INDEX.
By L. E. JONES.
- “Abraham and the Three Angels” (Navarrete), 211
- Academia Leonardi Vinci, 87
- Adams, John, portrait by Copley, 264
- Adams, Samuel, portrait by Copley, 264
- “Adoration of the Kings” (Vinci), 89
- “Adoration of the Shepherds” (Velasquez), 216
- “Agrippina Weeping over the Urn of Germanicus” (West), 265
- Albani, Francesco, 148
- “Aldobrandini Marriage,” 27
- Alexander the Great, portrait by Apelles, 18
- Allen, James, portrait by Copley, 264
- Allston, portrait of West, 266
- “Analysis of Beauty” (Hogarth), 254
- Ancient painting, 1-40
- “Ancient Rome” (Turner), 287
- Andalusia school of painting, 213
- Angelico, Fra, 72-78
- Animal painters—
- Anne of Cleves, portrait by Holbein, 190
- “Annunciation” (Titian), 127
- Apelles, 18-20, 40
- “Apollo and Daphne in the Vale of Tempe” (Turner), 287
- Apollodorus, 13-14
- “Archangel Michael” (Raphael), 114
- Architecture, a fine art, 1;
- Ariosto, portrait by Bassano, 132
- Aristides, 17
- Assisi, wall-paintings of Cimabue in Upper Church at, 62;
- frescoes of Giotto in Lower Church at, 66
- Assyrian painting, 9-11
- Augsburg Cathedral contains earliest painted windows, 51
- Augsburg school of art, 188
- Augustine, St., quoted, 2
- “Aurora” (Guido Reni), 145
- Avignon, the Vernet Gallery at, 247
- Babylonian painting, 11-13
- “Bacchus and Ariadne” (Titian), 124
- “Bacchus and Ariadne” (Turner), 288
- Balen, Henry van, 168
- “Banishment of Ovid from Rome” (Turner), 287
- “Baptism of Christ,” 84-86
- Barbarelli, Giorgio, 118-120
- Bartolommeo, Fra, 93-94;
- and Raphael, 110
- Bartolozzi, engraved pictures of Angelica Kauffman, 206
- Bas-reliefs in Egyptian painting, 3-5
- Bassano family, 132
- “Bathing Soldiers” (Michael Angelo), 108
- “Battle of the Standard” (Vinci), 108
- Bazzi, or Razzi, 118
- “Beauties at Hampton Court” (Lely), 251
- “Beggar Boy” (Velasquez), 216
- “Beggar Boy Munching a Piece of Pastry” (Velasquez), 216
- Belgium. See Flanders
- “Bella, La” (Titian), 124
- “Belle Ferronière, La” (Vinci), 87
- “Belle Jardinière, La” (Raphael), 110
- Bellini, Gentile, 80-81
- Bellini, Giovanni, 80, 81-82;
- Bellini, Jacopo, 80
- Bellotti, Bernardo, 153
- Beltraffio, Giovanni Antonio, 93
- Bembo, Pietro, epitaph on Raphael, 116
- “Benci, Ginevra” (Vinci), 89
- Bentivoglio, Cardinal, and Vandyck, 171
- Benvenuti, Lorenzo, 153
- Bernardo di Daddo, 69
- Berreguette, Alonzo, 208-209
- Bertoldo, 96-97
- “Birth of John the Baptist” (Dürer), 198
- “Birth of the Virgin Mary,” 58
- Blucher, portrait by Lawrence, 270
- Boleyn, Anne, and Holbein, 189
- Bologna school, 71, 82
- “Bolton Abbey in the Olden Time” (Landseer), 298
- “Bonaparte on the Bridge of Arcola” (Gros), 242
- Borgia, Cæsar, appoints Da Vinci engineer, 90
- Borgognone, Ambrogio, 93
- Both, Jan and Andries, 187
- Botticelli, Sandro, 79
- Bourdon, Sebastian, 238
- Bowditch, N. I., quoted, 261
- “Boy with a Squirrel” (Copley), 261
- Boylston, Miss Rebecca, portrait by Copley, 260
- Brattle, General William, portrait by Copley, 260
- Brauwer, Adrian, 178
- Brenghel, Jan, 162
- Brenghel, Pieter, 162
- Bril, Paul, 162
- “Broken Jug” (Greuze), 240
- Brunn, cited, 21
- “Bull, The” (Potter), 187
- Burch, Bishop Van der, and Vandyck, 172
- Burgkmair, Hans, instructor of Holbein, 189
- Burial-places, mediæval paintings in, 41.
