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NOTES IN JAPAN
[See page 10
IN KASUGA PARK, NARA—AN OLD CRYPTOMERIA
NOTES IN JAPAN
BY
ALFRED PARSONS
WITH ILLUSTRATIONS BY THE AUTHOR
NEW YORK
HARPER & BROTHERS PUBLISHERS
1896
Copyright, 1895, by Harper & Brothers.
All rights reserved.
CONTENTS
ILLUSTRATIONS
| | PAGE |
| IN KASUGA PARK, NARA—AN OLD CRYPTOMERIA | Frontispiece |
| DEDICATION | vii |
| CHERRY-BLOSSOM BADGE, YOSHINO | 2 |
| IN THE INLAND SEA | 4 |
| HILLS NEAR KŌBE, FROM SUWA-YAMA | 5 |
| EARLY PLUM BLOSSOMS, OKAMOTO, NEAR KŌBE | 7 |
| THE TORII OF KASUGA TEMPLE, NARA | 11 |
| OLD WISTARIA IN KASUGA PARK, NARA | 13 |
| THE PAGODA OF KOBŪKUJI, NARA | 14 |
| CHERRY-TREE AND LANTERNS, NI-GWATSU-DŌ, NARA | 15 |
| THE WELL OF SANKATCHU, NARA | 17 |
| CHERRY BLOSSOMS IN THE RAIN, NARA | 19 |
| SARA-HIKI-SAKA, NEAR YOSHINO—LATER CHERRIES | 21 |
| CHERRY AND LATE PLUM, TEMA-CHO, NEAR NARA | 23 |
A BUDDHIST TEMPLE AT YOSHINO—DOUBLE-FLOWERED CHERRY
AND MAGNOLIA | 27 |
| CROSSING THE FERRY AT MUDA, ON THE YOSHINO-GAWA | 30 |
| MI KOMORI JINJA, A SHINTO TEMPLE NEAR YOSHINO | 31 |
| THE STREET, HASE | 34 |
| ANDROMEDA BUSHES IN KASUGA PARK, NARA | 35 |
| WHITE WISTARIA, HASE-DERA | 37 |
| A TALL WISTARIA, KASUGA PARK, NARA | 39 |
| NOTES AT MUDA | 41 |
| BADGE OF THE KIKU-SUI-YA | 42 |
|
IRIS JAPONICA | 44 |
| CARRYING HOME TEA LEAVES, NEAR UJI | 46 |
| A PLANTATION COVERED WITH MATTING NEAR UJI | 47 |
| POND IN THE GARDEN OF RAKU-RAKU-TEI, HIKONE | 49 |
| THE CASTLE AT HIKONE | 51 |
| THE CASTLE AT NAGOYA, FIELD OF IRIS IN THE FOREGROUND | 52 |
| AN OLD CASTLE MOAT, AKASHI, NEAR KŌBE | 53 |
| FIELDS NEAR LAKE BIWA | 55 |
| O KAZU SAN | 57 |
| PREPARING THE RICE-FIELDS | 59 |
| MY ROOMS AT TENNENJI | 60 |
| BUDDHA AND HIS DISCIPLES, TENNENJI | 61 |
| HIKONE AND LAKE BIWA, FROM THE HILLS BEHIND TENNENJI | 64 |
| AZALEAS ON THE ROCKS, TENNENJI | 65 |
| THE POEM | 67 |
| WHITE AZALEA BUSH, RAKU-RAKU-TEI, HIKONE | 69 |
| THE BAMBOO GROVE, TENNENJI | 71 |
| SUNSET OVER LAKE BIWA, FROM TENNENJI | 75 |
| PLANTING RICE | 77 |
| A SPRING FLOWER—JIRO-BO | 78 |
| PLATYCODON GRANDIFLORUM, “KIKYO” | 80 |
| AURATUM LILIES AND BOCCONIA ON THE HILLS NEAR NIKKO | 82 |
| A FIELD OF LILIES, OFUNA, NEAR KAMAKURA | 83 |
| SEVEN BEAUTIFUL FLOWERS OF LATE SUMMER | 85 |
| HYDRANGEA BUSH, TOTSUKA, NEAR YOKOHAMA | 87 |
| UNDER THE CRYPTOMERIAS AT NIKKO | 89 |
| A LITTLE TEMPLE AT NIKKO | 91 |
| KIRIFURI, NEAR NIKKO | 93 |
| THE MOOR NEAR YUMOTO | 94 |
| A WET DAY AT CHŪZENJI | 95 |
| THE FOOT OF NANTAI-ZAN | 97 |
| THE MOAT OF BENTEN-SHIBA | 99 |
| SPECTATORS | 104 |
| THE LAST TEA LEAVES—COTTAGE NEAR YOKOHAMA | 105 |
| LOTUS-PONDS AT KAMAKURA | 107 |
|
LOTUS-PATCH AMONG THE RICE-FIELDS, KAWASAKI, TŌKYŌ | 109 |
| A TEA-HOUSE AT KAMAKURA | 110 |
| YORITOMO’S WILLOWS AND HIS SHRINE | 111 |
| JAPANESE WRESTLERS | 113 |
| LESPEDEZA “HAGI” | 115 |
| THE HEART-LEAVED LILY | 116 |
| CAMPANULAS ON FUJI | 118 |
| GOING UP IN THE MIST | 121 |
| A CLOUDY EVENING, FROM THE SANDS OF TAGO-NO-URA | 123 |
| FUJI FROM THE ABEKAWA, AND THE TOKAIDO BRIDGE | 124 |
| ON THE NORTHERN SLOPE OF FUJI—GRASS-CUTTERS RETURNING | 126 |
| THE SECOND SHELTER IN THE GOTAMBA PATH | 128 |
| FUJI WITH ITS CAP ON | 130 |
| FUJI FROM THE KAWAGUCHI LAKE | 131 |
| FROM THE TOP OF FUJI, LOOKING NORTH | 133 |
| THE GREAT PALM AT RYUGEJI, FUJI IN THE DISTANCE | 135 |
| THE CRATER OF FUJI | 136 |
| AN OLD RED PINE AT YOSHIDA | 139 |
| NAKA-NO-CHAYA, ON THE NORTHERN SLOPE | 143 |
| THE RED-PINE GROVE AT YOSHIDA | 145 |
| FUJI OVER THE RICE-FIELDS OF SUZUKAWA | 146 |
| THE FLOWERY MOORLAND | 147 |
| TAIL-PIECE | 150 |
| TRICYRTIS HIRTA, ATAMI | 152 |
| TAGO-NO-URA | 155 |
| COTTAGES AT NEMBA | 156 |
