A. Of Authors and Subjects Referred to.
[The references are to pages throughout. Where the discussion of a subject is continued over several pages, only the first page is here given. Plays are usually cited under their authors’ names.]
- Achilles, and Briseis, 9;
- and Patroclus, 40, 76;
- and Iphigeneia, 63.
- Achilles Tatius, 13, 78, 109.
- Actaeon, 33.
- Admetus, and Apollo, 13, 31, 90, 99.
- Aeschylus, 41;
- and Stesichorus, 42;
- Myrmidones of, 40, 82, 92.
- Ajax, and Teucer, 76, 90, 99;
- of Sophocles, compared to the Antigone, 99.
- Alcaeus, the comic poet, 149.
- Alcaeus, the lyric poet, 83.
- Alcestis, 57, 99.
- Alciphron, 146, 148.
- Alcman, 22;
- and Megalostrate, 23;
- love-poems to boys, 24;
- Parthenia, 24.
- Alexander and the wife of Darius, 181.
- Alexandrian poetry, distinctive feature of, 1, 69.
- Alexis, Agonis of, 156;
- Helene of, 161;
- on marriage, 162;
- on women, 224.
- Ameipsias, 147.
- Amphis on women, 227.
- Anacreon, 26, 27, 86;
- love-poems to women, 27;
- importance for history of the romantic element, 28;
- character of poems to boys, 86.
- Anaxandrides, 154, 162;
- on women, 213, 222.
- Andromache, in the Iliad, 10;
- as the ideal wife, 55, 64.
- Antiphanes on women, 213, 219;
- retort to Alexander, 152.
- Antimachus 5, 107;
- and Plato, 111;
- and Catullus, 111;
- influence on Asclepiades, 113, 197;
- influence on Philetas, 113
- (vide s.v. Lyde).
- Aphrodite, and Anchises, 202;
- as the rival of Artemis, 59;
- treatment of Phaedra, 47.
- Apuleius, 189.
- Archilochus, 19, 82;
- true motive of his satires, 21;
- and Catullus, 22.
- Archippus, Ichthys of, 147.
- Ariadne, 12, 14.
- Aristophanes, 129;
- weddings in, 132;
- views on women, 134;
- Cocalus of, 135;
- Aeolosicon of, 143.
- Asclepiades, 69;
- Meleager’s criticism on, 73;
- eulogy of Antimachus, 113;
- probable influence on Menander, 196.
- Aspasia, 127.
- Bacchylides, 36.
- Battis, 70.
- Boy-love, in classical Greek literature, 74;
- as an element of classical Greek society, 77;
- as a military institution, 77;
- as an emblem of liberty, 77;
- purity of, 78;
- development of, 79;
- decay of, 79, 102;
- permanent influence on literature, 80;
- in the Anthology, 81;
- in Archilochus, 82;
- in Alcman, 24;
- in Alcaeus, 83;
- illustrated by Sappho, 85;
- in Anacreon, 86;
- in Theognis, 87, 207;
- in the Scolia, 89;
- in Attic tragedy, 91;
- in Alexandrian poetry, 102;
- in Meleager, 103.
- Brother and sister, in Attic tragedy, 48, 101;
- in the New Comedy, 245.
- Callias, 147.
- Catullus, 81.
- Chionides, 122.
- Clytemnestra, 42.
- Corinna, 36.
- Crates, 126, 128.
- Cratinus, 126.
- Cratinus junior, Theramenes of, 151.
- Daphnis, 14, 34.
- Deianira, 43.
- Diphilus on women, 241;
- belongs really to Middle Comedy, 188.
- Diphilus and Gnathaena, 128.
- Epicharmus, 122.
- Epicrates, Antilais of, 73, 151.
- Eubulus, on women, 214, 222;
- Campylion of, 155;
- Nannion of, 158.
- Eumathius, 199.
- Euripides, services to art, 50;
- female characters, 50;
- admiration for women, 51;
- view of love, 52;
- striking absence of love-element in, 52, 62, 63, 66;
- why E. was not a “romantic” writer, 66;
- E. and the Alexandrians, 53;
- his misogyny, 51;
- Aeolus of, 38, 52;
- Andromeda of, 140, 203;
- Antigone of, 38;
- Chrysippus of, 93;
- Electra of, 65;
- Iphigeneia of, 63;
- Medea of, 66;
- Meleager of, 38;
- Phoenix of, 38;
- Protesilaus of, 57;
- Stheneboea of, 38.
