sketch of Frederic is excellent.
The rest of the book is devoted to expression of the author's ideas on the subject of reform, and especially of association as a means thereto. As her thoughts are yet in a very crude state, the execution of this part is equally bungling and clumsy. Worse: she falsifies the characters of both Consuelo and Albert,—who is revived again by subterfuge of trance,—and stains her best arrangements by the mixture of falsehood and intrigue.
Yet she proceeds towards, if she walks not by, the light of a great idea; and sincere democracy, universal religion, scatter from afar many seeds upon the page for a future time. The book should be, and will be, universally read. Those especially who have witnessed all Sand's doubts and sorrows on the subject of marriage, will rejoice in the clearer, purer ray which dawns upon her now. The most natural and deep part of the book, though not her main object, is what relates to the struggle between the claims of art and life, as to whether it be better for the world and one's self to develop to perfection a talent which Heaven seemed to have assigned as a special gift and vocation, or sacrifice it whenever the character seems to require this for its general development. The character of Consuelo is, throughout the first part, strong, delicate, simple, bold, and pure. The fair lines of this picture are a good deal broken in the second part; but we must remain true to the impression originally made upon us by this charming and noble creation of the soul of Sand.
It is in reference to our Consuelo that a correspondent [Footnote: We do not know how accurate is this correspondent's statement of facts. The narrative is certainly interesting.—Ed.] writes, as to Jenny Lind; and we are rejoiced to find that so many hints were, or might have been, furnished for the picture from real life. If Jenny Lind did not suggest it, yet she must also be, in her own sphere, a Consuelo.
"Jenny Lind must have been born about 1822 or 1828. When a young child, she was observed, playing about and singing in the streets of Stockholm, by Mr. Berg, master of singing for the royal opera. Pleased and astonished at the purity and suavity of her voice, he inquired instantly for her family, and found her father, a poor innkeeper, willing and glad to give up his daughter to his care, on the promise to protect her and give her an excellent musical education. He was always very careful of her, never permitting her to sing except in his presence, and never letting her appear on the stage, unless as a mute figure in some ballet, such, for instance, as Cupid and the Graces, till she was sixteen, when she at once executed her part in 'Der Freyschutz,' to the full satisfaction and surprise of the public of Stockholm. From that time she gradually became the favorite of every one. Without beauty, she seems, from her innocent and gracious manners, beautiful on the stage and charming in society. She is one of the few actresses whom no evil tongue can ever injure, and is respected and welcomed in any and all societies.
"The circumstances that reminded me of Consuelo were these: that she was a poor child, taken up by this singing-master, and educated thoroughly and severely by him; that she loved his son, who was a good-for-nothing fellow, like Anzoleto, and at last discarded him; that she refused the son of an English earl, and, when he fell sick, his father condescended to entreat for him, just as the Count of Rudolstadt did for his son; that, though plain and low in stature, when singing her best parts she appears beautiful, and awakens enthusiastic admiration; that she is rigidly correct in her demeanor towards her numerous admirers, having even returned a present sent her by the crown-prince, Oscar, in a manner that she deemed equivocal. This last circumstance being noised abroad, the next time she appeared on the stage she was greeted with more enthusiastic plaudits than ever, and thicker showers of flowers fell upon her from the hands of her true friends, the public. She was more fortunate than Consuelo in not being compelled to sing to a public of Prussian corporals."
Indeed, the picture of Frederic's opera-audience, with the pit full of his tall grenadiers with their wives on their shoulders, never daring to applaud except when he gave the order, as if by tap of drum, opposed to the tender and expansive nature of the artist, is one of the best tragicomedies extant. In Russia, too, all is military; as soon as a new musician arrives, he is invested with a rank in the army. Even in the church Nicholas has lately done the same. It seems as if he could not believe a man to be alive, except in the army; could not believe the human heart could beat, except by beat of drum. But we believe in Russia there is at least a mask of gayety thrown over the chilling truth. The great Frederic wished no disguise; everywhere he was chief corporal, and trampled with his everlasting boots the fair flowers of poesy into the dust.
The North has been generous to us of late; she has sent us Ole Bull. She is about to send Frederika Bremer. May she add JENNY LIND!