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Piano Playing, with Piano Questions Answered

Chapter 25: Transcriber's Note
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About This Book

A master pianist presents practical guidance on the technical and artistic aspects of piano playing, combining posture, hand and finger positions, legato and touch, pedal technique, and practice rules with discussion of musical interpretation and concert preparation. Chapters offer corrective illustrations and specific exercises for hand positions and octaves, advice on coping with varying acoustics and use of the pedal, reflections on reading musical literature and attending performances, and an account of pedagogical influences from a celebrated teacher. The emphasis distinguishes material technical mastery from the subtler aesthetic work of imagination and analytical interpretation that unifies musical structure into expressive performance.

Studying, importance of, with the right teacher, 140.

Syncopated notes, 71.

System, universal, of fingering, 27.


Teachers, lessons, and methods, 140.

Technical, exercises, 47.
work, 18, 45, 46.
studies, 46.
results, 48.

Technique, a generic term, 3.
how to improve the, 4.
a precise finger, 16.
of the fingers, 22.
repetition, 34.
a "musical," 38.

Tempo, wrist staccato at a high, 21.
to work up a fast, 53, 54.
average, 60.
in the A flat Impromptu, 87.
taking liberties with the, 89.
rubato, 100, 101.

"Tenuto" dash, the, 69.

Textbooks on harmony, 106.

Thalberg, 91, 92.

Theory, 104.

Thirds, double, 35.
diatonic, 35.
chromatic, 35.

Thomas, Ambroise, 136.

Thumb, the, 14.
how to hold the, 16.

Tie, a, 63.

Time, duple, against triple, 96, 98.
playing in, 151.

Toccata, meaning of, 111.

Touch, faulty, 8, 43.
finger, 19, 50.
biting the finger-nails spoils the, 19.
legato, 24, 63.
crisp legato, 24.
piano, 26.
organ, 26.
repetition, 34.
charm of Chopin's, 86.
and Technique, 155.

Training, a child's musical, 138.

Transcriptions, study of operatic, 91.

Transposing at sight, 119.

Tremolo, 11.

Trill, position of auxiliary note in a, 72.

Trills, on the melodic note, 72.
extended, 72.
difference in playing, 74.

Triple time, 96, 98.

"Twelve Etudes for Technique and Expression," 94.


Universal system of marking fingering, 27.


Valse, Chopin's, opus 42, 61.
opus 64, No. 2, 88.


Waltz, a chord in the, in E minor, 89.

Waltzes, Chopin's, 86.

Weak fingers, 18.

Weber's "Storm," 41.
pianos of, time, 41.
"Perpetuum  Mobile," 112.

"Wonder-children" as pianists, 152.

Wrist, action of the, 9.
the loose, 9.
position of the, 10.
stiffness in the, 10.
octaves, 31, 32.
stroke in long octave passages, 32.

 

 

Transcriber's Note

Punctuation has been made consistent.

Other changes:

page iv—'POLYRYTHMS' changed to 'POLYRHYTHMS.'

page xi—'As a matter or course' changed to 'As a matter of course.'

page 12—'I stretch beween my fingers' changed to 'I stretch between my fingers.'

page 43—'expresson' changed to 'expression.'

page 47—'ti would take considerable time' changed to 'it would take considerable time.'

page 50—'rhymthic' changed to 'rhythmic.'

page 78—'Doggio' changed to 'Doppio.'

page 93—'or which one is abridged' changed to 'of which one is abridged.'

page 123—'feel they that do not care for my playing' changed to 'feel that they do not care for my playing.'

page 140—'be be' changed to 'be.'

Index—'F major, key of, [no page #]' removed.

Index—'Gradus and Parnassum' corrected to 'Gradus ad Parnassum.'

Index—'Hadyn' corrected to 'Haydn.'