INDEX.

By L. E. JONES.

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• “Abraham and the Three Angels” (Navarrete), 211
• Academia Leonardi Vinci, 87
• Adams, John, portrait by Copley, 264
• Adams, Samuel, portrait by Copley, 264
• “Adoration of the Kings” (Vinci), 89
• “Adoration of the Shepherds” (Velasquez), 216
• “Agrippina Weeping over the Urn of Germanicus” (West), 265
• Albani, Francesco, 148
• “Aldobrandini Marriage,” 27
• Alexander the Great, portrait by Apelles, 18
• Allen, James, portrait by Copley, 264
• Allston, portrait of West, 266
• “Analysis of Beauty” (Hogarth), 254
• Ancient painting, 1-40
• “Ancient Rome” (Turner), 287
• Andalusia school of painting, 213
• Angelico, Fra, 72-78
• Animal painters—
  • Snyders and Fyt, 167;
  • Potter, 187;
  • Landseer, 293
• Anne of Cleves, portrait by Holbein, 190
• “Annunciation” (Titian), 127
• Apelles, 18-20, 40
• “Apollo and Daphne in the Vale of Tempe” (Turner), 287
• Apollodorus, 13-14
• “Archangel Michael” (Raphael), 114
• Architecture, a fine art, 1;
  • more advanced than painting among Oriental nations, 12;
  • development of Greek, from Egyptian and Assyrian, 13;
  • during the Romanesque period, 150.
  • See also Gothic
• Ariosto, portrait by Bassano, 132
• Aristides, 17
• Assisi, wall-paintings of Cimabue in Upper Church at, 62;
  • frescoes of Giotto in Lower Church at, 66
• Assyrian painting, 9-11
• Augsburg Cathedral contains earliest painted windows, 51
• Augsburg school of art, 188
• Augustine, St., quoted, 2
• “Aurora” (Guido Reni), 145
• Avignon, the Vernet Gallery at, 247

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• Babylonian painting, 11-13
• “Bacchus and Ariadne” (Titian), 124
• “Bacchus and Ariadne” (Turner), 288
• Balen, Henry van, 168
• “Banishment of Ovid from Rome” (Turner), 287
• “Baptism of Christ,” 84-86
• Barbarelli, Giorgio, 118-120
• Bartolommeo, Fra, 93-94;
  • and Raphael, 110
• Bartolozzi, engraved pictures of Angelica Kauffman, 206
• Bas-reliefs in Egyptian painting, 3-5
• Bassano family, 132
• “Bathing Soldiers” (Michael Angelo), 108
• “Battle of the Standard” (Vinci), 108
• Bazzi, or Razzi, 118
• “Beauties at Hampton Court” (Lely), 251
• “Beggar Boy” (Velasquez), 216
• “Beggar Boy Munching a Piece of Pastry” (Velasquez), 216
• Belgium. See Flanders
• “Bella, La” (Titian), 124
• “Belle Ferronière, La” (Vinci), 87
• “Belle Jardinière, La” (Raphael), 110
• Bellini, Gentile, 80-81
• Bellini, Giovanni, 80, 81-82;
  • and Titian, 123;
  • and Dürer, 197
• Bellini, Jacopo, 80
• Bellotti, Bernardo, 153
• Beltraffio, Giovanni Antonio, 93
• Bembo, Pietro, epitaph on Raphael, 116
• “Benci, Ginevra” (Vinci), 89
• Bentivoglio, Cardinal, and Vandyck, 171
• Benvenuti, Lorenzo, 153
• Bernardo di Daddo, 69
• Berreguette, Alonzo, 208-209
• Bertoldo, 96-97
• “Birth of John the Baptist” (Dürer), 198
• “Birth of the Virgin Mary,” 58
• Blucher, portrait by Lawrence, 270
• Boleyn, Anne, and Holbein, 189
• Bologna school, 71, 82
• “Bolton Abbey in the Olden Time” (Landseer), 298
• “Bonaparte on the Bridge of Arcola” (Gros), 242
• Borgia, Cæsar, appoints Da Vinci engineer, 90
• Borgognone, Ambrogio, 93
• Both, Jan and Andries, 187
• Botticelli, Sandro, 79
• Bourdon, Sebastian, 238
• Bowditch, N. I., quoted, 261
• “Boy with a Squirrel” (Copley), 261
• Boylston, Miss Rebecca, portrait by Copley, 260
• Brattle, General William, portrait by Copley, 260
• Brauwer, Adrian, 178
• Brenghel, Jan, 162
• Brenghel, Pieter, 162
• Bril, Paul, 162
• “Broken Jug” (Greuze), 240
• Brunn, cited, 21
• “Bull, The” (Potter), 187
• Burch, Bishop Van der, and Vandyck, 172
• Burgkmair, Hans, instructor of Holbein, 189
• Burial-places, mediæval paintings in, 41.
  • See also Catacombs
• “Burning of the House of Lords and Commons” (Turner), 287
• Byron’s Works illustrated by Turner, 286

