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Hinduism and Buddhism, An Historical Sketch, Vol. 2

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About This Book

The work traces the religious history and development of Buddhism and Hinduism in India through doctrinal exposition, chronological narrative and textual analysis. It outlines Mahayana thought—Bodhisattva ideals, metaphysics, scripture and later Tantric developments—its spread and decline, and contrasts these features with more conservative Buddhist schools. It then surveys Hindu traditions, treating Śiva and Viṣṇu cults, ritual, caste, sectarian organization, devotional and philosophical movements, later regional forms and contacts with Islamic-influenced reform, while noting problems of language, transcription and source material.

FOOTNOTES:

[604] See Bhandarkar, Vaishn. and Śaivism, pp. 66 ff., Grierson in Ind. Ant. 1893, p. 226, and also in article Ramanandi in E.R.E.; Farquhar, J.R.A.S.1920, pp. 185 ff. Though Indian tradition seems to be unanimous in giving 1299 A.D. (4400 Kali) as the date of Râmânand's birth, all that we know about himself and his disciples makes it more probable that he was born nearly a century later. The history of ideas, too, becomes clear and intelligible if we suppose that Râmânand, Kabir and Nanak flourished about 1400, 1450 and 1500 respectively. One should be cautious in allowing such arguments to outweigh unanimous tradition, but tradition also assigns to Râmânand an improbably long life, thus indicating a feeling that he influenced the fifteenth century. Also the traditions as to the number of teachers between Râmânuja and Râmânand differ greatly.

[605] One of them is found in the Granth of the Sikhs.

[606] Râmânand's maxim was "Jâti pâti puchai nahikoi: Hari-ku bhajai so Hari-kau hoî." Let no one ask a man's caste or sect. Whoever adores God, he is God's own.

[607] Bhattacharya, Hindu Castes and Sects, p. 445.

[608] Thus we have the poems of Kabir, Nânak and others contained in the Granth of the Sikhs and tending to Mohammedanism: the hymns wherein Mirâ Bai, Vallabha and his disciples praised Kṛishṇa in Râjputâna and Braj: the poets inspired by Caitanya in Bengal: Śaṅkar Deb and Madhab Deb in Assam: Namdev and Tukârâm in the Maratha country.

[609] See Beames, J.A. 1873, pp. 37 ff., and Grierson, Maithili Christomathy, pp. 34 ff., in extra No. to Journ. As. Soc. Bengal, Part I. for 1882 and Coomaraswamy's illustrated translation of Vidyâpati, 1915. It is said that a land grant proves he was a celebrated Pandit in 1400. The Bengali Vaishṇava poet Chaṇḍî Dâs was his contemporary.

[610] See Grierson, Gleanings from the Bhaktamâlâ, J.R.A.S. 1909 and 1910.

[611] Modern Vernacular Literature of Hindustan, 1889, p. 57.

[612] Similarly Dinesh Chandra Sen (Lang, and Lit. of Bengal, p. 170) says that Krittivâsa's translation of the Râmâyaṇa "is the Bible of the people of the Gangetic Valley and it is for the most part the peasants who read it." Krittivâsa was born in 1346 and roughly contemporary with Râmânand. Thus the popular interest in Râma was roused in different provinces at the same time.

He also wrote several other poems, among which may be mentioned the Gîtâvalî and Kavittâvalî, dedicated respectively to the infancy and the heroic deeds of Râma, and the Vinaya Pattrikâ or petition, a volume of hymns and prayers.

[613] See Growse's Translation, vol. I. pp. 60, 62.

[614] Ib. vol. III. p. 190, cf. vol. I. p. 88 and vol. III. pp. 66-67.

[615] Ib. vol. II. p. 54.

[616] Ib. vol. I. p. 77.

[617] Growse, l.c. vol. II. p. 200, cf. p. 204. Mâyâ who sets the whole world dancing and whose actions no one can understand is herself set dancing with all her troupe, like an actress on the stage, by the play of the Lord's eyebrows. Cf. too, for the infinity of worlds, pp. 210, 211.

[618] Growse aptly compares St. Paul, "I had not known evil but by the law."

[619] Ib. vol. II. p. 223.

[620] Ib. vol. II. p. 196.

[621] The Vishnuite sect called Nimâvat is said to have been exterminated by Jains (Grierson in E.R.E. sub. V. Bhakti-mârga, p. 545). This may point to persecution during this period.

[622] For Vallabhâcârya and his sect, see especially Growse, Mathurâ, a district memoir, 1874; History of the sect of the Mahârâjas in western India (anonymous), 1865. Also Bhandarkar, Vaishṇ. and Saivism, pp. 76-82 and Farquhar, Outlines of Relig. Lit. of India, pp. 312-317.

[623] The principal of them are the Siddhânta-Rahasya and the Bhâgavata-Tîka-Subodhini, a commentary on the Bhâgavata Purâṇa. This is a short poem of only seventeen lines printed in Growse's Mathurâ, p. 156. It professes to be a revelation from the deity to the effect that sin can be done away with by union with Brahma (Brahma-sambandha-karaṇât). Other authoritative works of the sect are the Śuddhâdvaita mârtaṇḍa, Sakalâcâryamatasangraha and Prameyaratnârṇava, all edited in the Chowkhamba Sanskrit series.

[624] Cf. the use of the word poshaṇam in the Bhâgavata Purâṇa, II. x.

[625] Growse, Mathurâ, p. 157, says this formula is based on the Nâradapancarâtra. It is called Samarpana, dedication, or Brahma-sambandha, connecting oneself with the Supreme Being.

[626] For instance "Whoever holds his Guru and Kṛishṇa to be distinct and different shall be born again as a bird." Harirayaji 32. Quoted in History of the Sect of the Mahârâjas, p. 82.

