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The History of Painting in Italy, Vol. 6 (of 6) / From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes) cover

The History of Painting in Italy, Vol. 6 (of 6) / From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes)

Chapter 6: SECOND INDEX.
By Luigi Lanzi
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About This Book

The final volume compiles comprehensive indexes and reference apparatus to the preceding narrative: an alphabetical register of painters with cited birth and death dates and source authorities; a bibliography of historical and critical publications cited in the work; a subject index of important topics and entries; and editorial material such as abbreviations, errata, and explanatory notes. Arranged to support research and verification, it provides cross-references, condensed summaries of key matters, and tools for locating names and sources throughout the multi‑volume history.

W.

  • Waals, Godfrey, a German, scholar of Tassi. Soprani. v. 394.
  • Wael, Cornelius, of Antwerp, painted at Genoa in 1665. Soprani. v. 394.
  • Wallint, Francesco, called Monsieur Studio. MS. ii. 330.
  • —— Juniore, his son. ib.

Z.

  • Zaccagna, Turpino, a Cortonese, living in 1537. Bottari. i. 99.
  • Zacchetti, Bernardino, a Modenese, living in 1523. Tiraboschi. iv. 51.
  • Zacchia, Paolo, called Il Vecchio, of Lucca, painted in 1527. MS. i. 102.
  • —— il Giovane, the younger; he is called Lorenzo di Ferro Zacchia. MS. Lived in the sixteenth century. ib.
  • Zaccolini, P. Matteo, a Theatine monk of Cesena, d. 1630, aged about 40. Baglione. ii. 260, v. 95. See the Second Index for his Manuscript Treatises. ii. 260.
  • Zaganelli, see Da Cotignola.
  • Zagnani, Anton Maria, a Bolognese, living in 1689. Crespi. v. 205.
  • Zago, Santo, a Venetian, scholar of Titian. Ridolfi. iii. 162.
  • Zais, Giuseppe, a Venetian, d. old about 1784. MS. iii. 385.
  • Zaist, Gio. Batista, a Cremonese, b. 1700, d. 1757. Panni. iv. 205.
  • Zamboni, Matteo, a Bolognese, scholar of Cignani, d. young. Crespi. v. 254.
  • Zambono, Michele, a Venetian mosaic worker, flourished about 1505. Zanetti. iii. 251.
  • Zampezzo, Gio. Batista, da Cittadella, in the Paduan district, d. 1700, aged 80. Melchiori. iii. 210.
  • Zampieri, Domenichino, a Bolognese, d. 1641, aged 60. Bellori. Preface, xxxiv. ii. 207, 398. v. 127.
  • Zanata, Gioseffo, a Milanese, living in 1718. Orlandi. iv. 315.
  • Zanchi, Antonio, da Este, b. 1639. Zanetti. d. 1722. Melchiori. iii. 350.
  • —— Filippo and Francesco, of Bergamo. Their notices from 1544 to 1567. Tassi. iii. 182.
  • Zanella, Francesco, a Paduan. His notices until 1717. Guida di Padova. iii. 308.
  • Zanetti, Co. Antonio Maria, quondam Girolamo, a Venetian, thus called to distinguish him from Antonio Maria Zanetti, quondam Alessandro, mentioned in the Index that follows:—the first was eminent for engraving on various sorts of wood, in 1728. Lett. Pitt., tom ii. p. 152. He was in advanced age in 1765. Lett. Pitt., tom. v. p. 304. Pref. x. The other d. 3rd November, 1778, aged 62.
