Whilst the burghers of the Hague were tearing in pieces the bodies of John and Cornelius de Witt, and whilst William of Orange, after having made sure that his two antagonists were really dead, was galloping over the Leyden road, followed by Captain van Deken, whom he found a little too compassionate to honour him any longer with his confidence, Craeke, the faithful servant, mounted on a good horse, and little suspecting what terrible events had taken place since his departure, proceeded along the high road lined with trees, until he was clear of the town and the neighbouring villages.
Being once safe, he left his horse at a livery stable in order not to arouse suspicion, and tranquilly continued his journey on the canal-boats, which conveyed him by easy stages to Dort, pursuing their way under skilful guidance by the shortest possible routes through the windings of the river, which held in its watery embrace so many enchanting little islands, edged with willows and rushes, and abounding in luxurious vegetation, whereon flocks of fat sheep browsed in peaceful sleepiness. Craeke from afar off recognised Dort, the smiling city, at the foot of a hill dotted with windmills. He saw the fine red brick houses, mortared in white lines, standing on the edge of the water, and their balconies, open towards the river, decked out with silk tapestry embroidered with gold flowers, the wonderful manufacture of India and China; and near these brilliant stuffs, large lines set to catch the voracious eels, which are attracted towards the houses by the garbage thrown every day from the kitchens into the river.
Craeke, standing on the deck of the boat, saw, across the moving sails of the windmills, on the slope of the hill, the red and pink house which was the goal of his errand. The outlines of its roof were merging in the yellow foliage of a curtain of poplar trees, the whole habitation having for background a dark grove of gigantic elms. The mansion was situated in such a way that the sun, falling on it as into a funnel, dried up, warmed, and fertilised the mist which the verdant screen could not prevent the river wind from carrying there every morning and evening.
Having disembarked unobserved amid the usual bustle of the city, Craeke at once directed his steps towards the house which we have just described, and which—white, trim, and tidy, even more cleanly scoured and more carefully waxed in the hidden corners than in the places which were exposed to view—enclosed a truly happy mortal.
This happy mortal, rara avis, was Dr. van Baerle, the godson of Cornelius de Witt. He had inhabited the same house ever since his childhood, for it was the house in which his father and grandfather, old established princely merchants of the princely city of Dort, were born.
Mynheer van Baerle the father had amassed in the Indian trade three or four hundred thousand guilders, which Mynheer van Baerle the son, at the death of his dear and worthy parents, found still quite new, although one set of them bore the date of coinage of 1640, and the other that of 1610, a fact which proved that they were guilders of Van Baerle the father and of Van Baerle the grandfather; but we will inform the reader at once that these three or four hundred thousand guilders were only the pocket money, or sort of purse, for Cornelius van Baerle, the hero of this story, as his landed property in the province yielded him an income of about ten thousand guilders a year.
When the worthy citizen, the father of Cornelius, passed from time into eternity, three months after having buried his wife, who seemed to have departed first to smooth for him the path of death as she had smoothed for him the path of life, he said to his son, as he embraced him for the last time,—
“Eat, drink, and spend your money, if you wish to know what life really is, for as to toiling from morn to evening on a wooden stool, or a leathern chair, in a counting-house or a laboratory, that certainly is not living. Your time to die will also come; and if you are not then so fortunate as to have a son, you will let my name grow extinct, and my guilders, which no one has ever fingered but my father, myself, and the coiner, will have the surprise of passing to an unknown master. And least of all, imitate the example of your godfather, Cornelius de Witt, who has plunged into politics, the most ungrateful of all careers, and who will certainly come to an untimely end.”
Having given utterance to this paternal advice, the worthy Mynheer van Baerle died, to the intense grief of his son Cornelius, who cared very little for the guilders, and very much for his father.
Cornelius then remained alone in his large house. In vain his godfather offered to him a place in the public service,—in vain did he try to give him a taste for glory,—although Cornelius, to gratify his godfather, did embark with De Ruyter upon “The Seven Provinces,” the flagship of a fleet of one hundred and thirty-nine sail, with which the famous admiral set out to contend singlehanded against the combined forces of France and England. When, guided by the pilot Leger, he had come within musket-shot of the “Prince,” with the Duke of York (the English king’s brother) aboard, upon which De Ruyter, his mentor, made so sharp and well directed an attack that the Duke, perceiving that his vessel would soon have to strike, made the best of his way aboard the “Saint Michael”; when he had seen the “Saint Michael,” riddled and shattered by the Dutch broadside, drift out of the line; when he had witnessed the sinking of the “Earl of Sandwich,” and the death by fire or drowning of four hundred sailors; when he realized that the result of all this destruction—after twenty ships had been blown to pieces, three thousand men killed and five thousand injured—was that nothing was decided, that both sides claimed the victory, that the fighting would soon begin again, and that just one more name, that of Southwold Bay, had been added to the list of battles; when he had estimated how much time is lost simply in shutting his eyes and ears by a man who likes to use his reflective powers even while his fellow creatures are cannonading one another;—Cornelius bade farewell to De Ruyter, to the Ruart de Pulten, and to glory, kissed the knees of the Grand Pensionary, for whom he entertained the deepest veneration, and retired to his house at Dort, rich in his well-earned repose, his twenty-eight years, an iron constitution and keen perceptions, and his capital of more than four hundred thousands of florins and income of ten thousand, convinced that a man is always endowed by Heaven with too much for his own happiness, and just enough to make him miserable.
