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A history of English literature

Chapter 184: FOOTNOTES:
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About This Book

A comprehensive practical textbook that traces the development of English literature chronologically from its earliest Old English origins through medieval, Renaissance, neoclassical, Romantic, Victorian, and post‑Victorian periods; it outlines major authors and movements, discusses characteristic features and historical influences, and provides representative extracts. The work privileges clear factual presentation over sustained critical argument, supplements narrative chapters with tabulated summaries and large reference tables, and offers exercises, a concise bibliography, and indexes to assist students and readers seeking both a historical sketch and a handy reference.

FOOTNOTES:

[1] Coats of mail.

[2] Fire.

[3] king.

[4] rowed.

[5] build.

[6] fine.

[7] birth.

[8] Romans.

[9] loyalty.

[10] peace.

[11] traitor.

[12] hides.

[13] seemliest.

[14] bondage.

[15] lucky.

[16] chance.

[17] I wot, I know.

[18] dirty.

[19] blue.

[20] foaming.

[21] approach.

[22] destroyed.

[23] smell.

[24] cucumbers.

[25] each one.

[26] wonder.

[27] yearned.

[28] Sultan.

[29] any.

[30] raised.

[31] Cheddar.

[32] rain.

[33] suitable.

[34] rocks.

[35] faintness.

[36] seized.

[37] as.

[38] realm.

[39] commenced.

[40] one.

[41] both.

[42] are.

[43] parted.

[44] Dryden wrote before the metrical importance of the final e was understood.

[45] inlaid.

[46] gems.

[47] gleaming.

[48] lily.

[49] frosted.

[50] shivered.

[51] eyes.

[52] hollow.

[53] moisture.

[54] blue.

[55] out over.

[56] gray.

[57] tangled.

[58] attire.

[59] withered dress.

[60] sheaf.

[61] arrows.

[62] feathered.

[63] once.

[64] drawn.

[65] wasteful wants.

[66] cassock.

[67] nonce.

[68] deceiver.

[69] grinned.

[70] groans.

[71] broil.

[72] bear.

[73] blood.

[74] arbor.

[75] living person.

[76] play.

[77] blow.

[78] died.

[79] feeding.

[80] tribute.

[81] slime.

[82] prepare.

[83] The Shepherd’s Calendar (1579).

[84] Polyolbion (1612).

[85] Tamburlaine (1587).

[86] Love’s Labour’s Lost (1594).

[87] Every Man in his Humour (1598).

[88] Laws of Ecclesiastical Polity (1593).

[89] Essays (1597).

[90] Anatomy of Melancholy (1621).

[91] Mammon.

[92] carving.

[93] ore.

[94] hammered.

[95] ingots.

[96] utterly wasted.

[97] peeled.

[98] The passage containing this reference appears on pp. 142–143.

[99] This piece is sometimes ascribed to William Browne (1588–1643.)

[100] Peele.

[101] Nash and Marlowe.

[102] The Induction (1555).

[103] Tottel’s Miscellany (1557).

[104] The Steel Glass (1576).

[105] The Shepherd’s Calendar (1579).

[106] Plutarch’s Lives (1579).

[107] The Laws of Ecclesiastical Polity (1593).

[108] Venus and Adonis (1593).

[109] Essays (1597).

[110] Characters (1614).

[111] rejoice.

[112] bride.

[113] bulged.

[114] peel.

[115] The Cave of Despair.

[116] Poetical Blossoms (1633).

[117] Noble Numbers (1647).

[118] Ode on the Morning of Christ’s Nativity (1629).

[119] Paradise Lost (1658).

[120] Religio Medici (1642).

[121] The History of the Great Rebellion (1646).

[122] Holy Living (1650).

[123] The Leviathan (1651).

[124] Of St. Theresa.

[125] Ode on the Morning of Christ’s Nativity (1629).

[126] Religio Medici (1642).

[127] The History of the Great Rebellion (1646).

[128] Holy Living (1650).

[129] Paradise Lost (1658).

[130] Samson Agonistes (1671).

[131] 1802.

[132] Astræa Redux (1660).

[133] Hudibras (1663).

[134] The Old Bachelor (1693).

[135] The Pilgrim’s Progress (1678).

[136] His dedications, etc.

[137] Religio Laici (1682).

[138] The Hind and the Panther (1687).

