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The history of our Navy from its origin to the present day, 1775-1897, vol. 3 (of 4) cover

The history of our Navy from its origin to the present day, 1775-1897, vol. 3 (of 4)

Chapter 1: LIST OF ILLUSTRATIONS
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About This Book

A sequence of chapter-length narratives recounts early American naval operations, emphasizing adventurous ocean cruises, single-ship encounters, prize capture, and inland lake campaigns. The text examines the conversion of merchant and whaling craft into cruisers, the tactics and hardships of small-ship combat, blockades, and clashes occurring in neutral harbors, along with episodes of ships cornered or destroyed. Supporting maps, diagrams, and many illustrations clarify maneuvers, harbor scenes, and life aboard ship, while additional sections address prisoner experiences, shipbuilding and refitting challenges, and the logistical demands of sustaining naval action.

LIST OF ILLUSTRATIONS

PAGE
Chasing a Slaver off the African Coast. (From a photograph, in the possession of Mr. Edward Trenchard, of the painting by Melbye), Frontispiece.
Map Showing Captain Porter’s Cruise in the Pacific, 1813, 5
John Downes. (From an oil-painting at the Naval Academy, Annapolis), 11
The Essex and her Prizes at Nukahiva in the Marquesas Islands. (From an engraving by Strickland of a drawing by Captain Porter), 17
Map of the Harbor in which the Essex and her Prizes lay. (After a drawing by Captain Porter), 20
A Marquesan War-canoe. (From an engraving by Strickland of a drawing by Captain Porter), 22
Fight of the Essex with the Phœbe and Cherub. (From an engraving by Strickland of a drawing by Captain Porter), 37
A Marquesan “Chief Warrior.” (From an engraving by Strickland of a drawing by Captain Porter), 51
United States Razee Independence at Anchor. (From the “Kedge Anchor”), 56
Charles Morris. (From a photograph owned by Mr. C. B. Hall), 57
United States Ship-of-war Columbus at Anchor. (From the “Kedge Anchor”), 63
Lewis Warrington. (From an engraving by Gimbrede of the painting by Jarvis), 67
Diagram of the Peacock-Epervier Battle, 68
The Peacock and the Epervier. (From a wood-cut in the “Naval Monument”), 69
The Peacock and the Epervier. (From an engraving by Strickland of a drawing by Birch), 73
Medal Awarded to Lewis Warrington after the Capture of the Epervier by the Peacock, 77
Johnston Blakeley. (From an engraving by Gimbrede), 82
The Wasp and Reindeer. (From a wood-cut in the “Naval Monument”), 87
Medal Awarded to Johnston Blakeley after the Capture of the Reindeer by the Wasp, 90
The Wasp and Avon. (From a wood-cut in the “Naval Monument”), 94
Diagram of the Wasp-Avon Battle, 96
Scene of Naval Operations on Lake Huron, 1814, 108
The Attack on Fort Oswego, Lake Ontario, May 6, 1814. (From an engraving, published in 1815, by R. Havel, after a drawing of Lieutenant Hewett, Royal Marines), 118–119
One of the Unlaunched Lake Vessels. (From a photograph), 130
Near Skenesborough on Lake Champlain. (From an old engraving in the collection of Mr. W. C. Crane), 133
Thomas Macdonough. (From an engraving by Forrest of the portrait by Jarvis), 140
Major-general Alexander Macomb. (From an engraving by Longacre of the portrait by Sully), 146
The Battle of Lake Champlain. (From an old wood-cut), 155
The Battle of Plattsburg. (From an old wood-cut), 157
Macdonough’s Victory on Lake Champlain. (From an engraving in the “Naval Monument”), 159
Battle of Lake Champlain, 1814, 162
The Battle of Plattsburg. (From an engraving of the picture by Chappel), 167
Macdonough’s Victory on Lake Champlain. (From an engraving by Tanner of the painting by Reinagle), 171
Medal Awarded to Thomas Macdonough after his Victory on Lake Champlain, 182
Stephen Cassin’s Medal, 183
The General Armstrong at Fayal, 191
Fight Between the Brig Chasseur and the Schooner St. Lawrence off Havana, February 26, 1815. (From a lithograph in Coggeshall’s “Privateers”), 205
Commodore Stephen Decatur, 213
The President Engaging the Endymion, while Pursued by the British Squadron. (From a wood-cut in the “Naval Monument”), 219
Capture of the President by a British Squadron. (From a rare lithograph), 223
Sir Edward Michael Packenham. (From an etching by Rosenthal of a print in the collection of Mr. Clarence S. Bement), 231
Map Showing Mouths of the Mississippi River, 234
Charles Stewart. (From a painting by Sully, at the Naval Academy, Annapolis), 243
The Constitution’s Escape from the Tenedos and Junon. (From an old wood-cut), 244
Diagram of the Battle of the Constitution with the Cyane and Levant, 249
Action of the Constitution with the Cyane and Levant. (From an aquatint by Strickland), 253
Medal Awarded to Charles Stewart after the Battle of the Constitution with the Cyane and Levant, 258
