GENERAL INDEX
[The references are to pages. A parenthesis indicates that the Latin or Greek term occurs in the original of the translation or summary on that page.]
- Achilles Tatius, 222
- acting, 22, 23, 73, 147, 156, 173, 175, 176, 187, 191
- actio, (21-24), 42, 64, 67, (156), (173), (174)
- action, 140, 141, 145, 147, 151, 161, 184, 186, 192
- adaptation, 8, 17, 18, 19, 20, 24, 32, 53, 66, 72, 73, 74, 76, 104, 114, 115, 119, 245, 246
- Æneid, 192, 195, 197-215, 216, 219, 225, 241, 247
- Æschylus, 169, 171, 177, 180, 219, 238
- ἀηδής, 29
- Alcidamas, 82
- Alexandrian, 218, 221, 222, 228
- allegory, 180, 218, 221
- alliteration, 216
- allusion, 204, 212, 213
- altercatio, 65
- Ammon, G., 104
- amplification, 25, 39, 44, 55, 64, 98, 124, 127, 173, 192, 201, 209, 217, 220, 222
- ἀναγκαῖος, (150), (151), (152), (155) (see causation)
- ἀναγνώρισις, (145), 152, 156 (see recognition)
- analogy, 20
- ἀνθηρός, 119
- antithesis, 31
- ἀπόδειξις, (confirmatio), 65
- Apollonius, 207, 215
- appropriateness, 24, 119, 145, 245, 246 (see adaptation)
- a priori, 20
- Apuleius, 221-223, 227-228, 230, 231, 232
- Archilochus, 124
- argument, 36, 65, 128
- argumentum, 64
- Aristotle, Rhetoric, 2, 4, 5, 6-36, 38, 40, 43, 58, 59, 67, 79, 83, 100, 112, 120, 126, 129, 130, 131, 247;
- Poetic, 112, 132-168, 172, 175, 176, 179, 180, 196, 198, 225, 234, 240, 242, 245, 247
- ἁρμονία, 26
- Arnim, H. von, 80, 230, 232
- Ars Poetica (Horace), 210, 225, 234, 242-247
- articulation, 204, 205, 219
- artificiality, 71, 211, 217
- ἄσκησις, 185, 234
- Attic, 61, 228
- audience, 11, 12, 17-20, 23, 164, 171, 174, 184, 191, 192
- Augustine, St., 75, 97, 131, 247
- Aulus Gellius, 229
- αὔξησις (amplificatio), 127
- αὐστηρός, 119
- Bacchylides, 124
- Bacon, 128
- balance, 31, 58
- Baldwin, C. S., 8, 30, 107, 114, 234
- Beowulf, 192, 195, 197
- Blair, 4
- Boissier, 87
- Bornecque, H., 37, 87, 89, 90, 97, 98, 99, 100
- Boulanger, A., 230
- Browning, 117, 127
- Brunetière, 167, 179, 214
- Butcher, S. H., 132, 135, 141, 142, 153
- Bywater, I., 132, 134, 135, 140, 146, 147, 153, 155, 156, 157, 166
- Cadence, 27, 28, 59-61, 79
- Cæcilius of Calacte, 105
- Capperonier, 74
- Carlyle, 119
- catharsis, 145, 147, 152, 154, 155, 164
- causation in drama, 148-152, 154, 155, 197, 207
- Causeret, C., 38
- character in an audience, 18, 19
- characterization in oratory, 71, 72, 76, 98, 99;
- in drama, 134, 141, 145, 148, 154-156, 161, 163, 174, 176-180, 184, 187, 188, 189, 191, 239;
- in Vergil, 207-211;
- in Ovid, 219;
- in Apuleius, 222;
- by types, 210-211 (see prosopopœia)
- Chariton, 222
- Chaucer, 107, 176, 218
- Chickering, E. C., 186, 187
- chorus, 157, 173, 174-176, 186
- chria, 63, 68, 78