  • Zanimberti, or Zaniberti, Filippo, a Brescian, b. 1585, d. 1636. Ridolfi. iii. 326, 267.
  • Zanna, Gio. a Roman, called Il Pizzica, painted with Tarquinio da Viterbo. Baglione. ii. 170.
  • Zannichelli, Prospero, of Reggio, b. 1698, d. 1772. Tiraboschi. iv. 70.
  • Zanobrio, di Ca, see Carlevaris.
  • Zanotti Cavazzoni, Gio. Pietro, a Bolognese, b. 1674, d. 1765. Crespi. v. 235.
  • Zappi, another surname of Lavinia Fontana, v. 65.
  • Zarato, see Luzzo.
  • Zei, b. at Città S. Sepolcro, a supposed scholar of Cortona. MS. i. 352.
  • Zelotti, Batista, a Veronese, d. aged 60. Ridolfi. About 1592. Pozzo. iii. 171, 239.
  • Zenale, see Da Trevilio.
  • Zevio, da, in the Veronese, Alticherio, or Altichieri; in a MS. Document of the noble house of Dondi Orologio, Aldighieri; living in 1382. iii. 12.
  • —— Stefano, see Da Verona.
  • Zifrondi, or Cifrondi, Antonio, b. in the territory of Bergamo, 1657, d. 1730. Tassi. iii. 369.
  • Zinani, Francesco, of Reggio, flourished in 1755. Tiraboschi. iv. 70.
  • Zingaro, lo, see Solario.
  • Zoboli, Jacopo, a Modenese, d. 1767. Tiraboschi. iv. 66.
  • Zocchi, Giuseppe, of the Florentine territory, d. 1767, aged 56. MS. i. 351.
  • Zola, or Zolla, Giuseppe, di Brescia, d. 1743, aged 68. Crespi nelle Giunte al Baruffaldi. v. 349.
  • Zompini, Gaetano, a Venetian, d. 1778, aged 76. MS. iii. 354.
  • Zoppo, Marco, da Bologna. His work of 1471. MS. And of 1498, in the Colonna Façade. Oretti, Memor. iii. 36, 73, v. 23.
  • Zoppo, Paolo, a Brescian, d. about 1515. Ridolfi. Or 1530. MS. iii. 83.
  • —— Rocco, a Florentine, scholar of Pietro Perugino. Vasari. i. 101.
  • —— lo, di Gangi, living in the eighteenth century. MS. ii. 420.
  • —— di Genova, see Micone.
  • —— di Lugano, see Discepoli.
  • —— di Vicenza, see De'Pieri.
  • Zuannino, see Da Capugnano.
  • Zuccari, Federigo, flourished in the sixteenth century, iv. 297.
  • Zuccaro, (so named in his epitaph, and the books of Federigo,) in Vasari and elsewhere, Zuccheri, or Zuccari, Taddeo. He was born at S. Angelo in Vado, 1529, d. 1566. Vasari. ii. 126, 129, 133.
  • —— Federigo, his brother, painted about 1560. Vasari. aged 18. Bottari in his Addenda to the Notes. d. 1609, Bellori, in his Life of Caravaggio. ii. 136, iii. 245, v. 466.
  • —— Ottaviano, their father. ii. 133.
  • Zuccati, Sebastiano, di Trevigi, living about 1490. Zanetti. Father Federici assigns to this family a different country, namely, Ponte, a place in the Valteline. iii. 136, 251.
  • —— Valerio and Francesco, his sons, lived in 1573. Zanetti. iii. 137.
  • —— Arminio, son of Valerio, flourished about 1585. Zanetti. iii. 137.
  • Zuccherelli, Francesco, b. in the Florentine state about 1702, d. 1788. MS. i. 364, iii. 385.
  • Zucchi, or Della Zucca, Jacopo, a Florentine, b. about 1541. Vasari. d. in the pontificate of Sixtus V. Baglione. i. 237.
  • —— Francesco, his brother. Baglione. ib.
  • Zucco, Francesco, a Bergamese, d. 1627. Tassi. iii. 334.
  • Zugni, Francesco, a Brescian, d. 1636, aged 62. Ridolfi. More correctly d. 1621. Zamboni, p. 15. iii. 327.
  • Zupelli, or Cappellini, Gio. Batista, of Cremona, flourished at the close of the fifteenth century. Zaist. iv. 160.

