About This Book
A series of critical essays reads contemporary films as moral and psychological case studies, using clinical and philosophical concepts to examine identity, narcissism, psychopathy, and constructed reality. Close readings of specific movies probe how narratives stage ethical dilemmas, deceptive selves, victimhood, and the tension between belonging and alienation. The author links character pathology to cinematic technique, explores questions about mind and brain, and considers how media environments shape perception, responsibility, and audience complicity in moral outcomes.
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