About This Book
A seasoned critic offers a close reading of Victor Hugo's sprawling novel, recounting a pivotal episode in which an escaped convict encounters a child who loses a coin, and using that scene to question the plausibility of redeeming a brutalized soul into an idealized saint. The essay contrasts grand lyrical passages with burlesque episodes, objects to anachronistic political jabs, and argues that some comic or popular scenes would be better handled by writers attuned to social realism, while praising the author's soaring style despite occasional excesses.
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