- Cicero, 5, 37-61, 75, 78, 87, 88, 90, 103, 105, 109, 120, 124, 127, 191, 207, 225, 239, 244, 246, 247
- Clark, D. L., 224
- clauses, 21, 28-31, 58, 60, 114, 118, 119, 120
- clausula, 27, (28), 60, 61, 79
- close (see conclusion)
- cogitatio, 80, 83
- coherence (see consecutiveness)
- Colin, l’Abbé, 37, 59
- collocatio (see dispositio)
- colores, 97, 98, 99, 100
- comedy, 140, 144;
- —Latin, 188-192;
- —New, 188, 190
- communal, 170-172, 174-176, 177, 192-196, 233
- comparatio, 64
- comparison and parallel, 64, 234-238
- complication, of plot, 156
- compositio, (25-33), 53, (58-61), 65, 67, 79, 83, (102-122), (124), 125, (173), (202), (210), 246
- conciliare (one of the three tasks of oratory), 51-52, 58, 65
- conclusion, 146, 147, 150, 152, 158, 160, 161, 164, 165, 181, 184, 185, 194, 207, 244 (see peroration, καταστροφή)
- concrete for vividness, 12, 20, 22, 24, 35, 40, 81, 128, 129, 194, 202, 212-213
- confirmatio, 65
- coniectura (status coniecturalis, see status)
- connotation, 173, 198, 203, 212-213 (see allusion, concrete, rhythm, verse)
- consecutiveness, 34, 52, 77, 78, 98, 127, 134, 135, 149, 150, 152, 160-162, 182, 184, 185, 187, 194, 200, 202, 203, 205, 219, 221, 222, 223, 229, 244, 246
- consistency, 150, 151, 154, 155, 156, 200, 201, 204
- continuity (see consecutiveness)
- controversiæ, 62, 64, 70, 72, 73, 87, 88, 89, 90, 91-94, 95, 96
- convention, 217-218, 234
- Cooper, Lane, 122, 132, 189
- Cope, E. M., 6, 7, 10, 19
- correlation, 6, 9, 11, 14, 16, 40, 68
- creation, 141, 142, 143, 151, 159, 164, 194-195, 209, 215, 220, 246
- crisis, 2, 154, 158, 160, 161, 164, 204, 209 (see περιπέτεια)
- criticism, 56, 102, 130, 224-247;
- —by classification, 227, 228;
- —of texts, 228
- Croce, B., 167
- Croiset, A., 221, 228, 240
- Croll, M. W., 27, 61
- Cruttwell, C. T., 91, 216, 218, 219
- Dance, 139, 140, 141, 143, 144, 158, 175, 176
- Dante, 199, 207, 208
- debate, 9, 65, 100
- declamatio, 46, 48, 64, 67, 68-73, 74, 87, 88, 89, 90, 94-97, 100, 101, 187, 190, 210, 218, 220, 221, 225, 229, 245, 246
- definition (see status)
- deliberative oratory, 8, 14, 15, 16, 18, 35, 36, 64, 90, 210
- delivery in oratory, 21, 22, 23, 24, 48, 53, 58, 63, 66;
- —in drama, 156, 173, 174, 187
- demonstrativus, 64
- Demosthenes, 30, 61, 118, 121, 124, 126, 127, 128
- dénoûment (see solution)
- De Quincey, T., 4
- description, 68, 98, 194, 201-203, 212, 217, 218, 220, 221, 222, 229, 234, 241
- De Sublimitate, 4, 122-131
- deus ex machina, 156, 201
- dialectic (see logic)
- dialogue, 40, 135, 139, 187, 209, 222
- διάνοια, 126 (145)
- δίαρμα, 127
- dictation, 80
- diction, 1, 2, 21-33, 57, 145, 148, 157, 172-174, 211-213, 215 (see style)
- διήγησις (narratio), (33), 34, 35, 65
- δικανικός (iudicialis), 8, 15, 35, 64