- Ganymede, 13.
- Goddesses, preponderance of, in Greek Pantheon, 7;
- in love with mortals, 13.
- Haemon, motives for suicide, 44.
- Helen of Himera, 33.
- Helen of Troy, in the Iliad, 10;
- in Stesichorus, 33;
- and Theseus, 161.
- Hermesianax, 14, 26, 110.
- Hesiod, women in, 8;
- Catalogus of, 12.
- Hetaera, in early times, 19;
- in Bacchylides, 36;
- in Early Comedy, 128, 147, 148;
- in Middle Comedy, 151, 215, 219;
- treated as superior to a wife, 158;
- in New Comedy, 175.
- Hippolytus, defence of, 61.
- Ibycus, 35.
- Iphigeneia, 63.
- Jealousy, Attic view as to, 43, 55.
- Lafaye, Catulle et ses modèles, 20, 22.
- Lesbian Poets, 83.
- Licymnius, 36.
- Love, early Greek views as to, 12, 17, 55, 64;
- in Middle Comedy, 160;
- in New Comedy, 169, 185;
- in Menander, 184;
- in Sophocles, 46;
- in Euripides, 52.
- Love-element, in the Iliad, 75;
- in Hymn. Hom. iv., 201;
- in Sappho, 85;
- in choral poetry, 35;
- in Attic Tragedy, 38, 91;
- in Sophocles, 46;
- in Euripides, 50;
- in Eur. Andromeda, 203;
- in classical Greek poetry in general, 67;
- in Middle Comedy, 150;
- in New Comedy, 163;
- in Asclepiades, 70.
- Lyde of Antimachus, 107;
- importance of, 108;
- characteristic tone of, 110.
- Lyric poetry, subjective, 17;
- choral, 31.
- Magnes, 122.
- Mahaffy, Classical Greek Literature, 20, 63.
- Marriage, in Comedy, 109, 212, 216 (vide s.v. Middle Comedy, New Comedy);
- Sophocles’ view of, 43;
- in Greek romance, 109;
- in Menander, 170.
- Maximus Tyrius, distinction between ancient and modern love, 54;
- on Achilles and Patroclus, 76;
- on Sappho and Socrates, 85;
- on Anacreon, 87.
- Medea, 12, 14, 66.
- Meleager, criticism of Asclepiades, 73;
- poem to Charidemus, 103.
- Menalcas, 14.
- Menander, 2;
- great merit of, 164;
- wrote plays belonging to Middle Comedy, 193;
- introduced the romantic element into comedy, 188;
- marriage characteristic of, 170;
- view of love, 184;
- father and children in, 185;
- why elderly married men are treated by M. as unhappy, 173;
- on women, 233;
- Leucadia of, 146;
- Misogynes of, 174;
- Misumenus of, 178;
- Sicyonius of, 180;
- Thais of, 177.
- Middle Comedy, main features of, 150;
- difference from Old Comedy, 125;
- difference from New Comedy, 163;
- women in, 210, 219;
- women’s rights in, 243;
- dislike of marriage, 158;
- ridicules Platonic love, 160;
- ridicules family life, 161;
- parodies mythological erotic stories, 161.
- Miles Gloriosus as the chivalrous lover, 180.
- Mimnermus, 25;
- and Nanno, 26;
- mentioned by Roman poets, 27.
- Minos and Zeus, 13.
- Morychis, law of, 125.
- Myrtis, 36.
- Nanno, 26.
- Nausicaa, 10.
- New Comedy, 109;
- ideal character of, 119;
- difference from Middle Comedy, 163;
- two common types of plot in, 165;
- the married state described as a happy one, 171;
- condemns adultery, 174;
- only slaves ridicule Platonic love in, 185;
- legal obligation to marry not urged in, 137;
- women in, 233.
- Orestes and Pylades, 101.
- Ovid, 109.
- Pandora, legend of, 8.
- Parthenius, 15.
- Penelope, 8;
- and Odysseus, 10.
- Phaedra, of Sophocles, 46;
- illustrated from the Homeric Hymn to Aphrodite, 201;
- of Euripides, 59.
- Pherecrates, 125, 128.
- Philemon, 142;
- wrote plays belonging to Middle Comedy, 193;
- more old-fashioned than Menander, 189;
- on women, 240;
- Hypobolimaeus of, 144.