SECOND INDEX.

Historical and Critical Publications cited in this Work.

A B C D E F G H J L
M N O P R S T V W Z

A.

  • Abbecedari—Historical Dictionaries—their authors, editions, and opinion on them, Preface, xx.
  • Affò, P. Ireneo, M. O., Il Parmigiano Servitore di Piazza, or Account of the Paintings of Parma. Parma, 1794, 8vo. iv. 75, et seq. (throughout the whole school of Parma).
  • —— The same. Life of Francesco Mazzola, called Il Parmigianino. Parma, 1784, 4to. iv. 75, 123.
  • —— The same. Treatise upon a Chamber painted by Coreggio in the Monastery of Benedictine Nuns at S. Paolo in Parma. Parma, 1794, 8vo. iv. 96, et seq.
  • Albani, Francesco. His Opinions upon Painting. See Malvasia. Felsina Pittrice, vol. ii. p. 244; and Bellori, in his Lives, p. 44, second edition, i. 176. iv. 126. v. 113, 135.
  • Alberti, Romano. Origin and Progress of the Academy of Design. Pavia, 1604, 4to. ii. 143.
  • Algarotti, Count Francesco. Essay on Painting. Leghorn, 1764, 8vo. It is cited in the Preface, pp. ii. and xxxii.; and in vol. iii. 139, 386. iv. 46, 103, 124. v. 127, and other places.
  • —— The same. Letters. Leghorn, 1784, 8vo. iv. 46, 48. v. 167, 276, 277.
  • Allegranza, P. M. Giuseppe. D. O. D. P. Explanation of, and Reflections upon, some sacred Monuments at Milan. Milan, 1757, 4to. iv. 208.
  • —— The same. Opusc. Eruditi. Cremona, 1781. ib.
  • Altan, Count Federigo. Memoirs of the Life of Pomponio Amalteo. They are inserted in vol. xlviii. of the Opuscoli Calogeriani. iii. 129.
  • Altan. The same. Treatise on the Vicissitudes of Painting in Friuli. It is inserted in the New Collection of the Opuscoli Scientifici e Filologici. Venice, vol. xxiii. iii. 5.
  • Amoretti. Observations on the Designs of Lionardo da Vinci. Milan, 1784. iv. 247.
  • —— Carlo. Historical Account of the Life, Studies, and Works of Lionardo da Vinci. Milan, 1804, 8vo. iv. 253.
  • Anecdotes des Beaux Arts. Paris, 1776, 1780, 3 vols. 8vo. ii. 11.
  • Argensville, (d') Ant. Joseph. Abridg. of the Lives of the most celebrated Painters. Paris, 1762, 4 vols. 8vo. Pref. v. and xxvi.; and vol. i. 142, 146, iii. 45, iv. 164.
  • Armenini, Gio. Batista. On the true Precepts of Painting, in three books. Ravenna, 1587, 4to. iv. 246, v. 94, 379.
  • Art of Vision, according to the Principles of Sulzer and of Mengs, applied to the Fine Arts. Venice, 1781, 8vo. Pref. xxxvi.
  • Averoldi. See Guida di Brescia.
  • Azara (d') Cav. Giuseppe Niccola. Memoirs of Mengs; and Observations on the treatise of Mengs, bearing title, Reflections on the Beautiful. ii. 75, 91, 315.
  • Azzolini, Ugurgieri, P. Isidoro. Le Pompe Sanesi. Pistoia, 1649, 4to. i. 374, 444, iv. 118.