[627] In the ordinary ceremonial the Maharaj stands beside the image of Kṛishṇa and acknowledges the worship offered. Sometimes he is swung in a swing with or without the image. The hymns sung on these occasions are frequently immoral. Even more licentious are the meetings or dances known as Ras Mandali and Ras Lîlâ. A meal of hot food seasoned with aphrodisiacs is also said to be provided in the temples. The water in which the Maharaj's linen or feet have been washed is sold for a high price and actually drunk by devotees.

[628] Strictly speaking the Râdhâ-Vallabhis are not an offshoot of Vallabha's school, but of the Nimâvats or of the Mâdhva-sampradâya. The theory underlying their strange practices seems to be that Kṛishṇa is the only male and that all mankind should cultivate sentiments of female love for him. See Macnicol, Indian Theism, p. 134.

[629] But other explanations are current such as Lord of the senses or Lord of the Vedas.

[630] See Growse, Mathurâ, p. 153. I can entirely confirm what he says. This mean, inartistic, dirty place certainly suggests moral depravity.

[631] His real name was Sahajânanda.

[632] Caran Das (1703-1782) founded a somewhat similar sect which professed to abolish idolatry and laid great stress on ethics. See Grierson's article Caran Das in E.R.E.

[633] But Vishnuite writers distinguish kâma desire and prema love, just as ερως and ἁγἁπη are distinguished in Greek. See Dinesh Chandra Sen, l.c. p. 485.

[634] Dinesh Chandra Sen, History of Bengali Language and Literature, pp. 134-5.

[635] For Caitanya see Dinesh Chandra Sen, History of Bengali Language and Lit. chap. V. and Jadunath Sarkar, Chaitanya's Pilgrimages and teachings from the Caitanya-Caritâmrita of Kṛishṇa Das (1590) founded on the earlier Caitanya-Caritra of Brindavan. Several of Caitanya's followers were also voluminous writers.

[636] He married the daughter of a certain Vallabha who apparently was not the founder of the Sect, as is often stated.

[637] The theology of the sect may be studied in Baladeva's commentary on the Vedânta sûtras and his Prameya Ratnâvalî, both contained in vol. V. of the Sacred Books of the Hindus. It would appear that the sect regards itself as a continuation of the Brahma-sampradâya but its tenets have more resemblance to those of Vallabha.

[638] No less than 159 padakartâs or religious poets are enumerated by Dinesh Chandra Sen. Several collections of these poems have been published of which the principal is called Padakalpataru.

[639] See Bhandarkar, Vaishṇ. and Śaivism, pp. 87-90, and Nicol, Psalms of Maratha Saints which gives a bibliography. For Nâmdev see also Macauliffe, The Sikh Religion, vol. VI. pp. 17-76. For Ramdas see Rawlinson, Sivaji the Maratha, pp. 116 ff.

[640] Bhandarkar, l.c. p. 92. An earlier poet of this country was Jñâneśvara who wrote a paraphrase of the Bhagavad-gîtâ in 1290. His writings are said to be the first great landmark in Marathi literature.

[641] There is no necessary hostility between the worship of Śiva and of Vishṇu. At Pandharpur pilgrims visit first a temple of Śiva and then the principal shrine. This latter, like the temple of Jagannath at Puri, is suspected of having been a Buddhist shrine. It is called Vihâra, the principal festival is in the Buddhist Lent and caste is not observed within its precincts.

[642] Quoted by Bhandarkar, p. 90. The subsequent quotations are from the same source but I have sometimes slightly modified them and compared them with the original, though I have no pretension to be a Marathi scholar.

[643] Called Abhangs.

[644] See Eliot, Hinduism in Assam, J.R.A.S. 1910, pp. 1168-1186.

[645] Census of India, 1911, Assam, p. 41.

[646] Some authorities state that the sacred book thus venerated is the Bhagavad-gîtâ, but at Kamalabari I made careful enquiries and was assured it was the Nâmghosha.

[647] Especially Gadadhar Singh, 1681-96.

[648] See Census of India, 1901, Bengal, pp. 183-4 and Bhattacharya, Hindu Castes and Sects, pp. 485-488.

[649] Karta, literally doer, is the name given to the executive head of a joint family in Bengal. The sect prefer to call themselves Bhabajanas or Bhagawanis.

[650] Another mixed sect is that of the Dhâmis in the Panna state of Bundelkhand, founded by one Prannâth in the reign of Aurungzeb. Their doctrine is a combination of Hinduism and Islam, tending towards Krishnaism. See Russell, Tribes and Castes of Central Provinces, p. 217.

CHAPTER XXXI

AMALGAMATION OF HINDUISM AND ISLAM. KABIR AND THE SIKHS

1

The Kartâbhajas mentioned at the end of the last chapter show a mixture of Hinduism and Mohammedanism, and the mixture[651] is found in other sects some of which are of considerable importance. A group of these sects, including the Sikhs and followers of Kabir, arose in the fifteenth and sixteenth centuries. Their origin can be traced to Râmânand but they cannot be called Vaishṇavas and they are clearly distinguished from all the religious bodies that we have hitherto passed in review. The tone of their writings is more restrained and severe: the worshipper approaches the deity as a servant rather than a lover: caste is rejected as useless: Hindu mythology is eschewed or used sparingly. Yet in spite of these differences the essential doctrines of Tulsi Das, Kabir and Nânak show a great resemblance. They all believe in one deity whom they call by various names, but this deity, though personal, remains of the Indian not of the Semitic type. He somehow brings the world of transmigration into being by his power of illusion, and the business of the soul is to free itself from the illusion and return to him. Almost all these teachers, whether orthodox or heterodox, had a singular facility for composing hymns, often of high literary merit, and it is in these emotional utterances, rather than in dogmatic treatises, that they addressed themselves to the peoples of northern India.

