Of sovran use
  ‘Gainst all enchantments, mildew blast, or damp.

And now the shadows are beginning to lengthen towards the night, which, whether there be a following morn or no, is the night, and spreads out the wings of darkness. And still as it approaches the more aware grows the man of a want that differs from any feeling I have already sought to describe—a sense of insecurity, in no wise the same as the doubt of life beyond the grave—a need more profound even than that which cries for a living Nature. And now he plainly knows, that, all his life, like a conscious duty unfulfilled, this sense has haunted his path, ever and anon descending and clinging, a cold mist, about his heart. What if this lack was indeed the root of every other anxiety! Now freshly revived, this sense of not having, of something, he knows not what, for lack of which his being is in pain at its own incompleteness, never leaves him more. And with it the terror has returned and grows, lest there should be no Unseen Power, as his fathers believed, and his mother taught him, filling all things and meaning all things,—no Power with whom, in his last extremity, awaits him a final refuge. With the quickening doubt falls a tenfold blight on the world of poetry, both that in Nature and that in books. Far worse than that early chill which the assertions of science concerning what it knows, cast upon his inexperienced soul, is now the shivering death which its pretended denials concerning what it knows not, send through all his vital frame. The soul departs from the face of beauty, when the eye begins to doubt if there be any soul behind it; and now the man feels like one I knew, affected with a strange disease, who saw in the living face always the face of a corpse. What can the world be to him who lives for thought, if there be no supreme and perfect Thought,—none but such poor struggles after thought as he finds in himself? Take the eternal thought from the heart of things, no longer can any beauty be real, no more can shape, motion, aspect of nature have significance in itself, or sympathy with human soul. At best and most the beauty he thought he saw was but the projected perfection of his own being, and from himself as the crown and summit of things, the soul of the man shrinks with horror: it is the more imperfect being who knows the least his incompleteness, and for whom, seeing so little beyond himself, it is easiest to imagine himself the heart and apex of things, and rejoice in the fancy. The killing power of a godless science returns upon him with tenfold force. The ocean-tempest is once more a mere clashing of innumerable water-drops; the green and amber sadness of the evening sky is a mockery of sorrow; his own soul and its sadness is a mockery of himself. There is nothing in the sadness, nothing in the mockery. To tell him as comfort, that in his own thought lives the meaning if nowhere else, is mockery worst of all; for if there be no truth in them, if these things be no embodiment, to make them serve as such is to put a candle in a death’s-head to light the dying through the place of tombs. To his former foolish fancy a primrose might preach a childlike trust; the untoiling lilies might from their field cast seeds of a higher growth into his troubled heart; now they are no better than the colour the painter leaves behind him on the doorpost of his workshop, when, the day’s labour over, he wipes his brush on it ere he depart for the night. The look in the eyes of his dog, happy in that he is short-lived, is one of infinite sadness. All graciousness must henceforth be a sorrow: it has to go with the sunsets. That a thing must cease takes from it the joy of even an aeonian endurance—for its kind is mortal; it belongs to the nature of things that cannot live. The sorrow is not so much that it shall perish as that it could not live—that it is not in its nature a real, that is, an eternal thing. His children are shadows—their life a dance, a sickness, a corruption. The very element of unselfishness, which, however feeble and beclouded it may be, yet exists in all love, in giving life its only dignity adds to its sorrow. Nowhere at the root of things is love—it is only a something that came after, some sort of fungous excrescence in the hearts of men grown helplessly superior to their origin. Law, nothing but cold, impassive, material law, is the root of things—lifeless happily, so not knowing itself, else were it a demon instead of a creative nothing. Endeavour is paralyzed in him. “Work for posterity,” says he of the skyless philosophy; answers the man, “How can I work without hope? Little heart have I to labour, where labour is so little help. What can I do for my children that would render their life less hopeless than my own! Give me all you would secure for them, and my life would be to me but the worse mockery. The true end of labour would be, to lessen the number doomed to breathe the breath of this despair.”