Consequently, and to indulge his own idea of happiness, Cornelius began to be interested in the study of plants and insects, collected and classified the Flora of all the Dutch islands, arranged the whole entomology of the province, on which he wrote a treatise, with plates drawn by his own hands; and at last, being at a loss what to do with his time, and especially with his money, which went on accumulating at a most alarming rate, he took it into his head to select for himself, from all the follies of his country and of his age, one of the most elegant and expensive,—he became a tulip-fancier.
It was the time when the Dutch and the Portuguese, rivalling each other in this branch of horticulture, had begun to worship that flower, and to make more of a cult of it than ever naturalists dared to make of the human race for fear of arousing the jealousy of God.
Soon people from Dort to Mons began to talk of Mynheer van Baerle’s tulips; and his beds, pits, drying-rooms, and drawers of bulbs were visited, as the galleries and libraries of Alexandria were by illustrious Roman travellers.
Van Baerle began by expending his yearly revenue in laying the groundwork of his collection, after which he broke in upon his new guilders to bring it to perfection. His exertions, indeed, were crowned with a most magnificent result: he produced three new tulips, which he called the “Jane,” after his mother; the “Van Baerle,” after his father; and the “Cornelius,” after his godfather; the other names have escaped us, but the fanciers will be sure to find them in the catalogues of the times.
In the beginning of the year 1672, Cornelius de Witt came to Dort for three months, to live at his old family mansion; for not only was he born in that city, but his family had been resident there for centuries.
Cornelius, at that period, as William of Orange said, began to enjoy the most perfect unpopularity. To his fellow citizens, the good burghers of Dort, however, he did not appear in the light of a criminal who deserved to be hung. It is true, they did not particularly like his somewhat austere republicanism, but they were proud of his valour; and when he made his entrance into their town, the cup of honour was offered to him, readily enough, in the name of the city.
After having thanked his fellow citizens, Cornelius proceeded to his old paternal house, and gave directions for some repairs, which he wished to have executed before the arrival of his wife and children; and thence he wended his way to the house of his godson, who perhaps was the only person in Dort as yet unacquainted with the presence of Cornelius in the town.
In the same degree as Cornelius de Witt had excited the hatred of the people by sowing those evil seeds which are called political passions, Van Baerle had gained the affections of his fellow citizens by completely shunning the pursuit of politics, absorbed as he was in the peaceful pursuit of cultivating tulips.
Van Baerle was truly beloved by his servants and labourers; nor had he any conception that there was in this world a man who wished ill to another.
And yet it must be said, to the disgrace of mankind, that Cornelius van Baerle, without being aware of the fact, had a much more ferocious, fierce, and implacable enemy than the Grand Pensionary and his brother had among the Orange party, who were most hostile to the devoted brothers, who had never been sundered by the least misunderstanding during their lives, and by their mutual devotion in the face of death made sure the existence of their brotherly affection beyond the grave.
At the time when Cornelius van Baerle began to devote himself to tulip-growing, expending on this hobby his yearly revenue and the guilders of his father, there was at Dort, living next door to him, a citizen of the name of Isaac Boxtel who from the age when he was able to think for himself had indulged the same fancy, and who was in ecstasies at the mere mention of the word “tulban,” which (as we are assured by the “Floriste Francaise,” the most highly considered authority in matters relating to this flower) is the first word in the Cingalese tongue which was ever used to designate that masterpiece of floriculture which is now called the tulip.
Boxtel had not the good fortune of being rich, like Van Baerle. He had therefore, with great care and patience, and by dint of strenuous exertions, laid out near his house at Dort a garden fit for the culture of his cherished flower; he had mixed the soil according to the most approved prescriptions, and given to his hotbeds just as much heat and fresh air as the strictest rules of horticulture exact.
Isaac knew the temperature of his frames to the twentieth part of a degree. He knew the strength of the current of air, and tempered it so as to adapt it to the wave of the stems of his flowers. His productions also began to meet with the favour of the public. They were beautiful, nay, distinguished. Several fanciers had come to see Boxtel’s tulips. At last he had even started amongst all the Linnaeuses and Tourneforts a tulip which bore his name, and which, after having travelled all through France, had found its way into Spain, and penetrated as far as Portugal; and the King, Don Alfonso VI.—who, being expelled from Lisbon, had retired to the island of Terceira, where he amused himself, not, like the great Condé, with watering his carnations, but with growing tulips—had, on seeing the Boxtel tulip, exclaimed, “Not so bad, by any means!”
All at once, Cornelius van Baerle, who, after all his learned pursuits, had been seized with the tulipomania, made some changes in his house at Dort, which, as we have stated, was next door to that of Boxtel. He raised a certain building in his court-yard by a story, which shutting out the sun, took half a degree of warmth from Boxtel’s garden, and, on the other hand, added half a degree of cold in winter; not to mention that it cut the wind, and disturbed all the horticultural calculations and arrangements of his neighbour.
After all, this mishap appeared to Boxtel of no great consequence. Van Baerle was but a painter, a sort of fool who tried to reproduce and disfigure on canvas the wonders of nature. The painter, he thought, had raised his studio by a story to get better light, and thus far he had only been in the right. Mynheer van Baerle was a painter, as Mynheer Boxtel was a tulip-grower; he wanted somewhat more sun for his paintings, and he took half a degree from his neighbour’s tulips.
