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Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium; Vol. 1 (of 2) / being Notes of Eight Years' Travels and Residence in Europe with his North American Indian Collection cover

Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium; Vol. 1 (of 2) / being Notes of Eight Years' Travels and Residence in Europe with his North American Indian Collection

Chapter 33: Transcriber’s Note
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About This Book

The author recounts exhibiting a large collection of North American Indigenous objects in European cities and guiding several visiting groups of Indigenous people through public shows, lectures, and high-society receptions. He describes travel episodes, including a perilous Atlantic voyage with captive bears, scenes in hotels and exhibition halls, and the public curiosity, misunderstandings, and amusements that followed these meetings. Through anecdote and reflection he contrasts native customs with European manners, records responses from both visitors and hosts, and emphasizes how observers’ perceptions of dignity and character shift when cultures meet in unfamiliar social settings.

Camanchees throwing themselves on the side of their horses, while at full speed, to evade their enemies’ arrows—a most wonderful feat.

488. Camanchee War Party meeting the Dragoons; and one of their bravest men advancing to shake hands with Colonel Dodge, with a piece of white buffalo-skin on the point of his lance. On the Mexican frontier, 1835.

489. An Indian Wedding, Assinneboin—young man making presents to the father of the girl.

490. Crow at his Toilette, oiling his long hair with bear’s grease.

491. Crow Lodge, of twenty-five buffalo-skins, beautifully ornamented.

This splendid lodge, with all its poles and furniture, was brought from the foot of the Rocky Mountains.

492. Pawnee Lodge, thatched with prairie grass, in form of a straw beehive.

493. Camanchee Lodge, of buffalo-skins.

494. Dog Feast, Sioux; a religious feast.

Given to Mr. Sanford (Indian agent), Mr. Chouteau, Mr. M'Kenzie, and myself, in a Sioux village, 1400 miles above St. Louis, 1833. The only food was dog’s meat, and this is the highest honour they can confer on a stranger.

495. An Indian Council, Sioux—Chiefs in profound deliberation.

496. Camanchee War Party, mounted on wild horses, armed with shields, bows, and lances.

497. Scalping, Sioux; showing the mode of taking the scalp.

498. Scalping, Mandans—“Conqueror conquered.”

From a story of the Mandans—took place in front of the Mandan village.

499. Wild Horses at Play, Texas, of all colours, like a kennel of hounds.

500. Throwing the Laso, with a noose, which falls over the horse’s neck.

501. Breaking down the Wild Horse, with hobbles on his fore feet, and the laso around his under jaw.

502. A Bird’s-Eye View of the Mandan Village, 1800 miles above St. Louis, on the west bank of the Missouri River.

The lodges are covered with earth, and so compactly fixed by long use, that men, women, and children recline and play upon their tops in pleasant weather.

These lodges vary in size from forty to fifty feet in diameter, and are all of a circular form. The village is protected in front by the river, with a bank forty feet high, and on the back part by a piquet of timber set firmly in the ground. Back of the village, on the prairie, are seen the scaffolds on which their dead bodies are laid to decay, being wrapped in several skins of buffalo, and tightly bandaged.

In the middle of the village is an open area of 150 feet in diameter, in which their public games and festivals are held. In the centre of that is their “Big Canoe,” a curb made of planks, which is an object of religious veneration. Over the Medicine (or mystery) Lodge are seen hanging on the tops of poles several sacrifices to the Great Spirit of blue and black cloth, which have been bought at great prices, and there left to hang and decay.

503. The Interior of a Mandan Lodge, showing the manner in which it is constructed of poles, and covered with dirt. The Chief is seen smoking his pipe, and his family grouped around him.

At the head of each warrior’s bed is seen a post with his ornaments hanging on it, and also his buffalo-mask, which every man keeps to dance the buffalo-dance. Some of these lodges contain thirty or forty persons, and the beds are seen extending around the side of the lodge, all with sacking bottoms, made of a buffalo-skin, and the frames of the bed covered with dressed skins.