Straightway he developes another and a deeper mood. He turns and regards himself. Suspicion or sudden insight has directed the look. And there, in himself, he discovers such imperfection, such wrong, such shame, such weakness, as cause him to cry out, “It were well I should cease! Why should I mourn after life? Where were the good of prolonging it in a being like me? ‘What should such fellows as I do crawling between heaven and earth!’” Such insights, when they come, the seers do their best, in general, to obscure; suspicion of themselves they regard as a monster, and would stifle. They resent the waking of such doubt. Any attempt at the raising in them of their buried best they regard as an offence against intercourse. A man takes his social life in his hand who dares it. Few therefore understand the judgment of Hamlet upon himself; the common reader is so incapable of imagining he could mean it of his own general character as a man, that he attributes the utterance to shame for the postponement of a vengeance, which indeed he must have been such as his critic to be capable of performing upon no better proof than he had yet had. When the man whose unfolding I would now represent, regards even his dearest love, he finds it such a poor, selfish, low-lived thing, that in his heart he shames himself before his children and his friends. How little labour, how little watching, how little pain has he endured for their sakes! He reads of great things in this kind, but in himself he does not find them. How often has he not been wrongfully displeased—wrathful with the innocent! How often has he not hurt a heart more tender than his own! Has he ever once been faithful to the height of his ideal? Is his life on the whole a thing to regard with complacency, or to be troubled exceedingly concerning? Beyond him rise and spread infinite seeming possibilities—height beyond height, glory beyond glory, each rooted in and rising from his conscious being, but alas! where is any hope of ascending them? These hills of peace, “in a season of calm weather,” seem to surround and infold him, as a land in which he could dwell at ease and at home: surely among them lies the place of his birth!—while against their purity and grandeur the being of his consciousness shows miserable—dark, weak, and undefined—a shadow that would fain be substance—a dream that would gladly be born into the light of reality. But alas if the whole thing be only in himself—if the vision be a dream of nothing, a revelation of lies, the outcome of that which, helplessly existent, is yet not created, therefore cannot create—if not the whole thing only be a dream of the impotent, but the impotent be himself but a dream—a dream of his own—a self-dreamed dream—with no master of dreams to whom to cry! Where then the cherished hope of one day atoning for his wrongs to those who loved him!—they are nowhere—vanished for ever, upmingled and dissolved in the primeval darkness! If truth be but the hollow of a sphere, ah, never shall he cast himself before them, to tell them that now at last, after long years of revealing separation, he knows himself and them, and that now the love of them is a part of his very being—to implore their forgiveness on the ground that he hates, despises, contemns, and scorns the self that showed them less than absolute love and devotion! Never thus shall he lay his being bare to their eyes of love! They do not even rest, for they do not and will not know it. There is no voice nor hearing in them, and how can there be in him any heart to live! The one comfort left him is, that, unable to follow them, he shall yet die and cease, and fare as they—go also nowhither!

To a man under the dismay of existence dissociated from power, unrooted in, unshadowed by a creating Will, who is Love, the Father of Man—to him who knows not being and God together, the idea of death—a death that knows no reviving, must be, and ought to be the blessedest thought left him. “O land of shadows!” well may such a one cry! “land where the shadows love to ecstatic self-loss, yet forget, and love no more! land of sorrows and despairs, that sink the soul into a deeper Tophet than death has ever sounded! broken kaleidoscope! shaken camera! promiser, speaking truth to the ear, but lying to the sense! land where the heart of my friend is sorrowful as my heart—the more sorrowful that I have been but a poor and far-off friend! land where sin is strong and righteousness faint! where love dreams mightily and walks abroad so feeble! land where the face of my father is dust, and the hand of my mother will never more caress! where my children will spend a few years of like trouble to mine, and then drop from the dream into the no-dream! gladly, O land of sickliest shadows—gladly, that is, with what power of gladness is in me, I take my leave of thee! Welcome the cold, pain-soothing embrace of immortal Death! Hideous are his looks, but I love him better than Life: he is true, and will not deceive us. Nay, he only is our saviour, setting us free from the tyranny of the false that ought to be true, and sets us longing in vain.”

But through all the man’s doubts, fears, and perplexities, a certain whisper, say rather, an uncertain rumour, a vague legendary murmur, has been at the same time about, rather than in, his ears—never ceasing to haunt his air, although hitherto he has hardly heeded it. He knows it has come down the ages, and that some in every age have been more or less influenced by a varied acceptance of it. Upon those, however, with whom he has chiefly associated, it has made no impression beyond that of a remarkable legend. It is the story of a man, represented as at least greater, stronger, and better than any other man. With the hero of this tale he has had a constantly recurring, though altogether undefined suspicion that he has something to do. It is strongest, though not even then strong, at such times when he is most aware of evil and imperfection in himself. Betwixt the two, the idea of this man and his knowledge of himself, seems to lie, dim-shadowy, some imperative duty. He knows that the whole matter concerning the man is commemorated in many of the oldest institutions of his country, but up to this time he has shrunk from the demands which, by a kind of spiritual insight, he foresaw would follow, were he once to admit certain things to be true. He has, however, known some and read of more who by their faith in the man conquered all anxiety, doubt, and fear, lived pure, and died in gladsome hope. On the other hand, it seems to him that the faith which was once easy has now become almost an impossibility. And what is it he is called upon to believe? One says one thing, another another. Much that is asserted is simply unworthy of belief, and the foundation of the whole has in his eyes something of the look of a cunningly devised fable. Even should it be true, it cannot help him, he thinks, for it does not even touch the things that make his woe: the God the tale presents is not the being whose very existence can alone be his cure.