B.

  • Baglione, Cav. Giovanni. Lives of the Painters, Sculptors, and Architects, from the pontificate of Gregory XIII. in 1573, to the time of Pope Urban VIII. in 1642. Naples, 1733, 4to. ii. 228. It is cited in the Roman school, the Florentine, andothers.
    • Corrected, i. 287.
    • Opinion on the work, ii. 228.
  • Baldeschi, Ab. State of the Lateran Church in the year 1723. Rome, 1723, 4to. There is annexed a View of the remarkable objects in the said Church by Crescimbeni.
  • Baldinucci, Filippo. Account of the Professors of Design, from the time of Cimabue. Six volumes, 4to. printed at Florence between 1681 and 1688, and after the author's death, from 1702 to 1728:
    • his posthumous works completed by his son. i. 283. Cited throughout the work.
    • Accusations by various foreigners, i. 29, 378, v. 9.
    • Exculpated, i. 37, 51.
    • His mistakes, i. 32, 33, 34, 42, 61, 280, 382, 387, ii. 12, 19, 269, 270, iv. 159, 176, v. 9, 360.
  • Baldinucci. The same, with various dissertations, notes, and additions, by Giuseppe Piacenza, an architect of Turin. Turin, 2 vols. 4to. 1768 and 1770. i. 31, 151, ii. 9, v. 19, 452.
  • —— The same, with notes by Manni, 20 vols. 8vo. Florence, from the year 1767 to 1774. Corrected, i. 126.
  • —— The same. Opuscoli contained in vol. 21 of the before-mentioned edition. Preface, xxviii. i. 19, 51.
  • Barbaro, Monsig. Daniello. The Practice of Perspective. Venice, 1669, fol. iii. 49.
  • Bardon, Dandre. Traité de Peinture, &c. Paris, 1765, 2 vols. 12mo. ii. 149.
  • Barocci, Giacomo, see Danti.
  • Barri, Giacomo. Picturesque Tour in Italy. Venice, 1671. iii. 294, iv. 92.
  • Bartoli, Francesco. Account of the Paintings, Sculpture, and Architecture of Italy. 2 vols. Venice, 8vo, 1776, 1777, cited in vol. iv. p. 210,
    • in the Milanese school and that of Piedmont. Corrected, v. 478.
  • —— The same. See Guida di Rovigo.
  • Bartolini, Cav. and Cortinovis, P.
  • Baruffaldi, Girolamo. Lives of the most celebrated Painters and Sculptors of Ferrara. They are cited by Guarienti as already edited at Ferrara; but there only exist MSS. with the additions of the Can. Luigi Crespi, respecting the Professors of Ferrara and Lower Romagna, in the hands of the Cav. Jacopo Morelli and the Cav. Lazara. v. 282, et seq.
  • Bellori, Giampietro. Lives of the modern Painters, Sculptors, and Architects. Rome, 1672 and 1728, 4to. with the addition of the life of the Cav. Luca Giordano. Cited in the Preface, xxxviii. i. 176, ii. 131, 427, and other places throughout the work and index.
    • Opinion upon this author, ii. 6.
  • —— The same. Other MS. lives, supposed to be lost, but by some asserted to exist. See De Murr, Bibliothèque de Peinture, vol. i. p. 28. v. 124.
  • —— The same. Life of the Cav. Carlo Maratta. Rome, 1731, 4to. ii. 281.
  • —— The same. Description of the figures painted by Raffaello d'Urbino in the Vatican palace; where it is inquired also whether Raffaello enlarged and improved his manner by viewing the works of Michelangiolo. Edit. 2. Rome, 1751, folio. ii. 73, 121, 278.
  • Bertoli, Canon. Giandomenico. Sacred and Profane Antiquities of Aquileia. Venice, 1739, folio. The 2d vol. of this work is in MS. tom. i. p. 1. iv. 207.
  • Bettinelli, Ab. Saverio. Revival in Italy of Studies, Arts, and Manners, after the year 1000, 2 vols. 8vo. Bassano, 1775, 1786. i. 14.
  • —— The same. Of Mantuan Letters and Arts, in two discourses. Mantua, 1774, 4to. iv. 31, 85.
  • Bevilacqua, Ippolito. Memoirs of the Life of the Painter Gio. Bettino Cignaroli. Verona, 1771, 8vo. iii. 380.
  • Bianconi. See Guida of Milan and of Bologna.
  • —— The same. Letter on a Miniature of Simon da Siena, in second vol. of Sienese Letters, by P. della Valle, i. 392.
  • Bibiena, da, Ferdinando Galli. Directions for young Students of Civil Architecture. Bologna, 1725, 8vo. The same, with new additions, 1731, 8vo. 2 vols. Ed. of Parma was in 1711. v. 272.
  • Boni, Ab. Mauro. On the painting of a Banner of the Fraternity of S. Maria di Castello, and on other works executed in Friuli by Gio. da Udine. Udine, 1797, 8vo. iii. 249.
  • —— Cav. Onofrio. Eulogy on the Cav. Pompeo Batoni. Rome, 1787, 8vo. ii. 320.
  • Borghini, Raffaello. Il Riposo. Florence, 1584, 8vo.; and again with annotations, 1730, 4to. Cited, Preface, xxxii. i. 231, et seq.
  • Borsieri, Girolamo. See Morigia. Milan, 1619, 8vo.
  • Boschini, Marco. La Carta del Navegar Pittoresco. Venice, 1660, 4to. Cited often in book i. of volume iii. Noticed, p. 52.
    • The plan of this work, iii. 260.
    • His verses, v. 427.
  • Boschini. See Guida of Venice and of Vicenza.
  • Bottari, Monsig. Gio. Notes to the Lives of Vasari. The edition made use of is that commenced at Leghorn, and continued at Florence in seven volumes, 8vo. from 1767 to 1772. Cited in Pref. xxxiii. and often throughout the work.
    • Its scope and merit, i. 242.
    • Not approved, i. 17, 165, 179, 181, 183, 264, 410, ii. 40, 363, iv. 101, 153, 215, 224, 234, v. 35.
  • —— The same. Notes to the Letters on Painting. Pref. xx. i. 240, 432.
  • —— The same. Dialogues on the Fine Arts. Lucca, 1754, 8vo. ii. 7.
  • Brandolese, Pietro. Testimonianze intorno alla Patavinità di Andrea Mantegna. Padua, 1805, 8vo. iii. 70.
  • —— Doubts as to the Existence of the Painter Giovanni Vivarino da Murano, newly confirmed, and refutation of a pretended authority to support it. Padua, 1807, 8vo. iii. 22.
  • Bugati, Dottor Gaetano. Historical and critical Notices of the Reliques and Worship of S. Celso Martire. Milan, 1782, 4to. iv. 208.
  • Bure, Guillaume François de, Bibliographie Instructive, vol. viii. 8vo. Paris, 1763, 1782. i. 141.

C.