- Dio Chrysostom, or Dio of Prusa, 225, 230-239
- Dionysius of Halicarnassus, 21, 102-122, 125, 130, 131, 198, 228
- discovery (see recognition)
- dispositio, 21, 33, 34, 42, 47, 52, 64, 65, 66, 77, 85, 100, 103, 104, 123, 135
- dithyramb, 140, 144
- divisio, 83, 97, 98, 99, 100
- docere (one of the three tasks of oratory), 51, 56, 65, 95, 246
- Donnelly, F. P., 76
- Doxopater, 105
- drama, 133-192, 205-207, 208, 215, 229, 245
- dramatis personæ (see personæ)
- Economy, 181, 185, 202, 209
- écrivains d’idées et écrivains d’images, 4, 134
- Egger, M., 103
- εἰκός, (150), (151), (152), (155), 241
- ἐκλογή (electio), 25, 65, 103
- ἔκφρασις, 68, 203, 218
- elaboration, 211-212
- electio, 25, 53, 65, 67, 103, 104
- Elizabethan drama, 141, 153, 162, 179
- elocutio, 21, 42, 44, 53-55, 56, 64, 65, 67, 78-82, 100, 102-131
- emotion, 3, 13, 18, 19, 32, 35, 52, 53, 124, 125, 126, 128, 140, 141, 145, 147, 148, 163, 165, 175, 210
- emphasis, 100, 200, 201, 202, 208, 222;
- —of sentences, 113-114
- ἔμπρακτος, 128
- ἐναλήθης, 128
- ἐνέργεια, 31
- enhancing, 17, 44, 147, 173, 207 (see style)
- ἐνθύμημα, 36
- enthymeme, 7, 9, 13, 20, 31, 36, 65
- ἐπεισοδιώδης, (152)
- epic, 134, 135, 139, 140, 144, 146, 157, 158, 168, 192-198, 200, 201, 204, 205, 207, 210, 211, 213-215, 244
- ἐπιδεικτικός (demonstrativus), 8, 14, 33, 35, 64, 130
- ἐπίλογος (peroratio), 36, 65
- episodic, 152
- ethics (see morals)
- ethopœia, 68, 71
- εὔκρατος, 119
- εὐμαθής, 27
- euphony, 24, 64, 65
- εὕρεσις (inventio), 21, 64, 65
- Euripides, 3, 128, 156, 169, 171, 175, 176, 177, 178, 179, 180, 184, 185, 207, 238
- εὐσύνοπτος, 28, 120
- Evanthius, 191
- Everyman, 180
- exordium, 33, 47, 53, 65, 76, 78
- extempore, 67, 69, 80, 81, 83, 95
- ἠθοποιία, 68, 71, 187
- ἦθος, 11, (13), 18, 25, 32, 50, 58, 120, 141
- Fable, 20, 63, 72
- fabula, 64
- facilitas, 66, 79, 81
- fairy mistress legend, 177-178
- Fierville, Ch., 63
- fiction in oratorical narrative, 72, 99, 100, 220, 222, 229
- figures, 24, 31, 124, 128, 129, 201, 251. VI. B. (see concrete)
- finis (status definitivus, see status)
- Fiske, G. C., 226, 239
- Flickinger, R. C., 169
- folklore (see legend)
- forensic, 8, 14, 17, 18, 35, 36, 60, 64, 71, 90, 100
- forms of discourse, 4
- forms of literature, 3, 5, 167
- Fouqué, 178
- Fowler, W. W., 208
- French classical tragedy, 162, 177, 178, 181
- Froissart, 29
- Fronto, 79, 94
- Genus tenue, genus medium, genus grande, 56-59
- γλαφυρός, 119
- Glover, T. R., 200, 202
- γνώμη, 20
- Goodell, T. D., 169, 182
- Gorgias, 58, 101
- grammar, 66, 226-229
- grammatica, 66, 68, (226-229)
- grammaticus, 66, 73, 102, 226, 240
- γραφικός, 33
- Greek Romances, 221-223
- Greek tragedy, 168-186
- Gummere, F. B., 193
- Haigh, A. E., 169
- Haines, C. R., 94