But he meets one who says to him, “Have you then come to your time of life, and not yet ceased to accept hearsay as ground of action—for there is action in abstaining as well as in doing? Suppose the man in question to have taken all possible pains to be understood, does it follow of necessity that he is now or ever was fairly represented by the bulk of his followers? With such a moral distance between him and them, is it possible?”

“But the whole thing has from first to last a strange aspect!” our thinker replies.

“As to the last that is not yet come. And as to its aspect, its reality must be such as human eye could never convey to reading heart. Every human idea of it must be more or less wrong. And yet perhaps the truer the aspect the stranger it would be. But is it not just with ordinary things you are dissatisfied? And should not therefore the very strangeness of these to you little better than rumours incline you to examine the object of them? Will you assert that nothing strange can have to do with human affairs? Much that was once scarce credible is now so ordinary that men have grown stupid to the wonder inherent in it. Nothing around you serves your need: try what is at least of another class of phenomena. What if the things rumoured belong to a more natural order than these, lie nearer the roots of your dissatisfied existence, and look strange only because you have hitherto been living in the outer court, not in the penetralia of life? The rumour has been vital enough to float down the ages, emerging from every storm: why not see for yourself what may be in it? So powerful an influence on human history, surely there will be found in it signs by which to determine whether the man understood himself and his message, or owed his apparent greatness to the deluded worship of his followers! That he has always had foolish followers none will deny, and none but a fool would judge any leader from such a fact. Wisdom as well as folly will serve a fool’s purpose; he turns all into folly. I say nothing now of my own conclusions, because what you imagine my opinions are as hateful to me as to you disagreeable and foolish.”

So says the friend; the man hears, takes up the old story, and says to himself, “Let me see then what I can see!”

I will not follow him through the many shadows and slow dawns by which at length he arrives at this much: A man claiming to be the Son of God says he has come to be the light of men; says, “Come to me, and I will give you rest;” says, “Follow me, and you shall find my Father; to know him is the one thing you cannot do without, for it is eternal life.” He has learned from the reported words of the man, and from the man himself as in the tale presented, that the bliss of his conscious being is his Father; that his one delight is to do the will of that Father—the only thing in his eyes worthy of being done, or worth having done; that he would make men blessed with his own blessedness; that the cry of creation, the cry of humanity shall be answered into the deepest soul of desire; that less than the divine mode of existence, the godlike way of being, can satisfy no man, that is, make him content with his consciousness; that not this world only, but the whole universe is the inheritance of those who consent to be the children of their Father in heaven, who put forth the power of their will to be of the same sort as he; that to as many as receive him he gives power to become the sons of God; that they shall be partakers of the divine nature, of the divine joy, of the divine power—shall have whatever they desire, shall know no fear, shall love perfectly, and shall never die; that these things are beyond the grasp of the knowing ones of the world, and to them the message will be a scorn; but that the time will come when its truth shall be apparent, to some in confusion of face, to others in joy unspeakable; only that we must beware of judging, for many that are first shall be last, and there are last that shall be first.

To find himself in such conscious as well as vital relation with the source of his being, with a Will by which his own will exists, with a Consciousness by and through which he is conscious, would indeed be the end of all the man’s ills! nor can he imagine any other, not to say better way, in which his sorrows could be met, understood and annihilated. For the ills that oppress him are both within him and without, and over each kind he is powerless. If the message were but a true one! If indeed this man knew what he talked of! But if there should be help for man from anywhere beyond him, some one might know it first, and may not this be the one? And if the message be so great, so perfect as this man asserts, then only a perfect, an eternal man, at home in the bosom of the Father, could know, or bring, or tell it. According to the tale, it had been from the first the intent of the Father to reveal himself to man as man, for without the knowledge of the Father after man’s own modes of being, he could not grow to real manhood. The grander the whole idea, the more likely is it to be what it claims to be! and if not high as the heavens above the earth, beyond us yet within our reach, it is not for us, it cannot be true. Fact or not, the existence of a God such as Christ, a God who is a good man infinitely, is the only idea containing hope enough for man! If such a God has come to be known, marvel must surround the first news at least of the revelation of him. Because of its marvel, shall men find it in reason to turn from the gracious rumour of what, if it be true, must be the event of all events? And could marvel be lovelier than the marvel reported? But the humble men of heart alone can believe in the high—they alone can perceive, they alone can embrace grandeur. Humility is essential greatness, the inside of grandeur.