The earliest of these mixed sects is that founded by Kabir.[652] He appears to have been a Mohammedan weaver by birth, though tradition is not unanimous on this point.[653] It is admitted, however, that he was brought up among Moslims at Benares but became a disciple of Râmânand. This suggests that he lived early in the fifteenth century.[654] Another tradition says that he was summoned before Sikander Lodi (1489-1517), but the details of his life are evidently legendary. We only know that he was married and had a son, that he taught in northern and perhaps central India and died at Maghar in the district of Gorakhpur. There is significance, however, in the legend which relates that after his decease Hindus and Mohammedans disputed as to whether his body should be burned or buried. But when they raised the cloth which covered the corpse, they found underneath it only a heap of flowers. So the Hindus took part and burnt them at Benares and the Moslims buried the rest at Maghar. His grave there is still in Moslim keeping.

In teaching Kabir stands midway between the two religions, but leaning to the side of Hinduism. It is clear that this Hindu bias became stronger in his followers, but it is not easy to separate his own teaching from subsequent embellishments, for the numerous hymns and sayings attributed to him are collected in compilations made after his death, such as the Bijak and the Âdi-granth of the Sikhs. In hymns which sound authentic he puts Hindus and Moslims on the same footing.

"Kabir is a child of Ram and Allah," he says, "and accepteth all Gurus and Pirs." "O God, whether Allah or Ram, I live by thy name."

"Make thy mind thy Kaaba, thy body its enclosing temple,
Conscience its prime teacher.
Then, O priest, call men to pray to that mosque
Which hath five gates.
The Hindus and Mussulmans have the same Lord."

But the formalities of both creeds are impartially condemned. "They are good riders who keep aloof from the Veda and Koran."[655] Caste, circumcision and idolatry are reprobated. The Hindu deities and their incarnations are all dead: God was not in any of them.[656] Ram, it would seem, should be understood not as Râmacandra but as a name of God.

Yet the general outlook is Hindu rather than Mohammedan. God is the magician who brings about this illusory world in which the soul wanders.[657] "I was in immobile and mobile creatures, in worms and in moths; I passed through many various births. But when I assumed a human body, I was a Yogi, a Yati, a penitent, a Brahmacâri: sometimes an Emperor and sometimes a beggar." Unlike the Sikhs, Kabir teaches the sanctity of life, even of plants. "Thou cuttest leaves, O flower girl: in every leaf there is life." Release, as for all Hindus, consists in escaping from the round of births and deaths. Of this he speaks almost in the language of the Buddha.[658]

"Though I have assumed many shapes, this is my last.
The strings and wires of the musical instrument are all worn out:
I am now in the power of God's name.
I shall not again have to dance to the tune of birth and death.
Nor shall my heart accompany on the drum."

This deliverance is accomplished by the union or identification of the soul with God.

"Remove the difference between thyself and God and thou shalt be united with him....
Him whom I sought without me, now I find within me....
Know God: by knowing him thou shalt become as he.
When the soul and God are blended no one can distinguish them."[659]

But if he sometimes writes like Śaṅkara, he also has the note of the Psalms and Gospels. He has the sense of sin: he thinks of God in vivid personal metaphors, as a lord, a bridegroom, a parent, both father and mother.

"Save me, O God, though I have offended thee ...
I forgot him who made me and did cleave unto strangers."
"Sing, sing, the marriage song.
The sovereign God hath come to my house as my husband....
I obtained God as my bridegroom; so great has been my good fortune."
"A mother beareth not in mind
All the faults her son committeth.
O, God, I am thy child:
Why blottest thou not out my sins?..."
"My Father is the great Lord of the Earth;
To that Father how shall I go?"[660]

The writings of Kabir's disciples such as the Sukh Nidhan attributed to Srut Gopal (and written according to Westcott about 1729) and the still later Amar Mul, which is said to be representative of the modern Kabirpanth, show a greater inclination to Pantheism, though caste and idolatry are still condemned. In these works, which relate the conversion of Dharm Das afterwards one of Kabir's principal followers, Kabir is identified with the Creator and then made a pantheistic deity much as Kṛishṇa in the Bhagavad-gîtâ.[661] He is also the true Guru whose help is necessary for salvation. Stress is further laid on the doctrine of Śabda, or the divine word. Hindu theology was familiar with this expression as signifying the eternal self-existent revelation contained in the Vedas. Kabir appears to have held that articulate sound is an expression of the Deity and that every letter, as a constituent of such sound, has a meaning. But these letters are due to Mâyâ: in reality there is no plurality of sound. Ram seems to have been selected as the divine name, because its brevity is an approach to this unity, but true knowledge is to understand the Letterless One, that is the real name or essence of God from which all differentiation of letters has vanished. Apart from some special metaphors the whole doctrine set forth in the Sukh Nidhan and Amar Mul is little more than a loose Vedantism, somewhat reminiscent of Sufiism.[662]

The teaching of Kabir is known as the Kabirpanth. At present there are both Hindus and Mohammedans among his followers and both have monasteries at Maghar where he is buried. The sect numbers in all about a million.[663] It is said that the two divisions have little in common except veneration of Kabir and do not intermix, but they both observe the practice of partaking of sacred meals, holy water,[664] and consecrated betel nut. The Hindu section is again divided into two branches known as Father (Bap) and Mother (Mai).

Though there is not much that is original in the doctrines of Kabir, he is a considerable figure in Hindi literature and may justly be called epoch-making as marking the first fusion of Hinduism and Islam which culminates and attains political importance in the Sikhs. Other offshoots of his teaching are the Satnâmîs, Râdhâ-swâmis and Dâdupanthis. The first were founded or reorganized in 1750 by a certain Jag-jivan-das. They do not observe caste and in theory adore only the True Name of God but in practice admit ordinary Hindu worship. The Râdhâ-swâmis, founded in 1861, profess a combination of the Kabirpanth with Christian ideas. The Dâdupanthis show the influence of the military spirit of Islam. They were founded by Dâdu, a cotton weaver of Ahmedabad who flourished in Akbar's reign and died about 1603. He insisted on the equality of mankind, vegetarianism, abstinence from alcohol and strict celibacy. Hence the sect is recruited by adopting boys, most of whom are trained as soldiers. In such conditions the Dâdupanthis cannot increase greatly but they number about nine thousand and are found chiefly in the state of Jaipur, especially in the town of Naraina.[665]

2

The Sikh religion[666] is of special interest since it has created not only a political society but also customs so distinctive that those who profess it rank in common esteem as a separate race. The founder Nânak lived from 1469 to 1538 and was born near Lahore. He was a Hindu by birth but came under Mohammedan influence and conceived the idea of reconciling the two faiths. He was attracted by the doctrines of Kabir and did not at first claim to teach a new religion. He wished to unite Hindus and Moslims and described himself simply as Guru or teacher and his adherents as Sikhs or disciples.