The law was for Van Baerle, and Boxtel had to abide by it.
Besides, Isaac had made the discovery that too much sun was injurious to tulips, and that this flower grew quicker, and had a better colouring, with the temperate warmth of morning, than with the powerful heat of the midday sun. He therefore felt almost grateful to Cornelius van Baerle for having given him a screen gratis.
Maybe this was not quite in accordance with the true state of things in general, and of Isaac Boxtel’s feelings in particular. It is certainly astonishing what rich comfort great minds, in the midst of momentous catastrophes, will derive from the consolations of philosophy.
But alas! What was the agony of the unfortunate Boxtel on seeing the windows of the new story set out with bulbs and seedlings of tulips for the border, and tulips in pots; in short, with everything pertaining to the pursuits of a tulip-monomaniac!
There were bundles of labels, cupboards, and drawers with compartments, and wire guards for the cupboards, to allow free access to the air whilst keeping out slugs, mice, dormice, and rats, all of them very curious fanciers of tulips at two thousand francs a bulb.
Boxtel was quite amazed when he saw all this apparatus, but he was not as yet aware of the full extent of his misfortune. Van Baerle was known to be fond of everything that pleases the eye. He studied Nature in all her aspects for the benefit of his paintings, which were as minutely finished as those of Gerard Dow, his master, and of Mieris, his friend. Was it not possible, that, having to paint the interior of a tulip-grower’s, he had collected in his new studio all the accessories of decoration?
Yet, although thus consoling himself with illusory suppositions, Boxtel was not able to resist the burning curiosity which was devouring him. In the evening, therefore, he placed a ladder against the partition wall between their gardens, and, looking into that of his neighbour Van Baerle, he convinced himself that the soil of a large square bed, which had formerly been occupied by different plants, was removed, and the ground disposed in beds of loam mixed with river mud (a combination which is particularly favourable to the tulip), and the whole surrounded by a border of turf to keep the soil in its place. Besides this, sufficient shade to temper the noonday heat; aspect south-southwest; water in abundant supply, and at hand; in short, every requirement to insure not only success but also progress. There could not be a doubt that Van Baerle had become a tulip-grower.
Boxtel at once pictured to himself this learned man, with a capital of four hundred thousand and a yearly income of ten thousand guilders, devoting all his intellectual and financial resources to the cultivation of the tulip. He foresaw his neighbour’s success, and he felt such a pang at the mere idea of this success that his hands dropped powerless, his knees trembled, and he fell in despair from the ladder.
And thus it was not for the sake of painted tulips, but for real ones, that Van Baerle took from him half a degree of warmth. And thus Van Baerle was to have the most admirably fitted aspect, and, besides, a large, airy, and well ventilated chamber where to preserve his bulbs and seedlings; while he, Boxtel, had been obliged to give up for this purpose his bedroom, and, lest his sleeping in the same apartment might injure his bulbs and seedlings, had taken up his abode in a miserable garret.
Boxtel, then, was to have next door to him a rival and successful competitor; and his rival, instead of being some unknown, obscure gardener, was the godson of Mynheer Cornelius de Witt, that is to say, a celebrity.
Boxtel, as the reader may see, was not possessed of the spirit of Porus, who, on being conquered by Alexander, consoled himself with the celebrity of his conqueror.
And now if Van Baerle produced a new tulip, and named it the John de Witt, after having named one the Cornelius? It was indeed enough to choke one with rage.
Thus Boxtel, with jealous foreboding, became the prophet of his own misfortune. And, after having made this melancholy discovery, he passed the most wretched night imaginable.
From that moment Boxtel’s interest in tulips was no longer a stimulus to his exertions, but a deadening anxiety. Henceforth all his thoughts ran only upon the injury which his neighbour would cause him, and thus his favourite occupation was changed into a constant source of misery to him.
Van Baerle, as may easily be imagined, had no sooner begun to apply his natural ingenuity to his new fancy, than he succeeded in growing the finest tulips. Indeed, he knew better than any one else at Haarlem or Leyden—the two towns which boast the best soil and the most congenial climate—how to vary the colours, to modify the shape, and to produce new species.
He belonged to that natural, humorous school who took for their motto in the seventeenth century the aphorism uttered by one of their number in 1653,—“To despise flowers is to offend God.”
From that premise the school of tulip-fanciers, the most exclusive of all schools, worked out the following syllogism in the same year:—
“To despise flowers is to offend God.
“The more beautiful the flower is, the more does one offend God in despising it.
“The tulip is the most beautiful of all flowers.
“Therefore, he who despises the tulip offends God beyond measure.”
By reasoning of this kind, it can be seen that the four or five thousand tulip-growers of Holland, France, and Portugal, leaving out those of Ceylon and China and the Indies, might, if so disposed, put the whole world under the ban, and condemn as schismatics and heretics and deserving of death the several hundred millions of mankind whose hopes of salvation were not centred upon the tulip.
We cannot doubt that in such a cause Boxtel, though he was Van Baerle’s deadly foe, would have marched under the same banner with him.