- Hardy, T., 146
- harmony, 58, 67, 111, 113, 119, 174, 213 (see rhythm, clausula)
- Harrington, K. P., 217
- Harris, Ella I., 186
- Havell, H. L., 122
- Heinze, Richard, 200, 201, 202, 203, 204, 206, 208, 209, 210, 218, 219
- Heliodorus, 222
- Hellenistic, 201, 206, 215 (see Alexandrian)
- Hendrickson, G. L., 38, 51, 56
- Herennium, Rhetorica ad, 37, 63, 75
- Hermogenes, 68, 72, 75
- hero, tragic, 154-155, 176-177, 178;
- —epic, 196, 208-209
- Herodotus, 27, 29, 30, 58, 106, 150
- hiatus, 58, 119
- history and oratory, 57, 66;
- —and poetry, 1, 2, 150, 157, 165
- Homer, 105, 108, 115, 119, 124, 126, 135, 158, 192, 193, 195-198, 199, 200, 202-204, 208, 209, 210, 213-215, 240
- Horace (see Ars Poetica)
- Hubbell, H. M., 38, 103
- Hugo, V., 30, 162
- Hyperides, 124, 128
- Iamblichus, 222
- Ibsen, H., 163, 170
- idealizing, 144, 174, 175, 186
- idiom, 25, 53, 54, 110
- imagery, 20, 24, 31, 35, 81, 128, 129, 134, 194, 202, 212, 213 (see concrete)
- imaginative composition, 1, 2, 3, 40, 70, 71, 72, 98, 100, 124, 125, 126, 128, 134, 135, 139, 140-223, 232-247;
- —diction, 24, 35, 129 (see concrete, style)
- imago (φαντασία), 81
- imitation for study, 48, 66, 68, 69, 80, 102;
- —as a principle of drama, 139, 140, 141, 142, 147, 149, 150, 159, 164;
- —in epic, 194, 204, 213-215;
- —as conceived by Plutarch, 240
- incisum, 60
- intensification, 127, 144, 146, 158, 159, 163, 183, 197
- interaction, 180, 187, 203, 239
- interpretation, 151, 157, 161, 163-166, 184, 214
- introduction (see exordium)
- inventio, 21, 42, 43, 47-51, 64, 65, 67, 76, 85, 100, 104, 123, 135
- investigation (see inventio)
- Isæus, 95, 96
- Isocrates, 3, 33, 58, 82, 103, 120, 121, 130
- Jebb, R. C., 6, 24, 28
- Jerome, St., 96
- John of Salisbury, 68
- Julius Pollux, 189
- iunctura, 246
- Juvenal, 96
- κάθαρσις (145)
- καλόν, τὸ, 114
- καταστροφή, 184 (see conclusion)
- Kittredge, G. L., 193
- Knapp, C., 189, 191
- Lallier, R., 188, 189
- Laurand, L., 37
- legend, 194-195
- Legrand, P. E., 188
- Lessing (Laokoön), 32, 202, 234
- LeJay, P., 200, 206
- λεκτικός, 26
- length of sentences and of clauses, 114
- Leo, F., 188
- Lewis, C. M., 116-118
- λέξις (elocutio), 21-33, 64, 65, (145)
- λῆμμα, 128
- logic, 7, 8, 13, 109, 110, 148
- logical exclusion, 20
- λογογράφος, 33
- “Longinus on the Sublime,” 102, 122-131, 219, 225, 231
- loose sentence, 27-29
- Lucan, 1, 2, 225
- Lucian, 2, 3, 74, 130
- ludus, 96
- λύσις (refutatio), 20, 65
- Lysias, 73, 124
- Mackail, J. W., 199, 204, 212
- materia, 66, 69, 73, 78, 88
- material and art, 10, 11, 12, 49, 113, 146, 213-214
- Matthews, Brander, 169, 179, 182
- maxims, 20, 63
- meditatio, 73 (see cogitatio)
- μελέτη, 74 (see declamatio)
- melody, 26, 114, 141, 145 (see music)