Something of such truths the man glimmeringly sees. But in his mind awake, thereupon, endless doubts and questions. What if the whole idea of his mission was a deception born of the very goodness of the man? What if the whole matter was the invention of men pretending themselves the followers of such a man? What if it was a little truth greatly exaggerated? Only, be it what it may, less than its full idea would not be enough for the wants and sorrows that weaken and weigh him down!

He passes through many a thorny thicket of inquiry; gathers evidence upon evidence; reasons upon the goodness of the men who wrote: they might be deceived, but they dared not invent; holds with himself a thousand arguments, historical, psychical, metaphysical—which for their setting-forth would require volumes; hears many an opposing, many a scoffing word from men “who surely know, else would they speak?” and finds himself much where he was before. But at least he is haunting the possible borders of discovery, while those who turn their backs upon the idea are divided from him by a great gulf—it may be of moral difference. To him there is still a grand auroral hope about the idea, and it still draws him; the others, taking the thing from merest report of opinion, look anywhere but thitherward. He who would not trust his best friend to set forth his views of life, accepts the random judgements of unknown others for a sufficing disposal of what the highest of the race have regarded as a veritable revelation from the Father of men. He sees in it therefore nothing but folly; for what he takes for the thing nowhere meets his nature. Our searcher at least holds open the door for the hearing of what voice may come to him from the region invisible: if there be truth there, he is where it will find him.

As he continues to read and reflect, the perception gradually grows clear in him, that, if there be truth in the matter, he must, first of all, and beyond all things else, give his best heed to the reported words of the man himself—to what he says, not what is said about him, valuable as that may afterwards prove to be. And he finds that concerning these words of his, the man says, or at least plainly implies, that only the obedient, childlike soul can understand them. It follows that the judgement of no man who does not obey can be received concerning them or the speaker of them—that, for instance, a man who hates his enemy, who tells lies, who thinks to serve God and Mammon, whether he call himself a Christian or no, has not the right of an opinion concerning the Master or his words—at least in the eyes of the Master, however it may be in his own. This is in the very nature of things: obedience alone places a man in the position in which he can see so as to judge that which is above him. In respect of great truths investigation goes for little, speculation for nothing; if a man would know them, he must obey them. Their nature is such that the only door into them is obedience. And the truth-seeker perceives—which allows him no loophole of escape from life—that what things the Son of Man requires of him, are either such as his conscience backs for just, or such as seem too great, too high for any man. But if there be help for him, it must be a help that recognizes the highest in him, and urges him to its use. Help cannot come to one made in the image of God, save in the obedient effort of what life and power are in him, for God is action. In such effort alone is it possible for need to encounter help. It is the upstretched that meets the downstretched hand. He alone who obeys can with confidence pray—to him alone does an answer seem a thing that may come. And should anything spoken by the Son of Man seem to the seeker unreasonable, he feels in the rest such a majesty of duty as compels him to judge with regard to the other, that he has not yet perceived its true nature, or its true relation to life.

And now comes the crisis: if here the man sets himself honestly to do the thing the Son of Man tells him, he so, and so first, sets out positively upon the path which, if there be truth in these things, will conduct him to a knowledge of the whole matter; not until then is he a disciple. If the message be a true one, the condition of the knowledge of its truth is not only reasonable but an unavoidable necessity. If there be help for him, how otherways should it draw nigh? He has to be assured of the highest truth of his being: there can be no other assurance than that to be gained thus, and thus alone; for not only by obedience does a man come into such contact with truth as to know what it is, and in regard to truth knowledge and belief are one. That things which cannot appear save to the eye capable of seeing them, that things which cannot be recognized save by the mind of a certain development, should be examined by eye incapable, and pronounced upon by mind undeveloped, is absurd. The deliverance the message offers is a change such that the man shall be the rightness of which he talked: while his soul is not a hungered, athirst, aglow, a groaning after righteousness—that is, longing to be himself honest and upright, it is an absurdity that he should judge concerning the way to this rightness, seeing that, while he walks not in it, he is and shall be a dishonest man: he knows not whither it leads and how can he know the way! What he can judge of is, his duty at a given moment—and that not in the abstract, but as something to be by him done, neither more, nor less, nor other than done. Thus judging and doing, he makes the only possible step nearer to righteousness and righteous judgement; doing otherwise, he becomes the more unrighteous, the more blind. For the man who knows not God, whether he believes there is a God or not, there can be, I repeat, no judgement of things pertaining to God. To our supposed searcher, then, the crowning word of the Son of Man is this, “If any man is willing to do the will of the Father, he shall know of the doctrine, whether it be of God, or whether I speak of myself.”