Mynheer van Baerle and his tulips, therefore, were in the mouth of everybody; so much so, that Boxtel’s name disappeared for ever from the list of the notable tulip-growers in Holland, and those of Dort were now represented by Cornelius van Baerle, the modest and inoffensive savant.
Engaging, heart and soul, in his pursuits of sowing, planting, and gathering, Van Baerle, caressed by the whole fraternity of tulip-growers in Europe, entertained nor the least suspicion that there was at his very door a pretender whose throne he had usurped.
He went on in his career, and consequently in his triumphs; and in the course of two years he covered his borders with such marvellous productions as no mortal man, following in the tracks of the Creator, except perhaps Shakespeare and Rubens, have equalled in point of numbers.
And also, if Dante had wished for a new type to be added to his characters of the Inferno, he might have chosen Boxtel during the period of Van Baerle’s successes. Whilst Cornelius was weeding, manuring, watering his beds, whilst, kneeling on the turf border, he analysed every vein of the flowering tulips, and meditated on the modifications which might be effected by crosses of colour or otherwise, Boxtel, concealed behind a small sycamore which he had trained at the top of the partition wall in the shape of a fan, watched, with his eyes starting from their sockets and with foaming mouth, every step and every gesture of his neighbour; and whenever he thought he saw him look happy, or descried a smile on his lips, or a flash of contentment glistening in his eyes, he poured out towards him such a volley of maledictions and furious threats as to make it indeed a matter of wonder that this venomous breath of envy and hatred did not carry a blight on the innocent flowers which had excited it.
When the evil spirit has once taken hold of the heart of man, it urges him on, without letting him stop. Thus Boxtel soon was no longer content with seeing Van Baerle. He wanted to see his flowers, too; he had the feelings of an artist, the master-piece of a rival engrossed his interest.
He therefore bought a telescope, which enabled him to watch as accurately as did the owner himself every progressive development of the flower, from the moment when, in the first year, its pale seed-leaf begins to peep from the ground, to that glorious one, when, after five years, its petals at last reveal the hidden treasures of its chalice. How often had the miserable, jealous man to observe in Van Baerle’s beds tulips which dazzled him by their beauty, and almost choked him by their perfection!
And then, after the first blush of the admiration which he could not help feeling, he began to be tortured by the pangs of envy, by that slow fever which creeps over the heart and changes it into a nest of vipers, each devouring the other and ever born anew. How often did Boxtel, in the midst of tortures which no pen is able fully to describe,—how often did he feel an inclination to jump down into the garden during the night, to destroy the plants, to tear the bulbs with his teeth, and to sacrifice to his wrath the owner himself, if he should venture to stand up for the defence of his tulips!
But to kill a tulip was a horrible crime in the eyes of a genuine tulip-fancier; as to killing a man, it would not have mattered so very much.
Yet Van Baerle made such progress in the noble science of growing tulips, which he seemed to master with the true instinct of genius, that Boxtel at last was maddened to such a degree as to think of throwing stones and sticks into the flower-stands of his neighbour. But, remembering that he would be sure to be found out, and that he would not only be punished by law, but also dishonoured for ever in the face of all the tulip-growers of Europe, he had recourse to stratagem, and, to gratify his hatred, tried to devise a plan by means of which he might gain his ends without being compromised himself.
He considered a long time, and at last his meditations were crowned with success.
One evening he tied two cats together by their hind legs with a string about six feet in length, and threw them from the wall into the midst of that noble, that princely, that royal bed, which contained not only the “Cornelius de Witt,” but also the “Beauty of Brabant,” milk-white, edged with purple and pink, the “Marble of Rotterdam,” colour of flax, blossoms feathered red and flesh colour, the “Wonder of Haarlem,” the “Colombin obscur,” and the “Columbin clair terni.”
The frightened cats, having alighted on the ground, first tried to fly each in a different direction, until the string by which they were tied together was tightly stretched across the bed; then, however, feeling that they were not able to get off, they began to pull to and fro, and to wheel about with hideous caterwaulings, mowing down with their string the flowers among which they were struggling, until, after a furious strife of about a quarter of an hour, the string broke and the combatants vanished.
Boxtel, hidden behind his sycamore, could not see anything, as it was pitch-dark; but the piercing cries of the cats told the whole tale, and his heart overflowing with gall now throbbed with triumphant joy.
Boxtel was so eager to ascertain the extent of the injury, that he remained at his post until morning to feast his eyes on the sad state in which the two cats had left the flower-beds of his neighbour. The mists of the morning chilled his frame, but he did not feel the cold, the hope of revenge keeping his blood at fever heat. The chagrin of his rival was to pay for all the inconvenience which he incurred himself.
At the earliest dawn the door of the white house opened, and Van Baerle made his appearance, approaching the flower-beds with the smile of a man who has passed the night comfortably in his bed, and has had happy dreams.
All at once he perceived furrows and little mounds of earth on the beds which only the evening before had been as smooth as a mirror, all at once he perceived the symmetrical rows of his tulips to be completely disordered, like the pikes of a battalion in the midst of which a shell has fallen.
He ran up to them with blanched cheek.
Boxtel trembled with joy. Fifteen or twenty tulips, torn and crushed, were lying about, some of them bent, others completely broken and already withering, the sap oozing from their bleeding bulbs: how gladly would Van Baerle have redeemed that precious sap with his own blood!
