| 1. | The Princess Mary. From the original portrait in the Gallery of the University, Oxford | Frontispiece |
| 2. | Katharine of Arragon. From a fine original in miniature by Holbein, formerly in Horace Walpole’s Collection at Strawberry Hill | 47 |
| 3. | Sir Thomas More, Lord Chancellor of England. From the original portrait by Holbein | 74 |
| 4. | The Princess Mary. From the original drawing by Holbein, in the possession of the Marquis of Exeter | 136 |
| 5. | The Princess Mary at the Age of Twenty-eight. From the original painting in the National Portrait Gallery | 186 |
| 6. | Facsimile of a Letter Written in the Princess Mary’s Own Hand | 192 |
| 7. | The Princess Mary. From the original portrait in the possession of the Marquis of Exeter | 212 |
| 8. | Queen Mary. From the portrait by Sir Antonio More, at Madrid | 263 |
| 9. | Philip II. From the original portrait by Adrian van der Werff | 320 |
| 10. | Cardinal Reginald Pole, Archbishop of Canterbury. From an engraving of a portrait painted by Sebastiano del Piombo | 408 |
The History of Mary I, Queen of England / as found in the public records, despatches of ambassadors, in original private letters, and other contemporary documents
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About This Book
The author draws on public records, ambassadorial dispatches, private letters, and contemporary chronicles to present a documentary biography of Mary I, tracing her life from birth and childhood through courtly conflicts, religious controversies, the controversial marriage alliance, the persecution of Protestants, foreign wars, and final years. Emphasis falls on closely quoted primary sources and diplomatic reports from European archives, with chapters arranged chronologically and supplemented by illustrations and an appendix. The work aims to reassess a contested reputation by restoring the period's perspective and reproducing contemporaries' voices to illuminate political, religious, and personal complexities.