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Browning and the Dramatic Monologue

Chapter 20: INDEX
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About This Book

A study defines the dramatic monologue as a distinct literary form and analyzes its components—speaker, listener, situation, temporal connection, and argument—tracing the form's history and its demands on the reader. A second section offers practical guidance for vocal and physical interpretation, discussing mental actions, voice modulation, bodily gesture, metre, dialect, props, common faults, and the monologue's significance. Illustrative readings of representative monologues by Browning demonstrate how close textual study and oral rendition reveal psychological motive and dramatic effect.

PHEIDIPPIDES

χαίρετε, νικωμεν

First I salute this soil of the blessed, river and rock!
Gods of my birthplace, dæmons and heroes, honor to all!
Then I name thee, claim thee for our patron, co-equal in praise
—Ay, with Zeus the Defender, with Her of the ægis and spear!
Also, ye of the bow and the buskin, praised be your peer,
Now, henceforth and forever,—O latest to whom I upraise
Hand and heart and voice! For Athens, leave pasture and flock!
Present to help, potent to save, Pan—patron I call!

Archons of Athens, topped by the tettix, see, I return!
See, ’tis myself here standing alive, no spectre that speaks!
Crowned with the myrtle, did you command me, Athens and you,
“Run, Pheidippides, run and race, reach Sparta for aid!
Persia has come, we are here, where is She?” Your command I obeyed,
Ran and raced: like stubble, some field which a fire runs through,
Was the space between city and city: two days, two nights did I burn
Over the hills, under the dales, down pits and up peaks.

Into their midst I broke: breath served but for “Persia has come.
Persia bids Athens proffer slaves’-tribute, water and earth;
Razed to the ground is Eretria—but Athens, shall Athens sink,
Drop into dust and die—the flower of Hellas utterly die,
Die with the wide world spitting at Sparta, the stupid, the stander-by?
Answer me quick, what help, what hand do you stretch o’er destruction’s brink?
How,—when? No care for my limbs!—there’s lightning in all and some—
Fresh and fit your message to bear, once lips give it birth!”

O my Athens—Sparta love thee? Did Sparta respond?
Every face of her leered in a furrow of envy, mistrust,
Malice,—each eye of her gave me its glitter of gratified hate!
Gravely they turned to take counsel, to cast for excuses. I stood
Quivering,—the limbs of me fretting as fire frets, an inch from dry wood:
“Persia has come, Athens asks aid, and still they debate?
Thunder, thou Zeus! Athene, are Spartans a quarry beyond
Swing of thy spear? Phoibos and Artemis, clang them ‘Ye must’!”

No bolt launched from Olumpos! Lo, their answer at last!
“Has Persia come,—does Athens ask aid,—may Sparta befriend?
Nowise precipitate judgment—too weighty the issue at stake!
Count we no time lost time which lags thro’ respect to the Gods!
Ponder that precept of old, ‘No warfare, whatever the odds
In your favor, so long as the moon, half-orbed, is unable to take
Full-circle her state in the sky!’ Already she rounds to it fast:
Athens must wait, patient as we—who judgment suspend.”

Athens,—except for that sparkle,—thy name, I had mouldered to ash!
That sent a blaze thro’ my blood; off, off and away was I back,
—Not one word to waste, one look to lose on the false and the vile!
Yet “O Gods of my land!” I cried, as each hillock and plain,
Wood and stream, I knew, I named, rushing past them again,
“Have ye kept faith, proved mindful of honors we paid you erewhile?
Vain was the filleted victim, the fulsome libation! Too rash
Love in its choice, paid you so largely service so slack!

“Oak and olive and bay,—I bid you cease to enwreathe
Brows made bold by your leaf! Fade at the Persian’s foot,
You that, our patrons were pledged, should never adorn a slave!
Rather I hail thee, Parnes,—trust to thy wild waste tract!
Treeless, herbless, lifeless mountain! What matter if slacked
My speed may hardly be, for homage to crag and to cave
No deity deigns to drape with verdure?—at least I can breathe,
Fear in thee no fraud from the blind, no lie from the mute!”