| LAKE SUWA AND THE NAKASENDO MOUNTAINS, FROM KAMI-NO-SUWA | 159 |
| TOURISTS AT A WATERFALL | 163 |
| NIEGAWA, ON THE NAKASENDO | 165 |
| A LITTLE SHINTO SHRINE, NEAR THE NAKASENDO | 166 |
| A BOAT-MENDER BY THE TENRYUGAWA | 167 |
| BANANA-TREES AT ATAMI | 171 |
| THE FERRY AT TOKIMATA | 173 |
| ON THE TENRYUGAWA | 174 |
|
THE VILLAGE STREET, ATAMI—VRIES ISLAND IN THE DISTANCE | 175 |
| ON THE TENRYUGAWA, NEAR KAJIMA | 177 |
| AUTUMN-GRASS (SUZUKI) | 179 |
| A RUSTIC BRIDGE AT DOGASHIMA, NEAR MIYA-NO-SHITA | 183 |
| AVENUES OF TORII IN FRONT OF AN INARI TEMPLE, NEAR SHIMIZU | 185 |
| JIZŌ SAMA, NEAR HAKONE | 187 |
| TAIL-PIECE | 190 |
| THE AUTUMN LILY | 192 |
| FIELDS NEAR HAMAMATSU | 194 |
| THE EDGE OF THE TOKAIDO, NEAR HAMAMATSU | 195 |
| THE ISLAND OF AWAJI, FROM MAIKO | 198 |
| ON THE SHORE NEAR MAIKO, THE STRAIT OF AKASHI TO THE RIGHT | 199 |
| LILIES BY THE SHORE, SUMA | 200 |
| A GRAVEYARD AT SUMA | 201 |
| HILLS BEHIND KŌBE | 202 |
| A BAMBOO-YARD AT MAIBARA | 203 |
| BLUE WATER-WEED | 204 |
| THE TRAVELLING THEATRE AT MAIBARA | 205 |
| LAUNCHING A BOAT | 208 |
| LAKE BIWA WITH FLOODED RICE-FIELDS, NEAR MAIBARA | 209 |
| ONE OF THE “YAMA” AT THE NAGAHAMA MATSURI | 213 |
| SOME HATS AT THE NAGAHAMA MATSURI | 214 |
| THE TEMPLE GARDEN, SEIGWANJI | 215 |
| MINIATURE PAGODA IN THE TEMPLE GARDEN, SEIGWANJI | 217 |
| A CHRYSANTHEMUM SHOW AT YOKOHAMA | 219 |
| THE ARSENAL GARDEN, KOISHIKAWA, TŌKYŌ | 223 |
| TAIL-PIECE | 225 |
| LYCHNIS GRANDIFLORA, MISAKA-TOGE | 226 |
THE JAPANESE SPRING
CHERRY-BLOSSOM BADGE, YOSHINO
THE JAPANESE SPRING
WE had left Hong-Kong enveloped in its usual spring fog, and for five
long, weary days had steamed across the China Sea in regular monsoon
weather, gray and wet and miserable, but during the fifth some rocky
islands, outlying sentinels of the three thousand which compose the
Mikado’s realm, and occasional square-sailed, high-sterned boats, showed
that we were near Japan, the Far East, the Land of Flowers and of the
Rising Sun, the country which for years it had been my dream to see and
paint; and by six o’clock in the evening, on the 9th of March, we were
at anchor in Nagasaki Bay. The aspect of that port on a wet day was not
inviting, nor were the little grimy girls, who in a chattering, laughing
line carried their baskets of coal on board; so, difficult as it was to
decline the hospitable invitations of the English residents, I decided
to go on with the ship to Kōbe. Early in the morning of the 11th we
passed through the Strait of Shimonoseki—the sun shining brightly on
the snowy hills and on the crowd of fishing-boats which had been
sheltering there from the bad weather—and entered the Inland Sea.
After so many days of monotonous gray ocean it was delightful to steam
along in sight of land, and wind about among the islets and rocks, so
near to many of them that we could see the little villages, the mists of
white plum blossoms, the rows of beans and barley growing wherever a
level patch could be made on the steep slopes, the people at work in
their
fields, and always in the distance the ranges of snow-covered mountains
in Kiushiu and Shikoku, the islands which enclose this lovely sea on the
south. I longed to land and begin work at once, with a nervous dread in
my heart that I should find nothing so good elsewhere, and, indeed,
though there is plenty of material to be found everywhere in Japan, I
saw nothing finer than these islands of the Inland Sea; to cruise about
among them in a comfortable boat would be an ideal way to spend a
summer, and would probably not be devoid of adventure, for our captain
told me many tales of treacherous currents and sudden squalls and sunken
reefs.