- μελοποιία, (145)
- membrum, 60
- memoria, 21, 42, 53, 64, 66, 67, 82-84, 90, (95)
- memory, 28, 69 (see memoria)
- Menander, 188, 190
- mensio, 58
- mensura, 58
- Méridier, L., 230
- messenger in Greek tragedy, 173, 183-184
- metaphor, 24, 31, 32, 124, 157 (see figure, imagery)
- meters in prose, 26, 27, 59, 60, 118, 121, 140
- Michaut, G., 189, 191
- Miller, F. J., 186, 216
- Mill’s Canons, 20
- Milton, 116, 122, 130, 158, 170, 195, 197, 198, 200, 207, 214
- mime, 135, 139, 140
- μίμησις, 142, (144), (145), (148), 166 (see imitation in drama, in epic)
- μιμητικός, 142
- μνήμη, 21, 64 (see memoria)
- modus motorius, 191
- modus statarius, 191
- Montgomery, W. A., 234
- Moody, William Vaughn, 177
- moral appeal, 11, 12, 17, 18, 19, 32, 50, 51, 52, 148, 195, 200, 205, 233
- morals in literary criticism, 239, 240, 242
- Morgan, M. H., 189
- motivation, 154, 155, 164, 184, 191, 201, 207, 220, 239
- movement, 144, 149, 158-162, 165, 172, 191, 220, 222, 229, 239, 240, 246 (see consecutiveness, sentence-movement)
- movere (one of the three tasks of oratory), 51, 52, 58, 65
- Murray, Gilbert, 169, 175, 181, 183
- μῦθος (68, 72, see legend, myth)
- music, 26, 111, 139, 140, 141, 142, 143, 144, 145, 148, 158, 174, 175
- myth, 68, 72, 176-178, 195, 216, 218, 221
- Nageotte, E., 212
- narratio, 35, 47, 53, 65, 68, 76, 99
- narrative, 30, 141, 142, 143, 145, 146, 157-158, 167, 168, 173, 183, 192-223, 234 (see epic)
- Nassal, F., 38, 103, 105
- Nettleship, H., 200, 205, 221, 228, 229, 240, 243
- Nibelungenlied, 192
- νόημα, 127
- νόησις, 126
- numerus, 56, 59
- Occasional oratory, 8, 14, 33, 35, 53, 56, 64, 100, 229, 230, 231, 233, 234
- ὄγκος, 25
- οἰκονομία, 103, 107
- ὅμοιος, 241
- onomatopœia, 116
- orbis doctrinæ, 68
- order (see consecutiveness, movement)
- originality, 213-215
- ὅρος (finis), 65
- Ovid, 186, 203, 207, 209, 210, 216-220, 221, 241, 247
- Owen, S. G., 216, 218, 219
- ὄψις (145)
- Padelford, F. M., 239, 241
- painting, 143, 144, 240, 241, 244
- πάθος, 12, 18, 25, 32, 50, 58, 120, 141, 153
- panegyric (see occasional oratory)
- παράδειγμα, 20, 36
- parts of a play, 153;
- —of a speech, 33-35, 47, 65, 76-77, 95, 97;
- —of rhetoric, 21, 22, 42, 66, 85, 100, 107
- Patterson, W. M., 27, 61
- Paul, St., 96, 232
- period, 27-30, 60, 83, 104, 119, 120, 135
- περίοδος, 27-30
- περίοπτος, 120
- περιπέτεια, 2, (145), 152, 154 (see reversal)
- peripety (see reversal)
- peroration, 33, 36, 65, 77
- personæ, 40, 41, 72, 99, (148), 151, (154), (171), 176-180, 187, 188, 189, 201, 208
- personality, 5, 12, 85, 100, 130
- persuasion, 7, 8, 10, 17, 20, 21, 26, 51, 77, 92, 126
- Peterson, W., 63, 87
- petitio principii, 20
- Petronius, 89, 225
- Philodemus, 18
- Philostratus, 96, 230