- See also Catacombs
- “Burning of the House of Lords and Commons” (Turner), 287
- Byron’s Works illustrated by Turner, 286
- “Calumny” (Apelles), 19
- Calvert, Denis, instructor of Domenichino, 141
- Cammuccini, Vincenzio, 153
- Canaletto, 153
- Cano, Alonso, 230-232
- Canova, designed a monument for Titian, 128;
- portrait by Lawrence, 271
- “Cantarilla de Miel, La” (Utande), 212
- “Capitoline Doves,” 34
- “Caprices” (Goya), 233
- Caracci, Annibale, 140;
- Caracci family and school, 140
- Caravaggio, 150
- “Card Players” (Wilkie), 292
- Carew, Thomas, portrait by Vandyck, 174
- Carreño, Juan de, 211-212
- Carvings of Dürer, 198
- Casa Grande, the home of Titian, 126
- Castelfranco, altar-piece painted by Giorgione, 119
- Castile school of painting, 208
- Castillo, Juan de, instructor of Murillo, 221
- Catacombs, paintings of, 42-45
- “Cato of Utica” (Ribera), 151
- “Cat’s Paw” (Landseer), 295
- Celtic illuminated MSS., early, 49
- Cenci, Beatrice, portrait by Guido Reni, 145-147
- Cennino, quoted, 68
- Central period of Middle Ages.
- See Romanesque
- Cespedes, Pablo de, 213-214
- Charles I., and Rubens, 164;
- Charles II. and Lely, 251
- Charles IV. and Goya, 232
- Charles V., and Titian, 124, 126-127;
- Charles X., and Gros, 242;
- and Vernet, 246
- Chartres Cathedral, glass-painting in, 53
- “Chevy Chase” (Landseer), 296-298
- “Chief’s (The) Return from Deer-stalking” (Landseer), 298
- Christ, paintings by Joanes of, 229
- “Christ Bearing the Cross” (Morales), 210
- “Christ Blessing Little Children” (Rembrandt), 186
- “Christ Crowned with Thorns” (Morales), 210
- “Christ Healing the Sick” (West), 266
- “Christ in Glory” (Correggio), 134
- Christian art. See Early
- Church decoration in Gothic period of Middle Ages, 60
- Cimabue, G., 61-64
- Cistercian monks, painted windows in churches of, 54
- Clay used by Babylonian tile-painters, 12
- Clement VII., portrait by Titian, 124
- Club of St. Luke founded by Vandyck, 173
- Coello, Alonso Sanchez, 210
- Coello, Claudio, 208, 212-213
- “Collocation of the Host” (Coello), 213
- Cologne school of art, 188
- Colonna, Vittoria, friendship with Michael Angelo, 103
- Colors, Egyptian rules for use of, 5-7;
- “Communion of St. Jerome” (Domenichino), 141
- “Condemnation of Marie Antoinette” (Delaroche), 242
- Consalvi, Cardinal, portrait by Lawrence, 271
- Cook’s “Southern Coast,” illustrated by Turner, 282
- Cooper, Samuel, 249
- Copley, John Singleton, 259-264
- “Copley Family” (Copley), 264
- Corday, Charlotte, portrait by Goya, 233
- Cornaro, Caterina, portrait by Titian, 124
- Correggio, 132-139
- “Cottage Door” (Gainsborough), 258
- “Cottage Girl” (Gainsborough), 258
- Court influence upon art during Romanesque period, 50
- Coxie, Michael, copies Van Eyck’s altar-piece for Philip I., 156
- Cranach, Lucas, 202
- “Cromwell at the House of Sir Walter Stewart” (Landseer), 293
- “Cromwell Contemplating the Remains of Charles I.” (Delaroche), 242
- Cromwell’s directions to Lely for painting his portrait, 251
- Crucifixion as represented by Giotto, 68-69
- “Crucifixion” (Fra Angelico), 75-76