He spent the greater part of his life wandering about India and is said to have reached Mecca. A beautiful story relates that he fell asleep with his feet turned towards the Kaaba. A mollah kicked him and asked how he dared to turn his feet and not his head towards God. But he answered, "Turn my feet in a direction where God is not." He was attended on his wanderings by Mardâna, a lute-player, who accompanied the hymns which he never failed to compose when a thought or adventure occurred to him. These compositions are similar to those of Kabir, but seem to me of inferior merit. They are diffuse and inordinately long; the Japji for instance, which every Sikh ought to recite as his daily prayer, fills not less than twenty octavo pages. Yet beautiful and incisive passages are not wanting. When at the temple of Jagannath, he was asked to take part in the evening worship at which lights were waved before the god while flowers and incense were presented on golden salvers studded with pearls. But he burst out into song.[667]

"The sun and moon, O Lord, are thy lamps, the firmament
thy salver and the orbs of the stars the pearls set therein.
"The perfume of the sandal tree is thy incense; the wind is
thy fan; all the forests are thy flowers, O Lord of light."

Though Nânak is full of Hindu allusions he is more Mohammedan in tone than Kabir, and the ritual of Sikh temples is modelled on the Mohammedan rather than on the Hindu pattern. The opening words of the Japji are: "There is but one God, whose name is true, the Creator"[668] and he is regarded rather as the ruler of the world than as a spirit finding expression in it. "By his order" all things happen. "By obeying him" man obtains happiness and salvation. "There is no limit to his mercy and his praises." In the presence of God "man has no power and no strength." Such sentiments have a smack of Mohammed and Nânak sometimes uses the very words of the Koran as when he says that God has no companion. And though the penetrating spirit of the Vedânta infects this regal monotheism, yet the doctrine of Mâyâ is set forth in unusual phraseology: "God himself created the world and himself gave names to things. He made Mâyâ by his power: seated, he beheld his work with delight."

In other compositions attributed to Nânak greater prominence is given to Mâyâ and to the common Hindu idea that creation is a self-expansion of the deity. Metempsychosis is taught and the divine name is Hari. This is characteristic of the age, for Nânak was nearly a contemporary of Caitanya and Vallabhâcârya. For Kabir, the disciple of Râmânanda, the name was Ram.

Nânak was sufficiently conscious of his position as head of a sect to leave a successor as Guru,[669] but there is no indication that at this time the Sikhs differed materially from many other religious bodies who reprobated caste and idolatry. Under the fourth Guru, Ram Das, the beginnings of a change appear. His strong personality collected many wealthy adherents and with their offerings he purchased the tank of Amritsar[670] and built in its midst the celebrated Golden Temple. He appointed his son Arjun as Guru in 1581, just before his death: the succession was made hereditary and henceforth the Gurus became chiefs rather than spiritual teachers. Arjun assumed some of the insignia of royalty: a town grew up round the sacred tank and became the centre of a community; a tax was collected from all Sikhs and they were subjected to special and often salutary legislation. Infanticide, for instance, was strictly forbidden. With a view of providing a code and standard Arjun compiled the Granth or Sikh scriptures, for though hymns and prayers composed by Nânak and others were in use there was as yet no authorized collection of them. The example of Mohammedanism no doubt stimulated the desire to possess a sacred book and the veneration of the scriptures increased with time. The Granth now receives the same kind of respect as the Koran and the first sight of a Sikh temple with a large open volume on a reading-desk cannot fail to recall a mosque.

Arjun's compilation is called the Âdi-granth, or original book, to distinguish it from the later additions made by Guru Govind. It comprises hymns and prayers by Nânak and the four Gurus who followed him (including Arjun himself), Râmânand, Kabir and others, amounting to thirty-five writers in all. The list is interesting as testifying to the existence of a great body of oral poetry by various authors ranging from Râmânand, who had not separated himself from orthodox Vishnuism, to Arjun, the chief of the Sikh national community. It was evidently felt that all these men had one inspiration coming from one truth and even now unwritten poems of Nânak are current in Bihar. The Granth is written in a special alphabet known as Gurmukhi[671] and contains both prose and poetical pieces in several languages: most are in old western Hindi[672] but some are in Panjabi and Marathi.

But though in compiling a sacred book and in uniting the temporal and spiritual power Arjun was influenced by the spirit of Mohammedanism, this is not the sort of imitation which makes for peace. The combination of Hinduism and Islam resulted in the production of a special type of Hindu peculiarly distasteful to Moslims and not much loved by other Hindus. Much of Arjun's activity took place in the later years of the Emperor Akbar. This most philosophic and tolerant of princes abandoned Mohammedanism after 1579, remitted the special taxes payable by non-Moslims and adopted many Hindu observances. Towards the end of his life he promulgated a new creed known as the Din-i-ilahi or divine faith. This eclectic and composite religion bears testimony to his vanity as well as to his large sympathies, for it recognized him as the viceregent or even an incarnation of God. It would appear that the singular little work called the Allopanishad or Allah Upanishad[673] was written in connection with this movement. It purports to be an Upanishad of the Atharva Veda and can hardly be described as other than a forgery. It declares that "the Allah of the prophet Muhammad Akbar[674] is the God of Gods" and identifies him with Mitra, Varuṇa, the sun, moon, water, Indra, etc. Akbar's religion did not long survive his death and never flourished far from the imperial court, but somewhat later (1656) Muhammad Dara Shukoh, the son of Shah Jehan, caused a Persian translation of about fifty Upanishads, known as the Oupnekhat,[675] to be prepared. The general temper of the period was propitious to the growth and immunity of mixed forms of belief, but the warlike and semi-political character of the Sikh community brought trouble on it.