But what were his surprise and his delight! what was the disappointment of his rival! Not one of the four tulips which the latter had meant to destroy was injured at all. They raised proudly their noble heads above the corpses of their slain companions. This was enough to console Van Baerle, and enough to fan the rage of the horticultural murderer, who tore his hair at the sight of the effects of the crime which he had committed in vain.
Van Baerle could not imagine the cause of the mishap, which, fortunately, was of far less consequence than it might have been. On making inquiries, he learned that the whole night had been disturbed by terrible caterwaulings. He besides found traces of the cats, their footmarks and hairs left behind on the battle-field; to guard, therefore, in future against a similar outrage, he gave orders that henceforth one of the under gardeners should sleep in the garden in a sentry-box near the flower-beds.
Boxtel heard him give the order, and saw the sentry-box put up that very day; but he deemed himself lucky in not having been suspected, and, being more than ever incensed against the successful horticulturist, he resolved to bide his time.
Just then the Tulip Society of Haarlem offered a prize for the discovery (we dare not say the manufacture) of a large black tulip without a spot of colour, a thing which had not yet been accomplished, and was considered impossible, as at that time there did not exist a flower of that species approaching even to a dark nut brown. It was, therefore, generally said that the founders of the prize might just as well have offered two millions as a hundred thousand guilders, since no one would be able to gain it.
The tulip-growing world, however, was thrown by it into a state of most active commotion. Some fanciers caught at the idea without believing it practicable, but such is the power of imagination among florists, that although considering the undertaking as certain to fail, all their thoughts were engrossed by that great black tulip, which was looked upon to be as chimerical as the black swan of Horace or the white raven of French tradition.
Van Baerle was one of the tulip-growers who were struck with the idea; Boxtel thought of it in the light of a speculation. Van Baerle, as soon as the idea had once taken root in his clear and ingenious mind, began slowly the necessary planting and cross-breeding to reduce the tulips which he had grown already from red to brown, and from brown to dark brown.
By the next year he had obtained flowers of a perfect nut-brown, and Boxtel espied them in the border, whereas he had himself as yet only succeeded in producing the light brown.
It might perhaps be interesting to explain to the gentle reader the beautiful chain of theories which go to prove that the tulip borrows its colors from the elements; perhaps we should give him pleasure if we were to maintain and establish that nothing is impossible for a florist who avails himself with judgment and discretion and patience of the sun’s heat, the clear water, the juices of the earth, and the cool breezes. But this is not a treatise upon tulips in general; it is the story of one particular tulip which we have undertaken to write, and to that we limit ourselves, however alluring the subject which is so closely allied to ours.
Boxtel, once more worsted by the superiority of his hated rival, was now completely disgusted with tulip-growing, and, being driven half mad, devoted himself entirely to observation.
The house of his rival was quite open to view; a garden exposed to the sun; cabinets with glass walls, shelves, cupboards, boxes, and ticketed pigeon-holes, which could easily be surveyed by the telescope. Boxtel allowed his bulbs to rot in the pits, his seedlings to dry up in their cases, and his tulips to wither in the borders and henceforward occupied himself with nothing else but the doings at Van Baerle’s. He breathed through the stalks of Van Baerle’s tulips, quenched his thirst with the water he sprinkled upon them, and feasted on the fine soft earth which his neighbour scattered upon his cherished bulbs.
But the most curious part of the operations was not performed in the garden.
It might be one o’clock in the morning when Van Baerle went up to his laboratory, into the glazed cabinet whither Boxtel’s telescope had such an easy access; and here, as soon as the lamp illuminated the walls and windows, Boxtel saw the inventive genius of his rival at work.
He beheld him sifting his seeds, and soaking them in liquids which were destined to modify or to deepen their colours. He knew what Cornelius meant when heating certain grains, then moistening them, then combining them with others by a sort of grafting,—a minute and marvellously delicate manipulation,—and when he shut up in darkness those which were expected to furnish the black colour, exposed to the sun or to the lamp those which were to produce red, and placed between the endless reflections of two water-mirrors those intended for white, the pure representation of the limpid element.
This innocent magic, the fruit at the same time of child-like musings and of manly genius—this patient untiring labour, of which Boxtel knew himself to be incapable—made him, gnawed as he was with envy, centre all his life, all his thoughts, and all his hopes in his telescope.
For, strange to say, the love and interest of horticulture had not deadened in Isaac his fierce envy and thirst of revenge. Sometimes, whilst covering Van Baerle with his telescope, he deluded himself into a belief that he was levelling a never-failing musket at him; and then he would seek with his finger for the trigger to fire the shot which was to have killed his neighbour. But it is time that we should connect with this epoch of the operations of the one, and the espionage of the other, the visit which Cornelius de Witt came to pay to his native town.
Cornelius de Witt, after having attended to his family affairs, reached the house of his godson, Cornelius van Baerle, one evening in the month of January, 1672.
De Witt, although being very little of a horticulturist or of an artist, went over the whole mansion, from the studio to the green-house, inspecting everything, from the pictures down to the tulips. He thanked his godson for having joined him on the deck of the admiral’s ship “The Seven Provinces,” during the battle of Southwold Bay, and for having given his name to a magnificent tulip; and whilst he thus, with the kindness and affability of a father to a son, visited Van Baerle’s treasures, the crowd gathered with curiosity, and even respect, before the door of the happy man.
