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Memoirs of the Dukes of Urbino, Volume 3 (of 3) / Illustrating the Arms, Arts, and Literature of Italy, from 1440 To 1630

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This volume traces successive dukes of Urbino, recounting political and military episodes — including the sack of Rome, the erosion of Italian autonomy, and regional campaigns — alongside detailed biographical sketches, court intrigues, and dynastic succession. It then surveys the duchy’s cultural life, examining literary figures, academies, and painters and sculptors connected to the court, assesses factors in the decline of Italian art, and describes the manufacture of local majolica. Extensive appendices reproduce correspondence, official documents, inventories, and inscriptions that illuminate negotiations, military events, and the composition of the ducal collections.

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Title: Memoirs of the Dukes of Urbino, Volume 3 (of 3)

Author: James Dennistoun

Editor: Edward Hutton

Release date: November 30, 2015 [eBook #50577]
Most recently updated: October 22, 2024

Language: English

Credits: E-text prepared by Suzanne Lybarger, Linda Cantoni, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (https://archive.org/details/toronto)

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The Project Gutenberg eBook, Memoirs of the Dukes of Urbino, Volume III (of 3), by James Dennistoun

 

 

Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See https://archive.org/details/memoirsofdukesof03dennuoft

Project Gutenberg also has the other two volumes of this work.
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Volume II: see http://www.gutenberg.org/files/44235/44235-h/44235-h.htm

 

Transcriber's Note

This work was originally published in 1851. As noted in the original, footnotes marked by an asterisk were added by the editor of the 1909 edition, from which this e-book was prepared.

Obvious printer errors have been corrected without note.

Certain spelling inconsistencies have been made consistent; for example, variants of Michelangelo's last name have been changed to Buonarroti. Archaic spellings in English and Italian have been retained as they appear in the original.

Full-page illustrations have been moved so as not to break up the flow of the text.

CONTENTS
ILLUSTRATIONS

 


 

 

 

MEMOIRS OF THE
DUKES OF URBINO

ILLUSTRATING THE ARMS, ARTS
& LITERATURE OF ITALY, 1440-1630

BY JAMES DENNISTOUN OF DENNISTOUN

A NEW EDITION WITH NOTES
BY EDWARD HUTTON
& OVER A HUNDRED ILLUSTRATIONS
IN THREE VOLUMES. VOLUME THREE

LONDON JOHN LANE THE BODLEY HEAD
NEW YORK JOHN LANE COMPANY MCMIX

WILLIAM BRENDON AND SON, LTD., PRINTERS, PLYMOUTH


CONTENTS

BOOK SIXTH
(Continued)
OF FRANCESCO MARIA DELLA ROVERE,
FOURTH DUKE OF URBINO

 PAGE
CHAPTER XXXIX
Causes which led to the sack of Rome—The assault—Death of Bourbon—Atrocities of his soldiery—The Duke of Urbino's fatal delays—The Pontiff's capitulation and escape—Policy of the Emperor3
CHAPTER XL
The Duke's mischievous Policy—New league against Charles V.—A French army reaches Naples—The Duke's campaign in Lombardy—Peace restored—Siege of Florence—Coronation of the Emperor at Bologna—The independence of Italy finally lost—Leonora Duchess of Urbino—The Duke's Military Discourses34
CHAPTER XLI
Italian Militia—The Camerino disputes—Death of Clement VII.—Marriage of Prince Guidobaldo—Proposed Turkish crusade under the Duke—His death and character60

BOOK SEVENTH
OF GUIDOBALDO DELLA ROVERE,
FIFTH DUKE OF URBINO

CHAPTER XLII
Succession of Duke Guidobaldo II.—He loses Camerino and the Prefecture of Rome—The altered state of Italy—Death of Duchess Giulia—The Duke's remarriage—Affairs of the Farnesi85
CHAPTER XLIII
The Duke's domestic affairs—Policy of Paul IV.—The Duke enters the Spanish service—Rebellion at Urbino severely repressed—His death and character—His children106

BOOK EIGHTH
OF FRANCESCO MARIA II. DELLA ROVERE,
SIXTH AND LAST DUKE OF URBINO

CHAPTER XLIV
Autobiography of Duke Francesco Maria II.—His visit to the Spanish Court—His studious habits—His marriage—Is engaged in the naval action of Lepanto—Succeeds to the dukedom129
CHAPTER XLV
The unsatisfactory results of his marriage—He separates from the Duchess—His court and habits—Death of the Duchess—He remarries152
CHAPTER XLVI
Birth of Prince Federigo—The Duke's retired habits and aversion to business—His constitution-making experiments—His instructions to his son—The Prince's unfortunate education and character173
CHAPTER XLVII
The Prince's marriage—The Duke entrusts to him the government, and retires to Castel Durante—His dissolute career and early death—Birth of his daughter Vittoria—The Duke rouses himself—He arranges the devolution of his state to the Holy See—Papal intrigues196
CHAPTER XLVIII
The Duke's monkish seclusion—His death and character—His portraits and letters—Notices of Princess Vittoria, and her inheritance—Fate of the ducal libraries—The duchy incorporated with the Papal States—Results of the Devolution224