Arjun attracted the unfavourable attention of Akbar's successor, Jehangir,[676] and was cast into prison where he died. The Sikhs took up arms and henceforth regarded themselves as the enemies of the government, but their strength was wasted by internal dissensions. The ninth Guru, Teg-Bahadur, was executed by Aurungzeb. Desire to avenge this martyrdom and the strenuous character of the tenth Guru, Govind Singh (1675-1708), completed the transformation of the Sikhs into a church militant devoted to a holy war.

Though the most aggressive and uncompromising features of Sikhism are due to the innovations of Govind, he was so far from being a theological bigot that he worshipped Durgâ and was even said to have offered human sacrifices. But the aim of all his ordinances was to make his followers an independent body of fighting men. They were to return the salutation of no Hindu and to put to death every Mohammedan. The community was called Khalsa:[677] within it there was perfect equality: every man was to carry a sword and wear long hair but short trousers. Converts, or recruits, came chiefly from the fighting tribes of the Jats, but in theory admission was free. The initiatory ceremony, which resembled baptism, was performed with sugar and water stirred with a sword, and the neophyte vowed not to worship idols, to bow to none except a Sikh Guru, and never to turn his back on the enemy. To give these institutions better religious sanction, Govind composed a supplement to the Granth, called Daśama Pâdshâh ka Granth or book of the tenth prince. It consists of four parts, all in verse, and is said to inculcate war as persistently as Nânak had inculcated meekness and peace. To give his institutions greater permanence and prevent future alterations Govind refused to appoint any human successor and bade the Sikhs consider the Granth as their Guru. "Whatsoever ye shall ask of it, it will show you" he said, and in obedience to his command the book is still invested with a kind of personality and known as Granth Sahib.

Govind spent most of his time in wars with Aurungzeb marked by indomitable perseverance rather than success. Towards the end of his life he retired into Malwa and resided at a place called Damdama. The accounts of his latter days are somewhat divergent. According to one story he made his peace with the Mughals and accepted a military command under the successor of Aurungzeb but it is more commonly asserted that he was assassinated by a private enemy. Even more troublous were the days of his successor Banda. Since Govind had abolished the Guruship, he could not claim to be more than a temporal chief, but what he lacked in spiritual authority he made amends for in fanaticism. The eight years of his leadership were spent in a war of mutual extermination waged with the Moslims of the Panjab and diversified only by internal dissensions. At last he was captured and the sect was nearly annihilated by the Emperor Farukhsîyar. According to the ordinary account this victory was followed by an orgy of torture and Banda was barbarously executed after witnessing during seven days the torments of his followers and kinsmen. We read with pleasure but incredulity that one division of the Sikhs believe that he escaped and promulgated his peculiar doctrines in Sind. Asiatics do not relish the idea that the chosen of God can suffer violent death.

The further history of the Sikhs is political rather than religious, and need not detain us here. Despite the efforts of the Mughals to exterminate them, they were favoured by the disturbed state of the country in the early decades of the eighteenth century, for the raids of Afghans and Persians convulsed and paralyzed the empire of Delhi. The government of the Khalsa passed into the hands of a body of fanatics, called Akâlis, but the decision of grave matters rested with a council of the whole community which occasionally met at Amritsar. Every Sikh claimed to have joined the confederacy as an independent soldier, bound to fight under his military leaders but otherwise exempt from control, and entitled to a share of land. This absolute independence, being unworkable in practice, was modified by the formation of Misals or voluntary associations, of which there were at one time twelve. From the middle of the eighteenth century onwards the Sikhs were masters of the Panjab and their great chief Ranjit Singh (1797-1839) succeeded in converting the confederacy into a despotic monarchy. Their power did not last long after his death and the Panjab was conquered by the British in the two wars of 1846 and 1849.

With the loss of political independence, the differences between the Sikhs and other Hindus tended to decrease. This was natural, for nearly all their strictly religious tenets can be paralleled in Hinduism. Guru Govind waged no war against polytheism but wished to found a religious commonwealth equally independent of Hindu castes and Mohammedan sultans. For some time his ordinances were successful in creating a tribe, almost a nation. With the collapse of the Sikh state, the old hatred of Mohammedanism remained, but the Sikhs differed from normal Hindus hardly more than such sects as the Lingâyats, and, as happened with decadent Buddhism, the unobtrusive pressure of Hindu beliefs and observances tended to obliterate those differences. The Census of India,[678] 1901, enumerated three degrees of Sikhism. The first comprises a few zealots called Akâlis who observe all the precepts of Govind. The second class are the Guru Govind Sikhs, who observe the Guru's main commands, especially the prohibition to smoke and cut the hair. Lastly, there are a considerable number who profess a respect for the Guru but follow Hindu beliefs and usages wholly or in part. Sikhism indeed reproduces on a small scale the changeableness and complexity of Hinduism, and includes associations called Sabhâ, whose members aim at restoring or maintaining what they consider to be the true faith. In 1901 there was a tendency for Sikhs to give up their peculiarities and describe themselves as ordinary Hindus, but in the next decade a change of sentiment among these waverers caused the Sikh community as registered to increase by thirty-seven per cent. and a period of religious zeal is reported.[679]

 

FOOTNOTES:

[651] It is exemplified by the curious word an-had limitless, being the Indian negative prefix added to the arabic word had used in the Sikh Granth and by Caran Das as a name of God.

[652] See especially G.H. Westcott, Kabir and the Kabir Panth, and Macauliffe, Sikh Religion, vol. vi. pp. 122-316. Also Wilson, Essays on the religion of the Hindus, vol. I. pp. 68-98. Garcin de Tassy, Histoire de la Littérature Hindoue, II. pp. 120-134. Bhandarkar, Vaishṇ. and Śaivism, pp. 67-73.