All this hubbub excited the attention of Boxtel, who was just taking his meal by his fireside. He inquired what it meant, and, on being informed of the cause of all this stir, climbed up to his post of observation, where in spite of the cold, he took his stand, with the telescope to his eye.
This telescope had not been of great service to him since the autumn of 1671. The tulips, like true daughters of the East, averse to cold, do not abide in the open ground in winter. They need the shelter of the house, the soft bed on the shelves, and the congenial warmth of the stove. Van Baerle, therefore, passed the whole winter in his laboratory, in the midst of his books and pictures. He went only rarely to the room where he kept his bulbs, unless it were to allow some occasional rays of the sun to enter, by opening one of the movable sashes of the glass front.
On the evening of which we are speaking, after the two Corneliuses had visited together all the apartments of the house, whilst a train of domestics followed their steps, De Witt said in a low voice to Van Baerle,—
“My dear son, send these people away, and let us be alone for some minutes.”
The younger Cornelius, bowing assent, said aloud,—
“Would you now, sir, please to see my dry-room?”
The dry-room, this pantheon, this sanctum sanctorum of the tulip-fancier, was, as Delphi of old, interdicted to the profane uninitiated.
Never had any of his servants been bold enough to set his foot there. Cornelius admitted only the inoffensive broom of an old Frisian housekeeper, who had been his nurse, and who from the time when he had devoted himself to the culture of tulips ventured no longer to put onions in his stews, for fear of pulling to pieces and mincing the idol of her foster child.
At the mere mention of the dry-room, therefore, the servants who were carrying the lights respectfully fell back. Cornelius, taking the candlestick from the hands of the foremost, conducted his godfather into that room, which was no other than that very cabinet with a glass front into which Boxtel was continually prying with his telescope.
The envious spy was watching more intently than ever.
First of all he saw the walls and windows lit up.
Then two dark figures appeared.
One of them, tall, majestic, stern, sat down near the table on which Van Baerle had placed the taper.
In this figure, Boxtel recognised the pale features of Cornelius de Witt, whose long hair, parted in front, fell over his shoulders.
De Witt, after having said some few words to Cornelius, the meaning of which the prying neighbour could not read in the movement of his lips, took from his breast pocket a white parcel, carefully sealed, which Boxtel, judging from the manner in which Cornelius received it, and placed it in one of the presses, supposed to contain papers of the greatest importance.
His first thought was that this precious deposit enclosed some newly imported bulbs from Bengal or Ceylon; but he soon reflected that Cornelius de Witt was very little addicted to tulip-growing, and that he only occupied himself with the affairs of man, a pursuit by far less peaceful and agreeable than that of the florist. He therefore came to the conclusion that the parcel contained simply some papers, and that these papers were relating to politics.
But why should papers of political import be intrusted to Van Baerle, who not only was, but also boasted of being, an entire stranger to the science of government, which, in his opinion, was more occult than alchemy itself?
It was undoubtedly a deposit which Cornelius de Witt, already threatened by the unpopularity with which his countrymen were going to honour him, was placing in the hands of his godson; a contrivance so much the more cleverly devised, as it certainly was not at all likely that it should be searched for at the house of one who had always stood aloof from every sort of intrigue.
And, besides, if the parcel had been made up of bulbs, Boxtel knew his neighbour too well not to expect that Van Baerle would not have lost one moment in satisfying his curiosity and feasting his eyes on the present which he had received.
But, on the contrary, Cornelius had received the parcel from the hands of his godfather with every mark of respect, and put it by with the same respectful manner in a drawer, stowing it away so that it should not take up too much of the room which was reserved to his bulbs.
The parcel thus being secreted, Cornelius de Witt got up, pressed the hand of his godson, and turned towards the door, Van Baerle seizing the candlestick, and lighting him on his way down to the street, which was still crowded with people who wished to see their great fellow citizen getting into his coach.
Boxtel had not been mistaken in his supposition. The deposit intrusted to Van Baerle, and carefully locked up by him, was nothing more nor less than John de Witt’s correspondence with the Marquis de Louvois, the war minister of the King of France; only the godfather forbore giving to his godson the least intimation concerning the political importance of the secret, merely desiring him not to deliver the parcel to any one but to himself, or to whomsoever he should send to claim it in his name.
And Van Baerle, as we have seen, locked it up with his most precious bulbs, to think no more of it, after his godfather had left him; very unlike Boxtel, who looked upon this parcel as a clever pilot does on the distant and scarcely perceptible cloud which is increasing on its way and which is fraught with a storm.
Little dreaming of the jealous hatred of his neighbour, Van Baerle had proceeded step by step towards gaining the prize offered by the Horticultural Society of Haarlem. He had progressed from hazel-nut shade to that of roasted coffee, and on the very day when the frightful events took place at the Hague which we have related in the preceding chapters, we find him, about one o’clock in the day, gathering from the border the young suckers raised from tulips of the colour of roasted coffee; and which, being expected to flower for the first time in the spring of 1675, would undoubtedly produce the large black tulip required by the Haarlem Society.
On the 20th of August, 1672, at one o’clock, Cornelius was therefore in his dry-room, with his feet resting on the foot-bar of the table, and his elbows on the cover, looking with intense delight on three suckers which he had just detached from the mother bulb, pure, perfect, and entire, and from which was to grow that wonderful produce of horticulture which would render the name of Cornelius van Baerle for ever illustrious.