Such my cry as, rapid, I ran over Parnes’ ridge;
Gully and gap I clambered and cleared till, sudden, a bar
Jutted, a stoppage of stone against me, blocking the way.
Right! for I minded the hollow to traverse, the fissure across:
“Where I could enter, there I depart by! Night in the fosse?
Athens to aid? Tho’ the dive were thro’ Erebos, thus I obey—
Out of the day dive, into the day as bravely arise! No bridge
Better!”—when—ha! what was it I came on, of wonders that are?

There, in the cool of a cleft, sat he—majestical Pan!
Ivy drooped wanton, kissed his head, moss cushioned his hoof;
All the great God was good in the eyes grave-kindly—the curl
Carved on the bearded cheek, amused at a mortal’s awe,
As, under the human trunk, the goat-thighs grand I saw.
“Halt, Pheidippides!”—halt I did, my brain of a whirl:
“Hither to me! Why pale in my presence?” he gracious began:
“How is it,—Athens, only in Hellas, holds me aloof?

“Athens, she only, rears me no fane, makes me no feast!
Wherefore? Than I what godship to Athens more helpful of old?
Ay, and still, and forever her friend! Test Pan, trust me!
Go, bid Athens take heart, laugh Persia to scorn, have faith
In the temples and tombs! Go, say to Athens, ‘The Goat-God saith:
When Persia—so much as strews not the soil—is cast in the sea,
Then praise Pan who fought in the ranks with your most and least,
Goat-thigh to greaved-thigh, made one cause with the free and the bold!’

“Say Pan saith: ‘Let this, foreshowing the place, be the pledge!’”
(Gay, the liberal hand held out this herbage I bear
—Fennel,—I grasped it a-tremble with dew—whatever it bode),
“While, as for thee ...” But enough! He was gone. If I ran hitherto—
Be sure that, the rest of my journey, I ran no longer, but flew.
Parnes to Athens—earth no more, the air was my road;
Here am I back. Praise Pan, we stand no more on the razor’s edge!
Pan for Athens, Pan for me! I too have a guerdon rare!
——————
Then spoke Miltiades. “And thee, best runner of Greece,
Whose limbs did duty indeed,—what gift is promised thyself?
Tell it us straightway,—Athens the mother demands of her son!”
Rosily blushed the youth: he paused: but, lifting at length
His eyes from the ground, it seemed as he gathered the rest of his strength
Into the utterance—“Pan spoke thus: ‘For what thou hast done
Count on a worthy reward! Henceforth be allowed thee release
From the racer’s toil, no vulgar reward in praise or in pelf!’

“I am bold to believe, Pan means reward the most to my mind!
Fight I shall, with our foremost, wherever this fennel may grow,—
Pound—Pan helping us—Persia to dust, and, under the deep,
Whelm her away forever; and then,—no Athens to save,—
Marry a certain maid, I know keeps faith to the brave,—
Hie to my house and home: and, when my children shall creep
Close to my knees,—recount how the God was awful yet kind,
Promised their sire reward to the full—rewarding him—so!”
——————
Unforeseeing one! Yes, he fought on the Marathon day:
So, when Persia was dust, all cried “To Akropolis!
Run, Pheidippides, one race more! the meed is thy due!
‘Athens is saved, thank Pan,’ go shout!” He flung down his shield,
Ran like fire once more: and the space ’twixt the Fennel-field
And Athens was stubble again, a field which a fire runs through,
Till in he broke: “Rejoice, we conquer!” Like wine thro’ clay,
Joy in his blood bursting his heart, he died—the bliss!

So, to this day, when friend meets friend, the word of salute
Is still “Rejoice!”—his word which brought rejoicing indeed.
So is Pheidippides happy forever,—the noble strong man
Who could race like a god, bear the face of a god, whom a god loved so well,
He saw the land saved he had helped to save, and was suffered to tell
Such tidings, yet never decline, but, gloriously as he began,
So to end gloriously—once to shout, thereafter be mute:
“Athens is saved!”—Pheidippides dies in the shout for his meed.

 

 

PROSPICE

Fear death?—to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe,
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go;
For the journey is done and the summit attained,
And the barriers fall,
Though a battle’s to fight ere the guerdon be gained,
The reward of it all.
I was ever a fighter, so—one fight more,
The best and the last!