  • Cambrucci. History MS. of Feltre. iii. 78.
  • Campi, Cav. Ant. Le Cronache di Cremona, 1575, fol.; and again at Milan, 1645, 4to. iv. 155, 159, 173, 184.
  • Carducci, Vincenzio. De las Excelencias de la Pintura. Baldinucci; or a Dialogue on Painting, its definition, origin, and essence. Madrid, 1633, 4to. i. 267.
  • Carrari, Vincenzo. Oration and Verses by several hands on the Death of Luca Longhi. Ravenna, 1681, 4to. iv. 103.
  • Castiglione, Fr. Sabba. Recollections, or Directions. Venice, 1555, 4to. iv. 248.
  • Catalogue of the existing Pictures and Paintings in the Casa Colonna. Rome, 1783, 8vo. ii. 268, and in the Index.
  • Catalogue of the Pictures, Drawings, and Books, which treat of the Art of Design, from the Gallery of the late Count Algarotti, in Venice, drawn up by the Architect Antonio Selva, 8vo. iii. 315, v. 260.
  • —— Ercolani. Verses and Prose written on a Series of excellent Paintings in possession of Signor Marco Filippo Ercolani, Prince of the Empire. A work of the painter Jacopo Alessandro Calvi. Bologna, 1780, 4to. iii. 16, and often in vol. v.
  • —— of Pictures now in possession of D. Gio. Dottor Vianelli, Canon of the Cathedral of Chioggia. Venice, 1790, 4to. v. 193, 415, and in the Index I.
  • Diary of the years 1720 and 1721, written by Rosalba Carriera; illustrated and published by the same Vianelli. Venice, 1793, 4to. v. 255.
  • Cavazzone, Francesco. Corona di grazie, favori, o miracoli della gloriosa Vergine Maria, fatti in Bologna, dove si tratta delle sue sante e miracolose immagini cavate dal suo naturale. MS. with date 1606.
    • Example of the noble Art of Design, &c. MS. with date of 1612. They are recorded by Crespi in his Felsina, p. 18. v. 27, 196.
  • Caylus, Bachiliere, Cochin the younger, writers upon painting in caustic, v. 353.
  • Cellini, Benvenuto. Two Treatises: one respecting the eight principal parts of the Goldsmith's Art; the other on matters connected with that of Sculpture, &c. Florence, 1731, 4to. i. 110, 126, iv. 227, 240.
  • —— The same. Life of Benvenuto Cellini, written by himself. Cologne, without date (which is Naples, 1728. See Note on the works of Cocchi, who wrote the preface). i. 93, 168.
  • Cennini, Andrea. Treatise on Painting. MS. i. 89.
  • Christ, Jo. Frederic. Dictionnaire des Monogrammes, Lettres Initiales, &c. translated from the German, with additions. Paris, 1750, 8vo. i. 128.
  • Cignaroli, Giambettino, a Veronese. Series of Veronese Painters inserted in vol. iii. of the Cronaca dello Zagata; and MS. notes to the work of Pozzo on the Veronese Painters. iii. 4.
  • Cittadella, Cesare. Historical Catalogue of the Painters and Sculptors of Ferrara. Ferrara, 1782, vol. iv. 8vo. v. 283, et seq.
  • Civalli, P. Provincial of the Conventuali Visita Triennale, inserted in vol. xxv. of the Antichità Picene. iii. 29, v. 34.
  • Cochin, Charles Nicholas. Voyage d'Italie, &c. Paris, 1758, 3 vols. 8vo. Lausanne, 1773, 3 vols. 12mo. Opinion on this work, pref. xxxvi. Cited, v. 305, and elsewhere.
  • Colucci, Ab. Giuseppe. Antichità Picene. Fermo, 21 vols. fol. 1792. ii. 8, 313, and elsewhere.
  • Combe, la, Mr. Portable Dictionary of the Fine Arts. Paris, 1752, 1754, 8vo. vols. ii. Pref. xxi. Corrected, iii. 113.
  • Comolli, Ab. Inedited Life of Raffaello d'Urbino, illustrated with notes. Rome, 1791, 4to. 2d ed. ii. 51, 52.
  • Conca, D. Antonio. Descrizione Odeporica della Spagna, &c. 4 vols. Parma, 1793, et seq. 8vo. i. 178, and in the Index.
  • Condivi, Ascanio. Life of Michelangiolo Bonarruoti. Rome, 1553, 4to. i. 150, et seq.
  • —— The same book, with annotations by Antonfrancesco Gori and by Mariette. Folio, Florence, 1746. i. 64, 177.
  • Cortona, da, see Ottonelli.
  • Cozzando, Lionardo. Abstract of the History of Brescia. Brescia, 1694, 4to. iii. 327.
  • Crespi, Can. Luigi. Felsina Pittrice; or Lives of the Bolognese Painters, not described by Malvasia. Rome, 1769, 4to. v. 5, and often in that book. Clamours against that work, v. 252.
  • —— Dialogues in defence of the same work, v. 251.
  • —— The same. Notes and Additions to the Lives of Baruffaldi. Opera, MS. v. 283. Cited often in the Ferrarese school. Corrected, v. 39.
  • —— The same. Letters on Painting. Pref. xxix. ii. 74, 76, v. 173, 249.
  • —— The same. Anticritical Dissertation upon two Readings by Manni, as to the Opinion that St. Luke practised Painting. Faenza, 1776, 8vo. ii. 9.
  • —— The same. The Certosa of Bologna described, with its Paintings. Bologna, 1772, 8vo. ii. 403, v. 133.
  • Crispolti, Ciatti, Alessi, writers on matters appertaining to Perugia, ii. 28.
  • Cumberland, Richard. Anecdotes of eminent Painters in Spain, &c. ii. 84, 318.

D.