BOOK NINTH
OF LITERATURE AND ART UNDER THE
DUKES DELLA ROVERE AT URBINO

CHAPTER XLIX
Italian literature subject to new influences—The Academies—Federigo Comandino—Guidobaldo del Monte—The Paciotti—Leonardi—Muzio Oddi—Bernardino Baldi—Girolamo Muzio—Federigo Bonaventura253
CHAPTER L
Italian versification—Ariosto—Pietro Aretino—Vittoria Colonna—Laura Battiferri—Dionigi Atanagi—Antonio Galli—Marco Montano—Bernardo Tasso278
CHAPTER LI
Torquato Tasso—His insanity—Theories of Dr. Verga and Mr. Wilde—His connection with Urbino—His intercourse with the Princess of Este—His portraits—His letter to the Duke of Urbino—His confinement—His death—His poetry—Battista Guarini308
CHAPTER LII
The decline of Italian art: its causes and results—Artists of Urbino—Girolamo della Genga and his son Bartolomeo—Other architects and engineers335
CHAPTER LIII
Taddeo Zuccaro—Federigo Zuccaro—Their pupils—Federigo Baroccio and his pupils—Claudio Ridolfi—Painters of Gubbio355
CHAPTER LIV
Foreign artists patronised by the Dukes della Rovere—The tomb of Julius II. by Michael Angelo—Character and influence of his genius—Titian's works for Urbino—Palma Giovane—Il Semolei—Sculptors at Urbino381
CHAPTER LV
Of the manufacture of majolica in the Duchy of Urbino403

APPENDICES

I. Correspondence of Clement VII. with Duke Francesco Maria before the sack of Rome, 1527427
II. The sack of Rome429
III. The Duke of Urbino's justification, 1527444
IV. Sketch of the negotiations of Castiglione at the court of Madrid, 1525-1529448
V. Account of the armada of Don John of Austria at Messina, 1571452
VI. Indulgence conceded to the corona of the Grand Duke of Tuscany by Pius V., 1666456
VII. Monumental inscriptions of the ducal family of Urbino458
VIII. Statistics of Urbino463
IX. Two sonnets by Pietro Aretino on Titian's portraits of Duke Francesco Maria I. and his Duchess Leonora470
X. Petition to Guidobaldo II. Duke of Urbino, by certain Majolica-makers in Pesaro472
XI. Letter from the Archbishop of Urbino to Cardinal Giulio della Rovere, regarding a service of Majolica474
XII. Collections of art made by the Dukes of Urbino476
Dennistoun's List of Authorities for the Work490
Genealogical Table501
Index505

