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Dutch and Flemish Furniture

Chapter 3: ILLUSTRATIONS
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About This Book

The book surveys the decorative arts and domestic furniture of the Low Countries, tracing development from medieval ecclesiastical carving and domestic chests through Burgundian opulence to Renaissance ornament and later Dutch divergence under Oriental trade influence. It examines materials, techniques, guilds and noted designers and painters, describes furniture types such as coffers, dressoirs, armoires and beds, and considers tapestries, textiles, glass and metalwork. Illustrated with period designs, master drawings and museum examples, the study draws on contemporary inventories, wills and pictorial sources to reconstruct interiors and document regional exchanges with neighboring countries.

ILLUSTRATIONS

PLATE   FACING PAGE
 
  Bed by Daniel Marot Frontispiece
 
I. Choir-Stall 4
 
II. Bedroom (Fifteenth Century) and Figs. 1–5 8
 
III. Flemish Dressoir (Fifteenth Century), and Figs. 6–9 14
 
IV. Credence (Fifteenth Century) 38
 
V. Coffer in Flemish Style 66
 
VI. Flemish Coffer or Huche 68
 
VII. Huche, or Bahut (Sixteenth Century) 70
 
VIII. Cabinet (Sixteenth Century) 84
 
IX. Armoire (Burgundian School) 86
 
X. Bedroom, by De Vries 92
 
XI. Flemish Bedstead (1580) and Figs. 10–18 94
 
  Bed, Tables, Chair and Footstool, Flemish Chairs. Figs. 19–25 106
 
XII. Bedstead, Chairs and Table, by J. Stradan 108
 
XIII. Bedstead, by De Vries 110
 
XIV. Bedstead, Rijks Museum 112
 
XV. Armoire, Rijks Museum 114
 
XVI. Glass Cupboard, or Vitrine, by De Vries 116
 
XVII. Glass Cupboard, or Vitrine, by De Vries 118
 
XVIII. Flemish Armoire and Figs. 26–27 120
 
XIX. Cabinet, or Armoire, by De Vries. Design for Goldsmith’s Work, by Jerome Cock 122
 
XX. Cabinet, or Armoire, by De Vries. Design for Goldsmith’s Work, by Jerome Cock 124
 
XXI. Design for Goldsmith’s Work, by Adrian Collaert 126
 
XXII. Design for Goldsmith’s Work, by Adrian Collaert 128
 
XXIII. Lady at Spinet, by J. M. Molenaer 132
 
XXIIIA. Spinet, by Ruckers 134
 
XXIV. Interior, by Barthol van Bassen (Seventeenth Century) and Figs. 28–30 136
 
XXV. Panelled Bedstead, Rijks Museum 144
 
XXVI. The Sick Woman, by Jan Steen, and Figs. 31–34 146
 
XXVII. Woman with a Parrot, by Jan Steen 148
 
XXVIII. Flemish Chair, Cluny Museum 154
 
XXIX. Flemish Chair Cluny Museum 156
 
XXX. Chairs, Cluny Museum 158
 
XXXI. Marquetry Cabinet, Rijks Museum 160
 
XXXII. Kitchen, Stedelijk Museum 162
 
XXXIII. Chairs, Rijks Museum 164
 
XXXIV. Chairs, Rijks Museum 170
 
XXXV. Chairs, Rijks Museum 172
 
XXXVI. The Oyster Feast, by Jan Steen, and Figs. 35–37 248
 
XXXVII. The Sick Lady, by Hoogstraten 250
 
XXXVIII. Interior, by J. Koedyck 252
 
XXXIX. The Music Lesson, by Terborch 254
 
XL. Interior, by J. B. Weenix 256
 
XLI. Breakfast, by G. Metsu 258
 
XLII. Interior, by Jan Steen 260
 
XLIII. Kas of Ebony and Ivory, Rijks Museum 262
 
XLIV. Dutch Kas, Cluny Museum 264
 
XLV. Flemish Chair, Cluny Museum 266
 
XLVI. “Buire,” by Mosyn, Auricular Style 268
 
  Screen in the Style Refugié. Fig. 39 272
 
XLVII. Carved Oak Bahut, Cluny Museum, and Fig. 38 274
 
  Sophas, Lower part of Chair, Lambrequins. Figs. 40–45 276
 
XLVIII. Bed and Bedroom, by Marot 278
 
XLIX. Mirrors and Sconces, by Marot 280
 
L. Mirrors, by Marot 282
 
LI. Mirrors, Console Table and Candlestands, by Marot 284
 
LII. Tables and Mascarons, by Marot 286
 
LIII. Clocks and Details, by Marot 288
 
LIV. Interior, by Cornelis Troost 298
 
  Cabinet from Liège, Dutch Mirror Frame. Figs. 46–47 300
 
LV. Interior, by Cornelis Troost 302
 
LVI. Room in the Stedelijk Museum 308
 
LVII. In Bruitlaen, by Artz 312