[653] The name Kabir seems to me decisive.

[654] Dadu who died about 1603 is said to have been fifth in spiritual descent from Kabir.

[655] From a hymn in which the spiritual life is represented as a ride. Macauliffe, VI. p. 156.

[656] But Hari is sometimes used by Kabir, especially in the hymns incorporated in the Granth, as a name of God.

[657] Though Kabir writes as a poet rather than as a philosopher he evidently leaned to the doctrine of illusion (vivartavâda) rather than to the doctrine of manifestation or development (Pariṇâmavâda). He regards Mâyâ as something evil, a trick, a thief, a force which leads men captive, but which disappears with the knowledge of God. "The illusion vanished when I recognized him" (XXXIX.).

[658] He even uses the word nirvâṇa.

[659] From Kabir's acrostic. Macauliffe, VI. pp. 186 and 188. It is possible that this is a later composition.

[660] Macauliffe, vi. pp. 230. 209, 202, 197.

[661] Westcott, l.c. p. 144, "I am the creator of this world.... I am the seed and the tree...all are contained in me—I live within all and all live within me" and much to the same effect. Even in the hymns of the Âdi Granth we find such phrases as "Now thou and I have become one." (Macauliffe, vi. p. 180.)

This identification of Kabir with the deity is interesting as being a modern example of what probably happened in the case of Kṛishṇa. Similarly those who collected the hymns which form the sacred books of the Sikhs and Kabirpanthis repeated the process which in earlier ages produced the Ṛig Veda.

[662] "The Âtmâ mingles with Paramâtmâ, as the rivers flow into the ocean. Only in this way can Paramâtmâ be found. The Âtmâ without Śabda is blind and cannot find the path. He who sees Âtmâ-Râm is present everywhere. All he sees is like himself. There is nought except Brahmâ. I am he, I am the true Kabir." Westcott, p. 168.

[663] The Census of 1901 gives 843,171 but there is reason to think the real numbers are larger.

[664] Consecrated by washing in it wooden sandals supposed to represent the feet of Kabir. It is stated that they believe they eat the body of Kabir at their sacred meal which perhaps points to Christian influence. See Russell, l.c. pp. 239-240.

[665] See Russell, Tribes and Castes of Central Provinces, p. 217, where it is said that some of them are householders.

[666] See especially Macauliffe, The Sikh Religion, six volumes.

[667] Macauliffe, I. p. 82.

[668] The original is Kartâ purukh (=purusha), the creative male. This phrase shows how Hindu habits of thought clung to Nânak.

[669] The Guru of the Sikhs are: (a) Nânak, 1469-1538, (b) Angada, 1538-1552, (c) Amardas, 1552-1575, (d) Ramdas, 1575-1581, (e) Arjun, 1581-1606, (f) Har-Govind, 1606-1639, (g) Har-Rai, 1639-1663, (h) Har-Kisan, 1663-1666, (i) Teg-Bahadur, 1666-1675, (j) Govind Singh, 1675-1708.

[670] Amritasaras the lake of nectar.

[671] It appears to be an arbitrary adaptation of the Deva-nâgari characters. The shape of the letters is mostly the same but new values are assigned to them.

[672] This is the description of the dialect given by Grierson, the highest authority in such matters.

[673] See Rajendrala Mitra's article in J.A.S.B. XL. 1871, pp. 170-176, which gives the Sanskrit text of the Upanishad. Also Schrader, Catalogue of Adyar Library, 1908, pp. 136-7. Schrader states that in the north of India the Allopanishad is recited by Brahmans at the Vasantotsava and on other occasions: also that in southern India it is generally believed that Moslims are skilled in the Atharva Veda.

[674] I.e., not the Allah of the Koran.

[675] This Persian translation was rendered word for word into very strange Latin by Anquetil Duperron (1801-2) and this Latin version was used by Schopenhauer.

[676] He is said to have prayed for the success of the Emperor's rebellious son.

[677] This Arabic word is interpreted in this context as meaning the special portion (of God).

[678] Census of India, 1901, Panjab report, p. 122.

[679] Provincial Geographies of India, Panjab, Douie, 1916, p. 117.

CHAPTER XXXII

ŚÂKTISM[680]

Among the principal subdivisions of Hinduism must be reckoned the remarkable religion known as Śâktism, that is the worship of Śakti or Śiva's spouse under various names, of which Devî, Durgâ and Kâlî are the best known. It differs from most sects in not being due to the creative or reforming energy of any one human founder. It claims to be a revelation from Śiva himself, but considered historically it appears to be a compound of Hinduism with un-Aryan beliefs. It acquired great influence both in the courts and among the people of north-eastern India but without producing personalities of much eminence as teachers or writers.

It would be convenient to distinguish Śâktism and Tantrism, as I have already suggested. The former means the worship of a goddess or goddesses, especially those who are regarded as forms of Śiva's consort. Vishnuites sometimes worship female deities, but though the worship of Lakshmî, Râdhâ and others may be coloured by imitation of Śâktist practices, it is less conspicuous and seems to have a different origin. Tantrism is a system of magical or sacramental ritual, which professes to attain the highest aims of religion by such methods as spells, diagrams, gestures and other physical exercises. One of its bases is the assumption that man and the universe correspond as microcosm and macrocosm and that both are subject to the mysterious power of words and letters.

These ideas are not modern nor peculiar to any Indian sect. They are present in the Vedic ceremonial, in the practices of the Yoga and even in the teaching of the quasi-mussulman sect of Kabir, which attaches great importance to the letters of the divine name. They harmonize with the common Indian view that some form of discipline or physical training is essential to the religious life. They are found in a highly developed form among the Nambuthiris and other Brahmans of southern India who try to observe the Vedic rules and in the Far East among Buddhists of the Shingon or Chên-yen sect.[681] As a rule they receive the name of Tantrism only when they are elaborated into a system which claims to be a special dispensation for this age and to supersede more arduous methods which are politely set aside as practicable only for the hero-saints of happier times. Tantrism, like salvation by faith, is a simplification of religion but on mechanical rather than emotional lines, though its deficiency in emotion often finds strange compensations.