- “Crucifixion” (Tintoretto), 130
- “Crucifixion” (Vandyck), 169, 171
- “Crucifixion of St. Peter” (Bourdon), 238
- Cunningham, Allan, quoted, 267
- Cupid, statue of, by Michael Angelo, 98-99
- Curran, portrait by Lawrence, 270
- Cuyp, Albert, 186-187
- Damophilos, 21
- “Danäe” (Titian), 129
- Dance, George, portrait of Turner, 279
- “Dance of Death” (Holbein), 192-193
- Daniell, William, portrait by Wilkie, 293
- Dante, portrait by Giotto, 64-66;
- and Michael Angelo, 103
- Dante’s “Inferno,” painting by Delacroix of scene from, 245
- David, Jacques Louis, 240-242
- “David” (Michael Angelo), 99
- “Dead Warrior, The” (Landseer), 298
- “Death of the Duke of Guise” (Delaroche), 242, 244
- “Death of Lord Chatham” (Copley), 262
- “Death of Wolfe” (Romney), 267
- “Death of Wolfe” (West), 266
- “Decline of the Carthaginian Empire” (Turner), 282
- “Decoration of a Roof,” 44-45
- Delacroix, Eugene, 244-245
- Delaroche, Paul, 242
- “Demeter Enthroned,” 34
- “Descent from the Cross” (Ribera), 151
- “Descent from the Cross” (Volterra), 104
- “Dido Building Carthage” (Turner), 282
- “Dionysus, or Bacchus” (Aristides), 17
- “Discovery of the Herb Mandragora,” 47-48
- Dobson, William, 249-251;
- and Vandyck, 173
- “Dodwell Vase (The),” 38
- Domenichino, 141-143;
- and Poussin, 234
- Dorian school of Sikyon, 15-17
- Dow, Gerhard, 181
- Drawing first regularly taught in Sikyon school, 17
- “Drunken Bacchus” (Michael Angelo), 99
- Duccio, 64
- Dupper, portrait of Landseer, 301
- Dürer, Albert, 193-202
- Dutch. See Holland
- Early Christian art, 41, 42-49
- Early period of Middle Ages. See Early Christian art
- Eastern. See Oriental
- Eclectics of the seventeenth century, 140
- “Edward the Confessor” (Mortimer), 267
- Edward III., paintings by West from the life of, 266
- Eeckhout, Gerbrandt van der, 186
- Eginhard, 49
- Egyptian mosaics, 36
- Egyptian painting, 3-9
- “Ehrenbreitstein” (Turner), 287
- Ekphantos, 21
- Encaustic paintings of Nikias, 18
- England, painting in, 249-303;
- “England and Wales” (Turner), 282
- Engravings, by Rembrandt, 185;
- “Entombment of Christ” (Caravaggio), 150
- “Entombment of Christ” (Titian), 128-129
- Erasmus and Holbein, 189
- Escorial, Giordano painted walls of, 213
- Etching, Rembrandt’s use of, 182
- Etchings, of Salvator Rosa, 152;
- Etruscan tombs, decorated with mural paintings, 23;
- stone-paintings found in, 36
- Etruscans introduced painting into Italy from Greece, 13, 20-21
- Euphranor, 17
- “Extract from a Journal whilst at Abbotsford” (Landseer), 295
- Eyck, Hubert van, 155-156
- Eyck, Jan van, 156-158
- Eyck, Lambert van, 158
- Eyck, Margaretha van, 158
- Faes, Peter van der, 251
- “False Players” (Caravaggio), 150
- “Family of Darius” (Veronese), 131
- “Family Picture” (Copley), 262
- Farnesina Villa, frescoes by Raphael in, 111
- Farrari, Gaudenzio, 93
- Fawkes, H., friend and patron of Turner, 277
- “Feast of Rose Garlands” (Dürer), 197
- Fernandez, Louis, 221
- Ferrara, Duke of, and Titian, 124
- “Field of Eylau” (Gros), 242
- “Fifth Plague of Egypt” (Turner), 278-279