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• “Calumny” (Apelles), 19
• Calvert, Denis, instructor of Domenichino, 141
• Cammuccini, Vincenzio, 153
• Canaletto, 153
• Cano, Alonso, 230-232
• Canova, designed a monument for Titian, 128;
  • portrait by Lawrence, 271
• “Cantarilla de Miel, La” (Utande), 212
• “Capitoline Doves,” 34
• “Caprices” (Goya), 233
• Caracci, Annibale, 140;
  • quoted on Correggio, 135;
  • on Domenichino, 141;
  • instructor of Guido Reni, 143
• Caracci family and school, 140
• Caravaggio, 150
• “Card Players” (Wilkie), 292
• Carew, Thomas, portrait by Vandyck, 174
• Carreño, Juan de, 211-212
• Carvings of Dürer, 198
• Casa Grande, the home of Titian, 126
• Castelfranco, altar-piece painted by Giorgione, 119
• Castile school of painting, 208
• Castillo, Juan de, instructor of Murillo, 221
• Catacombs, paintings of, 42-45
• “Cato of Utica” (Ribera), 151
• “Cat’s Paw” (Landseer), 295
• Celtic illuminated MSS., early, 49
• Cenci, Beatrice, portrait by Guido Reni, 145-147
• Cennino, quoted, 68
• Central period of Middle Ages.
  • See Romanesque
• Cespedes, Pablo de, 213-214
• Charles I., and Rubens, 164;
  • and Vandyck, 172-173;
  • portraits by Vandyck, 174;
  • and Dobson, 249
• Charles II. and Lely, 251
• Charles IV. and Goya, 232
• Charles V., and Titian, 124, 126-127;
  • and Dürer, 199-201;
  • and Berreguette, 209
• Charles X., and Gros, 242;
  • and Vernet, 246
• Chartres Cathedral, glass-painting in, 53
• “Chevy Chase” (Landseer), 296-298
• “Chief’s (The) Return from Deer-stalking” (Landseer), 298
• Christ, paintings by Joanes of, 229
• “Christ Bearing the Cross” (Morales), 210
• “Christ Blessing Little Children” (Rembrandt), 186
• “Christ Crowned with Thorns” (Morales), 210
• “Christ Healing the Sick” (West), 266
• “Christ in Glory” (Correggio), 134
• Christian art. See Early
• Church decoration in Gothic period of Middle Ages, 60
• Cimabue, G., 61-64
• Cistercian monks, painted windows in churches of, 54
• Clay used by Babylonian tile-painters, 12
• Clement VII., portrait by Titian, 124
• Club of St. Luke founded by Vandyck, 173
• Coello, Alonso Sanchez, 210
• Coello, Claudio, 208, 212-213
• “Collocation of the Host” (Coello), 213
• Cologne school of art, 188
• Colonna, Vittoria, friendship with Michael Angelo, 103
• Colors, Egyptian rules for use of, 5-7;
  • in Assyrian paintings, 11;
  • in Pompeian wall-paintings, 32;
  • in illumination, 47;
  • Raphael’s skill in, 110;
  • discoveries by Hubert van Eyck in use of, 156
• “Communion of St. Jerome” (Domenichino), 141
• “Condemnation of Marie Antoinette” (Delaroche), 242
• Consalvi, Cardinal, portrait by Lawrence, 271
• Cook’s “Southern Coast,” illustrated by Turner, 282
• Cooper, Samuel, 249
• Copley, John Singleton, 259-264
• “Copley Family” (Copley), 264
• Corday, Charlotte, portrait by Goya, 233
• Cornaro, Caterina, portrait by Titian, 124
• Correggio, 132-139
• “Cottage Door” (Gainsborough), 258
• “Cottage Girl” (Gainsborough), 258
• Court influence upon art during Romanesque period, 50
• Coxie, Michael, copies Van Eyck’s altar-piece for Philip I., 156
• Cranach, Lucas, 202
• “Cromwell at the House of Sir Walter Stewart” (Landseer), 293
• “Cromwell Contemplating the Remains of Charles I.” (Delaroche), 242
• Cromwell’s directions to Lely for painting his portrait, 251
• Crucifixion as represented by Giotto, 68-69
• “Crucifixion” (Fra Angelico), 75-76
• “Crucifixion” (Tintoretto), 130
• “Crucifixion” (Vandyck), 169, 171
• “Crucifixion of St. Peter” (Bourdon), 238
• Cunningham, Allan, quoted, 267
• Cupid, statue of, by Michael Angelo, 98-99
• Curran, portrait by Lawrence, 270
• Cuyp, Albert, 186-187