“I shall find the black tulip,” said Cornelius to himself, whilst detaching the suckers. “I shall obtain the hundred thousand guilders offered by the Society. I shall distribute them among the poor of Dort; and thus the hatred which every rich man has to encounter in times of civil wars will be soothed down, and I shall be able, without fearing any harm either from Republicans or Orangists, to keep as heretofore my borders in splendid condition. I need no more be afraid lest on the day of a riot the shopkeepers of the town and the sailors of the port should come and tear out my bulbs, to boil them as onions for their families, as they have sometimes quietly threatened when they happened to remember my having paid two or three hundred guilders for one bulb. It is therefore settled I shall give the hundred thousand guilders of the Haarlem prize to the poor. And yet——”
Here Cornelius stopped and heaved a sigh. “And yet,” he continued, “it would have been so very delightful to spend the hundred thousand guilders on the enlargement of my tulip-bed or even on a journey to the East, the country of beautiful flowers. But, alas! these are no thoughts for the present times, when muskets, standards, proclamations, and beating of drums are the order of the day.”
Van Baerle raised his eyes to heaven and sighed again. Then turning his glance towards his bulbs,—objects of much greater importance to him than all those muskets, standards, drums, and proclamations, which he conceived only to be fit to disturb the minds of honest people,—he said:—
“These are, indeed, beautiful bulbs; how smooth they are, how well formed; there is that air of melancholy about them which promises to produce a flower of the colour of ebony. On their skin you cannot even distinguish the circulating veins with the naked eye. Certainly, certainly, not a light spot will disfigure the tulip which I have called into existence. And by what name shall we call this offspring of my sleepless nights, of my labour and my thought? Tulipa nigra Barlœnsis?
“Yes Barlœnsis: a fine name. All the tulip-fanciers—that is to say, all the intelligent people of Europe—will feel a thrill of excitement when the rumour spreads to the four quarters of the globe: The grand black tulip is found! ‘How is it called?’ the fanciers will ask.—‘Tulipa nigra Barlœnsis!’—‘Why Barlœnsis?’—‘After its grower, Van Baerle,’ will be the answer.—‘And who is this Van Baerle?’—‘It is the same who has already produced five new tulips: the Jane, the John de Witt, the Cornelius de Witt, etc.’ Well, that is what I call my ambition. It will cause tears to no one. And people will talk of my Tulipa nigra Barlœnsis when perhaps my godfather, this sublime politician, is only known from the tulip to which I have given his name.
“Oh! these darling bulbs!
“When my tulip has flowered,” Baerle continued in his soliloquy, “and when tranquillity is restored in Holland, I shall give to the poor only fifty thousand guilders, which, after all, is a goodly sum for a man who is under no obligation whatever. Then, with the remaining fifty thousand guilders, I shall make experiments. With them I shall succeed in imparting scent to the tulip. Ah! if I succeed in giving it the odour of the rose or the carnation, or, what would be still better, a completely new scent; if I restored to this queen of flowers its natural distinctive perfume, which she has lost in passing from her Eastern to her European throne, and which she must have in the Indian peninsula at Goa, Bombay, and Madras, and especially in that island which in olden times, as is asserted, was the terrestrial paradise, and which is called Ceylon,—oh, what glory! I must say, I would then rather be Cornelius van Baerle than Alexander, Cæsar, or Maximilian.
“Oh the admirable bulbs!”
Thus Cornelius indulged in the delights of contemplation, and was carried away by the sweetest dreams.
Suddenly the bell of his cabinet was rung much more violently than usual.
Cornelius, startled, laid his hands on his bulbs, and turned round.
“Who is here?” he asked.
“Sir,” answered the servant, “it is a messenger from the Hague.”
“A messenger from the Hague! What does he want?”
“Sir, it is Craeke.”
“Craeke! the confidential servant of Mynheer John de Witt? Good, let him wait.”
“I cannot wait,” said a voice in the lobby.
And at the same time forcing his way in, Craeke rushed into the dry-room.
This abrupt entrance was such an infringement on the established rules of the household of Cornelius van Baerle, that the latter, at the sight of Craeke, almost convulsively moved his hand which covered the bulbs, so that two of them fell on the floor, one of them rolling under a small table, and the other into the fireplace.
“Zounds!” said Cornelius, eagerly picking up his precious bulbs, “what’s the matter?”
“The matter, sir!” said Craeke, laying a paper on the large table, on which the third bulb was lying,—“the matter is, that you are requested to read this paper without losing one moment.”
And Craeke, who thought he had remarked in the streets of Dort symptoms of a tumult similar to that which he had witnessed before his departure from the Hague, ran off without even looking behind him.
“All right! all right! my dear Craeke,” said Cornelius, stretching his arm under the table for the bulb; “your paper shall be read, indeed it shall.”
Then, examining the bulb which he held in the hollow of his hand, he said: “Well, here is one of them uninjured. That confounded Craeke! thus to rush into my dry-room; let us now look after the other.”
And without laying down the bulb which he already held, Baerle went to the fireplace, knelt down and stirred with the tip of his finger the ashes, which fortunately were quite cold.
He at once felt the other bulb.
“Well, here it is,” he said; and, looking at it with almost fatherly affection, he exclaimed, “Uninjured as the first!”