- Figure-painting in ancient Greece, 20
- Final period of Middle Ages. See Gothic
- “Five Senses” (Teniers), 180
- Flanders, painting in, 155-176
- “Flaying of St. Bartholomew” (Ribera), 151
- “Flemish Kermes” (Teniers), 180
- “Flora” (Titian), 124
- Florentine school, 72-80, 93
- Fonesca, portrait by Velasquez, 216
- “Font, The” (Landseer), 300
- Foreshortening of Correggio, 134
- “Fortune Teller” (Caravaggio), 150
- “Four Apostles, The” (Dürer), 201
- France, painting in, 234-248;
- Francia, Francisco, 82-83
- Francis I., and Da Vinci, 90-92;
- “Francis I. and Charles V. Visiting the Tombs at St. Denis” (Gros), 242
- Franconian school, 193
- Frederick Henry, Prince, scenes from the life of, painted by Jordaens, 167
- Fuseli, and Angelica Kauffman, 204;
- and Landseer, 294
- Fyt, Jan, 167
- Gaddi, A., 69
- Gaddi, T., 69
- Gainsborough, Thomas, 258
- “Gamba, La” (Vargas), 213
- Gardiner, quoted, 260
- Gardiner, Miss Rebecca, portrait by Copley, 260
- Gargasos, 21
- Garrick, David, epitaph on Hogarth, 254
- Gaul, miniature-painting in, 49
- George III., and West, 265;
- and Lawrence, 270
- Géricault, Jean Louis, 244
- German illuminated MSS., early, 49
- Germany, painting in, 188-206;
- Gelée, Claude. See Lorraine
- Ghirlandajo, Domenico, 79-80, 96
- Giordano, Luca, 213
- Giorgione, 118-120;
- and Titian, 123
- Giotteschi, 69
- Giotto di Bondone, 64-69
- “Girl and Pigs” (Gainsborough), 258
- Girtin, Tom, 274
- Glass-painting, 51-54, 58-60
- “Glykera” (Pausias), 17
- Goes, Hugo van der, 158
- Goethe, quoted, 205
- Goldsmith, Oliver, and Reynolds, 258
- Gomez, Sebastian, 228-229
- Gongora, portrait by Velasquez, 216
- Gonzaga, Giulia, portraits by Piombo, 120
- Gothic architecture, its influence upon painting and sculpture in Middle Ages, 54;
- its influence upon glass-painting, 58
- Gothic period of Middle Ages, 42, 54-71
- Gower family, portraits by Romney, 267
- Goya y Lucientes, Francisco, 232-233
- Goyen, Jan van, 187
- Gozzoli, Benozzo, 80
- “Graces Decorating a Statue of Hymen” (Reynolds), 257
- Granacci, Francisco, 80, 96
- Great Book of the Hours, illumination of, 58
- Greek painting, ancient, 13-34, 40;
- on stone, 36
- Greuze, Jean-Baptiste, 239-240
- Grimm, quoted, 100-101
- Grisaille glass, 54
- Gros, Antoine Jean, 242
- Guardi, Francesco, 153
- Guérin, instructor of Géricault, 244;
- of Delacroix, 245
- Guido, Tommaso, 78-79
- Guido of Siena, 64
- Guido Reni, 143-148
- Guilds among painters in Gothic period of Middle Ages, 56
- Hals, Franz, 177;
- and Vandyck, 169
- Hamerton, on Turner, 286;
- on Landseer, 298
- Hamilton, Lady, portraits by Romney, 267-268
- “Hamlet and Ophelia” (West), 266
- “Harlot’s Progress” (Hogarth), 252
- Haydon, instructor of Landseer, 294
- Hayman, Francis, instructor of Gainsborough, 258
- Hayter, J., portrait of Landseer, 301
- “Heidelberg Castle in the Olden Time” (Turner), 287
- Hellenic school, 18
- “Hemicycle” (Delaroche), 242-244
- Henrietta Maria, Queen, portraits by Vandyck, 174
- “Henry I.,” 54-55
- Henry III. and Titian, 127
- Henry VIII. and Holbein, 189-192