- πιθανός, 10, 241
- Pindar, 120, 124
- πίστις, 65;
- πίστεις ἄτεχνοι—ἔντεχνοι, 8, 10 (46)
- pitch, 22, 114
- pity and fear, 145, 152, 154, 164 (see catharsis)
- plan, 77, 78, 80, 81, 83, 197, 205-206 (see plot)
- Plato, 40, 41, 118, 121, 124, 140
- Plautus, 188-189, 192
- Plessis, F., 243
- Pliny, 93, 94-96
- plot, 145, 148-158, 163, 179-186, 187, 191, 205-206, 239
- Plotinus, 139
- Plutarch, 190, 210, 225, 234, 239-242, 244
- poetic, 1-5, 132-247;
- —in rhetoric, 100, 125-126, 229
- poetic justice, 164-165
- poetry and oratory, 126, 127, 173
- poetry and sculpture, 232-234 (see painting)
- poetry in prose, 1, 2, 31, 66, 70, 128
- ποιητής (151), (166), (195)
- ποιητικός, 1, 139, 141, (151)
- ποιότης (qualitas), 65
- Polybius, 2, 3
- post hoc, 20
- Pound, Louise, 193
- prælectio, 63, 64, 66, 226
- πρᾶξις, 141, (145)
- preparation, dramatic, 205-206
- πρέπον, 119, 241
- Price, T. R., 202
- Prickard, A. O., 122
- προγυμνάσματα, 63, 68, 228
- πρόθεσις (proposition), (34)
- prologue, 180, 186, 191
- pronuntiatio, 21-24, 48, 53, 67
- proof, 7, 33, 65, 77
- προοίμιον, 65
- proposition, 34
- prosopopœia, 71, 72, 73, 99, 218, 222, 241, 245
- προσωποποιία, 71 (see prosopopœia)
- Quæstio, 98
- qualitas (status generalis, see status)
- Quintilian, 1, 5, 58, 61, 62-87, 89, 90, 91, 93, 94, 99, 101, 102, 127, 131, 225, 227, 246, 247
- Racine, 170
- reading aloud, 66, 80
- rebuttal (see refutation)
- recognition in tragedy, 145, 152, 153, 156, 158
- recurrence, 26, 205, 216-217
- reductio ad absurdum, 20
- refutatio, 65
- refutation, 20, 53, 65, 77, 83
- representation, 134, 140, 141, 142, 147, 158, 164, 174, 233
- reversal (peripety), 145, 152, 153, 154, 160, 165, 206
- revision, 61, 66, 122, 203, 212
- rhetor, 64, 66, 68, 71, 73, 88, 90, 94, 229-230
- rhetoric, definition, 1-10, 41, 44-47, 100-101, 134, 145;
- —relations, 6, 8, 11, 12, 13, 15, 16, 40, 44, 45;
- —scope, 41, 44-47, 54, 85, 86, 90;
- —three fields, 8, 47;
- —three tasks, 51;
- —in poetic, 187, 206, 209-212, 220, 222, 224, 225, 227, 240-242, 245-247
- rhythm, 2, 25-31, 58-61, 67, 79, 83, 104, 108, 114, 118, 119, 120, 140, 144, 147, 173, 174, 198
- ritual, 171, 212
- Roberts, W. Rhys, 103, 104, 108, 122, 130
- Roland, Chanson de, 192
- romantic, 162, 181, 185, 208
- Sagas, 192, 198
- Sainte-Beuve, 158, 199, 200, 202
- salience (see emphasis)
- sapientia, 54
- Sandys, J. E., 6, 37, 56, 58, 61, 63
- Sappho, 120, 126
- scenario, 156
- scenery, 148, 174
- scenes, 134, 150, 152, 161-165
- Schevill, R., 218
- sculpture and poetry, 143, 232-234
- sedes argumentorum, 51, 74
- Sellar, W. Y., 200, 209, 211, 216
- Seneca (rhetor), 62, 71, 87, 89-101, 225, 229
- Seneca (dramatist), 186-188
- sensational, 92, 221, 222, 223, 229