I would hate that death bandaged my eyes, and forbore,
And bade me creep past.
No! let me taste the whole of it, fare like my peers,
The heroes of old,
Bear the brunt, in a minute pay glad life’s arrears
Of pain, darkness, and cold.
For sudden the worst turns the best to the brave,
The black minute’s at end,
And the elements’ rage, the fiend-voices that rave,
Shall dwindle, shall blend,
Shall change, shall become first a peace out of pain,
Then a light, then thy breast,
Oh, thou soul of my soul! I shall clasp thee again,
And with God be the rest!

 

 

THE BISHOP ORDERS HIS TOMB AT
SAINT PRAXED’S CHURCH

(ROME, 15—.)

Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews—sons mine ... ah God, I know not! Well—
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What’s done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world’s a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
“Do I live, am I dead?” Peace, peace seems all.
Saint Praxed’s ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
—Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o’ the epistle-side,
And somewhat of the choir, those silent seats,
And up into the aery dome where live
The angels, and a sunbeam’s sure to lurk:
And I shall fill my slab of basalt there,
And ’neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh-poured red wine of a mighty pulse.
—Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
—What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find ... Ah God, I know not, I!...
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew’s head cut off at the nape,
Blue as a vein o’er the Madonna’s breast ...
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father’s globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver’s shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say, basalt for my slab, sons? Black—
’Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me,
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph’s last garment off,
And Moses with the tables ... but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o’er with beggar’s mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me—all of jasper, then!
’Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There’s plenty jasper somewhere in the world—
And have I not Saint Praxed’s ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
—That’s if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully’s every word,
No gaudy ware like Gandolf’s second line—
Tully, my masters? Ulpian serves his need!
And then how I shall lie thro’ centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor’s-work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble’s language, Latin pure, discreet,
—Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard’s quick,
They glitter like your mother’s for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a vizor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
“Do I live, am I dead?” There, leave me, there!
For ye have stabbed me with ingratitude
To death—ye wish it—God, ye wish it! Stone—
Gritstone, a-crumble! Clammy squares which sweat
As if the corpse they keep were oozing through—
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
—Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers—
Old Gandolf at me, from his onion-stone,
As still he envied me, so fair she was!

 

 

SIBRANDUS SCHAFNABURGENSIS

Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.

Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.

Yonder’s a plum-tree, with a crevice
An owl would build in, were he but sage;
For a lap of moss like a fine pontlevis
In a castle of the middle age,
Joins to a lip of gum, pure amber;
Where he’d be private, there might he spend
Hours alone in his lady’s chamber:
Into this crevice I dropped our friend.

Splash went he, as under he ducked,
—I knew at the bottom rain-drippings stagnate;
Next a handful of blossoms I plucked
To bury him with, my bookshelf’s magnate;
Then I went indoors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.

Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sate in the midst with arms a-kimbo:
So, I took pity, for learning’s sake,
And, de profundis, accentibus lætis,
Cantate! quoth I, as I got a rake,
And up I fished his delectable treatise.

Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O’er the page so beautifully yellow—
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here’s one stuck in his chapter six!

How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover;
When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife’s closet.

All that life, and fun, and romping,
All that frisking, and twisting, and coupling,
While slowly our poor friend’s leaves were swamping,
And clasps were cracking, and covers suppling!
As if you had carried sour John Knox
To the play-house at Paris, Vienna, or Munich,
Fastened him into a front-row box,
And danced off the Ballet with trousers and tunic.

Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self!
Good-by, mother-beetle; husband-eft, SUFFICIT!
See the snug niche I have made on my shelf:
A.’s book shall prop you up, B.’s shall cover you,
Here’s C. to be grave with, or D. to be gay,
And with E. on each side, and F. right over you,
Dry-rot at ease till the Judgment-day!

 

 

ABT VOGLER

(AFTER HE HAS BEEN EXTEMPORIZING UPON THE
MUSICAL INSTRUMENT OF HIS INVENTION)

Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,—alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,—
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princes he loved!

Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile, and build broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.

And another would mount and march, like the excellent minion he was;
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest,
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night—
Outlining round and round Rome’s dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.