Reader, the hospitable and friendly Mandans, who were about 2000 in number when I was amongst them and painted these pictures, have recently been destroyed by the small-pox. It is a melancholy fact, that only thirty-one were left of the number, and these have been destroyed by their enemy, so that their tribe is extinct, and they hold nowhere an existence on earth.

Nearly twenty of their portraits can be seen on the walls, and several other paintings of their games and amusements.


MANDAN RELIGIOUS CEREMONIES.

CERTIFICATE.

We hereby certify that we witnessed, in company with Mr. Catlin, in the Mandan village, the ceremonies represented in the four paintings to which this certificate refers, and that he has therein faithfully represented those scenes as we saw them transacted, without any addition or exaggeration.

J. Kip, Agent Amer. Fur Company.
L. Crawford, Clerk.
Abraham Bogard.

Mandan Village, July 20th, 1833.

504. Interior View of the Medicine (or Mystery) Lodge of Mandans, during the first three days of an Annual Ceremony.

This ceremony continues four days and nights in succession, in commemoration of the subsiding of the flood; and also for the purpose of conducting all the young men, as they arrive at manhood, through an ordeal of voluntary torture, which, when endured, entitles them to the respect of the chiefs, and also to the privileges of going on war-parties, and gaining reputation in war. The floor and sides of the lodge are ornamented with green willow-boughs. The young men who are to do penance, by being tortured, are seen lying around the sides of the lodge, their bodies covered with clay of different colours, and their respective shields and weapons hanging over their heads. In the middle of the lodge lies the old Medicine-man, who has charge of the lodge: he cries to the Great Spirit all the time, and watches these young men, who are here to fast and thirst for four days and nights, preparatory to the torture. Behind him, on the floor, is seen a scalping-knife and a bunch of splints, which are to be passed through the flesh; and over their heads are seen also the cords let down from the top of the lodge, with which they are to be hung up by the flesh.

On the ground, and in front of the picture, are four sacks (containing several gallons each of water), made of the skin of the buffalo’s neck, in form of a large tortoise, lying on its back. These are objects of veneration, and have the appearance of great antiquity.

By the side of them are two she-she-quoi, or rattles, which are used, as well as the others, as a part of the music for the dance in the next picture.

505. This picture, which is a continuation of the ceremonies, is a representation of the Buffalo Dance, which they call Bel-lohck-nah-pick (the Bull Dance).

To the strict observance of which they attribute the coming of Buffalo to supply them with food during the season. This scene is exceedingly grotesque, and takes place several times in each day outside the lodge, and around the curb, or “Big Canoe,” whilst the young men still remain in the lodge, as seen in the other picture. For this dance, however, the four sacks of water are brought out and beat upon, and the old medicine-man comes out and leans against the “Big Canoe” with his medicine-pipe in his hand, and cries. The principal actors in this scene are eight men dancing the Buffalo Dance, with the skins of buffalo on them, and a bunch of green willows on their backs. There are many other figures, whose offices are very curious and interesting, but which must be left for my Lectures or Notes to describe. The black figure on the left they call O-kee-hee de (the Evil Spirit), who enters the village from the prairie, alarming the women, who cry for assistance, and are relieved by the old medicine-man; and the Evil Spirit is at length disarmed of his lance, which is broken by the women, and he is driven by them in disgrace out of the village. The whole nation are present on this occasion as spectators and actors in these strange scenes.

506. Represents what they call Pohk-hong (the Cutting Scene). It shows the inside of the Medicine Lodge, the same as is seen in the first picture (505).