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• Damophilos, 21
• “Danäe” (Titian), 129
• Dance, George, portrait of Turner, 279
• “Dance of Death” (Holbein), 192-193
• Daniell, William, portrait by Wilkie, 293
• Dante, portrait by Giotto, 64-66;
  • and Michael Angelo, 103
• Dante’s “Inferno,” painting by Delacroix of scene from, 245
• David, Jacques Louis, 240-242
• “David” (Michael Angelo), 99
• “Dead Warrior, The” (Landseer), 298
• “Death of the Duke of Guise” (Delaroche), 242, 244
• “Death of Lord Chatham” (Copley), 262
• “Death of Wolfe” (Romney), 267
• “Death of Wolfe” (West), 266
• “Decline of the Carthaginian Empire” (Turner), 282
• “Decoration of a Roof,” 44-45
• Delacroix, Eugene, 244-245
• Delaroche, Paul, 242
• “Demeter Enthroned,” 34
• “Descent from the Cross” (Ribera), 151
• “Descent from the Cross” (Volterra), 104
• “Dido Building Carthage” (Turner), 282
• “Dionysus, or Bacchus” (Aristides), 17
• “Discovery of the Herb Mandragora,” 47-48
• Dobson, William, 249-251;
  • and Vandyck, 173
• “Dodwell Vase (The),” 38
• Domenichino, 141-143;
  • and Poussin, 234
• Dorian school of Sikyon, 15-17
• Dow, Gerhard, 181
• Drawing first regularly taught in Sikyon school, 17
• “Drunken Bacchus” (Michael Angelo), 99
• Duccio, 64
• Dupper, portrait of Landseer, 301
• Dürer, Albert, 193-202
• Dutch. See Holland

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• Early Christian art, 41, 42-49
• Early period of Middle Ages. See Early Christian art
• Eastern. See Oriental
• Eclectics of the seventeenth century, 140
• “Edward the Confessor” (Mortimer), 267
• Edward III., paintings by West from the life of, 266
• Eeckhout, Gerbrandt van der, 186
• Eginhard, 49
• Egyptian mosaics, 36
• Egyptian painting, 3-9
• “Ehrenbreitstein” (Turner), 287
• Ekphantos, 21
• Encaustic paintings of Nikias, 18
• England, painting in, 249-303;
  • glass-painting in, 53;
  • wall-painting in, 60
• “England and Wales” (Turner), 282
• Engravings, by Rembrandt, 185;
  • by Dürer, 194, 198;
  • by Hogarth, 254.
  • See also Etchings
• “Entombment of Christ” (Caravaggio), 150
• “Entombment of Christ” (Titian), 128-129
• Erasmus and Holbein, 189
• Escorial, Giordano painted walls of, 213
• Etching, Rembrandt’s use of, 182
• Etchings, of Salvator Rosa, 152;
  • of Teniers, 180;
  • of Rembrandt, 186
• Etruscan tombs, decorated with mural paintings, 23;
  • stone-paintings found in, 36
• Etruscans introduced painting into Italy from Greece, 13, 20-21
• Euphranor, 17
• “Extract from a Journal whilst at Abbotsford” (Landseer), 295
• Eyck, Hubert van, 155-156
• Eyck, Jan van, 156-158
• Eyck, Lambert van, 158
• Eyck, Margaretha van, 158