  • Danti, P. Ignazio, a Dominican. Rules of practical Perspective, by Giacomo Barocci, called Il Vignola, with the Commentaries of the preceding. Rome, 1583, folio. v. 51.
  • Dati, Carlo. Lives of the Ancient Painters. Florence, 1667, 4to. Pref. xxxviii. i. 178, iv. 103.
  • Description, Historical, of the Monastery of Monte Casino. Naples, 1751, 4to. ii. 441.
  • —— of the Certosa di Bologna. See Crespi.
  • —— of the royal Temple and Monastery of S. M. Nuova di Monreale, folio. i. 4.
  • —— of Cartoons designed by Carlo Cignani, and of Pictures painted by Sebastian Ricci, with a Compendium of the Lives of two Professors. Venice, 1749, 4to. In the Index.
  • —— of Monte Oliveto Maggiore: o sia Lettera sopra l'Archicenobio di M. D. M., by Giulio Perini. Florence, 1788, 8vo. i. 411, 414.
  • —— of the Convent of Assisi. Angeli Francisci Mariæ Conventus Assisiensis Historia. Montefalisc., 1704, folio. i. 11, ii. 8.
  • Dictionaries of Painting, their authors, editions, and opinions on them. Pref. xx.
  • Dictionary, New Historical, &c., 22 vols. 8vo. Bassano, 1796. In my citations from this very laborious work, I might always give the name of the Ab. Francesco Carrara, who, to the illustrious names before mentioned in several Dictionaries, added in this work more than five thousand, for the most part of Italian literati or professors of the fine arts. He having also adduced many anecdotes respecting them, I have availed myself of several in this edition. See Index I.
  • Dolce, Lodovico, Dialogue on Painting. Venice, 1557, 8vo. i. 176, ii. 124.
  • Dominici, de', Bernardo. Lives of the Neapolitan Painters, Sculptors, and Architects. Naples, 1742, 1743, 1745, 3 vols. 4to. Writers from whom he collected them, ii. 384. Cited in the last mentioned volume, through the whole fourth book, iv. 150. Opinion on the work, ii. 384.
  • Durando, di Villa, Count Felice. A Discourse read on the 4th of April, 1778, with Notes. It is annexed to the Rules of the R. Academy of Turin, ib. 1778, folio. v. 492, and other places in the last book.

E.

  • Eulogies of Illustrious Tuscans. 4 vols. 8vo. Lucca, 1771, et seq. i. 150.

F.

  • Faccioli. Museum Lapid. Vicentinum. Vicentiæ, 1776, 3 vols. 4to. iii. 77, and in the Index.
  • Facius, Barthol. De Viris Illustribus; a work written in 1456, published by Mehus, at Florence, 1745, 4to. iii. 44.
  • Fantuzzi, Count Marco. Monuments of the Middle Ages at Ravenna. Venice, 1801, et seq., 6 vols. 4to. v. 37, 40.
  • —— Accounts of the Canon Gio. Andrea Cazzarini of Pesaro, a distinguished Painter and Man of Letters. Venice, 1804, 8vo. See Index I.
  • Federici, F. Domenico Maria, de' Predicatori. Account of Works of Design at Trevigi. Venice, 1803, 2 vols. 4to. ii. 113, iii. 5, 353, and often in the Venetian school. Cited, iii. 107.
  • Felibien, J. F. Entretiens sur les Vies et les Ouvrages des plus excellens Peintres, anciens et modernes. Paris, 1685 and 1688, 2 vols. 4to. Pref. xxxvii. i. 173, v. 58.
  • Francesconi. Conjecture that a Letter attributed to Baldassar Castiglione belongs to Raffaello d'Urbino. Florence, 1799, 8vo. ii. 66.
  • Franchi, Antonio. The Theory of Painting, &c. Lucca, 1739, 8vo. i. 303.
  • Fresnoy, Caroli Alphonsi. De Arte Graphica Liber. Paris, 1637, 8vo. Translated into several languages, and explained with notes by Mr. De Piles, and by other writers. See De Murr, p. 156. Preface, xxxii. iii. 140, and other places.

G.

H.

  • Hakert, Filippo. Memoirs of the Messinese Painters, written by Sig. Gaetano Grano. Naples, 1792, 4to. ii. 440.
  • —— The same. Letter on the Use of the various kinds of Varnish; and Answers to it. iv. 247.
  • Harms, Antoine Frederic. Tables historiques et chronologiques des plus fameux Peintres, anciens et modernes. Brunswick, 1742, fol. with additions. See De Murr, Bibliothèque de Peinture, p. 34. iii. 62, and in Index I.
  • Heinecken, d', Baron. Idée générale d'une collection complète d'Estampes. Vienna, 1771, 8vo. i. 100.
  • Huber, M. and C. C. H. Rost. Manuel des Amateurs de l'Art. Zurich, 1797, et seq., 8 vols. 8vo., iv. 55.
  • Hugford, Ignazio. Life of Anton Domenico Gabbiani. Florence, 1762, folio. i. 343.

J.

  • Junius Franciscus, de Picturâ Veterum. Roterodami, 1594, 2 vols. fol. Preface, xxxvii.

L.