This is on the fourth day of the ceremonies, in the afternoon. A number of the young men are seen reclining and fasting, as in the first picture; others of them have been operated upon by the torturers, and taken out of the lodge; and others yet are seen in the midst of those horrid cruelties. One is seen smiling whilst the knife and the splints are passing through his flesh. One is seen hanging by the splints run through the flesh on his shoulders, and drawn up by men on the top of the lodge. Another is seen hung up by the pectoral muscles, with four buffalo-skulls attached to splints through the flesh on his arms and legs; and each is turned round by another, with a pole, until he faints, and then he is let down. One is seen as he is lowered to the ground; and another, who has been let down and got strength enough to crawl to the front part of the lodge, where he is offering to the Great Spirit the little finger of the left hand, by laying it on a buffalo-skull, where another chops it off with a hatchet. In the right of the picture are all the chiefs and dignitaries of the tribe looking on.

507. Represents what they call the “Last Race.”

After they have all been tortured in the lodge in the above manner, they are led out of it with the weights, buffalo-skulls, &c. hanging to their flesh. Around the “Big Canoe” is a circle of young men formed, who hold a wreath of willow-boughs between them, and run round with all possible violence, yelling as loud as they can.

The young fellows who have been tortured are then led forward, and each one has two athletic and fresh young men (their bodies singularly painted), who step up to him, one on each side, and take him by a leathern strap, tied round the wrist, and run round, outside of the other circle, with all possible speed, forcing him forward till he faints, and then drag him with his face in the dirt until the weights are all disengaged from him, by tearing the flesh out, when they drop him, and he lies (to all appearance a corpse) until the Great Spirit gives him strength to rise and walk home to his lodge.

In this scene also the medicine-man leans against the “Big Canoe” and cries, and all the nation are spectators. Many pages would be required to give to the world a just description of these strange scenes; and they require to be described minutely in all their parts in order to be fully appreciated and understood. (A full account of these in my Notes and Letters.)

NINE OJIBBEWAYS,
WHO VISITED LONDON IN 1845.

508. Ah-quee-we-zaints, the Boy Chief; a venerable man of 72 years.

509. Pat-au-a-quot-a-wee-be, the Driving-Cloud; a war-chief.

510. Wee-nish-ka-wee-be, the Flying Gull; a medicine-man.

511. Sah-mah, Tobacco.

512. Gish-ee-gosh-e-gee, the Moonlight Night.

513. Not-een-a-akm, the Strong Wind.

514. Wos-see-ab-e-neuh-qua; a woman.

515. Nib-nab-ee-qua; a young girl.

516. Ne-bet-neuh-quat; a woman.

FOURTEEN IOWAYS,
WHO VISITED LONDON AND PARIS IN 1845 AND 1846.

517. Mew-hew-she-kaw, the White Cloud; first Chief of the nation.

518. Neu-mon-ya, the Walking Rain; War-chief.

519. Se-non-ti-yah, the Blistered Feet; a medicine-man.

520. Wash-ka-mon-ya, the Fast Dancer; a warrior.

521. Shon-ta-yi-ga, the Little Wolf; a famous warrior.

522. No-ho-mun-ya, One who gives no Attention.

523. Wa-ton-ye, the Foremost Man.

524. Wa-ta-wee-buck-a-na, the Commanding General.

WOMEN.

525. Ru-ton-ye-wee-ma, the Strutting Pigeon; wife of White Cloud.

526. Ru-ton-wee-me, Pigeon on the Wing.

527. O-kee-wee-me, Female Bear that walks on the Back of another.

528. Koon-za-ya-me, Female War Eagle.

529. Ta-pa-ta~me, Wisdom; girl.

530. Corsair; a pappoose.

TWELVE OJIBBEWAYS,
WHO VISITED LONDON AND PARIS IN 1845 AND 1846.

531. Maun-gua-daus, a Great Hero; Chief, 41 years old.

532. Say-say-gon, the Hail Storm; 31 years old.

533. Kee-che-us-sin, the Strong Rock; 27 years old.

534. Mush-ee-mong, King of the Loons; 25 years old.

535. Au-nim-muck-kwa-um, the Tempest Bird; 20 years old.

536. A-wun-ne-wa-be, the Bird of Thunder; 19 years old.

537. Wa-bud-dick, the Elk; 18 years old.

538. Ud-je-jock, the Pelican; 10 years old.

539. Noo-din-no-kay, the Furious Storm; 4 years old.

540. Min-nis-sin-noo, a Brave Warrior; 3 years old.

541. Uh-wus-sig-gee-zigh-gook-kway, the Woman of the Upper World; 38 years old.

542. Pappoose, born in Salle Valentino, Paris.

543. Death of the White Buffalo. A feat of the Mandan Chiefs.

544. A Sioux War Council. The Chief Waneton speaking, and asking of the head Chief a war-party to go against the Sacs and Foxes.

