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Hans Holbein the Younger, Volume 2 (of 2)

Chapter 2: APPENDIX
By Arthur B. Chamberlain
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About This Book

The volume continues a chronological study of the artist's later career, analyzing major commissions, civic and court portraiture, and travels that shaped his work. It examines paintings made for merchant guilds and civic decoration, a celebrated double portrait of diplomats, and a series of mature portraits produced during his service at court including a notable royal commission. The text also treats his miniature practice, Windsor drawings and studies, designs for jewellery and the decorative arts, a civic barber-surgeons' picture and the painter's final years, and concludes with appendices cataloguing chief works, drawings, and exhibition records.

APPENDIX

A. Early Drawing by Holbein in the Maximilians Museum, Augsburg (Vol. i. p. 43) 323
 
B. Designs for Painted Glass of the Lucerne Period (Vol. i. p. 79) 323
 
C. Early Drawings for wall-paintings (Vol. i. p. 101) 326
 
D. Glass Designs with the Coats of Arms of the Von Andlau and Von Hewen Families (Vol. i. p. 145) 326
 
  The Glass Designs of “The Passion of Christ” (Vol. i. p. 156) 327
 
E. The Faesch Museum (Vol. i. pp. 88, 166-8, 180, and 239-41) 328
 
F. Hans Holbein and Dr. Johann Fabri (Vol. i. p. 175) 330
 
G. The Trade-Mark of Reinhold Wolfe (Vol. i. p. 202) 332
 
H. Nicolas Bellin of Modena (Vol. i. pp. 282-4) 333
 
I. The More Family Group (Vol. i. pp. 291-302) 334
 
  The Portrait of Sir Thomas More (Vol. i. pp. 303-4) 340
 
J. Holbein’s Return to England in 1532 (Vol. i. p. 352) 340
 
K. Lord Arundel and Rembrandt as Collectors of Holbein’s Pictures (Vol. ii. p. 66) 341
 
  The Portraits of Sir Nicholas Poyntz (Vol. ii. p. 71-72) 342
 
L. Holbein’s Visit to Joinville and Nancy in 1538 (Vol. ii. pp. 148-149) 343
 
M. Holbein’s Studio in Whitehall (Vol. ii. p. 185) 344
 
  The Barber-Surgeons’ Picture (Vol. ii. p. 294) 346
SUMMARY LIST OF HOLBEIN’S CHIEF PICTURES AND PORTRAITS 347
 
PICTURES BY AND ATTRIBUTED TO HOLBEIN, AND OF HIS SCHOOL AND PERIOD, EXHIBITED AT VARIOUS EXHIBITIONS BETWEEN 1846 AND 1912 359
I. The British Institution, 1846 359
 
II. Art Treasures of the United Kingdom Collected at Manchester in 1857 360
 
III. Special Exhibition of Works of Art, South Kensington Museum, June, 1862 361
 
IV. Special Exhibition of Portrait Miniatures on Loan at the South Kensington Museum, June, 1865 362
 
V. First Special Exhibition of National Portraits ending with the Reign of King James the Second on Loan to the South Kensington Museum, 1866 363
 
VI. Third and Concluding Exhibition of National Portraits on Loan to the South Kensington Museum, April, 1868 367
 
VII. Royal Academy of Arts, Winter Exhibitions of Works by the Old Masters, 1870-1912 368
 
VIII. Grosvenor Gallery, Winter Exhibition of Drawings by the Old Masters, 1878-79 374
 
IX. Exhibition of the Royal House of Tudor. New Gallery, 1890 374
 
X. Exhibition of the Royal House of Tudor. Corporation of Manchester Art Gallery, 1897 381
 
XI. New Gallery, Winter Exhibition, 1901-2. Monarchs of Great Britain and Ireland 382
 
XII. Loan Collection of Portraits of English Historical Personages who died prior to the Year 1625. Oxford, 1904 383
 
XIII. Exhibition Illustrative of Early English Portraiture. Burlington Fine Arts Club, 1909 384
 
XIV. Pictures by or Attributed to Holbein, described by Dr. Waagen in his “Treasures of Art in Great Britain,” 1854 386
 
  A SHORT BIBLIOGRAPHY 390
 
  INDEX 401