But Tantrism is analogous not so much to justification by faith as to sacramental ritual. The parallel may seem shocking, but most tantric ceremonies are similar in idea to Christian sacraments and may be called sacramental as correctly as magical. Even in the Anglican Church baptism includes sprinkling with water (abhisheka), the sign of the cross (nyâsa) and a formula (mantra), and if any one supposes that a child so treated is sure of heaven whereas the future of the unbaptized is dubious, he holds like the Tantrists that spiritual ends can be attained by physical means. And in the Roman Church where the rite includes exorcism and the use of salt, oil and lights, the parallel is still closer. Christian mysticism has had much to do with symbolism and even with alchemy,[682] and Zoroastrianism, which is generally regarded as a reasonable religion, attaches extraordinary importance to holy spells.[683] So Indian religions are not singular in this respect, though the uncompromising thoroughness with which they work out this like other ideas leads to startling results.

The worship of female deities becomes prominent somewhat late in Indian literature and it does not represent—not to the same extent as the Chinese cult of Kwan-yin for example—the better ideals of the period when it appears. The goddesses of the Ṛig Veda are insignificant: they are little more than names, and grammatically often the feminine forms of their consorts. But this Veda is evidently a special manual of prayer from which many departments of popular religion were excluded. In the Atharva Veda many spirits with feminine names are invoked and there is an inclination to personify bad qualities and disasters as goddesses. But we do not find any goddess who has attained a position comparable with that held by Durgâ, Cybele or Astarte, though there are some remarkable hymns[684] addressed to the Earth. But there is no doubt that the worship of goddesses (especially goddesses of fertility) as great powers is both ancient and widespread. We find it among the Egyptians and Semites, in Asia Minor, in Greece, Italy, and among the Kelts. The goddess Anahit, who was worshipped with immoral rites in Bactria, is figured on the coins of the Kushans and must at one time have been known on the north-western borders of India. At the present day Śîtalâ and in south India Mariamman are goddesses of smallpox who require propitiation, and one of the earliest deities known to have been worshipped by the Tamils is the goddess Koṭṭavai.[685] Somewhat obscure but widely worshipped are the powers known as the Mothers, a title which also occurs in Keltic mythology. They are groups of goddesses varying in number and often malevolent. As many as a hundred and forty are said to be worshipped in Gujarat. The census of Bengal (1901) records the worship of the earth, sun and rivers as females, of the snake goddesses Manasâ and Jagat Gaurî and of numerous female demons who send disease, such as the seven sisters, Ola Bibi, Jogini and the Churels, or spirits of women who have died in childbirth.

The rites celebrated in honour of these deities are often of a questionable character and include dances by naked women and offerings of spirituous liquors and blood. Similar features are found in other countries. Prostitution formed part of the worship of Astarte and Anahit: the Tauric Artemis was adored with human sacrifices and Cybele with self-inflicted mutilations. Similarly offerings of blood drawn from the sacrificer's own body are enjoined in the Kâlikâ Purâṇa. Two stages can be distinguished in the relations between these cults and Hinduism. In the later stage which can be witnessed even at the present day an aboriginal goddess or demon is identified with one of the aspects (generally a "black" or fierce aspect) of Śiva's spouse.[686] But such identification is facilitated by the fact that goddesses like Kâlî, Bhairavî, Chinnamasṭakâ are not products of purely Hindu imagination but represent earlier stages of amalgamation in which Hindu and aboriginal ideas are already compounded. When the smallpox goddess is identified with Kâlî, the procedure is correct, for some popular forms of Kâlî are little more than an aboriginal deity of pestilence draped with Hindu imagery and philosophy.

Some Hindu scholars demur to this derivation of Śâktism from lower cults. They point to its refined and philosophic aspects; they see in it the worship of a goddess, who can be as merciful as the Madonna, but yet, since she is the goddess of nature, combines in one shape life and death. May not the grosser forms of Śâktism be perversions and corruptions of an ancient and higher faith? In support of this it may be urged that the Buddhist goddess Târâ is as a rule a beautiful and benevolent figure, though she can be terrible as the enemy of evil and has clear affinities to Durgâ. Yet the history of Indian thought does not support this view, but rather the view that Hinduism incorporated certain ancient ideas, true and striking as ancient ideas often are, but without purging them sufficiently to make them acceptable to the majority of educated Indians.

The Yajur Veda[687] associates Rudra with a female deity called Ambikâ or mother, who is however his sister, not his spouse. The earliest forms of the latter seem to connect her with mountains. She is Umâ Haimavatî, the daughter of the Himalayas, and Pârvatî, she of the mountains, and was perhaps originally a sacred peak. In an interesting but brief passage of the Kena Upanishad (III. 12 and IV. 1) Umâ Haimavatî explains to the gods that a being whom they do not know is Brahman. In later times we hear of a similar goddess in the Vindhyas, Mahârânî Vindhyeśvarî, who was connected with human sacrifices and Thugs.[688] Śiva's consort, like her Lord, has many forms classified as white or benignant and black or terrible. Umâ belongs to the former class but the latter (such as Kâlî, Durgâ, Câmundâ, Candâ and Karalâ) are more important.[689] Female deities bearing names like these are worshipped in most parts of India, literally from the Himalaya to Cape Comorin, for the latter name is derived from Kumârî, the Virgin goddess.[690] But the names Śâkta and Śâktism are usually restricted to those sects in Bengal and Assam who worship the Consort of Śiva with the rites prescribed in the Tantras.