- sentence-movement, 21-33, 53, 58-61, 65, 67, 79, 83, 102-122, 202, 210, 213
- sententia, 1, 45, 97, 99, 100 (229), 242, 243
- sequence (see consecutiveness)
- serious (of dramatic theme), 144, 146, 149
- Shakspere, 117, 128, 155, 162, 173, 181, 182, 185, 203, 214, 218
- Shelley, 177, 219
- significance, 126, 146, 151, 158, 160, 163
- silva, 80
- simplicity, 197-198
- soliloquy, 218, 220
- solution, 156 (see conclusion)
- song, 145, 147 (see music)
- Sophistic, 101, 230, 247
- Sophocles, 124, 156, 159-161, 169, 171, 178, 179, 180, 181, 185, 238
- sound, connotation of, 115-118
- speaking (see delivery, writing and speaking)
- spectacle, 145, 174
- σπουδαῖος (144), 146
- stanza, 216-217
- στάσις, 36, 65 (see status)
- statement of facts, 33, 68, 77
- status, 36, 49-51, 65, 67, 74-76, 77, 98
- Stevenson, R. L. (Some Technical Elements of Style in Literature), 107, 109, 115, 118
- Stoic, 210, 239
- στοχασμός (coniectura), 65
- Strabo, 3
- style, 1, 2, 21-33, 39, 44, 53-61, 65, 67, 78-82, 100, 102-131, 173, 187, 194, 197-198, 211-213, 216, 224, 230
- suasoriæ, 64, 70, 72, 73, 88, 90, 91, 218
- sublimitas, 103, 122, 123
- suggestion, 141, 142, 147, 158, 232, 233 (see connotation)
- σύγκρισις, (238)
- συμβουλευτικός (deliberativus), 8, 14, 15, 35, 64
- symbolism, 176, 178
- σύνθεσις, 25, (58-61), 65, 103, (202), (210), (see compositio)
- σύνταξις, 127
- σύστασις (145), 155 (see plot)
- syllogism, 7, 9, 13
- σχῆμα, 25
- Tacitus, 2, 87-89, 90, 91, 94, 103, 225
- Tasso, 195, 214
- τάξις (dispositio), 21, 22, 33, 64, 65
- Terence, 188-191
- theater, Greek, 172, 174
- Theon, 228
- Thrasymachus, 58
- three fields of oratory, 14-15, 130
- three styles, 56, 57-59, 228
- Thucydides, 2, 118, 120
- time in drama, 149, 150, 157, 160-162, 182;
- —in epic, 199, 204
- τόποι, loci communes, sedes argumentorum, 14, 15, 20
- tradition, 174, 177, 194, 195, 199, 212, 215
- tragedy, 140, 142, 144-157, 159-161, 168-188
- transition, 202, 219
- transposition in sentences, 113-114
- Tyrrell, R. Y., 200, 204
- Unity, 127, 149, 150, 151, 157, 158, 161-162, 180-185, 197, 205-206
- ὑπόκρισις, 21-24, 64, (156), (173), (see actio)
- usage, 110
- ὕψος, 122, 126
- Valmaggi, L., 81
- VanHook, L., 82, 169
- variety, 59, 60, 104, 114, 115, 119, 158, 173, 221, 222
- Vergil (see Æneid)
- verse, dramatic, 173;
- —epic, 198 (see meter)
- Villani, 29
- Walden, J. W. H., 90, 97
- Waters, W. E., 231
- Watson, J. S., 37, 63, 74
- Weil, H., 110
- Welldon, J. E. C., 6, 10, 23, 24
- Wickham, E. C., 243
- Wilkins, A. S., 37, 42, 43, 63, 243
- Wolff, S. L., 222
- Woodberry, G. E., 199, 208, 212, 213
- Wright, W. C., 230
- writing and speaking, 23, 32, 33, 44, 66, 69, 70, 72, 81, 82-84
- φαντασία, 23, 127
- φύσις, 142
- χρεία, 63, 68, 78
- ψυχρός, 25