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• Faes, Peter van der, 251
• “False Players” (Caravaggio), 150
• “Family of Darius” (Veronese), 131
• “Family Picture” (Copley), 262
• Farnesina Villa, frescoes by Raphael in, 111
• Farrari, Gaudenzio, 93
• Fawkes, H., friend and patron of Turner, 277
• “Feast of Rose Garlands” (Dürer), 197
• Fernandez, Louis, 221
• Ferrara, Duke of, and Titian, 124
• “Field of Eylau” (Gros), 242
• “Fifth Plague of Egypt” (Turner), 278-279
• Figure-painting in ancient Greece, 20
• Final period of Middle Ages. See Gothic
• “Five Senses” (Teniers), 180
• Flanders, painting in, 155-176
• “Flaying of St. Bartholomew” (Ribera), 151
• “Flemish Kermes” (Teniers), 180
• “Flora” (Titian), 124
• Florentine school, 72-80, 93
• Fonesca, portrait by Velasquez, 216
• “Font, The” (Landseer), 300
• Foreshortening of Correggio, 134
• “Fortune Teller” (Caravaggio), 150
• “Four Apostles, The” (Dürer), 201
• France, painting in, 234-248;
  • glass-painting in, 51.
  • See also Gaul
• Francia, Francisco, 82-83
• Francis I., and Da Vinci, 90-92;
  • and Sarto, 105;
  • and Raphael, 114
• “Francis I. and Charles V. Visiting the Tombs at St. Denis” (Gros), 242
• Franconian school, 193
• Frederick Henry, Prince, scenes from the life of, painted by Jordaens, 167
• Fuseli, and Angelica Kauffman, 204;
  • and Landseer, 294
• Fyt, Jan, 167

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• Gaddi, A., 69
• Gaddi, T., 69
• Gainsborough, Thomas, 258
• “Gamba, La” (Vargas), 213
• Gardiner, quoted, 260
• Gardiner, Miss Rebecca, portrait by Copley, 260
• Gargasos, 21
• Garrick, David, epitaph on Hogarth, 254
• Gaul, miniature-painting in, 49
• George III., and West, 265;
  • and Lawrence, 270
• Géricault, Jean Louis, 244
• German illuminated MSS., early, 49
• Germany, painting in, 188-206;
  • glass-painting in, 51;
  • wall-painting in, 60
• Gelée, Claude. See Lorraine
• Ghirlandajo, Domenico, 79-80, 96
• Giordano, Luca, 213
• Giorgione, 118-120;
  • and Titian, 123
• Giotteschi, 69
• Giotto di Bondone, 64-69
• “Girl and Pigs” (Gainsborough), 258
• Girtin, Tom, 274
• Glass-painting, 51-54, 58-60
• “Glykera” (Pausias), 17
• Goes, Hugo van der, 158
• Goethe, quoted, 205
• Goldsmith, Oliver, and Reynolds, 258
• Gomez, Sebastian, 228-229
• Gongora, portrait by Velasquez, 216
• Gonzaga, Giulia, portraits by Piombo, 120
• Gothic architecture, its influence upon painting and sculpture in Middle Ages, 54;
  • its influence upon glass-painting, 58
• Gothic period of Middle Ages, 42, 54-71
• Gower family, portraits by Romney, 267
• Goya y Lucientes, Francisco, 232-233
• Goyen, Jan van, 187
• Gozzoli, Benozzo, 80
• “Graces Decorating a Statue of Hymen” (Reynolds), 257
• Granacci, Francisco, 80, 96
• Great Book of the Hours, illumination of, 58
• Greek painting, ancient, 13-34, 40;
  • on stone, 36
• Greuze, Jean-Baptiste, 239-240
• Grimm, quoted, 100-101
• Grisaille glass, 54
• Gros, Antoine Jean, 242
• Guardi, Francesco, 153
• Guérin, instructor of Géricault, 244;
  • of Delacroix, 245
• Guido, Tommaso, 78-79
• Guido of Siena, 64
• Guido Reni, 143-148
• Guilds among painters in Gothic period of Middle Ages, 56

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• Hals, Franz, 177;
  • and Vandyck, 169
• Hamerton, on Turner, 286;
  • on Landseer, 298
• Hamilton, Lady, portraits by Romney, 267-268
• “Hamlet and Ophelia” (West), 266
• “Harlot’s Progress” (Hogarth), 252
• Haydon, instructor of Landseer, 294
• Hayman, Francis, instructor of Gainsborough, 258
• Hayter, J., portrait of Landseer, 301
• “Heidelberg Castle in the Olden Time” (Turner), 287
• Hellenic school, 18
• “Hemicycle” (Delaroche), 242-244
• Henrietta Maria, Queen, portraits by Vandyck, 174
• “Henry I.,” 54-55
• Henry III. and Titian, 127
• Henry VIII. and Holbein, 189-192
• Hercules, statue of, by Michael Angelo, 98
• Herrera, Francisco de, 212, 214-215, 216
• Hobbema, Mindert, 188
• Hogarth, William, 252-254
• Holbein, Hans, 188-193
• Holland, painting in, 176-188;
  • fidelity to detail, 11
• “Holy Family” (Vandyck), 169-170
• Honthorst, Gerard, 180
• Hooge, Pieter de, 181
• Houssaye, A., 92
• Hudson, instructor of Reynolds, 255
• “Hundred Guilders Print” (Rembrandt), 186