Having thus accompanied my type to the borders of liberty, my task for the present is over. The rest let him who reads prove for himself. Obedience alone can convince. To convince without obedience I would take no bootless labour; it would be but a gain for hell. If any man call these things foolishness, his judgement is to me insignificant. If any man say he is open to conviction, I answer him he can have none but on the condition, by the means of obedience. If a man say, “The thing is not interesting to me,” I ask him, “Are you following your conscience? By that, and not by the interest you take or do not take in a thing, shall you be judged. Nor will anything be said to you, or of you, in that day, whatever that day mean, of which your conscience will not echo every syllable.”

Oneness with God is the sole truth of humanity. Life parted from its causative life would be no life; it would at best be but a barrack of corruption, an outpost of annihilation. In proportion as the union is incomplete, the derived life is imperfect. And no man can be one with neighbour, child, dearest, except as he is one with his origin; and he fails of his perfection so long as there is one being in the universe he could not love.

Of all men he is bound to hold his face like a flint in witness of this truth who owes everything that makes for eternal good, to the belief that at the heart of things and causing them to be, at the centre of monad, of world, of protoplastic mass, of loving dog, and of man most cruel, is an absolute, perfect love; and that in the man Christ Jesus this love is with us men to take us home. To nothing else do I for one owe any grasp upon life. In this I see the setting right of all things. To the man who believes in the Son of God, poetry returns in a mighty wave; history unrolls itself in harmony; science shows crowned with its own aureole of holiness. There is no enlivener of the imagination, no enabler of the judgment, no strengthener of the intellect, to compare with the belief in a live Ideal, at the heart of all personality, as of every law. If there be no such live Ideal, then a falsehood can do more for the race than the facts of its being; then an unreality is needful for the development of the man in all that is real, in all that is in the highest sense true; then falsehood is greater than fact, and an idol necessary for lack of a God. They who deny cannot, in the nature of things, know what they deny. When one sees a chaos begin to put on the shape of an ordered world, he will hardly be persuaded it is by the power of a foolish notion bred in a diseased fancy.

Let the man then who would rise to the height of his being, be persuaded to test the Truth by the deed—the highest and only test that can be applied to the loftiest of all assertions. To every man I say, “Do the truth you know, and you shall learn the truth you need to know.”





ST. GEORGE’S DAY, 1564.

[Footnote: 1864.]

All England knows that this year (1864) is the three hundredth since Shakspere was born. The strong probability is likewise that this month of April is that in which he first saw the earthly light. On the twenty-sixth of April he was baptized. Whether he was born on the twenty-third, to which effect there may once have been a tradition, we do not know; but though there is nothing to corroborate that statement, there are two facts which would incline us to believe it if we could: the one that he died on the twenty-third of April, thus, as it were, completing a cycle; and the other that the twenty-third of April is St. George’s Day. If there is no harm in indulging in a little fanciful sentiment about such a grand fact, we should say that certainly it was St. George for merry England when Shakspere was born. But had St. George been the best saint in the calendar—which we have little enough ground for supposing he was—it would better suit our subject to say that the Highest was thinking of his England when he sent Shakspere into it, to be a strength, a wonder, and a gladness to the nations of his earth.

But if we write thus about Shakspere, influenced only by the fashion of the day, we shall be much in the condition of those fashionable architects who with their vain praises built the tombs of the prophets, while they had no regard to the lessons they taught. We hope to be able to show that we have good grounds for our rejoicing in the birth of that child whom after-years placed highest on the rocky steep of Art, up which so many of those who combine feeling and thought are always striving.