[139] Don Sebastian (1690).

[140] Alexander’s Feast (1697).

[141] Fables (1700).

[142] The Rape of the Lock (1712).

[143] The Complaint, or Night Thoughts (1742).

[144] Gulliver’s Travels (1726).

[145] The Spectator (1711).

[146] Robinson Crusoe (1719).

[147] Sir Leslie Stephen.

[148] The Funeral (1701).

[149] The Review (1704).

[150] The Campaign (1704).

[151] The Battle of the Books (1704).

[152] Pastorals (1709).

[153] The Coverley essays.

[154] The Tatler (1709).

[155] An Essay on Criticism (1711).

[156] Cato (1713).

[157] Robinson Crusoe (1719).

[158] Gulliver’s Travels (1726).

[159] The Dunciad (1728).

[160] Elkanah Settle (see p. 207).

[161] Lord John Hervey.

[162] The Seasons (1730).

[163] Elegy written in a Country Churchyard (1751).

[164] Poems (Kilmarnock edition, 1786).

[165] Pamela (1740).

[166] Tom Jones (1749).

[167] The Decline and Fall of the Roman Empire (1776).

[168] vomited.

[169] Mount Pindus, sacred to the Muses. Hence, a poet’s dream.

[170] That is, “the blind one.” A reference to Milton’s blindness.

[171] share.

[172] rinse.

[173] London (1738).

[174] Pamela (1740).

[175] Joseph Andrew (1742).

[176] The Castle of Indolence (1748).

[177] The Vanity of Human Wishes (1749).

[178] Irene (1749).

[179] The Rambler (1750).

[180] Elegy written in a Country Churchyard (1751).

[181] Rasselas (1759).

[182] The Rosciad (1761).

[183] The Traveller (1764).

[184] The Vicar of Wakefield (1766).

[185] The Good-natured Man (1768).

[186] The Decline and Fall of the Roman Empire (1776).

[187] The Task (1785).

[188] The Devil.

[189] going last.

[190] perhaps.

[191] Lyrical Ballads (1798).

[192] Childe Harold’s Pilgrimage (1812).

[193] Endymion (1818).

[194] The Lay of the Last Minstrel (1805).

[195] Waverley (1814).

[196] Northanger Abbey (1798).

[197] The Confessions of an English Opium-Eater (1821).

[198] Lyrical Ballads (1798).

[199] Northanger Abbey (1798).

[200] The Watchman (1796).

[201] The Lay of the Last Minstrel (1805).

[202] Childe Harold’s Pilgrimage (1812).

[203] Queen Mab (1813).

[204] Waverley (1814).

[205] Manfred (1817).

[206] Endymion (1818).

[207] Biographia Literaria (1817).

[208] Don Juan (1819).

[209] The Cenci (1819).

[210] The Confessions of an English Opium-Eater (1821).

[211] The Essays of Elia (1823).

[212] The Life of Byron (1830).

[213] The Life of Scott (1837).

[214] The Borderers (1842).

[215] Poems (1832).

[216] Pauline (1833).

[217] The Pickwick Papers (1836).

[218] Vanity Fair (1847).

[219] The Ordeal of Richard Feverel (1859).

[220] Sartor Resartus (1833).

[221] Essay on Milton (1825).

[222] The Seven Lamps of Architecture (1849).

[223] Such a passage appears on p. 513.

[224] Coleridge.

[225] Poems (1832).

[226] Poems (1833).

[227] Sartor Resartus (1833).

[228] Pauline (1833).

[229] The Pickwick Papers (1836).

[230] Dramatic Lyrics (1842).

[231] The Memoirs of Barry Lyndon (1842).

[232] Modern Painters (1843).

[233] The Return of the Druses (1843).

[234] The Ordeal of Richard Feverel (1859).

[235] Chastelard (1865).

[236] Queen Mary (1875).

[237] An extract will be found on p. 565.

[238] irons.

[239] rope.

[240] mouth.

[241] Poetry

[242] Prose

[243] Stopped.

[244] Loose.

[245] English form.

[246] Italian form.

Transcriber’s Notes:

1. Obvious printers’, punctuation and spelling errors have been corrected silently.

2. Where hyphenation is in doubt, it has been retained as in the original.

3. Some hyphenated and non-hyphenated versions of the same words have been retained as in the original.