In sight? Not half! for it seemed, it was certain, to match man’s birth;
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendors burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.

Nay, more: for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is—shall I say, matched both? for I was made perfect too.

All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made verse,—still, effect proceeds from cause;
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,
Painter and poet are proud in the artist-list enrolled:—

But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them, and lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the world—loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!

Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.

Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more:
On earth the broken arcs; in the heaven, a perfect round.

All we have willed or hoped or dreamed of good shall exist,—
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by-and-by.

And what is our failure here but a triumph’s evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear;
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome: ’tis we musicians know.

Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones, till I sink to the minor,—yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the deep;
Which, hark! I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.

 

 

SAUL

Said Abner, “At last thou art come! Ere I tell, ere thou speak,
Kiss my cheek, wish me well!” Then I wished it, and did kiss his cheek.
And he, “Since the King, O my friend, for thy countenance sent,
Neither drunken nor eaten have we; nor until from his tent
Thou return with the joyful assurance the King liveth yet,
Shall our lip with the honey be bright, with the water be wet.
For out of the black mid-tent’s silence, a space of three days,
Not a sound hath escaped to thy servants, of prayer or of praise,
To betoken that Saul and the Spirit have ended their strife,
And that, faint in his triumph, the monarch sinks back upon life.

“Yet now my heart leaps, O beloved! God’s child, with his dew
On thy gracious gold hair, and those lilies still living and blue
Just broken to twine round thy harp-strings, as if no wild heat
Were now raging to torture the desert!”

Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o’er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped;
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid,
But spoke, “Here is David, thy servant!” And no voice replied.
At the first I saw nought but the blackness; but soon I descried
A something more black than the blackness—the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all;—
Then a sunbeam, that burst thro’ the tent-roof,—showed Saul.
He stood as erect as that tent-prop; both arms stretched out wide
On the great cross-support in the centre, that goes to each side:
He relaxed not a muscle, but hung there,—as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,—so agonized Saul, drear and stark, blind and dumb.

Then I tuned my harp,—took off the lilies we twine round its chords
Lest they snap ’neath the stress of the noontide—those sunbeams like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream’s bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,—so blue and so far!

—Then the tune for which quails on the cornland will each leave his mate
To fly after the player; then, what makes the crickets elate,
Till for boldness they fight one another: and then, what has weight
To set the quick jerboa a-musing outside his sand house—
There are none such as he for a wonder, half bird and half mouse!—
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.

Then I played the help-tune of our reapers, their wine-song, when hand
Grasps at hand, eye lights eye in good friendship, and great hearts expand
And grow one in the sense of this world’s life.—And then, the last song
When the dead man is praised on his journey—“Bear, bear him along
With his few faults shut up like dead flowerets! Are balm-seeds not here
To console us? The land has none left such as he on the bier.
Oh, would we might keep thee, my brother!”—And then, the glad chaunt
Of the marriage,—first go the young maidens, next, she whom we vaunt
As the beauty, the pride of our dwelling.—And then, the great march
Wherein man runs to man to assist him and buttress an arch
Nought can break; who shall harm them, our friends?—Then, the chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here—for here in the darkness, Saul groaned.

And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered,—and sparkles ’gan dart
From the jewels that woke in his turban at once with a start—
All its lordly male-sapphires, and rubies courageous at heart.
So the head—but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang,—