First, however, let us look at some of the more powerful of the influences into the midst of which he was born. For a child is born into the womb of the time, which indeed enclosed and fed him before he was born. Not the least subtle and potent of those influences which tend to the education of the child (in the true sense of the word education) are those which are brought to bear upon him through the mind, heart, judgement of his parents. We mean that those powers which have operated strongly upon them, have a certain concentrated operation, both antenatal and psychological, as well as educational and spiritual, upon the child. Now Shakspere was born in the sixth year of Queen Elizabeth. He was the eldest son, but the third child. His father and mother must have been married not later than the year 1557, two years after Cranmer was burned at the stake, one of the two hundred who thus perished in that time of pain, resulting in the firm establishment of a reformation which, like all other changes for the better, could not be verified and secured without some form or other of the trial by fire. Events such as then took place in every part of the country could not fail to make a strong impression upon all thinking people, especially as it was not those of high position only who were thus called upon to bear witness to their beliefs. John Shakspere and Mary Arden were in all likelihood themselves of the Protestant party; and although, as far as we know, they were never in any especial danger of being denounced, the whole of the circumstances must have tended to produce in them individually, what seems to have been characteristic of the age in which they lived, earnestness. In times such as those, people are compelled to think.

And here an interesting question occurs: Was it in part to his mother that Shakspere was indebted for that profound knowledge of the Bible which is so evident in his writings? A good many copies of the Scriptures must have been by this time, in one translation or another, scattered over the country. [Footnote: And it seems to us probable that this diffusion of the Bible, did more to rouse the slumbering literary power of England, than any influences of foreign literature whatever.] No doubt the word was precious in those days, and hard to buy; but there might have been a copy, notwithstanding, in the house of John Shakspere, and it is possible that it was from his mother’s lips that the boy first heard the Scripture tales. We have called his acquaintance with Scripture profound, and one peculiar way in which it manifests itself will bear out the assertion; for frequently it is the very spirit and essential aroma of the passage that he reproduces, without making any use of the words themselves. There are passages in his writings which we could not have understood but for some acquaintance with the New Testament. We will produce a few specimens of the kind we mean, confining ourselves to one play, “Macbeth.”

Just mentioning the phrase, “temple-haunting martlet” (act i. scene 6), as including in it a reference to the verse, “Yea, the sparrow hath found an house, and the swallow a nest for herself, where she may lay her young, even thine altars, O Lord of hosts,” we pass to the following passage, for which we do not believe there is any explanation but that suggested to us by the passage of Scripture to be cited.

Macbeth, on his way to murder Duncan, says,—

                  “Thou sure and firm-set earth,
  Hear not my steps, which way they walk, for fear
  Thy very stones prate of my whereabout,
  And take the present horror from the time
  Which now suits with it.”

What is meant by the last two lines? It seems to us to be just another form of the words, “For there is nothing covered, that shall not be revealed; neither hid, that shall not be known. Therefore whatsoever ye have spoken in darkness shall be heard in the light; and that which ye have spoken in the ear in closets shall be proclaimed upon the house-tops.” Of course we do not mean that Macbeth is represented as having this passage in his mind, but that Shakspere had the feeling of it when he wrote thus. What Macbeth means is, “Earth, do not hear me in the dark, which is suitable to the present horror, lest the very stones prate about it in the daylight, which is not suitable to such things; thus taking ‘the present horror from the time which now suits with it.’”

Again, in the only piece of humour in the play—if that should be called humour which, taken in its relation to the consciousness of the principal characters, is as terrible as anything in the piece—the porter ends off his fantastic soliloquy, in which he personates the porter of hell-gate, with the words, “But this place is too cold for hell: I’ll devil-porter it no further. I had thought to have let in some of all professions, that go the primrose way to the everlasting bonfire.” Now what else had the writer in his mind but the verse from the Sermon on the Mount, “For wide is the gate, and broad is the way, that leadeth to destruction, and many there be which go in thereat”?

It may be objected that such passages as these, being of the most commonly quoted, imply no profound acquaintance with Scripture, such as we have said Shakspere possessed. But no amount of knowledge of the words of the Bible would be sufficient to justify the use of the word profound. What is remarkable in the employment of these passages, is not merely that they are so present to his mind that they come up for use in the most exciting moments of composition, but that he embodies the spirit of them in such a new form as reveals to minds saturated and deadened with the sound of the words, the very visual image and spiritual meaning involved in them. “The primrose way!” And to what?

We will confine ourselves to one passage more:—

                              “Macbeth
  Is ripe for shaking, and the powers above
  Put on their instruments.”