Charles Stewart (and the Battle of the Constitution with the Cyane and Levant). (From a lithograph at the Naval Academy, Annapolis), 263
The Hornet and Penguin. (From an old wood-cut), 274
The Hornet and Penguin. (From a wood-cut in the “Naval Monument”), 277
Medal Awarded to James Biddle for the Capture of the Penguin by the Hornet, 280
The Hornet’s Escape from the Cornwallis. (From a wood-cut in the “Naval Monument”), 283
Dartmoor Prison. (From a wood-cut of a contemporary engraving), 294
Dartmoor Prison. (From an old broadside, with notes by one of the prisoners), 297
Dartmoor Prisoners of 1812. (From a copy of a daguerreotype at the Naval Academy, Annapolis), 301
United States Sloop-of-war Albany Under Sail. (From the “Kedge Anchor”), 328
A Ship-of-war’s Cutter. (From the “Kedge Anchor”), 330
Lashing up Hammocks. (From the “Kedge Anchor”), 332
A Ship-of-war’s Launch. (From the “Kedge Anchor”), 334
Sailor’s Mess-table. (From the “Kedge Anchor”), 337
A Typical Barbary Corsair. (From an engraving by Newton after a drawing by J. Charnock), 342
Decatur’s Squadron at Anchor off the City of Algiers, June 30, 1815. (From an engraving by Monger and Jocelin), 349
Decatur and the Algerian, 352
Return of Bainbridge’s Squadron from the Mediterranean in 1815. (From an engraving by Leney of a drawing by M. Corné), 356
The Action at Quallah Battoo, February 6, 1832. (From an aquatint by Smith of a drawing made on board the Potomac in the offing), 371
Bombardment of Muckie and Landing of a Force to Burn the Town. (From an engraving by Osborne in “The Flagship,” published, 1840, by D. Appleton & Co.), 377
“Blood is Thicker than Water.”—Josiah Tattnall Going to the Assistance of the English Gun-boats at Peiho River. (From a painting, by a Chinese artist, owned by Mr. Edward Trenchard), 383
Scene of Naval Operations on the Pacific Coast, 389
John B. Montgomery. (From a photograph), 392
R. F. Stockton. (From an engraving by Hall of a painting on ivory by Newton, 1840), 393
Perry’s Expedition Crossing the Bar at the Mouth of the Tabasco River. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 395
The Naval Expedition Under Commodore Perry Ascending the Tabasco River at the Devil’s Bend. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 399
S. F. Dupont. (From a photograph), 402
The Tabasco Expedition Attacked by the Mexicans from the Chapparal. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 403
Scene of Naval Operations in Gulf of Mexico, 406
Landing of Perry’s Expedition Against Tabasco. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 407
Commodore Perry’s Expedition Taking Possession of Tuspan. (From a lithograph of a drawing by Lieutenant H. Walke, U. S. N.), 411
Matthew Calbraith Perry. (From an oil-painting at the Naval Academy, Annapolis), 414
Capture of Tabasco by Perry’s Expedition. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 415
Brig-of-war Like the Somers Under Full Sail. (From the “Kedge Anchor”), 419
The Mississippi Going to the Relief of the Hunter in a Storm off Vera Cruz. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 421
Naval Bombardment of Vera Cruz, March, 1847. (From a lithograph published in 1847 by N. Currier), 425
The United States Naval Battery During the Bombardment of Vera Cruz on the 24th and 25th of March, 1847. (From a lithograph designed and drawn on stone by Lieutenant H. Walke, U. S. N.), 429
The Battle of Vera Cruz.—Night Scene. (From an engraving by Thompson of a drawing by Billings), 431
The Mississippi in a Cyclone on her Japan Cruise. (From a wood-cut in Perry’s “Narrative” of this trip), 440
The Mississippi at Jamestown, St. Helena. (From a lithograph in Perry’s “Narrative”), 441
View of Uraga. Yeddo Bay. (From a lithograph in Perry’s “Narrative”), 445
A Japanese Junk. (From a lithograph in Perry’s “Narrative”), 448
Commodore Perry’s First Landing at Gorahama. (From a lithograph in Perry’s “Narrative ”), 451
Commodore Perry Delivering the President’s Letter to the Japanese Representatives. (From a lithograph in Perry’s “Narrative”), 453
A Japanese Fish-present. (From a wood-cut in Perry’s “Narrative”), 456
The Imperial Barge at Yokohama. (From a wood-cut in Perry’s “Narrative”), 457
The Final Page of the First Treaty with Japan. (From a facsimile of the original), 458
Commodore Perry Meeting the Imperial Commissioners at Yokohama. (From a lithograph in Perry’s “Narrative”), 459
Japanese Wrestlers at Yokohama. (From a lithograph in Perry’s “Narrative”), 461
Commodore’s Pennant, 1812–1860. (From a pennant at the Naval Institute, Annapolis), 464
The United States Brig Porpoise in a Squall. (From a picture drawn and engraved by W. J. Bennett, in 1844), 465
The United States Frigate Hudson Returning from a Cruise, with a Fair Wind. (From a picture drawn and engraved by W. J. Bennett), 467