Śâktism regards the goddess as the active manifestation of the godhead. As such she is styled Śakti, or energy (whence the name Śâkta), and is also identified with Mâyâ, the power which is associated with Brahman and brings the phenomenal world into being. Similar ideas appear in a philosophic form in the Sâṅkhya teaching. Here the soul is masculine and passive: its task is to extricate and isolate itself. But Prakṛiti or Nature is feminine and active: to her is due the evolution of the universe: she involves the soul in actions which cause pain but she also helps the work of liberation.[691] In its fully developed form the doctrine of the Tantras teaches that Śakti is not an emanation or aspect of the deity. There is no distinction between Brahman and Śakti. She is Parabrahman and parâtparâ, Supreme of the Supreme.

The birthplace of Śâktism as a definite sect seems to have been north-eastern India[692] and though it is said to be extending in the United Provinces, its present sphere of influence is still chiefly Bengal and Assam.[693] The population of these countries is not Aryan (though the Bengali language bears witness to the strong Aryan influence which has prevailed there) and is largely composed of immigrants from the north belonging to the Tibeto-Burman, Mon-Khmer and Shan families. These tribes remain distinct in Assam but the Bengali represents the fusion of such invaders with a Munda or Dravidian race, leavened by a little Aryan blood in the higher castes. In all this region we hear of no ancient Brahmanic settlements, no ancient centres of Vedic or even Puranic learning[694] and when Buddhism decayed no body of Brahmanic tradition such as existed in other parts of India imposed its authority on the writers of the Tantras. Even at the present day the worship of female spirits, only half acknowledged by the Brahmans, prevails among these people, and in the past the national deities of many tribes were goddesses who were propitiated with human sacrifices. Thus the Chutiyas of Sadiya used to adore a goddess, called Kesai Khati—the eater of raw flesh. The rites of these deities were originally performed by tribal priests, but as Hindu influence spread, the Brahmans gradually took charge of them without modifying their character in essentials. Popular Bengali poetry represents these goddesses as desiring worship and feeling that they are slighted: they persecute those who ignore them, but shower blessings on their worshippers, even on the obdurate who are at last compelled to do them homage. The language of mythology could not describe more clearly the endeavours of a plebeian cult to obtain recognition.[695]

The Mahâbhârata contains hymns to Durgâ in which she is said to love offerings of flesh and wine,[696] but it is not likely that Śâktism or Tantrism—that is a system with special scriptures and doctrines—was prevalent before the seventh century A.D. for the Tantras are not mentioned by the Chinese pilgrims and the lexicon Amara Kosha (perhaps c. 500 A.D.) does not recognize the word as a designation of religious books. Bâṇa (c. 630) gives more than once in his romances lists of sectaries but though he mentions Bhâgavatas and Pâśupatas, he does not speak of Śaktas.[697] On the other hand Tantrism infected Buddhism soon after this period. The earlier Tibetan translations of the Tantras are attributed to the ninth century. MSS. of the Kubjikâmata and other Tantras are said to date from the ninth and even from the seventh century and tradition represents Sankarâcârya as having contests with Śâktas.[698] But many Tantras were written in the fifteenth century and even later, for the Yogini Tantra alludes to the Koch king Bishwa Singh (1515-1540) and the Meru Tantra mentions London and the English.

From the twelfth to the sixteenth century, when Buddhism, itself deeply infected with Tantrism, was disappearing, Śâktism was probably the most powerful religion in Bengal, but Vishnuism was gaining strength and after the time of Caitanya proved a formidable rival to it. At the beginning of the fifteenth century we hear that the king of the Ahoms summoned Brahmans to his Court and adopted many Hindu rites and beliefs, and from this time onward Śâktism was patronized by most of the Assamese Rajas although after 1550 Vishnuism became the religion of the mass of the people. Śâktism never inspired any popular or missionary movement, but it was powerful among the aristocracy and instigated persecutions against the Vishnuites.

The more respectable Tantras[699] show considerable resemblance to the later Upanishads such as the Nṛisinhatâpanîya and Râmatâ-panîya, which mention Śakti in the sense of creative energy.[700] Both classes of works treat of magical formulæ(mantras) and the construction of mystic diagrams or yantras. This resemblance does not give us much assistance in chronology, for the dates of the later Upanishads are very uncertain, but it shows how the Tantras are connected with other branches of Hindu thought.

The distinction between Tantras and Purâṇas is not always well-marked. The Bhâgavata Purâṇa countenances tantric rites[701] and the Agni Purâṇa (from chapter XXI onwards) bears a strong resemblance to a Tantra. As a rule the Tantras contain less historical and legendary matter than the Purâṇas and more directions as to ritual. But whereas the Purâṇas approve of both Vedic rites and others, the Tantras insist that ceremonies other than those which they prescribe are now useless. They maintain that each age of the world has its own special revelation and that in this age the Tantra-śâstra is the only scripture. Thus in the Mahânirvâṇa Tantra Śiva says:[702] "The fool who would follow other doctrines heedless of mine is as great a sinner as a parricide or the murderer of a Brahman or of a woman.... The Vedic rites and mantras which were efficacious in the first age have ceased to have power in this. They are now as powerless as snakes whose fangs have been drawn and are like dead things." The Kulârṇava Tantra (I. 79 ff.) inveighs against those who think they will obtain salvation by Vedic sacrifices or asceticism or reading sacred books, whereas it can be won only by tantric rites.

Various lists of Tantras are given and it is generally admitted that many have been lost. The most complete, but somewhat theoretical enumeration[703] divides India and the adjoining lands into three regions to each of which sixty-four Tantras are assigned. The best known names are perhaps Mahânirvâṇa,[704] Sâradâtilaka,[705] Yoginî, Kulârṇava[706] and Rudra-Yâmala. A Tantra is generally cast in the form of a dialogue in which Śiva instructs his consort but sometimes vice versâ. It is said that the former class are correctly described as Âgamas and the works where the Śakti addresses Śiva as Nigamas.[707] Some are also called Yâmalas and Dâmaras but I have found no definition of the meaning of these words. The Prapañcasâra Tantra[708] professes to be a revelation from Nârâyaṇa.