- Hercules, statue of, by Michael Angelo, 98
- Herrera, Francisco de, 212, 214-215, 216
- Hobbema, Mindert, 188
- Hogarth, William, 252-254
- Holbein, Hans, 188-193
- Holland, painting in, 176-188;
- fidelity to detail, 11
- “Holy Family” (Vandyck), 169-170
- Honthorst, Gerard, 180
- Hooge, Pieter de, 181
- Houssaye, A., 92
- Hudson, instructor of Reynolds, 255
- “Hundred Guilders Print” (Rembrandt), 186
- Illumination of MSS., 41, 46-49, 58
- Illustrations used in Egyptian papyrus rolls, 8
- “Immaculate Conception” (Murillo), 224, 225-227, 228
- Inquisition, its influence on Spanish painting, 207-208
- Intaglios in Egyptian painting, 6
- Interiors, Dutch painters of, 180-181
- Ionian school, 15
- Ireland, miniature-painting in ancient, 49
- Isabella, Empress, portrait by Titian, 127
- Isabella, Infanta, sends Rubens to Spain, 164
- Isabella of Portugal, portrait by Jan van Eyck, 156
- Italy, painting in, 13-34, 40, 72-154
- “Ixion on the Wheel” (Ribera), 151
- Jameson, Mrs., quoted, 119
- Joanes, Vicente de, 229
- “John Knox Preaching” (Wilkie), 293
- Johnson, Samuel, and Sir Joshua Reynolds, 255
- Jonah, statue of, modelled by Raphael, 115
- Jordaens, Jacob, 167-168
- Julius II., Pope, and Michael Angelo, 99-100;
- and Raphael, 111
- “Julius II., Tomb of,” (Michael Angelo), 100, 101
- “Justinian, Theodora, and Attendants,” 45-46
- Justus of Ghent, 158
- Kauffman, Angelica, 203-206
- “King David,” 51
- Kneller, Sir Godfrey, 251-252
- “Knight (The), Death, and the Devil” (Dürer), 202
- Kugler, quoted, 129
- Landseer, Charles, 293
- Landseer, Sir Edwin, 293-301
- Landseer, John, 293
- Landseer, Thomas, 293
- Landscape-painting, in ancient Greece, 20;
- “Larder Invaded” (Landseer), 295
- “Large Holy Family of the Louvre” (Raphael), 114
- “Last Judgment” (Michael Angelo), 101
- “Last Supper” (Vinci), 87-89, 92
- “Last Supper” (Titian), 211
- “Last Supper” (Cespedes), 214
- Last Supper, paintings by Joanes of, 229-230
- Lastman, Pieter, 181
- “Laughing Peasant” (Velasquez), 216
- Lawrence, Sir Thomas, 269-271;
- portrait of West, 266
- “Lear” (West), 266
- Le Brun, Charles, 238
- Lee, Colonel and Mrs., portraits by Copley, 260
- Lely, Sir Peter, 251
- Leo X., and Da Vinci, 90;
- Leonardo da Vinci, 84-93
- Leopold William, Archduke, portrait by Teniers, 179
- Leslie, portrait of West, 266;
- portrait by Landseer, 301
- Le Sueur, Eustache, 238
- “Liber Fluviorum” (Turner), 286
- “Liber Studiorum” (Turner), 280
- “Liber Veritatis” (Claude Lorraine), 237
- “Line-fishing off Hastings” (Turner), 287
- Lippi, Fillipino, 79
- Lippi, Filippo, 79
- “Little Girl with a Lap Dog in her Arms” (Greuze), 240
- Lombard school, 93
- “Lomellini Family” (Vandyck), 171
- “Lorelei Twilight” (Turner), 278
- Lorenzo di Credi, 79
- Lorraine, Claude, 236-238
- Louis XII. and Da Vinci, 90
- Louis XIII. and Poussin, 234-236
- Louis XIV., and Le Brun, 238;
- Louis XV. and Vernet, 240
- Louis Philippe and Vernet, 246
- Lübke, quoted, 82, 237
- “Lucretia” (Rembrandt), 186
- Ludius, 21-23
- Luini, Bernardino, 93
- Luther, Dürer’s admiration for, 201