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• Illumination of MSS., 41, 46-49, 58
• Illustrations used in Egyptian papyrus rolls, 8
• “Immaculate Conception” (Murillo), 224, 225-227, 228
• Inquisition, its influence on Spanish painting, 207-208
• Intaglios in Egyptian painting, 6
• Interiors, Dutch painters of, 180-181
• Ionian school, 15
• Ireland, miniature-painting in ancient, 49
• Isabella, Empress, portrait by Titian, 127
• Isabella, Infanta, sends Rubens to Spain, 164
• Isabella of Portugal, portrait by Jan van Eyck, 156
• Italy, painting in, 13-34, 40, 72-154
• “Ixion on the Wheel” (Ribera), 151

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• Jameson, Mrs., quoted, 119
• Joanes, Vicente de, 229
• “John Knox Preaching” (Wilkie), 293
• Johnson, Samuel, and Sir Joshua Reynolds, 255
• Jonah, statue of, modelled by Raphael, 115
• Jordaens, Jacob, 167-168
• Julius II., Pope, and Michael Angelo, 99-100;
  • and Raphael, 111
• “Julius II., Tomb of,” (Michael Angelo), 100, 101
• “Justinian, Theodora, and Attendants,” 45-46
• Justus of Ghent, 158

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• Kauffman, Angelica, 203-206
• “King David,” 51
• Kneller, Sir Godfrey, 251-252
• “Knight (The), Death, and the Devil” (Dürer), 202
• Kugler, quoted, 129

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• Landseer, Charles, 293
• Landseer, Sir Edwin, 293-301
• Landseer, John, 293
• Landseer, Thomas, 293
• Landscape-painting, in ancient Greece, 20;
  • in ancient Rome, 27-29;
  • in Holland, 186-187
• “Larder Invaded” (Landseer), 295
• “Large Holy Family of the Louvre” (Raphael), 114
• “Last Judgment” (Michael Angelo), 101
• “Last Supper” (Vinci), 87-89, 92
• “Last Supper” (Titian), 211
• “Last Supper” (Cespedes), 214
• Last Supper, paintings by Joanes of, 229-230
• Lastman, Pieter, 181
• “Laughing Peasant” (Velasquez), 216
• Lawrence, Sir Thomas, 269-271;
  • portrait of West, 266
• “Lear” (West), 266
• Le Brun, Charles, 238
• Lee, Colonel and Mrs., portraits by Copley, 260
• Lely, Sir Peter, 251
• Leo X., and Da Vinci, 90;
  • and Raphael, 111;
  • and Titian, 124
• Leonardo da Vinci, 84-93
• Leopold William, Archduke, portrait by Teniers, 179
• Leslie, portrait of West, 266;
  • portrait by Landseer, 301
• Le Sueur, Eustache, 238
• “Liber Fluviorum” (Turner), 286
• “Liber Studiorum” (Turner), 280
• “Liber Veritatis” (Claude Lorraine), 237
• “Line-fishing off Hastings” (Turner), 287
• Lippi, Fillipino, 79
• Lippi, Filippo, 79
• “Little Girl with a Lap Dog in her Arms” (Greuze), 240
• Lombard school, 93
• “Lomellini Family” (Vandyck), 171
• “Lorelei Twilight” (Turner), 278
• Lorenzo di Credi, 79
• Lorraine, Claude, 236-238
• Louis XII. and Da Vinci, 90
• Louis XIII. and Poussin, 234-236
• Louis XIV., and Le Brun, 238;
  • and Mignard, 239;
  • portraits by Rigaud, 239
• Louis XV. and Vernet, 240
• Louis Philippe and Vernet, 246
• Lübke, quoted, 82, 237
• “Lucretia” (Rembrandt), 186
• Ludius, 21-23
• Luini, Bernardino, 93
• Luther, Dürer’s admiration for, 201