“Oh, our manhood’s prime vigor! No spirit feels waste,
Not a muscle is stopped in its playing, nor sinew unbraced.
Oh, the wild joys of living! the leaping from rock up to rock—
The strong rending of boughs from the fir-tree,—the cool silver shock
Of the plunge in a pool’s living water,—the hunt of the bear,
And the sultriness showing the lion is crouched in his lair.
And the meal, the rich dates, yellowed over with gold dust divine,
And the locust’s-flesh steeped in the pitcher; the full draught of wine,
And the sleep in the dried river-channel where bulrushes tell
That the water was wont to go warbling so softly and well.
How good is man’s life, the mere living! how fit to employ
All the heart and the soul and the senses, forever in joy!
Hast thou loved the white locks of thy father, whose sword thou didst guard
When he trusted thee forth with the armies, for glorious reward?
Didst thou see the thin hands of thy mother, held up as men sung
The low song of the nearly-departed, and hear her faint tongue
Joining in while it could to the witness, ‘Let one more attest,
I have lived, seen God’s hand through a lifetime, and all was for best’?
Then they sung thro’ their tears in strong triumph, not much,—but the rest.
And thy brothers, the help and the contest, the working whence grew
Such result as from seething grape-bundles, the spirit strained true!
And the friends of thy boyhood—that boyhood of wonder and hope,
Present promise, and wealth of the future beyond the eye’s scope,—
Till lo, thou art grown to a monarch; a people is thine;
And all gifts which the world offers singly, on one head combine!
On one head, all the beauty and strength, love and rage, like the throe
That, a-work in the rock, helps its labor, and lets the gold go:
High ambition and deeds which surpass it, fame crowning them,—all
Brought to blaze on the head of one creature—King Saul!”

And lo, with that leap of my spirit, heart, hand, harp, and voice,
Each lifting Saul’s name out of sorrow, each bidding rejoice
Saul’s fame in the light it was made for—as when, dare I say,
The Lord’s army in rapture of service, strains through its array,
And upsoareth the cherubim-chariot—“Saul!” cried I and stopped,
And waited the thing that should follow. Then Saul, who hung propped
By the tent’s cross-support in the centre, was struck by his name.
Have ye seen when Spring’s arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held, (he alone,
While the vale laughed in freedom and flowers) on a broad bust of stone
A year’s snow bound about for a breastplate,—leaves grasp of the sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black but alive yet, your mountain of old,
With his rents, the successive bequeathings of ages untold—
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust ’twixt you and the tempest—all hail, there they are!
Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardors of summer! One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled,
At the King’s self left standing before me, released and aware.
What was gone, what remained? All to traverse ’twixt hope and despair—
Death was past, life not come—so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: ’twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, ye watch from the shore
At their sad level gaze o’er the ocean—a sun’s slow decline
Over hills which, resolved in stern silence, o’erlap and entwine
Base with base to knit strength more intense: so, arm folded arm
O’er the chest whose slow heavings subsided.

What spell or what charm,
(For, awhile there was trouble within me) what next should I urge
To sustain him where song had restored him?—Song filled to the verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty! Beyond on what fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, “It is good;” still he drinks not—he lets me praise life,
Gives assent, yet would die for his own part.

Then fancies grew rife
Which had come long ago on the pastures, when round me the sheep
Fed in silence—above, the one eagle wheeled slow as in sleep,
And I lay in my hollow, and mused on the world that might lie
’Neath his ken, though I saw but the strip ’twixt the hill and the sky:
And I laughed—“Since my days are ordained to be passed with my flocks,
Let me people at least with my fancies, the plains and the rocks,
Dream the life I am never to mix with, and image the show
Of mankind as they live in those fashions I hardly shall know!
Schemes of life, its best rules and right uses, the courage that gains,
And the prudence that keeps what men strive for.” And now these old trains
Of vague thought came again; I grew surer; so once more the string
Of my harp made response to my spirit, as thus—