At this very instant, and whilst Cornelius, still on his knees, was examining his pets, the door of the dry-room was so violently shaken, and opened in such a brusque manner, that Cornelius felt rising in his cheeks and his ears the glow of that evil counsellor which is called wrath.
“Now, what is it again,” he demanded; “are people going mad here?”
“Oh, sir! sir!” cried the servant, rushing into the dry-room with a much paler face and with a much more frightened mien than Craeke had shown.
“Well!” asked Cornelius, foreboding some mischief from the double breach of the strict rule of his house.
“Oh, sir, fly! fly quick!” cried the servant.
“Fly! and what for?”
“Sir, the house is full of the guards of the States.”
“What do they want?”
“They want you.”
“What for?”
“To arrest you.”
“Arrest me? arrest me, do you say?”
“Yes, sir, and they are headed by a magistrate.”
“What’s the meaning of all this?” said Van Baerle, grasping in his hands the two bulbs, and directing his terrified glance towards the staircase.
“They are coming up! they are coming up!” cried the servant.
“Oh, my dear child, my worthy master!” cried the old housekeeper, who now likewise made her appearance in the dry-room, “take your gold, your jewelry, and fly, fly!”
“But how shall I make my escape, nurse?” said Van Baerle.
“Jump out of the window.”
“Twenty-five feet from the ground!”
“But you will fall on six feet of soft soil!”
“Yes, but I should fall on my tulips.”
“Never mind, jump out.”
Cornelius took the third bulb, approached the window and opened it, but seeing what havoc he would necessarily cause in his borders, and, more than this, what a height he would have to jump, he called out, “Never!” and fell back a step.
At this moment they saw across the banister of the staircase the points of the halberds of the soldiers rising.
The housekeeper raised her hands to heaven.
As to Cornelius van Baerle, it must be stated to his honour, not as a man, but as a tulip-fancier, his only thought was for his inestimable bulbs.
Looking about for a paper in which to wrap them up, he noticed the fly-leaf from the Bible, which Craeke had laid upon the table, took it without in his confusion remembering whence it came, folded in it the three bulbs, secreted them in his bosom, and waited.
At this very moment the soldiers, preceded by a magistrate, entered the room.
“Are you Dr. Cornelius van Baerle?” demanded the magistrate (who, although knowing the young man very well, put his question according to the forms of justice, which gave his proceedings a much more dignified air).
“I am that person, Master van Spennen,” answered Cornelius, politely, to his judge, “and you know it very well.”
“Then give up to us the seditious papers which you secrete in your house.”
“The seditious papers!” repeated Cornelius, quite dumfounded at the imputation.
“Now don’t look astonished, if you please.”
“I vow to you, Master van Spennen,” Cornelius replied, “that I am completely at a loss to understand what you want.”
“Then I shall put you in the way, Doctor,” said the judge; “give up to us the papers which the traitor Cornelius de Witt deposited with you in the month of January last.”
A sudden light came into the mind of Cornelius.
“Halloa!” said Van Spennen, “you begin now to remember, don’t you?”
“Indeed I do, but you spoke of seditious papers, and I have none of that sort.”
“You deny it then?”
“Certainly I do.”
The magistrate turned round and took a rapid survey of the whole cabinet.
“Where is the apartment you call your dry-room?” he asked.
“The very same where you now are, Master van Spennen.”
The magistrate cast a glance at a small note at the top of his papers.
“All right,” he said, like a man who is sure of his ground.
Then, turning round towards Cornelius, he continued, “Will you give up those papers to me?”
“But I cannot, Master van Spennen; those papers do not belong to me; they have been deposited with me as a trust, and a trust is sacred.”
“Dr. Cornelius,” said the judge, “in the name of the States, I order you to open this drawer, and to give up to me the papers which it contains.”
Saying this, the judge pointed with his finger to the third drawer of the press, near the fireplace.
In this very drawer, indeed the papers deposited by the Warden of the Dikes with his godson were lying; a proof that the police had received very exact information.
“Ah! you will not,” said Van Spennen, when he saw Cornelius standing immovable and bewildered, “then I shall open the drawer myself.”
And, pulling out the drawer to its full length, the magistrate at first alighted on about twenty bulbs, carefully arranged and ticketed, and then on the paper parcel, which had remained in exactly the same state as it was when delivered by the unfortunate Cornelius de Witt to his godson.
The magistrate broke the seals, tore off the envelope, cast an eager glance on the first leaves which met his eye and then exclaimed, in a terrible voice,—
“Well, justice has been rightly informed after all!”
“How,” said Cornelius, “how is this?”
“Don’t pretend to be ignorant, Mynheer van Baerle,” answered the magistrate. “Follow me.”
“How’s that! follow you?” cried the Doctor.
“Yes, sir, for in the name of the States I arrest you.”
Arrests were not as yet made in the name of William of Orange; he had not been Stadtholder long enough for that.
“Arrest me!” cried Cornelius; “but what have I done?”
“That’s no affair of mine, Doctor; you will explain all that before your judges.”
“Where?”
“At the Hague.”
Cornelius, in mute stupefaction, embraced his old nurse, who was in a swoon; shook hands with his servants, who were bathed in tears, and followed the magistrate, who put him in a coach as a prisoner of state and had him driven at full gallop to the Hague.