About This Book
A series of essays adopts the persona of an irascible, eccentric musical commentator to deliver subjective, often contradictory judgments, anecdotes, and satirical sketches about composers, performances, and musical tastes. The pieces blend personal reminiscence and polemic, weighing admiration for earlier masters against scorn for contemporary trends, and range from technical observations on pianism to grotesque, fantastical vignettes that lampoon modern aesthetics. Recurring subjects include Wagner, Liszt, Berlioz, Chopin, Debussy and later symphonists, while the writer alternates rigorous musical knowledge with mordant humor and a nostalgic skepticism about artistic progress.
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