ILLUSTRATIONS

Francesco Maria II. della Rovere, Duke of Urbino. After the picture by Baroccio in the Uffizi Gallery, Florence. (Photo Anderson)Frontispiece
 FACING PAGE
The Emperor Charles V. From the picture by Titian in the Prado Gallery, Madrid. (Photo Anderson)28
Guidobaldo II., Duke of Urbino. From a picture in the Albani Palace in Rome88
? Guidobaldo II. della Rovere. From the picture by Titian in the Pitti Gallery, Florence. (Probably once in the Ducal Collection.) (Photo Alinari)90
Isabella d'Este. After the picture by Titian in the Imperial Museum, Vienna. (Photo Franz Hanfstaengl)134
Duke Francesco Maria II. receiving the allegiance of his followers. After the fresco by Girolamo Genga in the Villa Imperiale, Pesaro. (Photo Alinari)148
Duke Francesco Maria II. receiving the allegiance of his followers. After the fresco by Girolamo Genga in the Villa Imperiale, Pesaro. (Photo Alinari)150
Francesco I. de' Medici. After the picture by Bronzino in the Pitti Gallery, Florence. (Photo Anderson)154
Federigo, Prince of Urbino. From the picture once in the possession of Andrew Coventry of Edinburgh196
Facsimiles of signatures and monograms200
Francesco Maria II., Duke of Urbino. From a picture once in the possession of James Dennistoun226
Vittoria della Rovere, Grand Duchess of Tuscany. From the picture by Sustermans in the Pitti Gallery, Florence. (Photo Anderson)248
Supposed portrait of Ariosto. After the picture by Titian in the National Gallery280
Pietro Aretino. From the picture by Titian in the Pitti Gallery, Florence. (Photo Alinari)288
Bernardo Tasso. From a picture once in the possession of James Dennistoun298
Torquato Tasso. From a picture once in the possession of James Dennistoun308
Laura de' Dianti and Alfonso of Ferrara. After the picture by Titian in the Louvre. (Photo Neurdein Frères)312
Martyrdom of S. Agata. After a picture by Seb. dal Piombo, once in the Ducal Collection at Urbino, now in the Pitti Gallery, Florence. (Photo Anderson)336
Holy Family. After the picture by Sustermans, once in the Ducal Collection of Urbino, now in the Pitti Gallery, Florence. (Photo Alinari)340
The Knight of Malta. From the picture by Giorgione, once in the Ducal Collection at Urbino, now in the Uffizi Gallery, Florence. (Photo Anderson)344
Judith with the head of Holofernes. After the picture by Palma il Vecchio, once in the Ducal Collection at Urbino. (Photo Alinari)346
Head of Christ. After the picture by Titian, once in the Ducal Collection, now in the Pitti Gallery, Florence. (Photo Alinari)348
The Resurrection. After the banner painted by Titian for the Compagnia di Corpus Domini, now in the Pinacoteca, Urbino. (Photo Alinari)352
The Last Supper. After the picture by Baroccio in the Duomo of Urbino. (Photo Alinari)356
Noli me Tangere. After the picture by Baroccio, once in the Ducal Collection at Urbino, now in the Uffizi Gallery, Florence. (Photo Anderson)372
The Communion of the Apostles. By Giusto di Gand, in the Palazzo Ducale Urbino. (From the Ducal Collection.) (Photo Alinari)382
Giovanni and Federigo, Electors of Saxony. After the portraits by Cranach, once in the Ducal Collection at Urbino, now in the Uffizi Gallery, Florence. (Photo Anderson)386
La Bella. After the picture by Titian in the Pitti Gallery, Florence. Supposed portrait of Duchess Leonora. (Photo Anderson)390
The Venus of Urbino. Supposed portrait of the Duchess Leonora, after the picture by Titian in the Uffizi Gallery, Florence, once in the Ducal Collection. (Photo Anderson)392
Sleeping Venus. After the picture by Giorgione in the Dresden Gallery, after which the Venus of Urbino was painted. (Photo Anderson)394
Portrait of his wife, by Lucas Cranach. From the picture in the Roscoe Collection, Liverpool. Possibly modelled on the Venus of Urbino396
Maiolica. A plate of Urbino ware of about 1540 in the British Museum404
Maiolica. A plate of Castel Durante ware of about 1524 in the British Museum. "The divine and beautiful Lucia"408
Maiolica. A plate of Urbino ware about 1535 in the British Museum. (The arms are Cardinal Pucci's)412
Maiolica. Plate of Castel Durante ware about 1540, with a portrait medallion within a border of oak leaves. This pattern was called "Cerquata" or "al Urbinata," the oak being the badge of the Rovere house. In the British Museum416

CHRONOLOGICAL TABLE

CHAPTER XXXIX

A.D.  PAGE
1527. Causes leading to the sack of Rome3
 The Pontiff's fatal confidence4
 Defenceless state of his capital5
April.His tardy alarm, and inadequate exertions5
Demoralisation of the city6
Warnings of impending woe6
May.Foolhardiness of Renzo da Ceri8
Authorities for the sack8
Panic in the city8
Estimate of the respective forces9
5.Arrival of Bourbon's army10
6.The assault10
The localities examined and compared11
Death of Bourbon12
Rome lost by a panic13
The Pope and Cardinals gain the castle of S. Angelo13
The imperialists overrun the entire city14
It is ferociously sacked during three days14
The Prince of Orange succeeds Bourbon15
Savage atrocities and sacrilege of the army15
Several cardinals outraged16
Pillage of shops and palaces17
Ransom extorted by the soldiery18
Dilatory proceedings of the confederates18
3.The Duke of Urbino leaves Florence19
Unworthy motives imputed to him19
17.Abortive attempt to rescue the Pope20
20.He advances to Isola di Farnese21
Distracted counsels in his camp21
He resolves upon inaction22
His memorial defending this22
The Pontiff vainly appeals to Lannoy23
June 5.He accepts a humbling capitulation23
Sale of cardinals' hats24
The capitulation rejected24
Aug.Pestilence and famine in Rome25
Death of Lannoy25
Oct.New and more severe terms of capitulation25
Dec. 8.The Pope escapes in disguise to Orvieto26
 Castiglione's negotiations at Madrid from 1524 to 152826
July 25.Conduct of Charles V. on hearing of sack29
 The Pope's dissatisfaction and Castiglione's defence29
Nov. 22.The Emperor's hollow professions31
Fatal consequences of the sack32