  • Lami, Gio. Dissertation on the Italian Painters and Sculptors who flourished between 1000 and 1300. It is inserted in the treatise of Vinci. See the letter V. i. 15.
  • —— The same. Deliciæ Eruditorum. Florentiæ, 1736 and 1744, 13 vols. 8vo. Cited in tom. ii. 10.
  • —— The same. Interpretations of Tuscan Antiquities, particularly of the City of Florence. ib. 1766, 8vo. in Index I.
  • Lamo, Alessandro. Discourse respecting Sculpture and Painting, in which are considered the Life and Works of Bernardino Campo. Cremona, 1584, 4to. iv. 156, 162, 166, 180, 288.
  • —— Pietro, author of a MS. upon the Paintings of Bologna, cited in the Guide of the city, and of which a copy is in possession of the Cav. Lazara. v. 14.
  • Lancilotto. Cronaca Modenese, MS. iv. 40.
  • Lastri, Ab. L'Etruria Pittrice. Florence, 1791 and 1795, 2 vols. fol. i. 13, 31, 149.
  • Latuada, Serviliano. Description of Milan. ib. 1737 and 1738, 5 vols. 8vo. i. 7, iv. 210.
  • Lazzari, Arcip. D. Andrea. Historical Dictionary of Illustrious Professors of the Fine Arts in the City of Urbino. See Colucci. Tom. xxxi. ii. 189.
  • Lazzarini, Canon. Gio. Andrea. Dissertation on Painting, and notes, inserted in the Guida of Pesaro. Preface, xxxii. v. 120, 259, 260.
  • Leist, Lessing, Bar. di Budberg Raspe, Dott. Aglietti, writers on painting in oil, i. 84, et seq.
  • Lettere Pittoriche; or a Collection of Letters on Painting, Sculpture, and Architecture. Rome, 7 vols. 4to. from 1574 to 1773. They are cited in the Preface, x. and through the work.
  • Lioni, Ottavio. Lives of the most celebrated Painters of the seventeenth century, with their portraits; to which is added the life of Carlo Maratti. Rome, 1731, 4to. ii. 241.
  • Lomazzo, Gio. Paolo. Treatise on the Art of Painting, &c. Milan, 1584, 4to. Merit of the work, i. 137, 138, iv. 271. Often cited in the Milanese school, and throughout the work. Noticed, iv. 220, 267.
  • —— The same. Idea of the Temple of Painting, &c. Milan, 1590, 4to. In Bologna, without date of year, in 8vo. Why it is also called Theatre of Painting, iv. 210. Cited, i. 170, 246, and in several books of the work.
  • —— The same. Grotteschi, or Verses divided into seven books. Milan, 1587, 4to. iv. 273.
  • Longhi, Alessandro. Compendium of the Lives of the most celebrated Venetian Historical Painters in the present century, with their portraits taken from the life. Venice, 1762, folio. iii. 363, et seq.
  • Lorgna, Cav., Torri Cav. Astorri Gio. Maria, Fabro Giovanni. Treatises respecting the Punic Wax, and upon painting in caustic. v. 357.

M.

N.

  • Niceronus, Jo. Franc. Thaumaturgus Opticus perfectissimæ Prospectivæ. Romæ, 1643, fol. ii. 260.

O.

  • Orations in praise of the Fine Arts; by Cav. Puccini. Florence, 1794, 8vo. and ed. 1804, 8vo. i. 371. By Ab Magnani. Parma, 1794, 4to. v. 117. By Tagliazucchi, Turin, 1730, 8vo. v. 485. By Monsig. Carrara. Rome, 1758, 4to. i. 1.
  • Oretti, Marcello. He was a Bolognese, who travelled through Italy, and collected materials for a history of painting—consulted archives, sepulchral monuments, oral traditions, national annals, and the age of the artists. His 53 volumes were placed in the library of Prince Filippo Ercolani, who purchased them from his successors, and very kindly gave me the use of them for this work. The Cav. Gio. de Lazara, of Padua, assisted by Sig. Pietro Brandolese, of Lendinara, drew several inedited notices from these volumes, in addition to the number before extracted. They are added to this edition under two different heads, namely, Oretti Carteggio and Oretti Memorie, or the initials of these words. Under the first are comprehended notices of different artists, communicated in letters to Sig. Oretti, or to others, which he procured. Under the second are the notices collected by himself from the places he passed through, in particular at Bologna, from authentic documents and registers, monuments, &c. He is frequently noticed throughout Index I.
  • Orlandi, P. Pellegrino. Dictionary of Painting. Bologna, 1719, 4to. The author's letter preceding the work is dated 1718, to which period we refer the artists he therein mentions as living. Opinion of this work, pref. xiv. xx. Cited throughout the work. Its errors, i. 264, 286, iii. 160, 291, 293, 309, 332, iv. 229, 271, 227, v. 33, 35, 156, 291, 300, 325, 397, 410.
  • —— The same. Corrected and enlarged by Pietro Guarienti. Venice, 4to. 1753. Estimate of this book, pref. xiv. xx. Cited throughout the work, and in the Index of artists. Corrected, i. 252, iv. 210, 213, 310, v. 253, 257, 267, and in Index I.
  • —— The same, at Florence, 1776, 2 vols. 4to. Wanting in the Addenda of Guarienti, but with others by modern artists, pref. xx. Cited in Index I.
  • Orsini, Baldassare. Reply to the Letters on Painting, by Annibal Mariotti. Perugia, 1791, 8vo. ii. 7.
  • —— The same. See Guida di Ascoli.
  • Ottonelli, P. Giandomenico, and Pietro da Cortona. Trattato della Pittura e Scultura, uso e abuso loro, composto da un Teologo e da un Pittore. Florence, 1652, 4to. i. 337.