“Yea, my king,”
I began—“thou dost well in rejecting mere comforts that spring
From the mere mortal life held in common by man and by brute:
In our flesh grows the branch of this life, in our soul it bears fruit.
Thou hast marked the slow rise of the tree,—how its stem trembled first
Till it passed the kid’s lip, the stag’s antler; then safely outburst
The fan-branches all round; and thou mindest when these too, in turn
Broke a-bloom and the palm-tree seemed perfect; yet more was to learn,
E’en the good that comes in with the palm-fruit. Our dates shall we slight,
When their juice brings a cure for all sorrow? or care for the plight
Of the palm’s self whose slow growth produced them? Not so! stem and branch
Shall decay, nor be known in their place, while the palm-wine shall stanch
Every wound of man’s spirit in winter. I pour thee such wine.
Leave the flesh to the fate it was fit for! the spirit be thine!
By the spirit, when age shall o’ercome thee, thou still shalt enjoy
More indeed, than at first when inconscious, the life of a boy.
Crush that life, and behold its wine running! each deed thou hast done
Dies, revives, goes to work in the world; until e’en as the sun
Looking down on the earth, though clouds spoil him, though tempests efface,
Can find nothing his own deed produced not, must everywhere trace
The results of his past summer-prime,—so, each ray of thy will,
Every flash of thy passion and prowess, long over, shall thrill
Thy whole people the countless, with ardor, till they too give forth
A like cheer to their sons, who in turn, fill the south and the north
With the radiance thy deed was the germ of. Carouse in the past.
But the license of age has its limit; thou diest at last.
As the lion when age dims his eyeball, the rose at her height,
So with man—so his power and his beauty forever take flight.
No! again a long draught of my soul-wine! look forth o’er the years—
Thou hast done now with eyes for the actual; begin with the seer’s!
Is Saul dead? in the depth of the vale make his tomb—bid arise
A gray mountain of marble heaped four-square, till built to the skies.
Let it mark where the Great First King slumbers—whose fame would ye know?
Up above see the rock’s naked face, where the record shall go
In great characters cut by the scribe,—Such was Saul, so he did;
With the sages directing the work, by the populace chid,—
For not half, they’ll affirm, is comprised there! Which fault to amend,
In the grove with his kind grows the cedar, whereon they shall spend
(See, in tablets ’tis level before them) their praise, and record
With the gold of the graver, Saul’s story,—the statesman’s great word
Side by side with the poet’s sweet comment. The river’s awave
With smooth paper-reeds grazing each other when prophet winds rave:
So the pen gives unborn generations their due and their part
In thy being! Then, first of the mighty, thank God that thou art.”

And behold while I sang.... But O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,—my Shield and my Sword
In that act where my soul was thy servant, thy word was my word,—
Still be with me, who then at the summit of human endeavor
And scaling the highest, man’s thought could, gazed hopeless as ever
On the new stretch of Heaven above me—till, Mighty to save,
Just one lift of thy hand cleared that distance—God’s throne from man’s grave!
Let me tell out my tale to its ending—my voice to my heart,
Which can scarce dare believe in what marvels last night I took part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the gray dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron retrieves
Slow the damage of yesterday’s sunshine.

I say then,—my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him—he slowly resumed
His old motions and habitudes kingly. The right hand replumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see—the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,—ere error had bent
The broad brow from the daily communion; and still, though much spent
Be the life and the bearing that front you, the same, God did choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop, till, stayed by the pile
Of his armor and war-cloak and garments, he leaned there a while,
And so sat out my singing,—one arm round the tent-prop, to raise
His bent head, and the other hung slack—till I touched on the praise
I foresaw from all men in all times, to the man patient there,
And thus ended, the harp falling forward. Then first I was ’ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak-roots which please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow; thro’ my hair
The large fingers were pushed, and he bent back my head, with kind power—
All my face back, intent to peruse it, as men do a flower,
Thus held he me there with his great eyes that scrutinized mine—
And oh, all my heart how it loved him! but where was the sign?
I yearned—“Could I help thee, my father, inventing a bliss,
I would add to that life of the past, both the future and this.
I would give thee new life altogether, as good, ages hence,
As this moment,—had love but the warrant, love’s heart to dispense!”