In the end of the 14th chapter of the Revelation we have the words, “Thrust in thy sickle, and reap: for the time is come for thee to reap; for the harvest of the earth is ripe.” We suspect that Shakspere wrote, ripe to shaking.

The instances to which we have confined ourselves do not by any means belong to the most evident kind of proof that might be adduced of Shakspere’s acquaintance with Scripture. The subject, in its ordinary aspect, has been elsewhere treated with far more fulness than our design would permit us to indulge in, even if it had not been done already. Our object has been to bring forward a few passages which seem to us to breathe the very spirit of individual passages in sacred writ, without direct use of the words themselves; and, of course, in such a case we can only appeal to the (no doubt) very various degrees of conviction which they may rouse in the minds of our readers.

But there is one singular correspondence in another almost literal quotation from the Gospel, which is to us wonderfully interesting. We are told that the words “eye of a needle,” in the passage about a rich man entering the kingdom of heaven, mean the small side entrance in a city gate. Now, in “Richard II,” act v. scene 5, Richard quotes the passage thus:—

  “It is as hard to come as for a camel
  To thread the postern of a needle’s eye;”

showing that either the imagination of Shakspere suggested the real explanation, or he had taken pains to acquaint himself with the significance of the simile. We can hardly say that the correspondence might be merely fortuitous; because, at the least, Shakspere looked for and found a suitable figure to associate with the words eye of a needle, and so fell upon the real explanation; except, indeed, he had no particular significance in using the word that meant a little gate, instead of a word meaning any kind of entrance, which, with him, seems unlikely.

We have not by any means proven that Shakspere’s acquaintance with the Scriptures had an early date in his history; but certainly the Bible must have had a great influence upon him who was the highest representative mind of the time, its influence on the general development of the nation being unquestionable. This, therefore, seeing the Bible itself was just dawning full upon the country while Shakspere was becoming capable of understanding it, seems the suitable sequence in which to take notice of that influence, and of some of those passages in his works which testify to it.

But, besides the Bible, every nation has a Bible, or at least an Old Testament, in its own history; and that Shakspere paid especial attention to this, is no matter of conjecture. We suspect his mode of writing historical plays is more after the fashion of the Bible histories than that of most writers of history. Indeed, the development and consequences of character and conduct are clear to those that read his histories with open eyes. Now, in his childhood Shakspere may have had some special incentive to the study of history springing out of the fact that his mother’s grandfather had been “groom of the chamber to Henry VII.,” while there is sufficient testimony that a further removed ancestor of his father, as well, had stood high in the favour of the same monarch. Therefore the history of the troublous times of the preceding century, which were brought to a close by the usurpation of Henry VII., would naturally be a subject of talk in the quiet household, where books and amusements such as now occupy our boys, were scarce or wanting altogether. The proximity of such a past of strife and commotion, crowded with eventful change, must have formed a background full of the material of excitement to an age which lived in the midst of a peculiarly exciting history of its own.

Perhaps the chief intellectual characteristic of the age of Elizabeth was activity; this activity accounting even for much that is objectionable in its literature. Now this activity must have been growing in the people throughout the fifteenth century; the wars of the Roses, although they stifled literature, so that it had, as it were, to be born again in the beginning of the following century, being, after all, but as the “eager strife” of the shadow-leaves above the “genuine life” of the grass,—

         “And the mute repose
  Of sweetly breathing flowers.”

But when peace had fallen on the land, it would seem as if the impulse to action springing from strife still operated, as the waves will go on raving upon the shore after the wind has ceased, and found one outlet, amongst others, in literature, and peculiarly in dramatic literature. Peace, rendered yet more intense by the cessation of the cries of the tormentors, and the groans of the noble army of suffering martyrs, made, as it were, a kind of vacuum; and into that vacuum burst up the torrent-springs of a thousand souls—the thoughts that were no longer repressed—in the history of the past and the Utopian speculation on the future; in noble theology, capable statesmanship, and science at once brilliant and profound; in the voyage of discovery, and the change of the swan-like merchantman into a very fire-drake of war for the defence of the threatened shores; in the first brave speech of the Puritan in Elizabeth’s Parliament, the first murmurs of the voice of liberty, soon to thunder throughout the land; in the naturalizing of foreign genius by translation, and the invention, or at least adoption, of a new and transcendent rhythm; in the song, in the epic, in the drama.

So much for the general. Let us now, following the course of his life, recall, in a few sentences, some of the chief events which must have impressed the all-open mind of Shakspere in the earlier portion of his history.