- Philetas, 69;
- influenced by Antimachus, 113.
- Philoxenus, 36.
- Phocion on marriage, 133.
- Phocylides, 19.
- Pindar, erotic legends in, 67.
- Plato, 6;
- in the Hedychares of Theopompus, 149.
- Plato comicus, 145.
- Plautus, as imitating Middle Comedy, 157;
- as illustrating New Comedy, 187;
- and Menander, 234, 236;
- Captivi of, 155;
- Epidicus of, 183;
- Poenulus of, 185;
- Stichus of, 187.
- Poseidippus, 26, 110.
- Reitzenstein, Epigramm und Skolion, 25, 29, 34, 59.
- Rhadina, 34.
- Rhianus, poem to Dexionicus, 103.
- Rohde, der griechische Roman, 75, 203.
- Romantic Element, characteristic feature of, 4;
- mistaken ideas as to, 2, 40, 106;
- sudden appearance in literature, 69;
- ditto, explained, 104;
- origin among the Greeks, 105;
- nature of in Greece, 108;
- ditto, contrasted with mediaeval romance, 109;
- in the Latin elegiac poets, 109.
- Sacred Band of Epaminondas, 77.
- Sappho, 85, 160;
- and Phaon, 146;
- and Sophocles, 45;
- and Aeschylus, 45;
- and Socrates, 85.
- Scolia, 31, 89.
- Scylla, legend of, 14.
- Simonides Amorginus, 18;
- and Hesiod, 18.
- Sophocles, 43;
- and Sappho, 45;
- views on marriage, 45;
- view of love, 46;
- Antigone of, 47;
- Colchides of, 38;
- Niobe of, 93;
- Oenomaus of, 38;
- Phaedra of, 38.
- Sparta, 6, 24, 77.
- Stesichorus, 33;
- and Aeschylus, 42.
- Strato, 81.
- Strattis, 147.
- Susario, 68.
- Telestes, 37.
- Terence, as illustrating New Comedy, 187;
- and Menander, 233;
- Hecyra of, 170, 175.
- Theocritus, poems to boys, 81, 83;
- illustrative of Alcaeus, 83;
- and Theognis, 208.
- Theognis, 29, 87;
- Book II., 207;
- and Theocritus, 208.
- Theopompus, 148;
- Hedychares of, 149.
- Theseus, and Helen, 161.
- Wife, Sophoclean ideal, 44;
- Euripidean ideal, 55;
- compared with Hetaera in Middle Comedy, 158;
- ditto in New Comedy, 176;
- tyranny of wives in Middle Comedy, 244.
- Women, primitive position of, 7;
- in the Homeric poems, 8;
- in Hesiod, 8;
- in the early legends, 11;
- in the stories of Parthenius, 15;
- early literary ideal of, 17;
- in Simonides, 18;
- in Phocylides, 19;
- in Theognis, 29, 199;
- in the Scolia, 31;
- in Stesichorus, 33;
- in Ibycus, 35;
- in the later choral poets, 36;
- in Attic tragedy, 40;
- in Aeschylus, 41;
- in Sophocles, 43;
- in Euripides, 50;
- in the early Alexandrians, 69;
- in Asclepiades, 71;
- in Greek comedy, 118;
- in the Middle Comedy, 219;
- in early New Comedy, 233;
- better position in Asia, 182;
- freemasonry among in Euripides, 58;
- might be attacked openly by name, 151;
- women’s rights in the Middle Comedy, 243.
B. Of Passages Emended or Discussed.
- Aeschylus, Fr. 135, 136 (92).
- Alexis, Graphe (225).
- Anth. Pal. V. 164, 4 (73).
- Antiphanes, Acestria, 3 (220).
- Archilochus, Fr. 100 seqq. (20).
- Aristophon, Iatrus, Fr. 2 (229).
- Eubulus, Campylion (155).
- Euripides, Hippol. 1415, 1440 (206), Fr. 132 (205).
- Hesiod, Op. 702 (19).
- Martial XIV. 187 (177).
- Mimnermus, Fr. 1 (25).
- Philetaerus, Atalanta (228).
- Propertius II. 6, 3 (177).
- Sophocles, Ant. 781 (46), 909 (49), Fr. 855, 13 (201).
- Theognis, 261 seqq. (199), 1282, 1363 (208).
- Theopompus, Nemea 8 (148).