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Photo-Lithography

Chapter 68: INDEX.
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About This Book

The manual presents the chemical principles and hands-on techniques for producing lithographic prints by photographic means, covering theory of lithography, characteristics of stones and metal plates, ink and sensitizing materials, transfer and etching procedures, and methods for corrections and reversing images. It describes preparation of litho stones, use of acids and gums, practical recipes and process sequences tested by the author, and adaptations for color plate production. Emphasis is on clear, practical instruction for technicians and printers rather than historical exposition, with step-by-step guidance intended to reproducibly convert photographs, drawings, and paintings into printable plates.

INDEX.

  • Acid, Acetic, 10
  • — Citric, 10
  • — Gallic, 10
  • — Hydrochloric, 9
  • — Nitric, 9
  • — Oxalic, 10
  • — Phosphoric, 10
  • — Sulphuric, 9
  • Action of Lineature, 69
  • Albert’s Photo-litho Paper, 56
  • Albumen Process, 64
  • Angerer & Göschl, 25
  • Asphalt, 17
  • — Process, 60
  • — — Husnik’s, 60
  • — — Valenta’s, 61
  • Autographic Ink, 7
  • Autotypy, 67
  • — Negative, 41
  • Bartös’ Process, 20, 77
  • Behaviour of Asphalt on Stone, 8
  • Cadmium Intensification, 40
  • Chromate Salts, 48
  • Coating the Stone, 62
  • Cold Melting Process, 12
  • Correcting Negatives, 35
  • Cyanotype Paper, 24
  • — — Bleaching, 24
  • Dark Room, The, 34
  • Deep-etching Process, 11
  • Developer, 37
  • Developing Ink, 8
  • Direct Printing, 60
  • — Transfer, 15
  • Distance of Lineature, 73
  • Drawing on Blue Prints, 23
  • — — Prepared Paper, 25
  • Eberle’s Process, 11
  • Eckstein’s Process, 20
  • Electric Lamps, 31
  • Etching the Stone, 10
  • Failures in Transfers, 58
  • Fixing, 38
  • Fox Talbot, 17
  • Franz’s Paper, 55
  • Galls, Tincture of, 10
  • Gelatinizing Paper, 47
  • General Notes on Photo-lithography, 49
  • Gold and Mercury Intensifier, 38
  • Greasy Drawing Materials, 6
  • Gum Arabic, 10
  • Half-tone, Breaking up, 20
  • — Photo-lithography, 67
  • Hebensperger’s Process, 66
  • Hübl’s Hydroquinone Intensifier, 38
  • — Iso Emulsion, 43
  • Husnik’s Asphalt, 17
  • — Photo-litho Paper, 53
  • Hydroquinone Developer, 42
  • Indirect Transfer, 16
  • Inking up and Developing, 51
  • Intensification, 37
  • Intensifier, Lead, 40
  • — Mercury, 40
  • — Metol, 39
  • — Silver, 40
  • — Uranium, 40
  • Iodized Collodion, 37
  • Isochromatic Emulsion, Albert, 41
  • — — Hubl, 43
  • Lemercier and Lerebours, 16
  • Line Drawings, 21
  • Litho Chalk, Hard, 7
  • — — Soft, 8
  • — Stone, 4
  • Lithogravure, 87
  • Litho-Heliogravure, 79
  • Lithography, Theory of, 3
  • Making Direct Negatives, 36
  • Mungo, Ponton, 17
  • Negative for Photo-litho, 34
  • — Transfer with Paper, 83
  • Negré, 17
  • Nicephore, Niépce, 16
  • Orell and Füssli Process, 20, 75
  • Photo-Autography, 84
  • Photo-Litho Transfer, 57
  • Photometer, 51
  • Poitevin, 17
  • Prism, 44
  • Printing, 62
  • — on Bichromated Gelatine, 50
  • Pyramidal Grain Paper, 26
  • Reproduction of Prints, 27
  • — Size of, 28
  • Reversed Negatives, 44
  • Sacher’s Fish-glue Process, 66
  • Scamoni’s Process, 12
  • Scraper Boards, 25
  • — — Schäuffelen & Co., 26
  • Sensitizing Paper, 49
  • Silver Bath, 37
  • Stripping Negatives, 45
  • Studio, The, 30
  • Tusch, 7
  • Valenta’s Asphalt, 17
  • Waterhouse’s Arrowroot Process, 66
  • Wezel & Naumann, 75
  • Zinc Plates, 5
  • — — Roughened, 6
  • — — Oxidized, 6