545. Battle between the Sioux and Sacs and Foxes. The Sioux Chief killed and scalped on his horse’s back. An historical fact.

546. The Death of Ha-wan-je-tah, the One Horn; head Chief of the Sioux.

Having been the accidental cause of the death of his only son, he threw himself in the way of a buffalo-bull. (See Catlin’s Notes, vol. ii., for a full account.)

547. The Long Speech.

It is an invariable rule amongst Indians, that while any one speaks in council no one can rise. See-non-ty-a (the Blistered Feet), a great medicine-man, made his favourite boast, that when he once rose in an Ioway council of war it happened unfortunately for the council that “he began to speak just as it began to snow.”

548. Battle of the Buffalo Bulls.

549. Buffaloes crossing a Ravine in a snow-drift.

550. Buffaloes crossing the Missouri on the ice.

551. Grisly Bears attacking a Buffalo Bull.

552. Indians spearing Salmon at Night by Torchlight.

553. Deer-hunting by Moonlight.

554. Deer-hunting by Torchlight, in bark canoes.

555. War Party attacked in their Camp at Night.


INDIAN CURIOSITIES AND MANUFACTURES.

Amongst this most extensive and valuable collection of them in existence, a few of the most remarkable are

A CROW LODGE, OR WIGWAM.

A very splendid thing, brought from the foot of the Rocky Mountains, twenty-five feet in height, made of buffalo-skins, garnished and painted. The poles (thirty in number) of pine, cut in the Rocky Mountains, have been long in use, were purchased with the lodge, and brought the whole distance. This wigwam stands in the middle of the gallery, and will shelter eighty or more persons.

Indian Cradles, for carrying their pappooses. Lances, Calumets or Pipes of Peace, Ordinary Pipes, Tomahawks, Scalping Knives, and Scalps.

A very full and valuable collection of Men and Women’s Dresses from the different tribes, garnished and fringed with scalp-locks from their enemies’ heads, Bows, Quivers, Spears, Shields, War-Eagle and Raven Head-dresses, Necklaces, Mocassins, Belts, Pouches, War-Clubs, Robes, Mantles, Tobacco-Sacks, Wampums, Whistles, Rattles, Drums, Indian Saddles, Masks for their Mystery Dances, &c. &c.

Amongst the immense collection of Indian curiosities, &c., too numerous to be described in the catalogue, there are Skulls from different tribes, of very great interest; and particularly several from the Flat-heads, showing perfectly the character of this unaccountable custom, and also the Flat-head cradles, illustrating the process by which these artificial distortions are produced.

Indian Cloths, Robes, &c., manufactured by the Indians from the mountain sheep’s wool, and from wild dogs’ hair, beautifully spun, coloured, and woven.

END OF VOL. I.


[1] If the reader has forgotten to read the Preface, it will take him but a moment to run his eye over it, and by turning back to it he will find it an useful key to what follows.—Author.

[2] The reader, by referring to Appendix A of this volume, will see the comments of the Press on this Collection, in England, France, and the United States.

[3] The noble and unaided efforts of my best of friends, Captain Shippard, to bring into existence such an institution, are, I believe, too well known and appreciated by the English public to require more of me here, than barely to refer to his beautifully illustrated lectures on the “Arabians” and the “Ruined Cities of America;” and whilst wishing all success to his noble enterprise, I beg to refer the reader to Appendix B for a synopsis of his design.

[4] The reader will pardon these expressions, and others of a similar nature that may occasionally occur, for they apply to one who now rests with the silent dead, as will be explained in future pages of this work.