CHAPTER XL

June 1.The confederates retire to Monterosi34
Aug.Mischievous policy of Francesco Maria34
Dec.His interview with the Pope34
July.Distrust of the Venetians35
1528. Removed by a visit from the Duke35
 His violent proceedings36
 He is presented with a palace at Venice37
1527.June.New League against Charles V.37
July.A French army enters Italy37
 Close of this miserable year37
1528.Feb. 16.The imperialists evacuate Rome38
Overtaken by signal vengeance39
10.Lautrec enters the Abruzzi39
April 29.And lays siege to Naples39
Aug. 15.His death, and the destruction of his army39
May.The Duke protects the Venetian mainland40
 And saves Lodi from the Duke of Brunswick40
Sept. 20.He recovers Pavia40
Oct. 21.But loses Savona41
 Demoralising effects of these wars41
1529.June 29.Peace restored between the great powers42
Dec.Venice not being included, the Duke keeps the field till December42
Nov. 5.Charles and Clement meet at Bologna42
Dec. 23.Treaty of the Italian powers42
1530.Aug. 12.Siege of Florence43
Death of the Prince of Orange there43
1529.Nov. 1.The Duke arrives at Bologna with the Duchess44
 His reception by some veterans44
1530. He declines the imperial baton45
 But is in high favour with Charles45
 Who restores to him Sora and Arce45
Feb. 22.The coronation of Charles V.46
Mar. 22.He leaves Bologna46
April 6.Clement VII. visits Urbino46
 Altered position of Italy by the loss of her nationality and independence46
 Opinions of Mariotti48
 The Duchess of Urbino builds the palace of Imperiale49
 Its attractions and site49
 Her portrait and administration52
 Prince Guidobaldo53
 Marriage of Princess Ippolita53
 The Duke's Military Discourses53
 His opinions on fortification54
 His critique on Venetian policy55
 His views regarding sieges55
 And Artillery56
 His comparative estimate of various nations in the field57
 His rules for the construction of an army57
1532. His inspections of the Venetian troops58
 Ancona annexed to the papal states59

CHAPTER XLI

1533. Militia organised in Italy60
 The Feltrian legion instituted at Urbino61
Jan.Charles V. attends a congress at Bologna62
Where Titian meets him and probably paints the Duke and Duchess of Urbino62
April.Birth of Prince Giulio63
Origin of the Camerino disputes63
 Descent of the Varano family63
 Giovanni Maria made Duke of Camerino64
  His daughter Giulia offered to Prince Guidobaldo65
 The consent of Clement VII. withheld65
 Attempted abduction of Giulia66
1534.Sept. 27.Death of Clement, and his character66
Oct. 12.Election of Paul III.68
Marriage of Guidobaldo68
 It is disapproved by the Pope68
 Vain mediation of Francesco Maria68
 Hostilities resorted to69
1535. The Duke visits Charles V. at Naples, and makes him presents69
 Singular tradition in the Abruzzi69
 Death of the last Sforza70
1538.Jan. 31.Confederacy against the Turks, with the Duke as captain-general70
Sept. 20.His sudden illness71
He returns to Pesaro71
Oct. 22.His death from poison71
His funeral obsequies and epitaph72
His vicissitudes of fortune74
His fame has suffered from prejudiced historians74
His character and military reputation76
Opinion of Urbano Urbani77
And of Centenelli79
 His dutiful conduct to Duchess Elisabetta79
 His widow and testamentary dispositions80
 His children80
 Cardinal Giulio della Rovere81

CHAPTER XLII

Diminished interest of our subject85
1514.April 2.Birth of Prince Guidobaldo87
Educated by Guido Posthumo Silvestro87
1529. His boyish taste for horses88
1534.Oct. 12.His marriage and its political results88
1538. 22.His succession to the Dukedom88
25.The ceremonial described by an eye-witness89
1539.Jan. 8.He compromises the Camerino succession, and loses the Prefecture92
 Camerino annexed to the papal states93
 The Duke strengthens himself by taking service with the Emperor and Venice93
1543. Compliments Charles V., with Pietro Aretino in his suite94
1533. Final abolition of the condottiere system94
 The Feltrian Legion embodied94
1540. The altered condition of Italy95
And new policy of the papacy95
Reaction against the Reformation96
  Investiture of Guidobaldo as captain-general of Venice97
1547.Feb. 17.Death of the Duchess Giulia98
1541. Letter of commissions from her99
1548.Jan. 30.The Duke's remarriage to Vittoria Farnese100
1549.Nov. 10.Death of Paul III.101
1550.Feb. 14.And of Duchess Leonora101
1549.Feb. 20.Birth of Prince Francesco Maria II.101
1550. San Marino under his protection101
1551. Guidobaldo made governor of Fano103
1552. He quits the Venetian service103
1553. The affairs of the Farnesi104
1555. The Prefecture restored to the Duke105