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Notes in Japan

Chapter 2: ILLUSTRATIONS
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About This Book

The author records seasonal travels across Japan, offering vivid, observant sketches of landscapes, gardens, temples, and everyday life. Organized by season and place, the essays combine natural-history notes, practical travel impressions, and personal reflections on horticulture, architecture, and local customs. Accompanying drawings and detailed scene-painting capture cherry and lotus blooms, mountain views, shrines, tea-houses, and rural labor, while attention to light, color, and small-scale detail conveys the atmosphere of each locale.

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Title: Notes in Japan

Author: Alfred Parsons

Release date: August 14, 2020 [eBook #62924]
Most recently updated: October 18, 2024

Language: English

Credits: Produced by Chuck Greif and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK NOTES IN JAPAN ***

Contents.

List of Illustrations
(In certain versions of this etext [in certain browsers] clicking on the image will bring up a larger version.)

(etext transcriber's note)

 

 

 

 

NOTES IN JAPAN


[See page 10

IN KASUGA PARK, NARA—AN OLD CRYPTOMERIA

NOTES IN JAPAN

BY

ALFRED PARSONS


WITH ILLUSTRATIONS BY THE AUTHOR





NEW YORK
HARPER & BROTHERS PUBLISHERS
1896



Copyright, 1895, by Harper & Brothers.
All rights reserved.

 

 

 

CONTENTS

 PAGE
THE JAPANESE SPRING3
EARLY SUMMER IN JAPAN45
THE TIME OF THE LOTUS81
FUJISAN119
SOME WANDERINGS IN JAPAN153
AUTUMN IN JAPAN193

 

 

ILLUSTRATIONS

 PAGE
IN KASUGA PARK, NARA—AN OLD CRYPTOMERIAFrontispiece
DEDICATIONvii
CHERRY-BLOSSOM BADGE, YOSHINO2
IN THE INLAND SEA4
HILLS NEAR KŌBE, FROM SUWA-YAMA5
EARLY PLUM BLOSSOMS, OKAMOTO, NEAR KŌBE7
THE TORII OF KASUGA TEMPLE, NARA11
OLD WISTARIA IN KASUGA PARK, NARA13
THE PAGODA OF KOBŪKUJI, NARA14
CHERRY-TREE AND LANTERNS, NI-GWATSU-DŌ, NARA15
THE WELL OF SANKATCHU, NARA17
CHERRY BLOSSOMS IN THE RAIN, NARA19
SARA-HIKI-SAKA, NEAR YOSHINO—LATER CHERRIES21
CHERRY AND LATE PLUM, TEMA-CHO, NEAR NARA23
A BUDDHIST TEMPLE AT YOSHINO—DOUBLE-FLOWERED CHERRY
AND MAGNOLIA
27
CROSSING THE FERRY AT MUDA, ON THE YOSHINO-GAWA30
MI KOMORI JINJA, A SHINTO TEMPLE NEAR YOSHINO31
THE STREET, HASE34
ANDROMEDA BUSHES IN KASUGA PARK, NARA35
WHITE WISTARIA, HASE-DERA37
A TALL WISTARIA, KASUGA PARK, NARA39
NOTES AT MUDA41
BADGE OF THE KIKU-SUI-YA42
IRIS JAPONICA44
CARRYING HOME TEA LEAVES, NEAR UJI46
A PLANTATION COVERED WITH MATTING NEAR UJI47
POND IN THE GARDEN OF RAKU-RAKU-TEI, HIKONE49
THE CASTLE AT HIKONE51
THE CASTLE AT NAGOYA, FIELD OF IRIS IN THE FOREGROUND52
AN OLD CASTLE MOAT, AKASHI, NEAR KŌBE53
FIELDS NEAR LAKE BIWA55
O KAZU SAN57
PREPARING THE RICE-FIELDS59
MY ROOMS AT TENNENJI60
BUDDHA AND HIS DISCIPLES, TENNENJI61
HIKONE AND LAKE BIWA, FROM THE HILLS BEHIND TENNENJI64
AZALEAS ON THE ROCKS, TENNENJI65
THE POEM67
WHITE AZALEA BUSH, RAKU-RAKU-TEI, HIKONE69
THE BAMBOO GROVE, TENNENJI71
SUNSET OVER LAKE BIWA, FROM TENNENJI75
PLANTING RICE77
A SPRING FLOWER—JIRO-BO78
PLATYCODON GRANDIFLORUM, “KIKYO”80
AURATUM LILIES AND BOCCONIA ON THE HILLS NEAR NIKKO82
A FIELD OF LILIES, OFUNA, NEAR KAMAKURA83
SEVEN BEAUTIFUL FLOWERS OF LATE SUMMER85
HYDRANGEA BUSH, TOTSUKA, NEAR YOKOHAMA87
UNDER THE CRYPTOMERIAS AT NIKKO89
A LITTLE TEMPLE AT NIKKO91
KIRIFURI, NEAR NIKKO93
THE MOOR NEAR YUMOTO94
A WET DAY AT CHŪZENJI95
THE FOOT OF NANTAI-ZAN97
THE MOAT OF BENTEN-SHIBA99
SPECTATORS104
THE LAST TEA LEAVES—COTTAGE NEAR YOKOHAMA105
LOTUS-PONDS AT KAMAKURA107
LOTUS-PATCH AMONG THE RICE-FIELDS, KAWASAKI, TŌKYŌ109
A TEA-HOUSE AT KAMAKURA110
YORITOMO’S WILLOWS AND HIS SHRINE111
JAPANESE WRESTLERS113
LESPEDEZA “HAGI”115
THE HEART-LEAVED LILY116
CAMPANULAS ON FUJI118
GOING UP IN THE MIST121
A CLOUDY EVENING, FROM THE SANDS OF TAGO-NO-URA123
FUJI FROM THE ABEKAWA, AND THE TOKAIDO BRIDGE124
ON THE NORTHERN SLOPE OF FUJI—GRASS-CUTTERS RETURNING126
THE SECOND SHELTER IN THE GOTAMBA PATH128
FUJI WITH ITS CAP ON130
FUJI FROM THE KAWAGUCHI LAKE131
FROM THE TOP OF FUJI, LOOKING NORTH133
THE GREAT PALM AT RYUGEJI, FUJI IN THE DISTANCE135
THE CRATER OF FUJI136
AN OLD RED PINE AT YOSHIDA139
NAKA-NO-CHAYA, ON THE NORTHERN SLOPE143
THE RED-PINE GROVE AT YOSHIDA145
FUJI OVER THE RICE-FIELDS OF SUZUKAWA146
THE FLOWERY MOORLAND147
TAIL-PIECE150
TRICYRTIS HIRTA, ATAMI152
TAGO-NO-URA155
COTTAGES AT NEMBA156
LAKE SUWA AND THE NAKASENDO MOUNTAINS, FROM KAMI-NO-SUWA159
TOURISTS AT A WATERFALL163
NIEGAWA, ON THE NAKASENDO165
A LITTLE SHINTO SHRINE, NEAR THE NAKASENDO166
A BOAT-MENDER BY THE TENRYUGAWA167
BANANA-TREES AT ATAMI171
THE FERRY AT TOKIMATA173
ON THE TENRYUGAWA174
THE VILLAGE STREET, ATAMI—VRIES ISLAND IN THE DISTANCE175
ON THE TENRYUGAWA, NEAR KAJIMA177
AUTUMN-GRASS (SUZUKI)179
A RUSTIC BRIDGE AT DOGASHIMA, NEAR MIYA-NO-SHITA183
AVENUES OF TORII IN FRONT OF AN INARI TEMPLE, NEAR SHIMIZU185
JIZŌ SAMA, NEAR HAKONE187
TAIL-PIECE190
THE AUTUMN LILY192
FIELDS NEAR HAMAMATSU194
THE EDGE OF THE TOKAIDO, NEAR HAMAMATSU195
THE ISLAND OF AWAJI, FROM MAIKO198
ON THE SHORE NEAR MAIKO, THE STRAIT OF AKASHI TO THE RIGHT199
LILIES BY THE SHORE, SUMA200
A GRAVEYARD AT SUMA201
HILLS BEHIND KŌBE202
A BAMBOO-YARD AT MAIBARA203
BLUE WATER-WEED204
THE TRAVELLING THEATRE AT MAIBARA205
LAUNCHING A BOAT208
LAKE BIWA WITH FLOODED RICE-FIELDS, NEAR MAIBARA209
ONE OF THE “YAMA” AT THE NAGAHAMA MATSURI213
SOME HATS AT THE NAGAHAMA MATSURI214
THE TEMPLE GARDEN, SEIGWANJI215
MINIATURE PAGODA IN THE TEMPLE GARDEN, SEIGWANJI217
A CHRYSANTHEMUM SHOW AT YOKOHAMA219
THE ARSENAL GARDEN, KOISHIKAWA, TŌKYŌ223
TAIL-PIECE225
LYCHNIS GRANDIFLORA, MISAKA-TOGE226