[5] All American Indians are poor in musical instruments, the principal of which, and the “heel inspiring” one, is the drum or tambour. This is rudely, but ingeniously made, by straining a piece of raw hide over a hoop or over the head of a sort of keg, generally made by excavating the inner part of a log of wood, leaving a thin rim around its side. In the bottom of this they always have a quantity of water, which sends out a remarkably rich and liquid tone. Besides this, they use several kinds of rattles and whistles—some of which are for mystery purposes, and others merely for the pleasing and exciting effects they produce in their dances.

[6] Englishmen.

[7] The poor old chief met with a sudden embarrassment at this moment that he had not thought of, and was not prepared consequently to know how to proceed. He had, according to the custom of his country, prepared and brought with him a beautiful calumet or pipe of peace to present, and on rising to make his speech (the moment when it is customary to present it) it for the first time occurred to him that he was about to present it to a woman, the impropriety of which was evident to him. He thought of the Prince, but as the pipe of peace can only be given to the highest in power, he had another misgiving; and, unlike to orators in the Indian countries, continued to hold it in his hand while he was speaking, and brought it away with him.

[8] This word must be whispered, as the War-chief gave it, and not spoken, to be appreciated—after the mode of Indians in their imitations, or exclamations of surprise.

[9] On a subject of so much importance to me, I deem proof admissible and necessary, and therefore offer to the reader the following letter from the former Secretary at War, Mr. Poinsett, to whom I had written on the subject of an expedition, fitting out in the United States, for such a purpose, several years since:—

Washington City, October 19th, 1839.

My dear Sir,

I received your letter of the 11th instant, and am much obliged to you for the information of the contemplated speculations with Indians in foreign countries. I have taken precautions to defeat all such enterprises, and will prosecute the speculators, and saddle them with heavy costs, instead of gains, if I can detect them. I consider such proceedings are calculated to degrade the Red Man, and certainly not to exalt the whites engaged in them.

With great regard,
Yours very truly,
J. R. Poinsett, Sec. at War.

To Geo. Catlin, Esq.

A few days after I received the above letter an order was issued from the department of war to all the surveyors of Atlantic ports, prohibiting Indians from being shipped to England, or other foreign countries, for the purposes of exhibitions, without the consent of the Government of the country.

[10] The numerous conversations held on the subjects of religion and education with the three different parties of Indians, in various parts of England, as well as on the continent, I consider form one of the most interesting features of this work; and as I have been present at them all, I have taken down all the Indians’ remarks on those occasions, and I have inserted them in all cases in this book as I wrote them from their lips, and not in any case from recollection.—Author.

[11] The minds of the Indians had been so much engrossed for several days with the subject of religion, that the inventive powers of the little Sah-mah (Tobacco) had been at work; and when I called on them the next morning one of them handed me his ideas, as he had put them on paper with a lead pencil, and I give them to the reader (Plate No. 8) as near as my own hand could copy them from his original sketch now in my portfolio. If the reader can understand the lines, he will learn from it something of the state of the arts in the Indian country, as well as their native propensity to burlesque.

[12] It was stated in some of the papers of the day that the Indian won the golden prize from the members of the club, which was not the case. It was put up, most liberally, by the young men of the society for the Indians to shoot for among themselves, and won in this way, not from the members of the club.

There are no Indians in North America who can equal the shooting of these young gentlemen, who practise much this beautiful and manly exercise. I have often, at their kind invitations, visited their grounds, and I have had the opportunity of seeing the shooting amongst most of the American tribes. The Indian tribes who use the bow and arrow at the present time are mostly the Prairie tribes, who are mounted, and, from their horses’ backs, at full speed, throw their arrows but a very few paces, and use a short bow of two feet or two feet and a half in length, and therefore never practise at the target at the distance of one or two hundred yards. Their skill and power, however, in that mode of using the bow is almost inconceivable, and might puzzle the best archers in England or in the world to equal.