Perhaps it would not be going back too far to begin with the Massacre of Paris, which took place when he was eight years old. It caused so much horror in England, that it is not absurd to suppose that some black rays from the deed of darkness may have fallen on the mind of such a child as Shakspere.

In strong contrast with the foregoing is the next event to which we shall refer.

When he was eleven years old, Leicester gave the Queen that magnificent reception at Kenilworth which is so well known from its memorials in our literature. It has been suggested as probable, with quite enough of likelihood to justify a conjecture, that Shakspere may have been present at the dramatic representations then so gorgeously accumulated before her Majesty. If such was the fact, it is easy to imagine what an influence the shows must have had on the mind of the young dramatic genius, at a time when, happily, the critical faculty is not by any means so fully awake as are the receptive and exultant faculties, and when what the nature chiefly needs is excitement to growth, without which all pruning, the most artistic, is useless, as having nothing to operate upon.

When he was fifteen years old, Sir Thomas North’s translation of Plutarch (through the French) was first published. Any reader who has compared one of Shakspere’s Roman plays with the corresponding life in Plutarch, will not be surprised that we should mention this as one of those events which must have been of paramount influence upon Shakspere. It is not likely that he became acquainted with the large folio with its medallion portraits first placed singly, and then repeated side by side for comparison, as soon as it made its appearance, but as we cannot tell when he began to read it, it seems as well to place it in the order its publication would assign to it. Besides, it evidently took such a hold of the man, that it is most probable his acquaintance with it began at a very early period of his history. Indeed, it seems to us to have been one of the most powerful aids to the development of that perception and discrimination of character with which he was gifted to such a remarkable degree. Nor would it be any derogation from the originality of his genius to say, that in a very pregnant sense he must have been a disciple of Plutarch. In those plays founded on Plutarch’s stories he picked out every dramatic point, and occasionally employed the very phrases of North’s nervous, graphic, and characteristic English. He seems to have felt that it was an honour to his work to embody in it the words of Plutarch himself, as he knew them first. From him he seems especially to have learned how to bring out the points of a character, by putting one man over against another, and remarking wherein they resembled each other and wherein they differed; after which fashion, in other plays as well as those, he partly arranged his dramatic characters.

Not long after he went to London, when he was twenty-two, the death of Sir Philip Sidney at the age of thirty-two, must have had its unavoidable influence on him, seeing all Europe was in mourning for the death of its model, almost ideal man. In England the general mourning, both in the court and the city, which lasted for months, is supposed by Dr. Zouch to have been the first instance of the kind; that is, for the death of a private person. Renowned over the civilized world for everything for which a man could be renowned, his literary fame must have had a considerable share in the impression his death would make on such a man as Shakspere. For although none of his works were published till after his death, the first within a few months of that event, his fame as a writer was widely spread in private, and report of the same could hardly fail to reach one who, although he had probably no friends of rank as yet, kept such keen open ears for all that was going on around him. But whether or not he had heard of the literary greatness of Sir Philip before his death, the “Arcadia,” which was first published four years after his death (1590), and which in eight years had reached the third edition—with another still in Scotland the following year—must have been full of interest to Shakspere. This book is very different indeed from the ordinary impression of it which most minds have received through the confident incapacity of the critics of last century. Few books have been published more fruitful in the results and causes of thought, more sparkling with fancy, more evidently the outcome of rich and noble habit, than this “Arcadia” of Philip Sidney. That Shakspere read it, is sufficiently evident from the fact that from it he has taken the secondary but still important plots in two of his plays.

Although we are anticipating, it is better to mention here another book, published in the same year, namely, 1590, when Shakspere was six-and-twenty: the first three books of Spenser’s “Faery Queen.” Of its reception and character it is needless here to say anything further than, of the latter, that nowadays the depths of its teaching, heartily prized as that was by no less a man than Milton, are seldom explored. But it would be a labour of months to set out the known and imagined sources of the knowledge and spiritual pabulum of the man who laid every mental region so under contribution, that he has been claimed by almost every profession as having been at one time or another a student of its peculiar science, so marvellously in him was the power of assimilation combined with that of reproduction.

To go back a little: in 1587, when he was three-and-twenty, Mary Queen of Scots was executed. In the following year came that mighty victory of England, and her allies the winds and the waters, over the towering pride of the Spanish Armada. Out from the coasts, like the birds from their cliffs to defend their young, flew the little navy, many of the vessels only able to carry a few guns; and fighting, fire-ships and tempest left this island,—