 

THE JAPANESE SPRING



CHERRY-BLOSSOM BADGE, YOSHINO

THE JAPANESE SPRING

E had left Hong-Kong enveloped in its usual spring fog, and for five long, weary days had steamed across the China Sea in regular monsoon weather, gray and wet and miserable, but during the fifth some rocky islands, outlying sentinels of the three thousand which compose the Mikado’s realm, and occasional square-sailed, high-sterned boats, showed that we were near Japan, the Far East, the Land of Flowers and of the Rising Sun, the country which for years it had been my dream to see and paint; and by six o’clock in the evening, on the 9th of March, we were at anchor in Nagasaki Bay. The aspect of that port on a wet day was not inviting, nor were the little grimy girls, who in a chattering, laughing line carried their baskets of coal on board; so, difficult as it was to decline the hospitable invitations of the English residents, I decided to go on with the ship to Kōbe. Early in the morning of the 11th we passed through the Strait of Shimonoseki—the sun shining brightly on the snowy hills and on the crowd of fishing-boats which had been sheltering there from the bad weather—and entered the Inland Sea. After so many days of monotonous gray ocean it was delightful to steam along in sight of land, and wind about among the islets and rocks, so near to many of them that we could see the little villages, the mists of white plum blossoms, the rows of beans and barley growing wherever a level patch could be made on the steep slopes, the people at work in their



IN THE INLAND SEA

fields, and always in the distance the ranges of snow-covered mountains in Kiushiu and Shikoku, the islands which enclose this lovely sea on the south. I longed to land and begin work at once, with a nervous dread in my heart that I should find nothing so good elsewhere, and, indeed, though there is plenty of material to be found everywhere in Japan, I saw nothing finer than these islands of the Inland Sea; to cruise about among them in a comfortable boat would be an ideal way to spend a summer, and would probably not be devoid of adventure, for our captain told me many tales of treacherous currents and sudden squalls and sunken reefs.