TABLE
| Pages. | |
| LE RETOUR D’ALSACE | 1 |
| LA JOURNÉE PORTUGAISE | 97 |
| PÉRIPLE | 113 |
| DARDANELLES | 187 |
| LES CINQ SOIRS ET LES CINQ RÉVEILS DE LA MARNE | 201 |
IMPRIMERIE CHAIX, RUE BERGERE, 20, PARIS.—2640-3-47.—Œncre Lorilleux.
A sequence of closely observed sketches set in the Alsatian border at the outbreak of war, blending military detail with village life and logistics. It records daily routines—telephone lines, convoys, sentries—and the small gestures people use to measure time amid uncertainty. Reading, gossip, and literary allusion accompany the soldiers, while casual camaraderie is continually shadowed by abrupt news of loss. The tone shifts between wry specificity and restrained elegy, showing how ordinary landscapes and social habits are altered by sudden conflict.
| Pages. | |
| LE RETOUR D’ALSACE | 1 |
| LA JOURNÉE PORTUGAISE | 97 |
| PÉRIPLE | 113 |
| DARDANELLES | 187 |
| LES CINQ SOIRS ET LES CINQ RÉVEILS DE LA MARNE | 201 |
IMPRIMERIE CHAIX, RUE BERGERE, 20, PARIS.—2640-3-47.—Œncre Lorilleux.