P.

  • Pagave, D. Venanzio. Notes and additions inserted in the Sienese edition of Vasari, vols. 3, 5, and 8. Cited, iv. 210, and elsewhere in the Milanese school, iv. 211.
  • Paggi, Gio. Batista. Observations on the Dignity of Painting. See Lett. Pittor., tom. vii. p. 148. v. 373.
  • Paggi. The same. Definition, or Division of the Art of Painting. Fol. edited in 1607. v. 396.
  • Palomino, Velasco, D. Antonio. Las Vidas de los Pintores e Statuarios eminentes Españoles. Londres, 1742, 8vo. Praised, and sometimes corrected, i. 180, ii. 123, 432, iii. 238, v. 458.
  • —— His great work. Madrid, 1715, 3 vols. 4to. ii. 431.
  • Panni, see Zaist.
  • Panzer, Giorgii Wolfangii. Annales Typographici ab Artis inventæ Origine ad annum MD. Nuremburgh, 1793, et seq. 10 vols. 4to. i. 139.
  • Papillon, Jean Bapt. Traité historique et pratique de la Gravure en Bois. Paris, 1766, 3 vols. 8vo. i. 106.
  • Pascoli, Lione. Lives of modern Painters, Sculptors, and Architects. Rome, 1730, 1736. 2 vols. 4to. Opinions on this author, pref. iii. Corrected, ii. 6, 28, v. 410. Cited, i. 71, ii. 23, 270, et seq.
  • —— The same. Lives of the Painters, Sculptors, and Architects of Perugia. Rome, 1732, 4to. ii. 6, and other parts of the Roman school.
  • Passeri, Gio. Batista. Lives of the Painters, Sculptors, and Architects who were employed at Rome, now deceased, from the year 1641 to 1673. Rome, 1772, 4to. Merit of this book, ii. 210. Cited, ii. 255, 390, and elsewhere in the same volume.
  • —— Advocate, Gio. Batista. History of Paintings on earthenware executed at Pesaro and the adjacent places. It is inserted in the Opuscoli del Calogerà. New Collection of P. Mandelli, 4 tom. Cited, ii. 172, and in the Index.
  • Patina. Caroli Patini Filia Icones celebrium Pictorum, earumque Descriptio. Patavii, 1691, fol. iii. 203.
  • Pelli, Bencivenni Giuseppe. Historical Essay on the R. Gallery of Florence. Florence, 1779, 2 vols. 8vo. i. 356, 367.
  • Piacenza, see Baldinucci.
  • Piles, de, Roger. Idée de Peintre parfait. Paris, 1699, 8vo. ii. 98. See also Fresnoy.
  • Pino, Paolo. Dialogue on Venetian Painting. Venice, 1548, 12mo. iii. 160.
  • Pio, Niccolo. Lives of Painters. MS. i. 438.
  • Plinii Historiæ Naturalis libri xxxvii. à Joanne Harduino illustr. Parisiis, 1723, 3 vols. fol. The thirty-fifth book is cited, which describes the ancient painters. Preface, xxxvi. i. 18, ii. 95, 337, iv. 107, 243, v. 353, and elsewhere.
  • Pozzo, P. Andrea, a Jesuit. On Perspective. Rome, 1693 and 1702, 2 vols. fol. ii. 337.
  • —— dal, Commendator, Bartolommeo. The Lives of the Painters, Sculptors, and Architects of Verona. Verona, 1718, 4to. i. 312, iii. 4, 32, and other places in the Venetian School.
  • Publications, periodical. Roman Anthology. i. 85, 87, ii, 39, and in Index I.
    • Memoirs of the Fine Arts. See De Rossi.
    • Pisan Journal. i. 87, 368, v. 449.
    • Venetian Journal. i. 55, 84.
    • Journal of Trevoux. v. 352.
    • Novelle Letterarie of Florence. i. 52, 76, et seq.
    • Esprit des Journaux. i. 85.
    • Zibaldone Cremasco del Ronna. iv. 223, and in Index I.
  • Puccini, Cav. Tommaso. Critical Examination of a work on Painting by Daniel Webb. Florence, 1707, 8vo. v. 130.