TABLE
Pages | |
| LES MENDIANTS | |
| ITTO, MÈRE DE MOHAND | |
| LE THÉ | |
| LES YOUYOUS | |
| L’AUTOMOBILE | |
| LA PRIÈRE DU SOIR | |
| L’AMRAR | |
| RABAHA, FILLE DE L’AMRAR |
IMPRIMERIE BERGER-LEVRAULT, NANCY-PARIS-STRASBOURG
A collection of short narratives and sketches set in Moroccan towns and countryside that portray daily life, local customs, and social encounters. Vignettes focus on markets, mosques, legal clerks and beggars, showing routines, religious invocations, exchanges over saints, and the interactions between indigenous traditions and the effects of French administration. Characters are observed in small scenes that reveal humor, resignation, and communal practices, while the narrator comments with measured irony and ethnographic detail. The work alternates descriptive passages with anecdotal reported speech, offering a mosaic of places, rituals, and social types rather than a single plot.
Pages | |
| LES MENDIANTS | |
| ITTO, MÈRE DE MOHAND | |
| LE THÉ | |
| LES YOUYOUS | |
| L’AUTOMOBILE | |
| LA PRIÈRE DU SOIR | |
| L’AMRAR | |
| RABAHA, FILLE DE L’AMRAR |
IMPRIMERIE BERGER-LEVRAULT, NANCY-PARIS-STRASBOURG