Then the truth came upon me. No harp more—no song more! outbroke—

“I have gone the whole round of Creation: I saw and I spoke!
I, a work of God’s hand for that purpose, received in my brain
And pronounced on the rest of his handwork—returned him again
His creation’s approval or censure: I spoke as I saw.
I report, as a man may of God’s work—all’s love, yet all’s law!
Now I lay down the judgeship he lent me. Each faculty tasked
To perceive him, has gained an abyss, where a dew-drop was asked.
Have I knowledge? confounded it shrivels at Wisdom laid bare.
Have I forethought? how purblind, how blank, to the Infinite care!
Do I task any faculty highest, to image success?
I but open my eyes,—and perfection, no more and no less,
In the kind I imagined, full-fronts me, and God is seen God
In the star, in the stone, in the flesh, in the soul and the clod.
And thus looking within and around me, I ever renew
(With that stoop of the soul which in bending upraises it too)
The submission of man’s nothing-perfect to God’s All-Complete,
As by each new obeisance in spirit, I climb to his feet!
Yet with all this abounding experience, this Deity known,
I shall dare to discover some province, some gift of my own.
There’s one faculty pleasant to exercise, hard to hoodwink,
I am fain to keep still in abeyance (I laugh as I think)
Lest, insisting to claim and parade in it, wot ye, I worst
E’en the Giver in one gift.—Behold! I could love if I durst!
But I sink the pretension as fearing a man may o’ertake
God’s own speed in the one way of love: I abstain, for love’s sake!
—What, my soul? see thus far and no farther? when doors great and small,
Nine-and-ninety flew ope at our touch, should the hundredth appal?
In the least things, have faith, yet distrust in the greatest of all?
Do I find love so full in my nature, God’s ultimate gift,
That I doubt his own love can compete with it? here, the parts shift?
Here, the creature surpass the Creator, the end, what Began?—
Would I fain in my impotent yearning do all for this man,
And dare doubt He alone shall not help him, who yet alone can?
Would it ever have entered my mind, the bare will, much less power,
To bestow on this Saul what I sang of, the marvellous dower
Of the life he was gifted and filled with? to make such a soul,
Such a body, and then such an earth for insphering the whole?
And doth it not enter my mind (as my warm tears attest)
These good things being given, to go on, and give one more, the best?
Ay, to save and redeem and restore him, maintain at the height
This perfection,—succeed with life’s day-spring, death’s minute of night?
Interpose at the difficult minute, snatch Saul, the mistake,
Saul, the failure, the ruin he seems now,—and bid him awake
From the dream, the probation, the prelude, to find himself set
Clear and safe in new light and new life,—a new harmony yet
To be run and continued, and ended—who knows?—or endure!
The man taught enough by life’s dream, of the rest to make sure.
By the pain-throb, triumphantly winning intensified bliss,
And the next world’s reward and repose, by the struggle in this.

“I believe it! ’tis Thou, God, that givest, ’tis I who receive:
In the first is the last, in thy will is my power to believe.
All’s one gift: thou canst grant it moreover, as prompt to my prayer
As I breathe out this breath, as I open these arms to the air.
From thy will, stream the worlds, life and nature, thy dread Sabaoth:
I will?—the mere atoms despise me! Why am I not loath
To look that, even that in the face too? Why is it I dare
Think but lightly of such impuissance? what stops my despair?
This;—’tis not what man Does which exalts him, but what man Would do?
See the king—I would help him but cannot, the wishes fall through.
Could I wrestle to raise him from sorrow, grow poor to enrich,
To fill up his life, starve my own out, I would—knowing which,
I know that my service is perfect.—Oh, speak through me now!
Would I suffer for him that I love? So wouldst Thou—so wilt Thou!
So shall crown thee the topmost, ineffablest, uttermost Crown—
And thy love fill infinitude wholly, nor leave up nor down
One spot for the creature to stand in! It is by no breath,
Turn of eye, wave of hand, that Salvation joins issue with death!
As thy Love is discovered almighty, almighty be proved
Thy power, that exists with and for it, of being Beloved!
He who did most, shall bear most; the strongest shall stand the most weak.
’Tis the weakness in strength that I cry for! my flesh, that I seek
In the Godhead! I seek and I find it. O Saul, it shall be
A Face like my face that receives thee: a Man like to me,
Thou shalt love and be loved by, forever! a Hand like this hand
Shall throw open the gates of new life to thee! See the Christ stand!”

I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive—the aware—
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news—
Life or death. The whole earth was awakened, hell loosed with her crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not.
For the Hand still impelled me at once and supported—suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth—
Not so much, but I saw it die out in the day’s tender birth;
In the gathered intensity brought to the gray of the hills;
In the shuddering forests’ new awe; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling still
Tho’ averted, in wonder and dread; and the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe.
E’en the serpent that slid away silent,—he felt the new Law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar, and moved the vine-bowers.
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices—“E’en so, it is so!”

 

 


INDEX

Titles of complete monologues are printed in Italics; authors of these in SMALL CAPITALS; subjects of lessons are printed in CAPITALS; ordinary topics in Roman.